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"Bull Episode 514: Under the Influence"

The document is a script for the television episode titled 'Under the Influence' (Episode #514) of the show Bull, written by Nichole Millard and Kathryn Price, and directed by Geary McLeod. It includes a list of executive and co-executive producers, cast details, and production notes, emphasizing the confidentiality and copyright restrictions of the script. The episode features a storyline involving a young boy, Callum, who faces challenges related to his home life and makes a critical decision that leads him into trouble.

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Angela Di Lieto
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© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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0% found this document useful (0 votes)
14 views68 pages

"Bull Episode 514: Under the Influence"

The document is a script for the television episode titled 'Under the Influence' (Episode #514) of the show Bull, written by Nichole Millard and Kathryn Price, and directed by Geary McLeod. It includes a list of executive and co-executive producers, cast details, and production notes, emphasizing the confidentiality and copyright restrictions of the script. The episode features a storyline involving a young boy, Callum, who faces challenges related to his home life and makes a critical decision that leads him into trouble.

Uploaded by

Angela Di Lieto
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Executive Producer: Glenn Gordon Caron

Executive Producer: Paul Attanasio


Executive Producer: Dr. Phillip C. McGraw
Executive Producer: Jay McGraw
Executive Producer: Kati Johnston
Executive Producer: Eric Stoltz
Co-Executive Producer: Pamela Wechsler
Co-Executive Producers: Nichole Millard & Kathryn Price
Co-Executive Producer: Travis Donnelly
Co-Executive Producer: Sean Sforza

“Under the Influence”

Episode #514

Written by:

Nichole Millard

&

Kathryn Price

Directed by:

Geary McLeod
Production BLUE
03.14.21
PGS 1-12 / COLLATED

CBS TELEVISION STUDIOS


STAGE 29 PRODUCTIONS
ATELIER PAUL ATTANASIO
PICTUREMAKER PRODUCTIONS

Copyright 2020 CBS Studios Inc. All Rights Reserved.


This script is the property of CBS Studios Inc., and may not be copied or distributed without the express written permission of
CBS Studios Inc. This copy of the script remains the property of CBS Studios Inc. It may not be sold or transferred and it must be
returned to CBS Studios Inc. promptly upon demand. THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED FOR
PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH THE TELEVISION LEGAL DEPARTMENT.

You are being given a copy of this document for a particular permitted purpose, and may only use it for that purpose. Except as
may be directly necessary to your proposed or actual duties, you may not make physical or digital copies of this document or
share a copy of it or the contents of it (or a summary of the contents) with others. This document is protected by the laws
governing copyright and confidential information. CBS Studios Inc. (“Producer”) has strict policies with respect to protecting our
scripts, plot lines, plot twists and related Production materials and/or information (the “Confidential Information”). Producer
and the applicable network or other exhibitor derive independent value from the Confidential Information not being leaked in
advance to the public, the media or anyone not part of the core production team. A condition of your access to the Confidential
Information is that you must keep it confidential. It is crucial to Producer that you not make any unauthorized disclosure, use,
reproduction, sale and/or distribution of the Confidential Information. Your failure to comply could result in court action and
monetary damages.
bull.
“Under the Influence”
Episode #514

Production BLUE
03.14.21

DR. JASON BULL Michael Weatherly


BENNY COLÓN Freddy Rodriguez
ISABELLA “IZZY” COLÓN Yara Martinez
MARISSA MORGAN Geneva Carr
DANIELLE “DANNY” JAMES Jaime Lee Kirchner
CHUNK PALMER Chris Jackson
TAYLOR RENTZEL MacKenzie Meehan

GUEST CAST

ADA LAUREN COX


ANNA BAKER Jazzy Kae
BAILIFF
BROOKS STEFAN (NOT CLEAR)
CALLUM HARDING (NOT CLEAR)
JUDGE REINER
JUROR #12
JUROR #13
JUROR #19
JUROR #27
LEVI HARDING (NOT CLEAR)
MAN / VICTOR POTTER (NOT CLEAR)
NYPD OFFICER ANITA PIERCE PEARCE *
OWNER / JOSH SCHUMAKER SHOEMAKER *
VANESSA POTTER (NOT CLEAR)
bull.
“Under the Influence”
Episode #514

Production BLUE
03.14.21

INTERIORS EXTERIORS

CALLUM’S APARTMENT NYC STREET *

THE COURTHOUSE ASTORIA STREET *


CORRIDOR
CONFERENCE ROOM STREET
COURTROOM
CITY PLAYGROUND *
TAC
CONFERENCE ROOM QUEENS RESIDENTIAL
THE WAR ROOM NEIGHBORHOOD *
BULL’S OFFICE
ELEVATOR CORRIDOR NYC PARK *
CORRIDOR *

BULL’S SUV

BULL & IZZY’S APARTMENT


BEDROOM

VANESSA POTTER’S APARTMENT BUILDING


HALLWAY

AN UBER *
bull.
“Under the Influence”
Episode #514

Production BLUE
03.14.21

DAYS/NIGHTS

DAY/NIGHT: SCENE # DAY/NIGHT: SCENE #

REVISIONS

WHITE FULL 03.02.21 ALL PAGES

Revised BLUE 03.14.21 PGS 1-12


BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 1.

TEASER

1 EXT. CITY PLAYGROUND - DAY 1 *

...hustling and bustling in the post-school afternoon sun. *


Everywhere is the sound of chatter and distant music, ball *
games and lovers strolling... *

TIGHT ON CALLUM HARDING *

...fourteen years old and small for his age. He sits cross- *
legged on the cracked concrete, his back against a chainlink *
fence, bent over a notebook, writing furiously.

ANOTHER ANGLE *

...as behind Callum, a GROUP OF TEENS play a heated game of *


basketball. Callum oblivious to them. They, oblivious to *
Callum... *

DOWN THE BLOCK *

...a HOMELESS MAN rants on the corner. While on... *

THE STREET *

...cars honk as they rumble through the neighborhood. And *


despite the cacophony of SOUNDS and movement... *

CALLUM *

...remains fiercely focused on his notebook, writing in a *


possessed and frantic frenzy. And as the SOUNDS around him *
FADE AWAY, the VOICE IN HIS HEAD is heard... *

CALLUM (V.O.)
Broken wing
Feathers wet
But I’m gonna fly

...and as we HEAR him speak the words in his mind, they *


appear on screen...his handwriting moving ACROSS THE FRAME... *

CALLUM (V.O.)
Heavy load
Stormy sky
But I’m gonna rise

ANOTHER ANGLE *

...as a basketball HITS the CHAIN LINK FENCE above Callum’s *


head with a LOUD CLANG, but still, he writes...

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 2.
1 CONTINUED: 1

CALLUM (V.O.)
Sneakers worn
Hungry dreams
But I’m gonna soar
(and then)
Soaring rising flying...

...and SUDDENLY Callum FEELS SOMETHING. Stops. The vibration *


of his phone pulling him out of the zone...and he pulls a *
prepaid flip phone out of his pocket... *

ON THE PHONE

...a text: *

“Meet at 11:00 tonight.” *

...and we watch, as Callum texts back... *

“I told you I’m done.” *

...and shoves the phone back in his pocket. He finds his *


rhythm again and the handwriting returns to the screen as...

CALLUM (V.O.)
Soaring rising flying trying
Always trying

...and Callum smiles. He likes that. And we... *

CUT TO:

2 INT. CALLUM’S APARTMENT - DAY 2

...as Callum pulls his keys from the locks and makes his way *
inside, dropping his backpack on the floor. It is clearly a *
small and cluttered apartment; badly in need of paint and *
repair... *

CALLUM
(calling) *
Hey, Dad! I’m home!

...and we watch as Callum goes straight to the fridge and *


opens the door. It’s pretty bare inside, but he unearths a
bag of bread with one slice remaining. He pulls it out,
squirts some mustard on top, and shoves it in his mouth in
two quick bites.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 3.
2 CONTINUED: 2

ANOTHER ANGLE *

...as Callum tosses the bag into the kitchen trash and *
something catches his eye. He reaches in and grabs a *
crumpled... *

LETTER *

...a corporate letterhead and beneath it, in capital red *


letters:

SECOND EVICTION NOTICE

ON CALLUM *

...as he just keeps staring at the letter. And at that EXACT *


MOMENT *

LEVI

...a man in his thirties, emerges from an unseen bedroom. *


Something about him suggests a man already defeated by life, *
but doing his best not to let his son see it... *

LEVI
(seeing Callum holding a *
letter in his hand) *
Whatcha got there? *

...and Callum looks up...holds out the letter. And his father *
takes it... *

LEVI
(giving it a quick glance) *
Oh. That. Don’t worry about that.

...and Levi crumples it up, and tosses it back in the trash. *

LEVI (CONT’D)
I’ll have a new job before any of *
that happens. *

CALLUM
(hopeful)
Oh yeah? How’d the interview go *
today? *

LEVI *
It was alright. *
(and then) *
Nice people. *
(and then) *
I just don’t think it’s gonna work *
out. *
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 4.
2 CONTINUED: (2) 2
LEVI (CONT'D)
(and then) *
They need someone who can do heavy
lifting. *
(a shrug) *
When they found out about my
back...

Callum just looks at him. He knows the rest... *

LEVI *
You live, you learn. *
(and then) *
Next time I just won’t tell them *
about my back. *
(and then) *
It’ll be fine.

CALLUM
You can’t do that. You can’t lie. *
You’re gonna get hurt even worse. *

LEVI *
(no big deal) *
Yeah...well...I’ll figure something *
out.
(changing the subject)
You hungry? How about some mac ‘n
cheese?

CALLUM
There’s none left. We ate the last *
box last night.

LEVI
(opening a cabinet) *
Well, I’m sure we can scrounge up
something... *

...and as Levi busies himself looking for some dinner, *


Callum’s phone BUZZES again. He pulls it out of his pocket *
and SEES... *

ON THE PHONE

...another text... *

“You sure? It’s a lot of cash.” *

ON CALLUM *

...making a painful decision. And starting to text back... *

“OK. I’ll do one more.” *

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 5.
2 CONTINUED: (3) 2

...and we... *

SHOCK CUT TO: *

3 EXT. QUEENS RESIDENTIAL NEIGHBORHOOD - NIGHT 3 *

...and we are TIGHT ON CALLUM as he pulls a SKI MASK over his *


head. *

ANOTHER ANGLE *

...to REVEAL it’s the dead of night. And we watch as Callum *


and an ACCOMPLICE, both dressed in black and both wearing ski *
masks, quietly round the corner, Callum with a backpack on *
his back... *

ON AN IMPRESSIVE HOUSE *

...surrounded by a gate. Resembling an old English manor *


house. And there, SITTING IN THE DRIVEWAY, is a shiny new *
RANGE ROVER... *

ANOTHER ANGLE *

...as Callum and his friend quietly open the gate and make *
their way towards the CAR...The Accomplice stopping and *
keeping a lookout as Callum continues quietly towards the *
car.

ON CALLUM *

...as he slips off his backpack and pulls a hammer and nail *
out of it. And we watch as he precisely places the nail at *
the edge of the heavily-tinted driver’s side window,
carefully aims the hammer, and... *

THE WINDOW *

...SHATTERS...revealing the CAR’S OWNER PASSED OUT in the *


driver’s seat, a half-empty whiskey bottle in his lap.

ON CALLUM *

...jumping back in surprise... *

CALLUM *
(to himself) *
Damn! *

ANOTHER ANGLE *

...as THE OWNER, a big dude, is roused from his drunken *


stupor.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 6.
3 CONTINUED: 3

OWNER
Hey! What the hell’s going on?! *

...and he SEES Callum, with his ski mask and hammer, and *
INSTINCTIVELY SLAMS his car door open and knocks Callum to *
the ground. *

ON CALLUM *

...as he struggles to his feet, but the Owner, who is easily *


twice his size, stumbles from the car and lunges for him, the *
two of them tumbling to the ground. *

ON THE ACCOMPLICE *

...rushing in and trying desperately to pull the Owner off of *


Callum.

CALLUM *
(to the accomplice) *
Just go! Get out of here! Go! *

...but The Accomplice doesn’t give up...keeps trying to pull *


the owner off of Callum... *

CALLUM
C’mon! Just go! Now! *

ANOTHER ANGLE *

...and The Accomplice turns...and jumps in the RANGE ROVER. *


And we HEAR the ENGINE starting up with a desperate *
ROAR...and a second later the vehicle PEELS backwards out of *
the DRIVEWAY...even as... *

THE OWNER *

...who is sitting on top of Callum now, begins viciously *


punching him...Callum trying his damndest to fend the bigger *
man off with his hammer...but he’s too small and the big man *
quickly overpowers him, tosses the hammer away, and with one *
hand pins Callum’s hands down as he uses his other to reach *
into his pocket and pull out his cell and tap out 911... *

OWNER *
(into the cell; *
breathless) *
Hi. I’ve got an intruder on my *
property. Caught him trying to *
steal my new car. *
(and then) *
Nah. He ain’t going anyplace. I’m *
sitting on him... *

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 7.
3 CONTINUED: (2) 3

...and we... *

SHOCK CUT TO: *

4 EXT. NYC PARK - DAY 4 *

...as CHUNK and ANNA make their way through the park, each *
holding cups of coffee. And it is clear from the smile on *
Chunk’s face that he adores this girl... *

CHUNK *
(sneaking up on it) *
Soooo...you’re good...I’m good. I *
like your mask...you like my mask. *
So...what’s the ask? *

ANNA *
Excuse me? *

CHUNK *
(I am so ahead of you) *
C’mon Anna. For five Sundays in a *
row you’ve been too busy to even *
chat on the phone...all of a sudden *
you offer to come to me? Buy me *
coffee? Buy me a scone?!!! *
(and then) *
Your Daddy was not born yesterday. *
(and then) *
What’s the ask? *

...and she stops. Caught. Looks at him. *

ANNA *
Two things. *

CHUNK *
Two things? *

She nods playfully. *

ANNA *
I’m seeing someone. *
(and then; clearly *
pleased) *
Been seeing someone. *

CHUNK *
Well that’s not an ask. That makes *
me happy. *
(and then) *
I think. *

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 8.
4 CONTINUED: 4

ANNA *
Good. ‘Cause I want you to meet *
him. *

CHUNK *
Good. ‘Cause I want to meet him. *
(and then) *
See? That was easy. *
(and then) *
What’s the second ask? *

ANNA *
(deep breath) *
He needs a lawyer. *

...and we... *

SHOCK CUT TO: *

A5 INT. AN UBER - DAY A5 *

...as THE DOORS on both sides of the back seat open and BOTH *
Anna and Chunk slip inside, buckle their belts, and as the *
car takes off... *

CHUNK *
(concerned) *
So what’s his problem? This guy I *
haven’t met. *
(and then) *
What’d he do? Why’s he need a *
lawyer? *

ANNA *
He didn’t do anything. It’s for one *
of his students. *

CHUNK *
(all is well) *
Oh! He’s a teacher. *
(pleased) *
I like that... *

ANNA *
Actually...he’s a writer. A really *
talented, published writer. He’s *
had quite a few short stories *
published online. Wrote a book *
review for the Times. And he’s *
almost done with his first novel. *

CHUNK *
Okay. I’m impressed. *

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 9.
A5 CONTINUED: A5

ANNA *
He also teaches a creative writing *
workshop at an after-school program *
for underprivileged kids. *
(and then) *
Turns out one of those kids got *
arrested. And Brooks... *
(and then; realizing she *
hasn’t told Chunk yet) *
...that’s his name. Brooks. *

CHUNK *
Never met a Brooks... *

ANNA *
Me neither. Anyway Brooks really *
cares about this kid. He’s only *
fourteen. And he doesn’t come from *
much. But he’s actually in a lot of *
trouble. And he needs a good *
lawyer. *
(and then) *
And I happen to know a great *
lawyer, so... *

CHUNK *
(finishing the sentence) *
So...okay. I get it. *
(and then) *
Thing is...I can’t just take a case *
‘cause I want to take a case. It’s *
not completely up to me. I work for *
someone. *

ANNA
(interrupting)
I know. I know.
(and then)
But surely an incredible lawyer
like you can get your boss on *
board.

CHUNK
Oh...so now I’m an incredible *
lawyer?
(shaking his head; knowing *
there is no getting out *
of this) *
Man...this father thing is *
complicated. *

...and we... *

SHOCK CUT TO: *


BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 10.

5 INT. TAC CONFERENCE ROOM - DAY 5

...as SEEN THROUGH THE HALLWAY GLASS. An anxious Chunk sits *


by himself at the end of the Conference Room table. Smooths *
his tie. Checks his watch. Checks his breath with his palm. *
And SUDDENLY there is a tapping on the glass. And Chunk *
startles and looks up to SEE... *

TAYLOR *

...standing on the HALLWAY SIDE of the window. She smiles at *


Chunk and mouths the words “They’re here!”. *

ANOTHER ANGLE *

...and at that EXACT MOMENT, there is A KNOCK on the *


Conference Room door... *

CHUNK *
(rising from his seat; *
calling) *
C’mon in... *

...and MARISSA ushers in Anna and her boyfriend... *

BROOKS *

...who is very much a man. Nothing boyish about him. *


Attractive and confident. He is wearing a suit and looks *
almost as good in it as Chunk looks in his... *

ON CHUNK *

...doing his best not to register his surprise at the man’s *


age. He is clearly at least thirty and carries himself with *
the confidence of a successful adult and immediately offers *
Chunk his elbow...and as the two men bump arms... *

CHUNK *
Very nice to meet you Brooks. *

BROOKS *
Pleasure to meet you Mr. Palmer. *
(and then) *
And thank you for agreeing to meet *
with me today. I mean...about this *
other matter. *
(and then) *
Believe me...this is not the way I *
had imagined meeting you would *
happen. *

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 11.
5 CONTINUED: 5

CHUNK *
Who cares how it happens. The good *
news is...here we are. And I’ve *
heard nothing but great things *
about you... *

BROOKS *
(a look back to Anna) *
...I can’t imagine from whom. *

CHUNK *
...so please...take a seat. I’m *
just going to step out for one *
second. *
(turning to her) *
Anna, could I just steal you for a *
moment? *

...and Anna, sensing she has no choice, follows her father *


out of the room and into... *

A6 INT. TAC CORRIDOR - DAY (CONTINUOUS) A6 *

...as the two of them step into the hallway and out of *
eyesight and earshot of Brooks... *

ANNA *
(a giddy whisper) *
So what do you think? *

CHUNK *
(a whisper back) *
How old is that man? *

ANNA *
He’s...thirty. *

CHUNK *
And does he know you’re only twenty- *
one? *

ANNA *
Only twenty-one? *

CHUNK *
He’s a grown man. A man. Grown. *
(and then) *
He’s old enough to be... *

ANNA *
My boyfriend. I know. *

Chunk just stares at her. Knows she’s right. *

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production BLUE - 03/14/21 12.
A6 CONTINUED: A6

CHUNK *
(looking at her; in *
amazement; almost a *
whisper) *
Twenty-one. *
(shaking his head; *
rhetorically) *
When in the world did that happen? *

ANNA *
It kinda happened day by day. Year *
by year. *
(and then) *
Sneaks up on you. *

CHUNK *
(explaining himself) *
I mean...I heard everything you *
said. Writer. Published. I *
just...the guy in my head looked *
more like... *
(and then; realizing this *
is not helpful; changing *
course) *
...y’know what? It doesn’t matter *
what I thought he looked like. *
(and then) *
Let’s go back in there. I’m going *
to start all over again. You okay *
with that? *

ANNA *
(truly grateful) *
I would be terrific with that, *
Daddy... *

...and as they turn and start back towards the Conference *


Room, we... *

CUT TO: *
MORE TO COME--- *
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 7.
4 CONTINUED: (2) 4

ANNA
(interrupting)
I know. I know.
(and then, really working
him over)
But surely an incredible lawyer
like you can get Dr. Bull on board.

CHUNK
Oh, now I’m an incredible lawyer?

ANNA
Can’t you just meet with Brooks,
let him tell you about the case?
Please. For me?

Off Chunk, how can he say no to that?

HARD CUT TO:

5 INT. TAC CONFERENCE ROOM - DAY 5

Chunk ushers Anna and her boyfriend, BROOKS (early 30s,


intellectual, self-possessed), into the conference room. Anna
looks a little nervous, but Brooks has an easy confidence
about him.

BROOKS
Thank you so much for agreeing to
see me today. I get that “needing
legal help” isn’t exactly the best
first impression to make on your
girlfriend’s father.

Chunk chuckles, good-natured.

CHUNK
I’ll try not to hold it against
you.

As everyone takes their seats, Chunk throws Brooks a softball


question to break the ice.

CHUNK
So, Anna tells me you’re a writer.

BROOKS
Yeah, but it took me a minute to
figure out what I wanted to do.
Right after college I did a stint
with AmeriCorps, then I worked at a
start up--

Chunk has just caught up to something and interrupts.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 8.
5 CONTINUED: 5

CHUNK
After college? When did you
graduate?

BROOKS
2013.

CHUNK
2013? So that makes you...

BROOKS
I’m thirty-one.

Chunk’s eyes dart to Anna -- she clearly didn’t tell him


about this stark age difference. Anna quickly jumps in to
pivot the conversation.

ANNA
We don’t want to waste your time,
Dad. So maybe we should talk about
Callum and his case.

Chunk knows exactly what Anna is doing, but goes with it.

CHUNK
Of course. So, Callum. Anna told me
he was arrested trying to steal a
car. Is he being held in a juvenile
facility?

BROOKS
No. They released him to his dad.
Thank God.
(and then, passionately)
I’m telling you, it’s not like
Callum to do something like this.
I’ve worked with him for about two
years. He’s a good kid, a bright
kid. And an incredibly talented
writer, especially for his age.

CHUNK
How old is he?

BROOKS
Fourteen.

CHUNK
That’s too bad. If he was under
thirteen, the worst he’d be looking
at is probation.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 9.
5 CONTINUED: (2) 5

ANNA
Seriously? That cutoff just feels
so arbitrary.

Brooks is desperate for Chunk to see how much Callum needs


his help.

BROOKS
The poor kid has never caught a
break in his life. His mom died
when he was little. His dad’s been
in and out of work. They’ve even
been homeless at times. I know
that’s no excuse for breaking the
law, but--

ANNA
(jumping in)
One stupid decision shouldn’t ruin
your whole future. Not when you’re
only fourteen.
(and then)
Can you help him, Dad?

CHUNK
I told you, I would love to.

Chunk turns to Brooks.

CHUNK
The thing is, it’s not entirely up
to me. Especially if we’re taking a
case pro bono.

BROOKS
(quickly)
Oh, I wasn’t expecting you to do
this pro bono. I can pay.

Chunk smiles graciously.

CHUNK
It’s very kind of you to offer to
do that, but...

How to say this without making Brooks feel small?

CHUNK (CONT'D)
I’m not sure how much Anna’s told
you about TAC. We’ve got a few more
bells and whistles than a
traditional law firm. And none of
that comes cheap.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 10.
5 CONTINUED: (3) 5

BROOKS
Don’t worry, I did my research. I
know this could cost me a hundred
grand or more.
(and then; frank and
confident)
That’s no problem.

Chunk’s eyes dart to Anna. A hundred thousand dollars is no


problem? Who is this guy?

Anna just smiles.

BROOKS
If it makes you feel more
comfortable, I’m happy to do a
retainer upfront. Just tell me how
much and I’ll write the check.

Off Chunk, not sure how he feels about this...

HARD CUT TO:

6 INT. COURTHOUSE CORRIDOR - DAY 6

BULL sits on a bench outside a courtroom. Chunk paces nearby,


his phone pressed to his ear. We can’t hear what he’s saying
but he looks tense. Finally, he hangs up and joins Bull.

BULL
What’s their ETA?

CHUNK
No idea. I got the dad’s voicemail
again. I left him another message,
but...

Chunk trails off, frustrated, then...

CHUNK
I’ve never gone into court without
even meeting my client first.

BULL
(checking his watch)
At this rate we may be going into
court without a client.
(and then; flippant)
Tell Anna her boyfriend still has
to pay the bill, whether or not the
client shows.

Chunk grimaces, then...

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 11.
6 CONTINUED: 6

CHUNK
What kind of thirty-one-year-old
freelance writer can afford our
fees, anyhow?

Bull appraises Chunk.

BULL
What bothers you more -- how much
older this guy is than Anna? Or how
much more money he has than you?

Chunk frowns.

CHUNK
Sometimes I resent working for a
psychologist.

BULL
Hey, I just call ‘em like I see
‘em.

ON CALLUM AND LEVI

...rounding the corner of the hallway, at a clip. They’re


both breathless, as if they’ve run the whole way here.
Callum’s arm is in a sling now and he’s sporting some pretty
decent bruises from his scuffle with the car owner, making
him appear even younger and more vulnerable.

Flustered, Levi checks a slip of paper in his hand.

LEVI
Courtroom thirty-two, this is it.

ON CHUNK

...springing from his seat as he spots them, praying this is


his client.

CHUNK
Mr. Harding? Callum?

LEVI
Yes, are you Mr. Palmer?

CHUNK
Yes--

Chunk’s barely gotten the words out of his mouth before...

LEVI
I’m so sorry we’re late. The L
train broke down.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 12.
6 CONTINUED: (2) 6

Callum looks as anxious as his father to explain.

CALLUM
We ran as fast as we could when we
finally got off the train.

LEVI
Is it over, did we miss Callum’s
hearing?

CHUNK
No, luckily the Judge is running
behind. But there are a few things
we should go over before we go into
court. First of all, this is my
boss, Dr. Jason Bull.

Bull -- who is already on his feet -- gives the awkward wave


we use now that we no longer shake hands.

BULL
It’s nice to meet you.

Levi is still flustered and embarrassed by his late arrival.

LEVI
Thank you so much for taking
Callum’s case. This is not how we
wanted to meet you.

CHUNK
I’ve been trying to call you.

LEVI
Sorry. My phone died this morning.
(and then; ashamed)
I got a little behind on our power
bill and they cut it off last
night. So I couldn’t charge my
cell.

Bull feels for the man, tries to put him at ease.

BULL
These things happen. You’re here
now. But they’re going to call us
into court any minute so we’d
better get down to business.

CHUNK
There’s an empty conference room
right here that we can use.

As Chunk ushers Callum into the conference room...

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 13.
6 CONTINUED: (3) 6

Levi hangs back, intercepting Bull to appeal to him


privately.

LEVI
My son messed up, I know that. But
I need you to know that he’s a good
kid. A really good kid.
(humiliated to have to say
this)
If I’d been able to provide for him
like I should, he’d never have
gotten himself into this kind of
trouble. He doesn’t belong in
prison.
(and then; terrified)
He can’t go to prison.

BULL
I understand, Mr. Harding. We’re
going to do our best to make sure
he doesn’t.

Bull ushers Levi into the conference room, where...

7 INT. COURTHOUSE CONFERENCE ROOM - DAY (MOMENTS LATER) 7

Chunk is already seated across from Callum. Chunk looks to


Levi as he and Bull enter and take seats at the table.

CHUNK
I was just telling Callum that he’s
facing some serious charges --
First Degree Robbery, Grand
Larceny.

CALLUM
How many years could I get for all
that?

CHUNK
Worst case scenario, twenty-five
years.

Levi looks sick.

LEVI
Twenty-five years?! But he’s only
fourteen.

CHUNK
I know. But because he’s only
fourteen, and he doesn’t have a
record, there is hope.
(to Callum)
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 14.
7 CONTINUED: 7
CHUNK (CONT'D)
The Judge we’re about to see has
the discretion, the ability, to
move your case to Family Court. The
penalties there are much, much
lower than here in criminal court.

LEVI
What’re we talking about?

CHUNK
Callum could walk away with just
probation.

Levi and Callum both look incredibly relieved.

BULL
But here’s the thing, the Judge is
more likely to move the case if the
Prosecutor doesn’t object. We spoke
to the Prosecutor already and she’s
willing to agree to this, on one
condition.

CHUNK
Callum needs to tell her who he was
working with. He needs to name
everyone who was involved in this
crime.

ON CALLUM

...looking alarmed.

But Levi doesn’t notice this look on his son’s face.

LEVI
That’s easy, Callum will tell her
whatever she wants.

But Callum’s wheels are turning, desperately trying to come


up with a way to avoid naming names.

CALLUM
What if there’s nothing to tell?
What if I was working alone?

LEVI
Callum, I know you didn’t cook this
thing up on your own.

BULL
And so does the Prosecutor because
someone made off with that Ferrari
when you were caught.
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 15.
7 CONTINUED: (2) 7
BULL (CONT'D)
(and then; laying it on
the line)
We’re not going to be able to help
you if you lie to us, Callum.

Callum looks embarrassed to be caught in such an obvious lie.

CHUNK
You’ve got to give us something
before we walk in that courtroom,
or this deal’s going to disappear.
Let’s start with who drove off in
the car?

Callum shakes his head vehemently.

CALLUM
I’m sorry, but I can’t tell you
that.

Levi erupts with an anger born of intense fear.

LEVI
You can and you will! Didn’t you
hear these men? You could go to
prison for twenty-five years!

Callum is clearly terrified by this prospect, but he stays


silent.

Chunk studies Callum, something dawning on him.

CHUNK
I understand if you’re scared. But
if someone’s threatened you, we can
keep you safe, keep your dad safe.
I promise.

LEVI
Did someone threaten you, Callum?
Is that it?

Callum shakes his head again, but it’s hard to know if he’s
telling the truth. He looks at his dad, trying to explain.

CALLUM
I knew stealing that car was wrong,
Dad, but I did it anyway. I did it.
I’m the one who messed up and got
caught. And I’m not going to bring
anyone else down with me.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 16.
7 CONTINUED: (3) 7

LEVI
(a desperate plea)
Callum, please.

There’s a KNOCK AT THE DOOR and the BAILIFF sticks his head
in.

BAILIFF
Mr. Palmer, Judge Reiner is about
to take the bench.

CHUNK
We’re coming. Just one minute.
Please.

The Bailiff nods and retreats.

BULL
(imploring Callum)
We’re walking into court right now.
Mr. Palmer has worked out a deal
that could keep you from prison,
are you really going to throw that
away?

Callum wants to do the right thing, but...

CALLUM
I’m really sorry. I know you’re
just trying to help me, but...
(doing his best to sound
brave)
I’m not a rat.

Off Bull and Chunk, frustrated, we...

END OF TEASER
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 17.

ACT ONE

8 INT. TAC WAR ROOM - DAY 8

BENNY enters. He’s got a little spring in his step.

BENNY
Hey, anyone stop by the deli for
lunch today?

At this, MARISSA, TAYLOR, and DANNY all swivel their chairs


to face him -- they’re all wearing BENJAMIN COLÓN FOR
MANHATTAN DISTRICT ATTORNEY t-shirts.

Benny’s face lights up even more.

BENNY
Hey, hey! What’s this?

DANNY
We saw the open box of t-shirts in
the kitchen and took the hint.

BENNY
(a little embarrassed)
It wasn’t a hint. More like...an
open invitation.

MARISSA
Well, invitation accepted!

TAYLOR
And the deli has your campaign
poster up! I saw it when I was
getting my bacon, egg ‘n cheese
this morning.

Benny looks pleased as punch and slightly amazed.

BENNY
I know. And I didn’t even ask them
to hang it. I swear.

MARISSA
You’re going to win, Benny. I can
feel the ground swelling.

BENNY
Let’s not go counting any chickens,
it’s just one poster. And I’m still
trailing in the polls.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 18.
8 CONTINUED: 8

DANNY
Polls, shmolls. As go the delis, so
go New Yorkers.

ON MARISSA

...catching sight of Chunk entering.

MARISSA
Hey, how’d the hearing go?

Chunk slumps into a chair, dejected.

CHUNK
Callum refused to tell the
Prosecutor who he was working with,
and it pretty much all went
downhill from there.

BENNY
So you’re stuck trying it in
Criminal Court?

CHUNK
Yeah.
(and then; frustrated)
I can’t believe Callum’s willing to
risk prison just so he’s not seen
as a “rat.”

DANNY
You can’t? I can. “Snitches get
stitches” is a real thing when you
come from a neighborhood like
Callum’s.

CHUNK
I know. But I promised Anna that
I’d help this kid and he’s making
it all but impossible to do that.

BENNY
Well, just because Callum won’t
name names, doesn’t mean you can’t
figure out who he was working with.
You do that and maybe you can still
work out some kind of deal with the
Prosecutor.

CHUNK
Yeah, you’re right.

Chunk sits up a bit straighter, turns to Danny and Taylor.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 19.
8 CONTINUED: (2) 8

CHUNK
From what the ADA told me, the
police believe the stolen Ferrari
was just one in a string of half a
dozen high-end car thefts in the
area.

DANNY
It’s not that easy to fence ultra-
luxury cars. I’d be shocked if this
ring is all just a bunch of
teenagers. There’s gotta be an
adult with some experience calling
the shots.

TAYLOR
We’ll start scouring Callum’s
contacts, looking for a possible
ringleader.

CHUNK
That would be great.

BENNY
You got a defense strategy in mind
if you can’t cut some kind of deal?

CHUNK
I’m noodling something. But it’s a
little unorthodox.

HARD CUT TO:

9 INT. BULL’S OFFICE - NIGHT 9

Bull packs up his briefcase for the night as he talks to


Chunk.

BULL
(incredulous)
You want to plead self-defense? To
a robbery charge?

Chunk looks completely unfazed by Bull’s incredulity.

CHUNK
Yes.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 20.
9 CONTINUED: 9

BULL
Okay, I know you’re the lawyer
here, but last time I checked self-
defense was something people used
when they’re accused of stuff like
murder, not stealing a Ferrari.

CHUNK
True. But Callum’s charged with
First Degree Robbery, which has an
element of intentional force to it.
The Prosecutor’s going to have to
show that Callum used a “dangerous
instrument”--

BULL
The hammer?

CHUNK
Yes. That he used the hammer to
“forcibly” steal the car. But I’m
going to argue that the hammer
wasn’t a weapon, it was just a tool
that Callum used to break the car’s
window. That he didn’t intend to
use it to force the owner into
giving him the car.

BULL
Hell, he didn’t even expect the
owner to be in the car.

CHUNK
Exactly. But when the owner
attacked him--

BULL
(picking up the thread)
Callum had to defend himself.

CHUNK
Right again. And if we can use self-
defense to knock out the First
Degree Robbery charge, all we’re
left with is the Grand Larceny
charge, which gives Callum a chance
at probation instead of jail time.

Bull mulls this over for a moment.

BULL
Well, no one can accuse you of not
being creative. You’ve got my full
support.
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 21.
9 CONTINUED: (2) 9
BULL (CONT'D)
(and then)
Unless it doesn’t work.

HARD CUT TO:

10 INT. BULL’S SUV - DAY 10

Chunk joins Bull in the SUV. He hangs a garment bag on the


window hook.

BULL
You got a suit for Callum?

CHUNK
Yep. I want to highlight how young
and small Callum is to really sell
the whole self-defense thing. So I
got it two sizes too big.

BULL
Smart.
(and then)
And let’s make sure he keeps that
sling on throughout trial. I don’t
care how good his arm feels.

CHUNK
I already talked to his dad about
it.
(and then)
You know, the more I think about
it, the more it strikes me that
Callum’s whole life has been about
self-defense. Protecting himself
and his family. The only reason he
stole that car is because he was
worried he and his dad were going
to get evicted and wind up back on
the street.

BULL
Well, his dad’s clearly carrying
the weight of that now.

CHUNK
(shaking his head)
Callum’s only fourteen, he
shouldn’t have to worry about
keeping a roof over his head, food
on the table.

Bull grows pensive, an idea forming.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 22.
10 CONTINUED: 10

BULL
You really feel for this kid, huh?

CHUNK
Yes. Of course.

BULL
You ever cry at movies?

Chunk looks taken aback.

CHUNK
Um...sometimes?

Bull thinks another moment, then...

BULL
We want you on our jury.

CHUNK
Because I cry at movies?

BULL
Yes. More precisely, we want people
with a high Empathy Quotient.
People who can put themselves in
Callum’s shoes and truly understand
what he must’ve been feeling. Who
can see that he’s not a bad kid,
he’s a victim of bad circumstances.

HARD CUT TO:

11 INT. THE COURTROOM - DAY 11

Callum sits at the defense table. Wearing that sling and


swimming in a suit two sizes too big. He is the
personification of small and scared.

Bull and Levi sit, socially distanced, behind him in the


gallery.

ADA LAUREN COX (early 30s, looking to prove herself) sits at


the prosecutor’s table.

ON CHUNK

...addressing a pool of prospective jurors.

CHUNK
Let’s say you’re at a party. It’s
full of people you’ve known for
years, you’re having a good time.
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 23.
11 CONTINUED: 11
CHUNK (CONT'D)
And suddenly you notice someone new
in the crowd. They’re standing
alone, no one is talking to them.
What do you do?

Chunk scans the jurors and points to JUROR #12 (20s, male,
hipster vibe).

CHUNK
Juror Number Twelve, let’s hear
from you first.

JUROR #12
I’d probably just keep hanging out
with my friends. It’s not like I
invited this rando to the party,
why do I have to get stuck talking
to them?

JUROR #13, the 30-something woman sitting next to Juror #12,


snorts in disgust.

Chunk turns to her.

CHUNK
I take it you would handle the
situation differently?

JUROR #13
Of course. It sucks to be the odd
man out. I would introduce myself,
try to bring them into a
conversation. You know, be a human
being.

ON BULL

...speaking to Marissa over his earwig.

BULL
This seems like a no-brainer.
Anything else I should know about
these two?

INTERCUT WITH:

12 INT. TAC WAR ROOM - DAY (CONTINUOUS) 12

Marissa eyes some intel on her monitors.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 24.
12 CONTINUED: 12

MARISSA
Well, she supports half a dozen
charities, and his favorite pastime
seems to be making fun of people,
judging by his social media
presence. So yeah, this is a no-
brainer.

ON BULL

...giving Chunk a nod -- he knows what to do here.

ON CHUNK

...addressing JUDGE REINER (60s, seen it all, heard it all).

CHUNK
Your Honor, Juror Number Thirteen
is acceptable to the defense but we
would like to thank and excuse
Juror Number Twelve.

TIME CUT TO:

13 INT. THE COURTROOM - DAY 13

Chunk addresses another group of prospective jurors.

CHUNK
Imagine you’re on your way to meet
a friend for lunch, but you’re
running late.

Chunk scans the jurors and nods to JUROR #19 (female, middle-
aged).

CHUNK
Juror Number Nineteen, ever been in
this situation?

JUROR #19
(with a laugh)
Did one of my friends tip you off
or something? Because I am late
pretty much all the time.

CHUNK
Does that stress you out? Make you
feel bad?

JUROR #19
Not really. What’s a few minutes
here or there?
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 25.
13 CONTINUED: 13
JUROR #19 (CONT'D)
Isn’t that why God invented the
cellphone, so people can scroll
while they wait for someone?

ON BULL

...shaking his head at Chunk as he comments to Marissa...

BULL
This woman is too self-absorbed to
be empathetic to anyone.

TIME CUT TO:

14 INT. THE COURTROOM - DAY 14

JUROR #27 (20s, female, artsy) answers the same question.

JUROR #27
I’m not going to lie, I do run late
sometimes. But I hate it. It gives
me serious anxiety.

CHUNK
Why?

JUROR #27
Because I don’t want the person
who’s waiting for me to feel
awkward having to sit there alone.
Or worry what might have happened
to me. Or think I don’t value their
time.

ON BULL

...giving Chunk the nod.

CHUNK
Your Honor, the defense finds Juror
Number Twenty-Seven acceptable.

JUDGE REINER
Then it looks like we have our
jury. We’ll commence with our first
witness after lunch.

INTERCUT WITH:

15 INT. TAC WAR ROOM - DAY (CONTINUOUS) 15

ON MARISSA

...studying her monitors with a smile.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 26.
15 CONTINUED: 15

MARISSA
Nice questions today, Bull.

BULL
I wish I could claim credit, but I
took them straight off a standard
psych test for empathy.

MARISSA
Really?
(and then; devilish)
I’d love to see how you scored on
that test.

BULL
Marissa, haven’t you ever heard
that you should never ask a lady
how old she is or a psychologist
how high he scores on a psych test?

Off Marissa, laughing...

HARD CUT TO:

16 INT. THE COURTROOM - DAY 16

ADA Cox is directing NYPD OFFICER ANITA PIERCE (late 20s,


serious, in uniform) on the stand.

ADA COX
Did you find any evidence to
corroborate Mr. Schumaker’s
statement that Callum Harding used
a weapon to force him from his
vehicle?

OFFICER PIERCE
Yes, ma’am. We recovered a hammer
from the scene that had Callum
Harding’s fingerprints on it.

ADA COX
And did you find any evidence to
contradict Callum Harding’s claim
that he merely used this hammer
against Mr. Schumaker in “self-
defense”?

OFFICER PIERCE
Yes, ma’am. I did.

ON CHUNK

...wondering where the hell this is going.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 27.
16 CONTINUED: 16

ADA COX
And what was that evidence?

OFFICER PIERCE
I found a written plan for the
attack inside the defendant’s
backpack.

ON CALLUM

...turning to Chunk in confusion.

CALLUM
I don’t know what she means.

But Chunk’s already leaping to his feet.

CHUNK
Objection! We did not receive a
copy of any so-called “plan” in
discovery.

ADA Cox turns to Judge Reiner with an appropriately contrite


look on her face.

ADA COX
Your Honor, I haven’t had the
opportunity to share this evidence
with the defense because I only
became aware of it over lunch. In
fact, Officer Pierce herself just
became aware of it over lunch.

ON JUDGE REINER

...turning to Officer Pierce.

JUDGE REINER
Is this true, Officer Pierce?

OFFICER PIERCE
Yes. As I was preparing my
testimony, I went back through all
of the evidence recovered at the
crime scene. One of the items was
this graphic novel...

Officer Pierce holds up a book in a plastic evidence bag.

OFFICER PIERCE
...which was found inside the
defendant’s backpack.
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 28.
16 CONTINUED: (2) 16
OFFICER PIERCE (CONT'D)
I didn’t realize until I was
flipping through it at lunch that
there was something hand-written in
the margins.

ON CALLUM

...realization dawning.

CALLUM
(to Chunk, urgently)
That’s not any kind of plan. I
swear.

Chunk puts his hand on Callum to silence him -- he needs to


hear what’s happening.

ON JUDGE REINER

JUDGE REINER
I’m going to allow you to introduce
this. And Mr. Palmer, you’ll
receive ample time to examine it
before your cross.

ON ADA COX

...turning back to the witness.

ADA COX
Officer Pierce, can you please read
what’s hand-written on page
eighteen?

OFFICER PIERCE
There is a list labeled “weapons
for carjacking.”

OFFICER PIERCE
And under that heading it says gun,
knife, crowbar, and hammer.

ON LEVI

...muttering in dismay...

LEVI
No.

ON BULL

...turning toward Levi so his back is to the jury, speaking


as quietly as he can...

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 29.
16 CONTINUED: (3) 16

BULL
It’s okay. Try not to react in
front of the jury.

ON ADA COX

ADA COX
(driving the point home)
Just to be clear, that list is
labeled weapons for carjacking, not
weapons for self-defense, correct?

OFFICER PIERCE
That’s correct.

ADA COX
And what’s hand-written on the
opposite page?

OFFICER PIERCE
What I would describe as...violent
threats.

ADA COX
Can you please read them for us, as
well?

OFFICER PIERCE
“Move one more inch and I’ll crack
your skull wide open.”
(and then)
”Don’t make me get blood on those
nice leather seats.”

ON CALLUM

...whispering to Chunk, desperate for Chunk to believe him.

CALLUM
I was brainstorming for one of my
stories, that’s all that is.

OFFICER PIERCE
(continuing to read)
“Get out or this ride’s turning
into a hearse.”

INTERCUT WITH:

17 INT. TAC WAR ROOM - DAY (CONTINUOUS) 17

Marissa listens in to court, concerned.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 30.
17 CONTINUED: 17

MARISSA
Talk to me, Bull. How’s all this
hitting our jury?

ON BULL

...eyeing the jury as they absorb these threats.

BULL
Not so good. Suddenly that scared
young kid in the sling is someone
they’re afraid to meet in a dark
alley.

Off this blow, we...

END OF ACT ONE


BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 31.

ACT TWO

18 INT. TAC CONFERENCE ROOM - NIGHT 18

It’s late. Chunk stares in frustration at the conference room


wall. It’s plastered with photos, notes, and documents
regarding TAC’s search for the car theft ringleader.

A KNOCK KNOCK on the door jamb draws his attention to the


doorway. It’s Taylor, with Brooks in tow.

TAYLOR
Hey Chunk, I brought you a visitor.

Chunk is a little embarrassed to see Brooks after the rough


day they had in court.

CHUNK
Thanks, Taylor.

Taylor exits.

BROOKS
I hope it’s okay stopping by like
this, but I talked to Callum after
court.

Brooks looks concerned as he enters the conference room.

BROOKS
Was it as bad as it sounded?

CHUNK
(admitting grudgingly)
It wasn’t good. But I’m hoping it
might finally scare some sense into
Callum, get him to name names.
Maybe you could talk to him about
that again?

BROOKS
(shaking his head)
I just tried, but the kid’s not
budging. He’s got some kind of
code.
(and then)
I have to admit, there’s a part of
me that kind of admires it.

CHUNK
I might too if I wasn’t worried
it’s going to cost him his whole
future.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 32.
18 CONTINUED: 18

BROOKS
That’s why I’m here. I was
thinking...maybe I can help.

CHUNK
How’s that?

BROOKS
Put me on the stand. I can testify
about those notes they found. Say
they were for an assignment that I
gave to Callum. That I asked him to
write about a crime or something
like that.

Chunk looks disturbed by Brooks’ suggestion.

CHUNK
But you didn’t.
(and then)
I asked Callum if anyone could
corroborate his claim that the
notes were for a short story --
you, a teacher -- and he said no.
Said it was just something he was
playing around with on his own.

This clearly settles the matter for Chunk, but Brooks isn’t
ready to let the idea go.

BROOKS
Okay. Maybe I didn’t assign it
specifically. But I assign all
types of stories. I’m sure I can
make it sound like Callum’s notes
fit into one of them. It would only
be stretching the truth a little.

Chunk bristles at this.

CHUNK
In my line of work, stretching the
truth is called perjury.

Brooks looks chagrinned at being called out like this by


Anna’s dad. He quickly tries to smooth things over.

BROOKS
Oh, hey, I didn’t mean that the way
it sounded. It’s just, I genuinely
believe Callum was only
brainstorming for a story, that’s
all those writings were.
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 33.
18 CONTINUED: (2) 18
BROOKS (CONT'D)
And I really want to help the poor
kid stay out of jail.

Chunk studies Brooks a moment, a little wary of his


daughter’s new boyfriend’s ethics.

CHUNK
I can see that. But lying under
oath isn’t going to help anybody.

HARD CUT TO:

19 INT. TAC WAR ROOM - NIGHT 19

Taylor works at her station.

Chunk approaches, looking troubled. He hovers behind her,


wanting to say something, but hesitant. Finally...

TAYLOR
(without looking up)
You getting up the nerve to ask me
to dance?

Chunk’s not sure how to broach what he’s about to ask for.

CHUNK
The guy who was just here...

TAYLOR
Anna’s boyfriend?

CHUNK
Yeah. I was wondering, if you
wouldn’t mind...looking into him.

Taylor swivels around in her chair to give Chunk her full


attention.

TAYLOR
Are you asking me to do a deep dive
on your daughter’s boyfriend?

Chunk looks slightly embarrassed.

TAYLOR
(quickly)
I mean, no judgment, but I’ve gotta
tell you from past experience that
these are dangerous waters. Let’s
say I do find something bad about
Brooks -- then what? Do you admit
to Anna that you asked me to snoop
on her guy?

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 34.
19 CONTINUED: 19

CHUNK
I know. And I wouldn’t ask you to
do it, but I think this might be
relevant to our case.

TAYLOR
(surprised)
How? Why?

CHUNK
It’s never made that much sense to
me that Brooks was so willing to
fork over all this money to defend
a boy he only teaches one afternoon
a week.

TAYLOR
Some people are just generous,
Chunk.

CHUNK
Yeah, well, he just came in here
and basically offered to perjure
himself in court for the kid.

TAYLOR
Seriously?

CHUNK
This whole time, I’ve assumed
Callum was keeping his mouth shut
because he was scared of someone.
But what if he’s staying quiet out
of loyalty?

Taylor can’t quite believe what Chunk is suggesting.

TAYLOR
To Brooks? You think Brooks is
involved in these car thefts?

CHUNK
It would explain how a freelance
writer can afford our fees.

Chunk can see that Taylor still looks dubious, but he’s not
giving up.

CHUNK
Look, we still haven’t found the
leader of this car theft ring. And
Brooks is Callum’s mentor. Callum
clearly admires him, wants his
approval.
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 35.
19 CONTINUED: (2) 19
CHUNK (CONT'D)
I can see how Brooks could’ve used
that influence to get Callum to do
his dirty work.
(and then)
Maybe Brooks is paying his legal
fees, scrambling to find some way
to keep Callum out of jail, because
he’s scared if he doesn’t, the kid
will rat him out.

TAYLOR
Oh man, I really hope you’re wrong.

CHUNK
Me too.

20 INT. THE COURTROOM - DAY 20

JOSH SCHUMAKER (the Ferrari Owner from the Teaser) is on the


stand. He’s still an imposing man, but he seems like an
entirely different person now that he’s sober and wearing a
nice business suit.

JOSH SCHUMAKER
I woke up to the sound of my window
shattering. Glass was raining down
on me. It took me a minute to
understand what was happening, but
then I saw the defendant standing
there, trying to steal my car.

ON ADA COX

...questioning him.

ADA COX
And did the defendant have a
weapon?

JOSH SCHUMAKER
Yes, he had a hammer. He threatened
me with it while ordering me out of
the car.

ADA COX
And did you get out?

JOSH SCHUMAKER
Yes, but I guess I didn’t move fast
enough, because he came after me
with that hammer anyway.

ON CALLUM

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 36.
20 CONTINUED: 20

...leaning in to Chunk, quiet but insistent.

CALLUM
That’s not true. He came after me
first.

CHUNK
Don’t worry, we’re going to get our
turn.

INTERCUT WITH:

21 INT. TAC WAR ROOM - DAY (CONTINUOUS) 21

Marissa listens in, concerned. She speaks to Bull over the


earwig.

MARISSA
Bull, I’m having a hard time
understanding why this man would
lie about Callum attacking him
first. And I’m worried our jury
will, too.

ON BULL

...smiling.

BULL
Don’t worry, Chunk’s got a bottle
of whiskey up his sleeve.

MARISSA
I’m not sure what that means, but
I’m certainly intrigued.

ON ADA COX

ADA COX
When you say Mr. Harding came after
you with the hammer, did he
actually strike you?

JOSH SCHUMAKER
Yes. The defendant struck me
repeatedly with his hammer while
his partner made off with my car.

ADA COX
Thank you, Mr. Schumaker.
(to the Judge)
I have no further questions, Your
Honor.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 37.
21 CONTINUED: 21

ON JUDGE REINER

...turning to Chunk.

JUDGE REINER
It’s your witness, Mr. Palmer.

ON CHUNK

...getting to his feet quickly.

CHUNK
Mr. Schumaker, how many alcoholic
drinks did you consume that night?

Schumaker shifts uncomfortably in his seat.

JOSH SCHUMAKER
I don’t know exactly. Too many
obviously, or I wouldn’t have
passed out in my car.

CHUNK
But it’s fair to say that you were
extremely inebriated, isn’t that
correct?

JOSH SCHUMAKER
Yes.

CHUNK
And when a person is so inebriated
that they are rendered unconscious,
isn’t it also fair to say that
their memory might be a little
fuzzy?

JOSH SCHUMAKER
(defensive)
I might’ve started out drunk, but
waking up to your car window
shattering tends to sober a man up.

Chunk shoots the jury a look that says he highly doubts this.
Then he turns back to the witness, seemingly changing tacks.

CHUNK
Out of curiosity, how tall are you,
Mr. Schumaker?

Schumaker’s not sure where this is going, but he answers.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 38.
21 CONTINUED: (2) 21

JOSH SCHUMAKER
About six foot three. Maybe just a
hair under.

CHUNK
And what do you weigh?

JOSH SCHUMAKER
I’d say...roughly...two hundred and
forty pounds.

CHUNK
Your Honor, with your permission
I’d like to ask my client to stand
up.

JUDGE REINER
Permission granted.

Chunk turns to Callum and gestures for him to rise.

Callum looks nervous as he gets to his feet. Once again


swimming in a suit that’s much too big for him. Still wearing
that sling.

CHUNK
Now, Mr. Schumaker, if you had to
guess, how tall would you say
Callum Harding is?

Schumaker studies Callum a moment.

JOSH SCHUMAKER
I’d say...five foot four. Maybe
five five.

CHUNK
And how much would you guess he
weighs?

JOSH SCHUMAKER
Maybe a hundred twenty,
thereabouts.

CHUNK
So basically half of what you
weigh, isn’t that right?

JOSH SCHUMAKER
Yes. I guess so.

Chunk turns to address Callum.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 39.
21 CONTINUED: (3) 21

CHUNK
You can sit down now, Son.

Callum takes his seat, relieved to be out of the spotlight.

Levi leans across the bar to squeeze his son’s shoulder in


support.

ON CHUNK

...turning back to the witness.

CHUNK
Now, Mr. Schumaker, when you
regained consciousness and realized
someone was trying to steal your
Ferrari, I bet you were pretty
ticked off, huh?

JOSH SCHUMAKER
Well, I wasn’t happy about it.

CHUNK
So you were angry, you were drunk,
and you were twice the size of this
child...
(pointing to Callum)
Don’t you think he had reason to
feel threatened by you? To feel
like he needed to defend himself?

ON SCHUMAKER

...starting to get heated.

JOSH SCHUMAKER
I was just sitting there minding my
own business -- he’s the one who
came after me first. With a hammer.

CHUNK
Yes, you testified that Mr. Harding
“repeatedly struck you with a
hammer.” If that is so, let me ask
you this -- why don’t you have any
injuries? Any bruises even?
(gesturing to Callum)
My client wasn’t struck with a
hammer, merely your fists. And yet,
as you can clearly see, he’s
severely bruised and his shoulder
was dislocated.

Schumaker looks taken aback. He fumbles for an answer.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 40.
21 CONTINUED: (4) 21

JOSH SCHUMAKER
I don’t know. I guess he didn’t hit
me that hard.

CHUNK
Or maybe you were too drunk to
remember the event accurately. How
can we be expected to trust the
memory of a man who was so drunk he
passed out in his own driveway?
(and then)
Frankly, it’s a miracle you didn’t
kill someone on your drive home,
isn’t it?

ON SCHUMAKER

...his face clouding with anger. But before he can respond...

ON ADA COX

...jumping to her feet.

ADA COX
Objection! Inflammatory!

JUDGE REINER
Sustained. The jury will disregard
that last statement.

ON JUDGE REINER

...staring Chunk down.

JUDGE REINER
Play nice, Mr. Palmer.

CHUNK
Yes, Your Honor.
(to the witness)
My point is, isn’t it possible that
you, in your angry, inebriated
state went after Callum first and
he was simply fighting you off with
that hammer?

JOSH SCHUMAKER
(visibly angry)
That’s not what happened. And what
you said before, about how I
could’ve killed someone driving
home? That’s not right either.

ON JUDGE REINER

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 41.
21 CONTINUED: (5) 21

...jumping in.

JUDGE REINER
Mr. Schumaker, I’ve already
instructed the jury to disregard
that statement.

JOSH SCHUMAKER
No, I want to set the record
straight. I don’t want these people
thinking that’s the kind of person
I am.
(turning directly to the
jury)
I’ll admit, I had a few drinks at a
bar that night. But as this man
keeps trying to point out, I’m a
big guy. And I was perfectly
capable of driving home safely.
(and then; insistent)
I would never drive drunk. I bought
a bottle of whiskey on my way home
from the bar, but I didn’t drink it
until I was sitting in my driveway.

CHUNK
(not liking where this is
going)
Your Honor, can I please continue
with my questions?

JUDGE REINER
I’m pretty sure Mr. Schumaker’s
responding to one of your earlier
questions, right now.
(and then; to Schumaker)
You may continue.

JOSH SCHUMAKER
I know it sounds strange to drink
that much sitting in my car,
but...I just couldn’t bear to go
inside my house that night.

All of the anger seems to drain from Schumaker as he


continues, his voice full of heartbreak.

JOSH SCHUMAKER
My wife and I were supposed to fly
to Hawaii that day. But I woke up
that morning to a note telling me
she was leaving me. For my best
friend.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 42.
21 CONTINUED: (6) 21

ON CHUNK

...glancing back at Bull. Could this get any worse?

JOSH SCHUMAKER
Everything in our house reminded me
of her, so I decided to drown my
sorrows in the driveway. But then,
well, you know how that turned out.
My car got stolen out from under
me. Just like my wife.

ON MARISSA

...wincing as she listens in at TAC.

MARISSA
I hate to say it Bull, but I don’t
just find this guy credible, I
can’t help feeling for him.

ON BULL

...disheartened.

BULL
You and every member of our jury.
(and then)
They all look like they want to buy
him a beer to cheer him up.

MARISSA
Or a new Ferrari.

Off yet another setback, we...

END OF ACT TWO


BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 43.

ACT THREE

22 INT. TAC ELEVATOR CORRIDOR - NIGHT 22

Benny, briefcase in hand, waits for the elevator.

DING! The doors open and Chunk steps out, looking exhausted.

BENNY
Rough day in court, I hear.

CHUNK
To put it mildly.

BENNY
You prepare for the curveball, then
they throw a screwball. It’s
happened to me many times.

Chunk nods, appreciating the consolation. He starts to exit,


but then turns back.

CHUNK
Hey, before you take off, what do
you think about me putting Callum
on the stand? To tell his side of
the story. Show the jury that he’s
just a kid. A very promising kid
who deserves a second chance.

BENNY
It’s a risky move. You know the ADA
is going to ask Callum who he was
working with and Callum is going to
refuse to answer. That could read
as dishonesty and the jury might
doubt his entire story.

CHUNK
(discouraged)
Right.

BENNY
You want me to stick around, help
you strategize?

CHUNK
Nah. I know you’re busy with the
campaign. I’ll figure it out. But
thanks.

As Benny gets in the elevator, Chunk heads into the...


BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 44.

23 INT. TAC WAR ROOM - NIGHT (CONTINUOUS) 23

Where Danny and Taylor are still working. Danny looks up at


Chunk’s entrance, excited to see him.

DANNY
So...big revelation in court today.

Chunk looks confused.

DANNY
Schumaker. He said he was supposed
to be out of town that night.

Chunk is still struggling to see the relevance.

CHUNK
It’s been a long day. You’re gonna
have to spell this out for me.

DANNY
Well, I checked, and it turns out
that several other people who had
their high-end cars stolen in the
area were out of town when their
cars were taken. So I’m thinking,
maybe the ringleader had some way
of targeting people who were going
to be out of town.

CHUNK
Huh, there could be something
there.

DANNY
So far I haven’t found a common
link between them -- like the same
security company or mailman -- but
I’ll keep digging.

CHUNK
Thanks.
(turning to Taylor)
How about you? Did you find
anything on Brooks?

TAYLOR
Well, it could be nothing. But, his
finances do look a little...wonky.

This is exactly what Chunk feared.

CHUNK
Wonky how?

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 45.
23 CONTINUED: 23

TAYLOR
Lots of cash deposits that are just
under the threshold for bank
reporting. Eighty-five hundred.
Nine grand. That kind of thing.

Chunk looks deeply unsettled.

CHUNK
I don’t see magazines paying for
short stories in cash, do you?

TAYLOR
No, but...
(hoping for an innocent
explanation)
Maybe he did some work under the
table to make ends meet?

CHUNK
For nine grand a pop? That’s a
pretty penny for a side hustle.

Off Chunk’s growing suspicion...

HARD CUT TO:

24 INT. TAC CONFERENCE ROOM - NIGHT 24

The remnants of take-out sushi sit on the conference table


between Chunk and Anna. It looks like they were sharing a
good meal, but Anna’s no longer enjoying it. She stares Chunk
down, furious.

ANNA
You investigated my boyfriend?!

Chunk is unapologetic as he defends himself.

CHUNK
I had a professional duty--

ANNA
Behind my back?!

Chunk winces. He doesn’t feel good about going behind Anna’s


back, but he also feels justified.

CHUNK
A professional duty to look into
Brooks for the sake of my client.
(quickly)
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 46.
24 CONTINUED: 24
CHUNK (CONT'D)
And thank God I did, because
clearly this guy is not being
honest with you, Anna.

ANNA
Not being honest? What do you call
luring me to a sushi dinner just so
you could blindside me like this?

CHUNK
I’m sorry if you feel blindsided,
that wasn’t my intention.

ANNA
Brooks hasn’t lied to me. Not once.
I’ve never asked him where his
money comes from. Because it’s none
of my business. And it’s certainly
none of yours.

CHUNK
It’s my business if my daughter is
dating a criminal.

ANNA
That’s ridiculous.

CHUNK
Do you know who deposits their cash
under the government reporting
threshold? People who don’t want
the government asking too many
questions about their cash. Drug
dealers. Car thieves.

ANNA
Brooks isn’t a drug dealer or a car
thief.
(and then; wounded)
Don’t you have any faith in my
judgment?

CHUNK
Of course I do. But I’ve been
around the block a few more times
than you have and I’m telling you
this man’s finances don’t add up.
(and then, the whammy)
And I don’t feel comfortable with
you seeing him anymore.

Anna grows angry again.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 47.
24 CONTINUED: (2) 24

ANNA
I hate to break it to you, but I
don’t really care if you’re
comfortable or not.

CHUNK
Anna, listen--

ANNA
No, you listen. I am an adult now.
You don’t get to tell me who I can
or can’t date.

Anna stands up. She’s done with this conversation.

ANNA
I’ve gotta go.

Chunk stands, too, imploring her.

CHUNK
I know you don’t want to hear this,
but I’ve got to say it.
(and then)
Part of being in an adult
relationship is asking the hard
questions when something sets off
your alarm bells. Please tell me
you’re not going to ignore this.

Anna stares at him a long, hard moment. Then...

ANNA
Enjoy the sushi.

...and she’s gone.

Off Chunk’s frustration...

25 INT. BULL & IZZY'S BEDROOM - NIGHT 25

IZZY joins Bull in bed. He’s going through a stack of papers.

IZZY
What’re you reading?

Bull looks up, smiles.

BULL
Poetry. Love poetry, to be precise.

IZZY
This is new.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 48.
25 CONTINUED: 25

Izzy snuggles in to Bull.

IZZY
Much sexier than when you work in
bed.

Bull smiles wryly.

BULL
Are you saying Voir Dire strategy
isn’t sexy?
(and then)
I hate to disappoint you, but it is
work. I’m going through all of
Callum’s writing so we can avoid
any more surprises in court.
(and then)
But the big surprise is...it’s
really good. And, it might just be
the key to finally getting Callum
to talk.

IZZY
Why? Did he name this ringleader in
a haiku?

BULL
I didn’t get that lucky, but it’s
pretty plain to me that Callum is
in love with a girl. Every other
page he’s waxing poetic over some
girl’s “waves of fire.”

IZZY
So you’re hoping this girl with
“waves of fire” can do what a bunch
of grown men haven’t been able to
do and get Callum to name his
accomplices?

BULL
If I remember anything about being
a fourteen-year-old boy, it’s that
pretty girls are a lot more
persuasive than grown men.

HARD CUT TO:

26 INT. TAC WAR ROOM - DAY 26

Chunk and Danny are gathered around Taylor’s desk.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 49.
26 CONTINUED: 26

TAYLOR
The reason it’s taken me so long to
get any leads from Callum’s social
media is because the kid follows
over five thousand people.

CHUNK
Five thousand? I barely follow five
hundred.

DANNY
I’m not even on social media.

TAYLOR
(shocked)
How do you even exist?

DANNY
Happily. Besides, I sit next to you
every day. I’ve seen how much you
can figure out about people’s lives
from every single “like.” No
thanks.

TAYLOR
Well, luckily for us, Callum wasn’t
so paranoid. And now, thanks to Dr.
Bull’s little tip about Callum’s
odes to the girl with “waves of
fire,” I was finally able to make
some progress.

CHUNK
I take it Callum follows a girl
with red hair.

TAYLOR
Callum follows several dozen girls
with red hair. But only a few of
them live anywhere close to Callum.
I was able to narrow that down even
further from another clue I got
from Callum’s poetry. I think Ms.
Waves of Fire is a dancer.
(recalling a line)
“She’s grace in motion, a poem
leaping to life.”

DANNY
Yep. I’ll buy dancer.

TAYLOR
Well, there’s only one redheaded
dancer who goes to Callum’s school.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 50.
26 CONTINUED: (2) 26

Taylor keys a few strokes on her computer and a COLLAGE OF


SOCIAL MEDIA IMAGES of a 14-year-old redheaded girl, often in
dance gear, fills her screen.

TAYLOR
Meet Vanessa Potter.

HARD CUT TO:

27 INT. VANESSA POTTER’S APARTMENT BUILDING HALLWAY - DAY 27

VANESSA POTTER in the flesh (14, anxious but putting up a


tough front). She’s firmly wedged in her doorway, staring
Chunk and Danny down. No way she’s letting them in.

VANESSA
Did Callum say something about me
or something?

Chunk clocks Vanessa’s nerves.

CHUNK
No. Callum’s never mentioned your
name. But we have reason to believe
that he cares about you. And we’re
just hoping that if you care about
Callum at all, you might be able to
help us keep him out of prison.

Vanessa swallows hard, but...

VANESSA
I don’t know how I can help.

DANNY
Did he ever talk to you about
stealing cars?

Vanessa looks even more uneasy.

VANESSA
No. He...he never talked to me
about that stuff.

CHUNK
How about his writing teacher,
Brooks Stefan. He ever mention him?

VANESSA
(confused)
That guy from the after-school
program?
(off Chunk’s nod)
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 51.
27 CONTINUED: 27
VANESSA (CONT'D)
I mean, just that he’s really smart
and stuff.

CHUNK
Did Callum ever say anything about
Brooks being involved in this car
business?

VANESSA
Um, no.

DANNY
Did Callum mention anyone else he
was working with?

VANESSA
(getting heated)
No. I told you, Callum never talked
to me about the car stuff.

MAN (O.S.)
Vanessa? What’s going on?

Chunk and Danny turn to find a MENACING MAN IN HIS EARLY 20s
walking down the hall toward them. He looks pissed off. We’ll
note that he’s WEARING A T-SHIRT FROM A DOG KENNEL.

MAN
You hassling my sister?
(to Vanessa)
Who are these people?

Vanessa, looking downright scared now, tries to cover.

VANESSA
They’re just collecting for some
charity. I told them to get lost.

The young man stares Chunk and Danny down aggressively.

MAN
Well, you heard the girl, get lost.

28 EXT. STREET - DAY 28

Danny pushes out the front door of the building onto the
street. She’s followed by Chunk.

CHUNK
Notice how jumpy Vanessa got when
we asked her about the stolen cars?

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 52.
28 CONTINUED: 28

DANNY
Kinda hard to miss. And she
definitely didn’t want her brother
to know who we were.

CHUNK
Yeah. It seemed like she was scared
of him.

Danny nods.

DANNY
Did you see that he was wearing a
shirt from a dog kennel?
(and then)
Lot of people kennel their dogs
when they go out of town, you know.
Could be the missing connection
between the car theft victims.

Chunk realizes how much sense this makes. He groans.

CHUNK
Oh God. If you’re right, you have
no idea how badly I just stepped in
it with Anna.

Off Chunk’s chagrin, we...

END OF ACT THREE


BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 53.

ACT FOUR

29 INT. BULL’S OFFICE - DAY 29

Chunk and Bull sit with Callum, desperate to get through to


him.

CHUNK
We know you’ve been protecting
Vanessa.

Callum shakes his head in denial, but Chunk keeps right on


talking.

CHUNK
Vanessa brought you into this car
theft ring, didn’t she? Introduced
you to the ringleader, her brother,
Victor?

A hint of anxiety fills Callum’s eyes at Victor’s name.

BULL
That’s right. We know about Victor.
Our investigators looked into him
and that dog kennel where he works.
We know that the Ferrari owner
boarded his dog at that kennel in
anticipation of his trip.

CHUNK
We also know that four other car
theft victims in the area also had
their dogs boarded at Victor’s
kennel at the time their cars were
stolen. And Victor’s got a history
of stealing cars. We found a
juvenile arrest for car theft on
his record.

BULL
But Victor smartened up. He learned
to stop doing the dirty work
himself. Always made sure that he
had an alibi working a shift at the
kennel when the cars were stolen.
(and then)
That’s where you and Vanessa came
in.

Callum finally speaks up.

CALLUM
Leave Vanessa out of this.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 54.
29 CONTINUED: 29

BULL
But she’s in this.

CHUNK
The Ferrari owner said that your
accomplice that night was slightly
smaller than you.
(and then)
Vanessa’s the one who made off with
the car, isn’t she?

ON CALLUM

...knowing they are clearly right but still defiant.

CALLUM
You can’t make me rat out Vanessa.
I won’t.

BULL
I admire your loyalty, Callum.
Loyalty is a very noble thing. But
blind loyalty? That’s just foolish.
(and then)
It’s not like this girl has been
loyal to you, has she?

CHUNK
First she ropes you into breaking
the law, then she leaves you high
and dry when you get busted?

ON CALLUM

...growing upset.

CALLUM
You’re wrong about her. Vanessa
didn’t want to leave me there. When
that man started beating on me, she
tried to stop him. I told her to
go.
(and then)
Vanessa didn’t even want me
stealing cars at all. She hated the
whole thing. But her brother made
her do it. He’s a scary dude.

CHUNK
We can make sure you’re protected
from him, Callum. If you testify
against Victor, we can get you a
deal, get your charges reduced,
maybe even dismissed.
(MORE)

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 55.
29 CONTINUED: (2) 29
CHUNK (CONT'D)
I’m talking no jail time. But
you’ve got to be willing to tell
the police what you know.

CALLUM
I’m not stupid. I know if I testify
against Victor, Vanessa could wind
up in prison, too. I won’t let that
happen.

CHUNK
What do you think’s going to happen
to Vanessa if you fall on your
sword for her and go to jail? If
she keeps stealing cars, eventually
she’s going to get caught and wind
up in jail, too.

BULL
Or worse. She could get herself
killed in a high-speed chase with
the police. Or take a bullet from
an angry car owner. You’re not
doing her any favors leaving her to
that kind of life.

CHUNK
(impassioned)
Come on, Callum, it’s time to start
thinking about your own future.
What it will do to your dad if you
go to prison.

ON CALLUM

...the weight of his dad hitting him. He thinks this over for
a moment. Then...

CALLUM
I’ll tell the police everything. On
one condition. They give Vanessa a
deal, too. No jail time and they
protect her, same as me.

Bull and Chunk exchange a look.

CHUNK
I think...

Callum waits nervously...

CHUNK
...we can probably make that
happen.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 56.
29 CONTINUED: (3) 29

For the first time in the episode, Callum smiles. It looks


like a ten-ton weight has been lifted from his shoulders.

CUT TO:

30 INT. THE WAR ROOM - DAY (MOMENTS LATER) 30

Bull, Chunk, and Callum exit Bull’s office to find Levi


waiting anxiously for them. His eyes find Bull’s.

LEVI
Did he listen to you?

BULL
Yes, he’s going to cooperate.

Levi’s face floods with relief.

BULL
But I’ve got to say, your son has
some pretty serious negotiating
skills. I don’t think he’s going to
have to steal any more cars to do
well in life.

Levi looks proud, but adds for Callum’s benefit.

LEVI
Yeah, well, if he steals any more
cars it’s not prison that he needs
to be scared of.

As Levi pulls Callum to him in a tight embrace, we...

CUT TO:

31 INT. TAC CONFERENCE ROOM - NIGHT 31

ON CHUNK

...speaking into his phone.

CHUNK
Hey, Anna. It’s your dad. Again.
Saying I’m sorry. Again.
(and then)
Please call me back.

Chunk hangs up with a deep sigh and turns back to pulling all
the photos and documents from Callum’s case off the wall.

ANNA (O.S.)
Hey, Dad.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 57.
31 CONTINUED: 31

Chunk turns, shocked to see Anna in the doorway.

CHUNK
Anna! Hi! Wow, this is...
(and then; with hope)
Does this mean...you’re done being
mad at me?

Anna steps into the room, but her demeanor is a bit cold.

ANNA
No.
(and then)
But I heard you got Callum’s
charges dismissed. So I figured I
owed you a thank you.

CHUNK
I was happy to help. You know,
Anna, I--

But Anna cuts him off, in a hurry to get this out...

ANNA
And I wanted to tell you that I
asked Brooks where his money comes
from. He’s not a criminal.
(and then)
He invested in a friend’s cannabis
business early on and it’s done
really well. It’s primarily a cash
business, which is why he gets his
dividends in cash.
(defensive)
And before you say anything about
him being involved with “drugs,”
the business is in New Jersey where
it is one hundreds percent legal.

Chunk knows better than to push his luck at this point.

CHUNK
I wasn’t going to say a thing.

Anna holds Chunk’s gaze for a beat, then...

ANNA
I still don’t think you were right
to investigate Brooks behind my
back.

(CONTINUED)
BULL: #514 - "UNDER THE INFLUENCE" - Production WHITE - 03/02/21 58.
31 CONTINUED: (2) 31

CHUNK
I agree. And I’m sorry.
(and then, trying to
explain)
Look, I stepped into the role of
being your father around the time
that most fathers are trying to
figure out how to let go.
(and then; with emotion)
But I don’t want to let go. You’re
the most important person in my
life.

Anna gives Chunk a small smile, the ice starting to melt.

ANNA
Well, I just stepped into the role
of being an adult, and I’m still
learning about adult relationships
but, I think, sometimes the best
way to hold onto one is to let go.
Just a little.
(and then; with emotion)
But not too much.

And with that, Chunk crosses the room and folds Anna into a
big, tight, Dad hug. And we...

END OF EPISODE

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The urban setting and its socio-economic challenges shape the characters’ actions significantly. Callum’s involvement in crime originates from financial desperation, highlighting the pressures faced by individuals in economically disadvantaged environments . His reluctance to disclose accomplices is influenced by the culture of his neighborhood, where informers face severe social repercussions . The environment not only propels Callum towards crime but also encapsulates an aspect of survival, where loyalty and reputation are vital for community standing. Similarly, Brooks' engagement with youth through his writing workshops reflects an attempt to counter these environmental challenges by offering mentorship and guidance .

Empathy significantly colors the narrative, influencing characters' decisions and interactions. Chunk's desire to support Callum is driven by empathy for his plight as a young person caught in a difficult situation, despite Callum's reticence during the legal proceedings . Similarly, Anna's empathy for her boyfriend Brooks, whom she wants Chunk to meet, highlights personal connections influencing professional decisions . Furthermore, Josh Schumaker's poignant recount of personal loss elicits sympathy from the jury, emphasizing the role of understanding in shaping the trial's emotional landscape . Empathy, thus, emerges as a key factor in fostering deeper connections and driving character choices.

Societal perceptions heavily impact the characters' decisions, particularly surrounding the stigma of snitching within certain communities, which prevents Callum from disclosing information about his accomplices . This societal pressure limits his legal options and complicates Chunk's ability to mount a defense. Furthermore, community views on mentorship and role models come into play, as Brooks' socially esteemed role is contrasted with the suspicion of his involvement in criminal activity, challenging the characters to rethink assumptions about morality and legality based on outward appearances . These perceptions shape the narrative by influencing the characters' motivations and the obstacles they encounter.

Loyalty significantly influences Callum's decision-making, as he chooses to protect his accomplices' identities rather than informing the authorities . This loyalty exacerbates his legal troubles, as refusing to cooperate with the prosecution limits his options for leniency or plea deals. Chunk suggests that Callum's silence may be driven by loyalty to a figure like Brooks, whom he admires and feels indebted to . This loyalty, though morally positive, complicates Callum's legal standing, risking a harsher judicial outcome.

Brooks' character is depicted as a successful writer, emphasizing themes of authorship and public perception . His representation as a writer and mentor to underprivileged youth creates an image of him as a positive societal figure, yet this is juxtaposed with the suspicion that he may be involved in illegal activities . This dual representation raises questions about the authenticity and ethical responsibilities of public personas, suggesting that the perceptions created by professional success in authorship might mask more complex, possibly darker realities. This duality also reflects on the broader theme of how individuals curate their public lives.

Anna's relationship with Brooks significantly impacts Chunk's decisions, as he feels compelled to help because Brooks, Anna's boyfriend, is involved in the case of helping a student in trouble . Chunk's paternal instincts and desire to ensure Anna's happiness temporarily cloud his professional judgment, prompting him to ask Taylor to investigate Brooks, potentially compromising professional ethics in pursuit of personal interests . This intertwining of personal relationships with professional duties forces Chunk to carefully evaluate his actions and their implications.

Callum faces the dilemma of whether to protect his accomplices by keeping silent or to cooperate with the authorities, risking the label of a 'rat' which carries potential social consequences . Chunk must decide whether to press Callum to name his accomplices or respect his decision, which complicates the defense strategy . Additionally, Chunk faces a personal ethical dilemma when contemplating asking Taylor to investigate Anna's boyfriend, Brooks, which could breach personal boundaries . These characters navigate these challenges by weighing the potential consequences of each action, aiming to balance professional responsibilities with personal ethics.

Brooks serves as a mentor to Callum by involving him in his creative writing workshop and showing personal interest in his welfare . However, this mentorship takes a questionable turn as Brooks' involvement in legal matters raises suspicions about his influence over Callum, suggesting a possibility that Brooks may be the leader of the car theft ring . This relationship complicates the legal case as it suggests that Callum may have been acting under Brooks' undue influence or manipulation, thereby reinforcing the defense's narrative that Callum is a misguided youth deserving of leniency.

Pleading self-defense for Callum's robbery charge is an unorthodox legal strategy, as self-defense typically applies to charges involving physical threat rather than theft . This approach suggests that Chunk aims to argue the necessity of Callum's actions was driven by coercion or imminent threat, thus negating the intent required for a robbery conviction. However, this strategy risks undermining the case due to its unconventional application, potentially confusing the jury or leading to skepticism about the legitimacy of the defense's claims. This approach requires robust evidence to justify self-defense, particularly highlighting any coercion Callum faced, aligning this claim with traditional self-defense prerequisites .

The themes of personal and professional boundaries are central to Anna, Chunk, and Taylor’s interactions, particularly as Chunk struggles with the notion of investigating Anna’s boyfriend, Brooks, due to his dual roles as father and defense attorney . While professionally, Chunk views investigating Brooks as potentially beneficial for Callum's case, personally, he risks infringing on Anna's trust and privacy. Taylor's hesitation to snoop further exemplifies these themes, questioning the morality of overstepping personal boundaries for professional gain. These interactions encapsulate the challenge of maintaining integrity while balancing personal relations with professional responsibilities, highlighting the complexity in navigating these dual roles .

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