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The document is a personal letter by Father José María Clotet, written in 1889, detailing his observations of the Bukidnon people of North-Central Mindanao, including their customs, dress, religion, and social structure. Clotet describes their physical traits, clothing styles, polytheistic beliefs, and social practices such as marriage and justice systems. He emphasizes the impact of missionary work in converting many Bukidnon to Christianity, highlighting both their cultural richness and the changes brought about by these interactions.

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0% found this document useful (0 votes)
22 views7 pages

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The document is a personal letter by Father José María Clotet, written in 1889, detailing his observations of the Bukidnon people of North-Central Mindanao, including their customs, dress, religion, and social structure. Clotet describes their physical traits, clothing styles, polytheistic beliefs, and social practices such as marriage and justice systems. He emphasizes the impact of missionary work in converting many Bukidnon to Christianity, highlighting both their cultural richness and the changes brought about by these interactions.

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syllaen
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
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Study Guide: "The Bukidnon of North-Central Mindanao in 1889" by Father

José María Clotet, S.J.

I. Document & Author Background

●​ Author: Father José María Clotet, a Jesuit professor at the Ateneo Municipal in
Manila.
●​ Type of Document: A personal letter to his superior, Reverend Father Rector
Miguel Rosés.
●​ Date & Place Written: Talisayan, Misamis, Mindanao; May 11, 1889.
●​ Basis of Information: Clotet's own observations during an April-May 1889
"expedition," plus testimony from veteran missionaries (e.g., Fr. Eusebio
Barrado) and civil servants (e.g., Don Procopio de Alcántara).
●​ Purpose: To report on the "religion, manners, and customs of the mountain
people" (la raza montes) based on visits to "reductions" (Spanish-organized
settlements) and "visitas" (settlements without a resident priest).

II. The Bukidnon People: General Overview

●​ Name & Meaning: Known as Buquidnons (Spanish spelling) or Bukidnon. Clotet


incorrectly translates it as "forest-dwellers"; the editor notes it means "mountain
people."
●​ Location: District of Misamis, Mindanao. Divided into three groups:
○​ Those in mountains/plains irrigated by Tagoloan, Cagayan, and Iponan
rivers.
○​ Those adjacent to the Manobos of the Agusan valley between Gingoog
and Nasipit.
○​ Those on the right bank of the Pulangui River and its branches.
●​ Population: Estimated at more than 13,000.
●​ Physical & Character Traits:
○​ "Of good stature and graceful build, and even handsome."
○​ "Affable and frank... some are so clever and polished as to measure up in
every way to the most civilized Bisayans."
○​ Mental capacity would make them "kings of all the Manobos."
○​ Despite this, "his understanding is obscured and confused by false
ideas," leading to "recurrent lapses into selfishness, self-interest, and
self-complacency."

III. Dress and Adornment

●​ General: Their dress is, "in point of decorum and modesty, better than that of all
the other peoples of Mindanao."
●​ Women's Dress:
○​ White shirts tucked into ankle-length skirts, covered by a short,
close-fitting shirt with colorful "fine patchwork."
○​ Short, full sleeves similarly ornamented.
○​ From the waist: rings (arcillos), bundles of sweet-scented herbs, glass
beads, and cascabels.
○​ Leg rings of copper, brass, or silver, worn loosely to make sound when
walking.
○​ Singular hair style: a large, high crown from the principal lock, with short
bangs. Topped with a beautiful metal comb.
○​ Jewelry: Many bracelets (metal, tortoise-shell, taclobo); wide ear-plugs
(balaring) of wood with metal ends; various necklaces and rings.
○​ A notable necklace made of old silver coins, centered on a flattened duro
of Charles III, worth about thirty pesos. Such precious ornaments are
passed "from parents to children for many generations."
●​ Men's Dress:
○​ Simple, like lowland Filipinos (indios).
○​ Formal dress: "long breeches of European cloth," jackets, fine beaver
hats, shoes, expensive shirts worn inside trousers.
○​ Some blacken and file teeth; the very rich cover teeth with thin gold
sheets.
○​ Some cut hair; others let it grow, twisting it into a knot concealed by a red
kerchief "in the style of the swains [charros] of Aragón."
●​ Post-Baptism: Adornments are removed as they are "used as amulets."
Missionaries give medals, rosaries, and scapulars instead.

IV. Religion, Deities, and Superstitions


●​ General: They have "some ideas of God, heaven, eternity, and of the first man,"
but notions are "material, limited, and disfigured."
●​ Polytheism: Four gods at the cardinal points:
○​ North: Domalóngdong
○​ South: Ongli
○​ East: Tagolámbong
○​ West: Magbabaya ("the all-powerful one")
○​ These four "rule and govern this great world mechanism."
●​ Other Deities/Spirits:
○​ Ibabásug: Invoked for successful childbirth.
○​ Ipamahandi: Cares for carabaos, horses, and cattle.
○​ Tagumbanua: God of the fields; honored with the feast caligaafter harvest.
○​ Tao sa sultup: "Men of the woods" (like anitos), invoked in war, sickness,
journeys. Believed to live in big trees or crags.
○​ Magtitima: An invisible forest being dwelling in the balite tree, requiring
sacrifice of white chickens.
●​ Idols:
○​ Tigbas: A stone idol "believed that it came down from heaven."
Possessed only by chief datos.
○​ Talian: An idol made of alder root, shaped like a squatting monkey. Used
for divination: to detect ambushes (swung like a plumb-bob), to cure
sickness (submerged in water to drink or touched to body), and to locate
lost objects.
●​ Spirits & Sacrifice:
○​ Busao: The evil spirit, offered food/drink with songs and dances to keep
him well-disposed.
○​ Sacrifices (offered by old men) consist of "fruits of the earth" and
immolation of pigs/chickens.
○​ An altar may be an upright column with a plate for offerings, with
cross-pieces to hold little idols.

V. Social Structure, Customs, and Law

●​ Leadership: Ruled by datos. A higher title is Masalicampo (Maestre de Campo),


conferred by Spanish authorities for service (e.g., fighting Moros).
●​ Marriage:
○​ Arranged by elders or the Masalicampo.
○​ Ceremony involves exchange of words and a ball of rice from parents.
The groom gives his rice ball to the bride, effecting the marriage,
symbolizing "mutual and familial support."
○​ Followed by a feast and a "solemn drunken revel" with pangasiliquor.
○​ Polygamy exists but is less common; few have "two or three wives"
unless they are datos.
●​ Safe Conduct: A spear called quiap (large, silver-inlaid) is given by a head dato
as a safe-conduct pass through other datos'territories.
●​ Wealth Display: Head datos show affluence with enormous vases, valued
agongs (gongs), and prized quadrangular prismatic boxes ornamented with
cuarto coins.
●​ Weapons:
○​ Balarao (traded from Manobos), bangcao (spear), bolos, and kris (with
Moro inscriptions, obtained via trade).
○​ Coat of mail: Brass plates/wire, trimmed with silver, seen by Fr. Barrado
(later donated to Ateneo Museum).
●​ Justice System:
○​ Have "laws and courts for the punishment of theft and other crimes,"
passed "from parents to children."
○​ Head dato presides, wearing the pinditon (three-pointed cloth crown).
Subordinate datos assist.
○​ Spears are left outside the court to prevent vigilantism.
○​ Penalties are executed swiftly. For less serious crimes, a fine of plates or a
Chinese jar is paid.
○​ Ritual of Reconciliation: After a fine, offender and offended must
simultaneously cut a piece of rattan with a bolo. Failure to cut it "at one
stroke" signifies ongoing enmity.
●​ Serious Crime: A murderer of a dato and all his descendants are considered
perpetual slaves.

VI. Daily Life, Livelihood, and Technology

●​ Fire-making: Use a strike-a-light or fire-piston: two wooden cylinders, one


hollow, one solid with tinder and sulphur. A sharp blow and quick pull creates
fire.
●​ Tobacco & Buyo: Grow high-quality tobacco, smoked in small pipes (clay, wood,
horn) or chewed. Lime for buyo is kept in decorated brass boxes.
●​ Travel: Use the salapa (brass crescent-shaped box at waist) and lotoan
(embroidered pouch) for belongings. Excellent hikers and horsemen. Horses are
caparisoned with strings of cascabels.
●​ Agriculture:
○​ Main crop: corn (food and cash crop). Also plant rice, abaca, cotton.
○​ Planting Time: Determined by observing constellations, which they have
named with "strange and completely arbitrary names."
○​ Tools: A plow (different from Spain's), an adze for roots, a small hoe.
○​ Corn Mills: Common in houses; two stone discs, one fixed, one moved by
a handle.
○​ Cotton Gin: In Jasaan, an apparatus of two closely set, threaded wooden
cylinders to separate seeds from fiber, operated by a crank.
●​ Exploitation: Cheated by "Chinese traders" in abaca trade, who deceive them in
price/weight and get them drunk.
●​ Music & Song: Sing at dawn during rice harvest. Songs are "sad and
monotonous," about ancestors, heroes, or a corrupted story of Adam and Eve.
●​ Instruments: Pulala (shrill bamboo clarinet), bamboo flute, tiape(three-string
guitar imitation), dayuray (small drum from coconut shell/bamboo).

VII. Beliefs, Omens, and Taboos

●​ Naming Taboo: It shows "a lack of education and good breeding" to mention
someone's name directly in conversation.
●​ Omens & Superstitions:
○​ Rainbow: Believed to be the "colored girdle of two famous men, Banlac
and Aguio," who jumped to heaven from Balabag hill.
○​ Time Reckoning: "Reckon by nights and not by days."
○​ Moon Halo: When away, a halo means someone is on trial at home,
prompting immediate return.
○​ Sunshower: If it rains while sun shines on distant woods, it means
Bukidnon are fighting there and "the sun wants to keep on lighting the
scene."
○​ Limocon Bird: Its song under certain conditions means danger or an
ambush; they will not leave home or will turn back.
○​ Labud Worm: Crossing the road necessitates turning back to avoid
sickness/accident.
○​ Poultry Omen: If a cock/hen flies in front of a visitor, the hosts kill and eat
it with the guest to "rid him of his fright and to bring back the soul," as
they believe "fright separates soul from body, while joy brings it back."

VIII. Architecture and Burial Practices

●​ Houses in Settlements: "Very spacious and comfortable," with a projecting


gallery. Some have board walls sewn together with rattan through holes,
needing "no nails, hammers, or saws."
●​ Houses in Forest: "Low-walled houses raised high above the ground for fear of
the spears of their enemies."
●​ Burial Practices: Show "very great respect for the dead."
○​ Buried in fields with lance, bolo, and other precious objects.
○​ A small mound is raised, covered by a roof of tree bark supported by tree
trunks in an X-shape.
○​ A small sack of rice is hung on a stick to sustain the deceased on the
journey to Mount Bolotucan.
○​ At Bolotucan, the deceased "jumps up to heaven with a single leap,"
reaching a height "depending on the probity of his life."
○​ Relatives loose their hair in mourning for a period.

IX. Missionary Work and Conclusion

●​ Clotet's Purpose: To illustrate the "obscurity and darkness" before missionary


work.
●​ Success Reported: "In less than four years more than 6,600 pagans... have been
illumined by the torch of the faith, have renounced their false beliefs and
ridiculous superstitions, and have been born again in the waters of baptism."
●​ Final Sentiment: He praises the "happy missionaries" and "happy converts."

Key Terms to Remember (Exact Words from Text):

●​ Bukidnon/Buquidnon
●​ Reduction & Visita
●​ Masalicampo (Maestre de Campo)
●​ Pinditon (chieftain's crown)
●​ Quiap (safe-conduct spear)
●​ Balarao, Bangcao, Kris (weapons)
●​ Tigbas & Talian (idols)
●​ Magbabaya, Domalóngdong, Ongli, Tagolámbong (cardinal gods)
●​ Tao sa sultup, Busao
●​ Caliga (harvest feast)
●​ Pangasi (liquor)
●​ Salapa & Lotoan (travel gear)
●​ Pulala, Tiape, Dayuray (instruments)
●​ Mount Bolotucan (afterlife destination)

Common questions

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The architecture of Bukidnon homes reflects adaptation to environmental conditions and social structures. Homes are spacious, built with materials like rattan, and possess features such as projecting galleries that reflect communal interaction and hospitality. In forested areas, houses are raised high off the ground, a defensive adaptation against enemies' spears, indicating a response to environmental and social threats. This design also highlights social organization as it ensures protection of the community from external dangers, while offering communal space within settlements . These architectural choices mirror a balance between environmental practicalities and the social imperatives of protection and community cohesion .

Clothing and adornment in Bukidnon culture serve as markers of identity and social status. Women's attire includes elaborately decorated skirts and shirts with patchwork, and they wear customary jewelry, which includes necklaces made of old silver coins, passed down through generations, showcasing cultural heritage and familial connections . Men's attire is simpler but mirrors their lowland counterparts, reflecting a blend of indigenous and external influences. The various adornments and the unique hairstyles may also function as identifiers within their community. Their approach to clothing emphasizes modesty and decorum, indicating the value they place on respectability and tradition .

Cultural beliefs and practices among the Bukidnon are preserved through oral traditions and rituals deeply woven into social structures, such as ceremonies and idol worship that transmit values across generations . However, external pressures, including missionary influence and economic exploitation by traders, contribute to changes. The shift from indigenous spiritual symbols to Catholic medals and the economic dependency created by deceitful trade practices exemplify such changes. The continuity of traditional agricultural and judicial practices, despite these influences, suggests resilience rooted in necessity and adaptive strategies honoring past wisdom. These dynamics of adaptation and resistance illustrate a complex interplay of cultural preservation and transformation .

The Bukidnon's customs and practices exhibit both integration of and resistance to external influences. Spanish colonialism is evident in the religious conversion of over 6,600 Bukidnon to Christianity, replacing their traditional beliefs with Catholicism through baptism and missionary work . This has also altered their adornments, as after conversion, traditional amulets are replaced with rosaries and scapulars. Trade influences are visible in the use of items like the balarao and kris, weapons acquired through interaction with neighboring tribes, and in their economic exploitation by Chinese traders. Yet, despite these influences, the Bukidnon maintain unique practices, such as their judicial system and agricultural methods, showing resilience and autonomy in some areas .

The Bukidnon people have a complex pantheon of deities such as Magbabaya and other cardinal point gods who govern the universe, as well as various spirits associated with different aspects of life like Ibabásug for childbirth and Tagumbanua for agriculture . They also possess idols like the Tigbas and Talian, used for divination and rituals. These beliefs are deeply integrated into their social customs, influencing their agricultural practices, rituals of sacrifice, and social gatherings, such as the harvest feast caliga. Their religious practices manifest in everyday life through iconography, offerings, and taboos, demonstrating the interdependence of spirituality and social structure .

The Bukidnon's judicial practices, overseen by head datos and involving subordinate figures, reflect social values of communal respect and justice. The custom of leaving spears outside the court indicates a prevention of vigilantism and respect for judicial proceedings. Their penalties, such as fines paid in kind or ritual reconciliations, suggest an emphasis on tangible reparations and communal harmony. Serious offenses, like murder of a dato, result in severe consequences, permanently enslaving the offender and descendants, showing the gravity placed on leadership and social order . These practices underscore a system deeply rooted in maintaining social balance and deterrence, valuing honor, and community restoration over retribution .

Symbols like the masalicampo (a title conferred for service) and the quiap (a silver-inlaid spear serving as a safe-conduct) play pivotal roles in the social hierarchy of the Bukidnon. These symbols signify authority and privilege, with the masalicampo embodying formal recognition and accomplishment, often associated with military or official service to Spanish authorities. The quiap functions as a tangible assurance of safe passage, emphasizing respect for layered authority. These symbols enforce and communicate roles within the community, ensuring adherence to social protocols and supporting the smooth operation of communal interactions and order .

Key agricultural practices of the Bukidnon include the cultivation of corn, rice, abaca, and cotton, with corn serving as both a staple food and cash crop. They utilize a unique plow design adapted to local soils, reflecting an intimate knowledge of their environment. Planting times are astrologically determined, further highlighting their connection to natural cycles. Corn mills and the Jasaan cotton gins indicate technological adaptations to improve agricultural productivity. These practices reflect a harmonious relationship with the land, underscoring priorities of sustenance, economic exchange, and the integration of nature-inspired calendric systems, aligning with broader societal needs .

Omens and superstitions are profoundly integrated into the daily life and decision-making processes of the Bukidnon people. Beliefs about natural phenomena, such as a sunshower indicating ongoing conflict, or the significance of the Limocon bird's song, guide their actions, prompting them to take caution or change plans. Such interpretations of events as omens underline the importance of spiritual guidance in their culture. These superstitions serve as a framework for understanding and interacting with the world, providing a sense of control and explanation in uncertain situations. Consequently, they influence when and how people travel, engage in activities, or interact socially .

Father José María Clotet describes the Bukidnon people as being of good stature and graceful build, even considering them handsome. He notes their affability and frankness, suggesting that some are as clever and polished as the most civilized Bisayans, which indicates high potential. However, Clotet also believes that their understanding is obscured and confused by false ideas, leading to self-interest and complacency. This complex characterization shows Clotet's conflicted view of their capabilities, acknowledging their potential while critiquing their current state .

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