GEOMETRY
&
CREATIVITY
Semester genap 2012/2013
From Ghyka and the
Euclidean practises of the
Modern movement
To the exploration of the
apparent non-Euclidian
by Post Modern pioneers of
the non Historicist stock
Eisenman, Gehry, Hadid
GEOMETRIC FORMS
1. The divine
The form whose existence is undeniable
2. The free form
Based on personal decision of the designer (curves of
no apparent origin, unfamiliar shapes)
3. The combinatorial
form
Geometric shapes composed of parts of the divine &
parts that may belong to free, accomodate the
complexity of the occasional architectural problem
The various lines & geometric shapes and their
architectural application through time
The various lines & geometric shapes and their
architectural application through time
Efforts to address issues
of non-Euclidean geometry
Unique geometric
application (Goff)
Use of polygonal & polyhedric systems
(Wright, Goff, Hecker)
Use of polygonal & polyhedric systems
(Wright, Goff, Hecker)
Summary of geometric
basics after Matila Ghyka.
After the original publication in
French 1931.
Craig Blackmon, School of
Architecture building,
fourth-year design studio
@UT Arlington, 1978
John Frederickson, School
of Architecture building,
fourth-year design studio
@ UT Arlington, 1978,
From the abstractions of
Piet Mondrian to the
exercises of John Hejduk
From the early efforts of
Peter Eisenman to the
Design Studio (Rich Scherr)
GEOMETRIC FIELD
From the abstractions of
Piet Mondrian to the
exercises of John Hejduk
RICARDO BOFILL
Les Espaces Abraxas
Marne La Valle Paris France
PLAN
Les Espaces Abraxas
Marne La Valle Paris France
GEOMETRIC GENERICS
ANTOINE PREDOCK
Rio Grande Nature Center and Preserve
Basic geometric
exercises can result
in buildings of
superior architectonic
appeal if articulated
appropriately, with
concern for the
topography & the
overall environmental
constraints
PLAN
FRANK O. GEHRY
Aerospace Museum
PETER EISENMAN
House Projects
UNSUR GEOMETRI
SQUARE MENDOMINASI
KOMPOSISI FASAD, SOLID
VOID MASSA, DAN
KESELURUHAN
KONFIGURASI RUANG &
BENTUK
KONFIGURASI RUANG
YANG TERJADI OLEH
PROSES TRANSFORMASI
GEOMETRIS
KONFIGURASI RUANG
YANG TERJADI OLEH
PROSES TRANSFORMASI
GEOMETRIS
HASIL OLAH GEOMETRI
RUANG AKSONOMETRIK
HASIL OLAH GEOMETRI
RUANG AKSONOMETRIK
RICHARD MEIER
Hoffman House
PROSES KOFIGURASI
BENTUK DENAH
ABSTRAKSI GARIS &
INTERRELASI SECARA
GEOMETRIS
KOFIGURASI BENTUK
DENAH
ZVI HECKER
The Spiral Apartment
BENTUK 3 DIMENSI
MEMBERI PENGALAMAN
GEOMETRI YANG DINAMIS
KONTEKS BANGUNAN DI
ATAS TAPAK
KOFIGURASI BENTUK
DENAH
ABSTRAKSI GARIS &
INTERRELASI SECARA
GEOMETRIS
Heinz Galinski School, Berlin
KONFIGURASI RUANG DAN BENTUK YANG TERJADI
OLEH PROSES TRANSFORMASI GEOMETRIS
Transformasi sketsa ide
geometris menjadi
komposisi ruang yg estetis
Heinz Galinski School, Berlin
FRANK LLYOD WRIGHT
Ralph Jester House
GEOMETRI DASAR BERUPA
LINGKARAN MEMBENTUK
RUANG SECARA 2 DAN 3
DIMENSI
KONFIGURASI RUANG
YANG TERSUSUN MELALUI
OLAH GEOMETRI
LINGKARAN
ZAHA HADID
IBA House,
Berlin
KONFIGURASI RUANG
YANG TERJADI OLEH
PROSES TRANSFORMASI
GEOMETRIS
It addresses the supermacy of geometric over
analytical depiction, and the reasons for the appeal
of geometry over the years. The early emphasis of
aesthetes on geometry was partial, with a focus on
elevations, proportional systems, and the concept
of symphonic composition. It also discusses about
the relationship of the various building types and
their corresponding fit with geometry and the
concept of geometric fields is viewed through
both historical examples and contemporary
complex building types. The caution he gave is that
geometry can be misused when the emphasis is on
form as opposed to the inclusivist concerns.