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Understanding Sound Waves and Their Properties

Chapter 14 discusses sound waves, including their production through tuning forks, types of sound waves (audible, infrasonic, ultrasonic), and the speed of sound in different media. It covers concepts such as intensity, the Doppler effect, interference, standing waves, and resonance in air columns. The chapter concludes with the phenomenon of beats resulting from interference of waves with slightly different frequencies.

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0% found this document useful (0 votes)
13 views39 pages

Understanding Sound Waves and Their Properties

Chapter 14 discusses sound waves, including their production through tuning forks, types of sound waves (audible, infrasonic, ultrasonic), and the speed of sound in different media. It covers concepts such as intensity, the Doppler effect, interference, standing waves, and resonance in air columns. The chapter concludes with the phenomenon of beats resulting from interference of waves with slightly different frequencies.

Uploaded by

wxinyu1991
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPT, PDF, TXT or read online on Scribd

Chapter 14

Sound
Producing a Sound Wave
 Sound waves are longitudinal waves
traveling through a medium
 A tuning fork can be used as an
example of producing a sound wave
Using a Tuning Fork to
Produce a Sound Wave
 A tuning fork will produce a
pure musical note
 As the tines vibrate, they
disturb the air near them
 As the tine swings to the
right, it forces the air
molecules near it closer
together
 This produces a high density
area in the air
 This is an area of compression
Using a Tuning Fork, cont.
 As the tine moves
toward the left, the
air molecules to the
right of the tine
spread out
 This produces an area
of low density
 This area is called a
rarefaction
Using a Tuning Fork, final

 As the tuning fork continues to vibrate, a succession of


compressions and rarefactions spread out from the fork
 A sinusoidal curve can be used to represent the
longitudinal wave
 Crests correspond to compressions and troughs to rarefactions
Categories of Sound
Waves
 Audible waves
 Lay within the normal range of hearing of
the human ear
 Normally between 20 Hz to 20,000 Hz
 Infrasonic waves
 Frequencies are below the audible range
 Earthquakes are an example
 Ultrasonic waves
 Frequencies are above the audible range
 Dog whistles are an example
Speed of Sound in a Liquid
 In a liquid, the speed depends on the
liquid’s compressibility and inertia

 B is the Bulk Modulus of the liquid


  is the density of the liquid
 Compares with the equation for a
transverse wave on a string
Speed of Sound in a Solid
Rod
 The speed depends on the rod’s
compressibility and inertial properties

Y
v=
ρ
 Y is the Young’s Modulus of the material
  is the density of the material
Speed of Sound, General
elastic property
v=
inertial property
 The speed of sound is higher in solids
than in gases
 The molecules in a solid interact more
strongly
 The speed is slower in liquids than in
solids
 Liquids are more compressible
Speed of Sound in Air

 331 m/s is the speed of sound at


0° C
 T is the absolute temperature
Intensity of Sound Waves
 The average intensity of a wave is the
rate at which the energy flows through
a unit area, A, oriented perpendicular to
the direction of travel of the wave

 The rate of energy transfer is the power


 Units are W/m2
Various Intensities of
Sound
 Threshold of hearing
 Faintest sound most humans can hear
 About 1 x 10-12 W/m2
 Threshold of pain
 Loudest sound most humans can tolerate
 About 1 W/m2
 The ear is a very sensitive detector of
sound waves
 It can detect pressure fluctuations as small
as about 3 parts in 1010
Intensity Level of Sound
Waves
 The sensation of loudness is
logarithmic in the human hear
  is the intensity level or the
decibel level of the sound

 Io is the threshold of hearing


Various Intensity Levels
 Threshold of hearing is 0 dB
 Threshold of pain is 120 dB
 Jet airplanes are about 150 dB
 Table 14.2 lists intensity levels of
various sounds
 Multiplying a given intensity by 10
adds 10 dB to the intensity level
Spherical Waves
 A spherical wave
propagates radially
outward from the
oscillating sphere
 The energy
propagates equally
in all directions
 The intensity is
Intensity of a Point Source
 Since the intensity varies as 1/r2, this is
an inverse square relationship
 The average power is the same through
any spherical surface centered on the
source
 To compare intensities at two locations,
the inverse square relationship can be
used
Representations of Waves
 Wave fronts are the
concentric arcs
 The distance between
successive wave fronts
is the wavelength
 Rays are the radial
lines pointing out from
the source and
perpendicular to the
wave fronts
Plane Wave
 Far away from the
source, the wave
fronts are nearly
parallel planes
 The rays are nearly
parallel lines
 A small segment of
the wave front is
approximately a
plane wave
Doppler Effect
 A Doppler effect is experienced
whenever there is relative motion
between a source of waves and an
observer.
 When the source and the observer are
moving toward each other, the observer
hears a higher frequency
 When the source and the observer are
moving away from each other, the observer
hears a lower frequency
Doppler Effect, cont.
 Although the Doppler Effect is
commonly experienced with sound
waves, it is a phenomena common
to all waves
 Assumptions:
 The air is stationary
 All speed measurements are made
relative to the stationary medium
Doppler Effect, Case 1
(Observer Toward Source)
 An observer is
moving toward a
stationary source
 Due to his
movement, the
observer detects an
additional number
of wave fronts
 The frequency
heard is increased
Doppler Effect, Case 1
(Observer Away from Source)
 An observer is
moving away
from a stationary
source
 The observer
detects fewer
wave fronts per
second
 The frequency
appears lower
Doppler Effect, Case 1 –
Equation
 When moving toward the stationary
source, the observed frequency is

 When moving away from the stationary


source, substitute –vo for vo in the above
equation
Doppler Effect, Case 2
(Source in Motion)
 As the source moves
toward the observer
(A), the wavelength
appears shorter and
the frequency
increases
 As the source moves
away from the
observer (B), the
wavelength appears
longer and the
frequency appears to
be lower
Doppler Effect, Source
Moving – Equation

 Use the –vs when the source is


moving toward the observer and
+vs when the source is moving
away from the observer
Doppler Effect, General
Case
 Both the source and the observer could
be moving

 Use positive values of vo and vs if the


motion is toward
 Frequency appears higher
 Use negative values of vo and vs if the
motion is away
 Frequency appears lower
Interference of Sound
Waves
 Sound waves interfere
 Constructive interference occurs when the
path difference between two waves’ motion
is zero or some integer multiple of
wavelengths

path difference = n
 Destructive interference occurs when the
path difference between two waves’ motion
is an odd half wavelength

path difference = (n + 1/2)
Standing Waves
 When a traveling wave reflects back on
itself, it creates traveling waves in both
directions
 The wave and its reflection interfere
according to the superposition principle
 With exactly the right frequency, the
wave will appear to stand still
 This is called a standing wave
Standing Waves, cont
 A node occurs where the two traveling
waves have the same magnitude of
displacement, but the displacements
are in opposite directions
 Net displacement is zero at that point
 The distance between two nodes is 1/2
 An antinode occurs where the standing
wave vibrates at maximum amplitude
Standing Waves on a
String

 Nodes must occur at the ends of the


string because these points are fixed
Standing Waves, cont.
 The pink arrows
indicate the direction
of motion of the
parts of the string
 All points on the
string oscillate
together vertically
with the same
frequency, but
different points have
different amplitudes
of motion
Standing Waves on a
String, final
 The lowest
frequency of
vibration (b) is
called the
fundamental
frequency
Standing Waves on a
String – Frequencies
 ƒ1, ƒ2, ƒ3 form a harmonic series
 ƒ1 is the fundamental and also the first
harmonic
 ƒ2 is the second harmonic
 Waves in the string that are not in the
harmonic series are quickly damped out
 In effect, when the string is disturbed, it
“selects” the standing wave frequencies
Standing Waves in Air
Columns
 If one end of the air column is
closed, a node must exist at this
end since the movement of the air
is restricted
 If the end is open, the elements of
the air have complete freedom of
movement and an antinode exists
Tube Open at Both Ends
Resonance in Air Column
Open at Both Ends
 In a pipe open at both ends, the
natural frequency of vibration
forms a series whose harmonics
are equal to integral multiples of
the fundamental frequency
Tube Closed at One End
Resonance in an Air
Column Closed at One End
 The closed end must be a node
 The open end is an antinode

 There are no even multiples of the


fundamental harmonic
Beats
 Beats are alternations in loudness, due to interference
 Waves have slightly different frequencies and the time
between constructive and destructive interference
alternates
 The beat frequency equals the difference in
frequency between the two sources:

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