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This Is Right This Is Wrong This Is How You Survive

The document is a reflective poem exploring themes of identity, resilience, and the journey towards self-acceptance. It conveys the struggle of being heard and understood while navigating personal pain and societal expectations. Ultimately, it emphasizes the importance of choosing oneself and embracing honesty over performance in the pursuit of peace and authenticity.

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Nina Božić
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0% found this document useful (0 votes)
7 views18 pages

This Is Right This Is Wrong This Is How You Survive

The document is a reflective poem exploring themes of identity, resilience, and the journey towards self-acceptance. It conveys the struggle of being heard and understood while navigating personal pain and societal expectations. Ultimately, it emphasizes the importance of choosing oneself and embracing honesty over performance in the pursuit of peace and authenticity.

Uploaded by

Nina Božić
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

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I was born somewhere between


a question and a silence,
between a breath I didn’t take
and a word I never said.
The world was loud that day,
but I arrived quietly,
as if I already knew
that being loud doesn’t mean being heard.

They taught me names for things


before they taught me meaning.
They said: this is right, this is wrong,
this is how you survive.
But nobody explained
what to do with the nights
when your chest feels too small
for everything you feel.

So I learned to fold myself.


I learned how to smile on command,
how to nod at sentences
that never included me.
I learned how to be present
without taking up space,
how to disappear
while standing right there.

And maybe that’s where the song began—


not as music,
but as pressure.
As something pressing against my ribs,
asking to be let out,
asking for air.

There are memories I carry


like loose change in my pockets—
small, sharp, always reminding me
they’re there when I move.
A look that lasted half a second too long.
A door that closed softer than it should have.
A sentence that sounded harmless
until it lived in my head for years.

People say, time heals,


but time is a strange doctor.
Sometimes it stitches you up,
sometimes it just teaches you
how to walk with the wound.

I don’t remember when I stopped explaining myself.


I think it happened slowly,
like dusk replacing daylight—
no clear moment,
just a quiet realization
that no one was really listening anymore.

So I saved my explanations
for the dark.
For the ceiling.
For the pages that never talked back
but never misunderstood me either.

If this were a song,


this would be the verse
where everything sounds almost calm.
Where the melody pretends
nothing is wrong yet.
Where the listener doesn’t know
what’s coming,
but feels it anyway.

Because under the calm


there’s movement.
Under the silence
there’s a scream learning its shape.
And under every “I’m fine”
there’s a storm practicing patience.
I have loved people
in ways that never asked to be returned.
Quietly.
Carefully.
Like touching something fragile
with hands that shake.

I’ve loved in survival mode—


not asking for too much,
not hoping too loudly,
not leaning too hard
in case the floor gave up on me.

And when it ended


(as it always does),
I didn’t ask why.
I asked what about me made this easy to leave?

That question still echoes.


Not loudly.
Just often.

They say you should romanticize your life.


Turn pain into poetry,
loneliness into art,
loss into a lesson.
So I tried.

I turned my sadness sideways


and called it depth.
I renamed exhaustion
as ambition.
I told myself
that drowning slowly
was just another way of floating.

But even poetry gets tired


of pretending.
This is the part of the song
where the chorus almost starts—
where everything pulls back,
holding its breath.
Where the truth lines up behind the curtain,
waiting for its cue.

Because the truth is simple,


and simplicity is terrifying:

I wanted to be chosen
without having to perform.
I wanted to rest
without feeling guilty.
I wanted to exist
without apologizing for the sound of my voice.

Some nights I imagine


what it would feel like
to be held without being evaluated.
To be loved without conditions
disguised as concern.
To be asked, how are you really?
and not have the answer scare anyone away.

Maybe that’s naïve.


Maybe that’s human.

If this were a song,


the music would drop here.
Just for a second.
So you could hear
how tired the voice is.
Not dramatic tired—
honest tired.
The kind that doesn’t want saving,
just understanding.
I am not broken.
I am unfinished.
There’s a difference,
even if the world treats them the same.

And somewhere ahead—


past the doubt,
past the rehearsed smiles,
past the fear of being seen—
there is a version of me
who sings this louder.

Not because it hurts more,


but because it hurts less.

There is a strange grief


in realizing you’ve been strong
for longer than anyone should have to be.
Not the heroic kind of strength—
the quiet, practical kind
that grows from necessity,
from knowing no one else is coming
to hold the weight with you.

I learned early
that resilience is often just
a lack of alternatives.
You don’t rise because you’re brave.
You rise because staying down
was never an option offered to you.

And people admire that.


They say things like,
“You handle things so well,”
“You’re so independent,”
“You don’t need anyone.”

They don’t see the cost.


They don’t hear the echo
of all the times you did need someone
and learned how to swallow that need
without choking.
If this were a song,
this would be the verse
where the rhythm tightens.
Where the words come faster,
not because there’s urgency,
but because there’s backlog.
Years of unsaid sentences
trying to leave all at once.

I have built entire worlds


inside my head—
places where conversations finish properly,
where apologies don’t get stuck halfway,
where closure isn’t a luxury item
only some people can afford.

In those worlds,
people listen without preparing defenses.
They stay curious instead of correct.
They don’t confuse cruelty with honesty
or silence with peace.

In those worlds,
I don’t have to translate myself.

But reality is louder.


Messier.
More interested in being right
than being kind.

So I learned to edit myself in real time.


To shorten sentences
before they became uncomfortable.
To turn vulnerability into humor
and hope into something ironic enough
to survive public exposure.
It’s amazing how well people accept you
when you ask for nothing.

There’s a loneliness
that comes from being understood incorrectly.
From being praised for qualities
you developed as armor.
From hearing someone say,
“I wish I were as strong as you,”
and thinking,
“I wish I didn’t have to be.”

This is the pre-chorus moment.


The rise.
The place where the voice cracks
not from sadness,
but from pressure.

Because here’s the truth


I never say out loud:

I am tired of earning my place.


Tired of proving my worth
through endurance.
Tired of confusing survival
with success.

I don’t want to be impressive anymore.


I want to be honest.
I want softness without explanation.
I want rest that doesn’t feel like failure.
I want to stop mistaking peace
for boredom
just because chaos is what I know.

If this were the chorus,


it wouldn’t be loud.
It wouldn’t beg to be remembered.
It would repeat gently,
like something you hum
without realizing it’s stuck in your head:

I am allowed to take up space.


I am allowed to change my mind.
I am allowed to want more
than just getting through the day.

I am allowed.

And maybe that’s why this feels dangerous—


because self-permission
is a radical act
when you’ve been conditioned
to earn everything twice.

I think about all the versions of me


that didn’t make it this far.
The ones who almost gave up.
The ones who stayed silent one time too many.
The ones who believed
that being loved
meant being smaller.

I carry them with me.


Not as ghosts,
but as proof.

There’s a moment—
somewhere between falling asleep
and waking up—
where everything is honest.
No performance.
No armor.
Just breath and thought
sharing the same fragile space.
That’s where I meet myself most clearly.
Not as who I am to others,
but as who I am
when no one is watching.

And she’s not dramatic.


She’s not broken.
She’s just tired
and still trying.

If this were a song,


the instruments would pull back again here.
Let the silence do some of the work.
Let the listener sit with the truth
instead of rushing past it.

Because silence,
when chosen,
is not empty.
It’s honest.

I don’t know what comes next.


Healing doesn’t follow a neat structure.
There’s no bridge that cleanly connects
who you were
to who you’re becoming.

But I know this:


I am done disappearing
to make things easier for others.
I am done shrinking my voice
to fit rooms that never wanted to hear it anyway.

The song doesn’t end here.


It hasn’t even reached its turning point yet.
But something has shifted.
Not dramatically—
just enough
to change the direction of the sound.

End of PART 2

There is a quiet courage


in choosing yourself
after a lifetime of choosing peace
at your own expense.
It doesn’t look brave from the outside.
It looks like hesitation.
Like pauses in conversation.
Like learning when to stop explaining.

But inside,
it’s a revolution.

I used to believe clarity would save me—


that if I could just find the right words,
say them gently enough,
logically enough,
kindly enough,
people would finally understand
what I needed.

What no one tells you


is that clarity only works
when the other person
is willing to hear it.

So I stopped chasing understanding


from places
committed to misunderstanding me.

If this were a song,


this would be the verse
where the melody changes key—
subtle, but irreversible.
The moment you feel
that things will never sound
the same again.

I am learning the difference


between loneliness
and solitude.
One feels like absence.
The other feels like choice.

I am learning that being alone


is not the same
as being abandoned.
Sometimes it’s just
the space you need
to finally hear yourself think.

I spent years
being available.
Emotionally reachable.
Endlessly patient.
I confused accessibility
with love.

Now I am learning boundaries—


not as walls,
but as doors.
I decide who gets the key.
I decide how long they stay.
I decide when it’s time
to lock up for the night.

That choice alone


has changed everything.

There’s grief in growth


that no one prepares you for.
You don’t just outgrow pain—
you outgrow people,
patterns,
versions of yourself
that once kept you safe.

And even when leaving is necessary,


it still hurts
to say goodbye
to what was familiar.

This is the part of the song


where nostalgia tries to sneak in—
dressed up as comfort,
whispering that maybe things
weren’t that bad.
That maybe you’re exaggerating.
That maybe you should go back.

But growth doesn’t happen


in places that ask you
to betray yourself
for the sake of belonging.

I am no longer interested
in potential.
In “almost.”
In waiting rooms disguised as relationships.
I want what is present.
What is consistent.
What doesn’t disappear
the moment I stop trying.

I want ease
that doesn’t feel suspicious.
Love that doesn’t require
constant self-editing.
Connection that doesn’t ask me
to disappear between lines.
If this were the chorus again,
it would sound steadier this time.
Less pleading.
More grounded.

I am not asking for too much.


I am asking the wrong people.

There is power
in walking away quietly.
Not to punish.
Not to prove a point.
But to protect
what little softness you’ve managed
to grow back.

Not every ending needs an explanation.


Some endings
are explanations.

I think about the future


less as a destination
and more as a direction.
I don’t need certainty.
I need alignment.

I need mornings
that don’t start with dread.
I need conversations
that don’t feel like negotiations.
I need laughter
that doesn’t cost me recovery time.

If this were a song,


this would be the bridge—
not dramatic,
but honest.
The place where the voice
is no longer trying to convince anyone.
Just stating facts.

I am changing.
Not into something harder—
into something truer.

I will still feel deeply.


Still hope.
Still get scared.
But I will no longer mistake intensity
for intimacy
or chaos for chemistry.

Peace might be quieter,


but it stays.

This song isn’t about becoming fearless.


It’s about becoming selective.
About choosing what deserves your energy
and letting the rest
fade into background noise.

And maybe that’s what healing really is—


not fixing what’s broken,
but refusing to keep breaking yourself
for things that cannot hold you.

End of PART 3

There comes a moment


when survival stops being the goal
and living steps quietly forward,
asking for a chance.
It doesn’t announce itself.
It doesn’t rush.
It just waits—
patient, almost shy—
until you’re tired enough
to listen.

I used to measure my days


by how much I could endure.
How much I could carry
without dropping anything.
How long I could keep moving
before someone noticed
I was exhausted.

Now I am learning
to measure my days differently.
By softness.
By honesty.
By how often I feel like myself
instead of a version built for others.

If this were a song,


this would be the verse
where the rhythm loosens.
Where the beat gives the words
room to breathe.
Not everything needs to rush anymore.
Not everything is an emergency.

I am beginning to trust
the quiet joys.
Morning light on the wall.
Music playing in another room.
A deep breath that reaches my stomach.
These moments don’t demand attention—
they earn it by staying.

And maybe happiness


was never meant to be loud.
I think about how often
I abandoned myself
for the sake of being understood.
How many times I stayed
when my body was already leaving.
How often I ignored my intuition
because someone else sounded more confident.

I don’t blame myself for that.


I was learning.
I was surviving.
I was doing the best I could
with what I knew at the time.

But I know better now.

There is a strength
in listening to your body.
In honoring discomfort
before it turns into damage.
In believing that tension
is information,
not something to be pushed through endlessly.

Rest is not laziness.


Distance is not cruelty.
Choosing yourself
is not selfish.

If this were the chorus,


it would feel lighter—
not because everything is fixed,
but because everything is honest.

I am allowed to slow down.


I am allowed to say no.
I am allowed to change
without explaining myself
to everyone who remembers an older version of me.
Some people will not recognize you
when you stop performing.
They will miss the version of you
that never asked for anything.
They will call your boundaries cold,
your distance confusing,
your growth inconvenient.

Let them.

Growth is not a group decision.

I am learning that peace


sometimes looks like boredom
to people addicted to chaos.
That consistency can feel strange
when instability was familiar.
That safety can feel unreal
when you’re used to bracing for impact.

But I am staying anyway.

If this were a song,


this would be the part
where the listener realizes
the pain is no longer in control.
It still exists,
but it’s not driving.

The hands on the wheel


are steady now.

I don’t know who I’ll be


a year from now.
I don’t need to.
I just know I won’t abandon myself
to be more palatable,
more convenient,
more acceptable.

I am done negotiating
my worth.

The future doesn’t scare me


the way it used to.
It feels open.
Unwritten.
Like a page that isn’t demanding perfection—
just presence.

And for the first time,


that feels enough.

This song is no longer a confession.


It’s a commitment.
Not to being healed,
but to being honest along the way.

To staying.
To choosing myself
even when it’s uncomfortable.
Especially then.

End of PART 4

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