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Advanced Theatre Techniques Overview

The document outlines the curriculum for Drama 2, 3, and 4 during the 2015-2016 school year, focusing on advanced skills in script writing, character acting, directing, research, and understanding theatrical context. It includes specific standards and student-friendly statements that guide learning objectives for each quarter. Resources such as textbooks, websites, and library materials are also provided to support the curriculum.

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Kayla Griffin
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0% found this document useful (0 votes)
15 views16 pages

Advanced Theatre Techniques Overview

The document outlines the curriculum for Drama 2, 3, and 4 during the 2015-2016 school year, focusing on advanced skills in script writing, character acting, directing, research, and understanding theatrical context. It includes specific standards and student-friendly statements that guide learning objectives for each quarter. Resources such as textbooks, websites, and library materials are also provided to support the curriculum.

Uploaded by

Kayla Griffin
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Drama 2, 3, 4, Quarter 1

2015-2016 School Year

Big Ideas/Key Concepts:


● Advanced Script Writing - The ability to use improvisation, historical knowledge, and script writing techniques to
write complex original scenes.
● Advanced Character Acting - The ability to apply professional techniques to the creation of thorough, complex, and
realistic characters.
● Advanced Directing - The ability to use blocking techniques to enhance characterization and theatrical presentation.
● Advanced Research - The ability to explain the basis of theatre in the Ancient, Medieval, and Imperial eras and
cultures.
● Advanced Context - The ability to explain the fundamental development of theatre through the Ancient, Medieval,
and Imperial eras as well as its function as a tool in those societies.

Standards Student Friendly “I Can” Statements Resources

Script Writing Script Writing Textbooks (and accompanying


resource notebooks):
1.1.2 - Compose, collaboratively, 1.1.2 - Work with a group to write and perform a
an original scene that complex dramatic scene. Theatre: Art in Action
incorporates dramatic structure
and characterization. The Stage and the School

1.2.1 - Improvise various Websites:


characters to be used in a script. 1.2.1 - Use improvisation skills to create characters to
be used in a written script. [Link]
1.2.2 - Improvise dialogue to be ge
used in a script. Books/Plays:
1.2.2 - Use improvisation skills to create realistic and
1.5.3 - Create a scene using natural dialogue for a written script. The LCHS library and the Drama Club
production elements unique to a play library (located in Room 41) have
specific historical period. 1.5.3 - Use knowledge of historical production elements many supplementary plays and
to compose a scene that would fit within a specified improv/monologue books that are/can
period. be used.

Character Acting

2.1.1 - Understand and apply the Character Acting


basic rules of improvisation.
2.1.1 - Perform basic and more complex improvisations
2.1.2 - Perform a short by adhering to the improvisation rules.
improvised scene.
2.1.2 - Perform basic and more complex
2.1.3 - Perform a improvisations.
character-driven improvised
scene. 2.1.3 - Develop and perform a complex improvised
scene based on a unique or dynamic character.
2.2.1 - Write a brief character
history.
2.4.1 - Perform a complex character in a short scene.
2.2.4 - Incorporate a fully
developed character into a
performance. 2.2.4 - Using complex character developing skills,
perform a crafted complex character.
2.3.2 - Create a character using
a technique such as emotional
recall or sense memory. 2.3.2 - Apply the techniques of emotional recall and/or
sense memory to the creation of a complex character.
2.3.3 - Demonstrate an
understanding of a variety of
acting styles (e.g., those 2.3.3 - Craft characters using the techniques developed
developed by Meisner, by Meisner, Stanislavski, Hagen, Strasberg, and/or
Stanislavski, Hagen, Strasberg, Mamet.
and Mamet).

2.3.4 - Use a specific acting style


(e.g., those developed by
Meisner, Stanislavski, Hagen, 2.3.4 - Choose a specific acting style, explain the
Strasberg, and Mamet). reasoning for the choice, and use the chosen style to
craft a complex character.
2.4.1 - Perform a character in a
short scene.
2.4.1 - Use a complex character developing technique
2.4.2 - Perform a monologue. to perform a character in a short scene.

2.4.2 - Use a complex character developing technique


Directing to perform a character in a monologue.

4.3.1 - Demonstrate knowledge Directing


of basic blocking guidelines.
4.3.1 - Complete blocking diagrams that adhere to
4.3.3 - Block a scene in which common blocking guidelines.
relationship is conveyed through
placement on stage. 4.3.3 - Compose a blocking plan that helps to convey
relationship through positioning.
4.4.1 - Analyze a selected play
for plot, theme, and
characterization. 4.4.1 - Provide an analysis on the plot, theme, and
character development of a complex play.
Research

5.1.1 - Demonstrate an Research


understanding of various genres
and historical periods of theatre. 5.1.1 - Explain the importance of the Greek, Roman,
Medieval, and Imperial periods of theatre.
Context

8.1.1 - Describe how the Greeks Context


and Romans contributed to the
origin of theatre. 8.1.1 - Explain the contributions of the Ancient Greeks
and Romans as they pertain to modern theatre.
8.1.2 - Demonstrate an
understanding of contributions to
theatre from given historical
periods. 8.1.2 - Explain the contributions of the Ancient,
Medieval, and Imperial periods of theatre as they relate
8.2.1 - Discuss the role of theatre to modern theatre.
in Greek and Roman cultures.

8.2.2 - Demonstrate an 8.2.1 - Contribute to and participate in discussions of


understanding of the role of the importance of theatre in Greek and Roman cultures.
theatre throughout history.
8.2.2 - Explain the evolving role of theatre in the
8.3.1 - Discuss theatre in various Ancient, Medieval, and Imperial eras and its
cultures. development.

8.3.2 - Demonstrate an 8.3.1 - Explain the roles and purposes of theatre in the
understanding of theatre in Ancient, Medieval, and Imperial cultures.
various cultures.
8.3.2 - Explain the roles and purposes of theatre in the
Ancient, Medieval, and Imperial cultures.
Drama 2, 3, 4, Quarter 2
2015-2016 School Year
Big Ideas/Key Concepts:
● Advanced Character Acting - The ability to apply professional techniques to the creation of thorough, complex,
and realistic characters.
● Advanced Directing - The ability to analyze the literary attributes of a socially relevant and complex play.
● Advanced Research - The ability to recognize and evaluate the social relevance and historical significance of a
play.
● Advanced Context - The ability to evaluate the impact of history and society on a given play; and, the ability to
identify and evaluate the impact of a given play on history and society.

Standards Student Friendly “I Can” Statements Resources

Character Acting Character Acting Textbooks (and accompanying


resource notebooks):
2.1.3 - Perform a 2.1.3 - Develop and perform a complex improvised
character-driven improvised scene based on a unique or dynamic character. Theatre: Art in Action
scene.
The Stage and the School
2.2.4 - Incorporate a fully 2.2.4 - Using complex character developing skills,
developed character into perform a crafted complex character. Websites:
performance.
[Link]
2.3.2 - Create a character using 2.3.2 - Apply the techniques of emotional recall and/or age
a technique such as emotional sense memory to the creation of a complex character. Books/Plays:
recall or sense memory.
2.3.3 - Craft characters using the techniques The LCHS library and the Drama Club
2.3.3 - Demonstrate an developed by Meisner, Stanislavski, Hagen, Strasberg, play library (located in Room 41) have
understanding of a variety of and/or Mamet. many supplementary plays and
acting styles (e.g., those improv/monologue books that are/can
developed by Meisner, be used.
Stanislavski, Hagen, Strasberg,
and Mamet).
2.3.4 - Choose a specific acting style, explain the
2.3.4 - Use a specific acting reasoning for the choice, and use the chosen style to
style (e.g., those developed by craft a complex character.
Meisner, Stanislavski, Hagen,
Strasberg, and Mamet) to create
a character.
2.4.2 - Use a complex character developing technique
2.4.2 - Perform a monologue. to perform a character in a monologue.

Directing
Directing
4.4.1 - Provide an analysis on the plot, theme, and
4.4.1 - Analyze a selected play character development of a complex play.
for plot, theme, and
characterization.
Research
Research
5.1.1 - Explain the importance of theatre in a period of
5.1.1 Demonstrate an social change (e.g., the French Revolution, the Red
understanding of various genres Scare, and the Great Depression).
and historical periods of theatre.

Context Context

8.1.2 - Demonstrate an 8.1.2 - Explain the impact that a period of social


understanding of contributions to change (e.g., the French Revolution, the Red Scare,
theatre from various historical and the Great Depression) had on theatre.
periods.
8.2.3 - Demonstrate an 8.2.3 - Explain the impact that a period of social
understanding of contributions to change (e.g., the French Revolution, the Red Scare,
theatre from given historical and the Great Depression) had on theatre.
periods.

8.3.2 - Demonstrate an 8.3.2 - Explain how film and theatre have impacted
understanding of the relationship history and how history has impacted film and theatre
between film and television and (in a period of great social change).
historical events.

8.3.3 - Analyze how live and 8.3.3 - Explain the social impact of a play produced
recorded performances raise during and impacted by a time of great social change
social awareness. (e.g., ​The Marriage of Figaro, The Crucible, ​and ​The
Glass Menagerie​)
Drama 2, 3, 4, Quarter 3
2015-2016 School Year

Big Ideas/Key Concepts:


● Advanced Script Writing - The ability to make decisions necessary (and the knowledge of the process necessary)
to adjust a script for live performance.
● Advanced Character Acting - The ability to perform a complex character; and, the ability to guide a peer in the
performance of a complex character.
● Advanced Scene Design - The ability to develop a clear vision for a play’s performance to to communicate it
effectively.
● Advanced Directing - The ability to make critical choices in the directing of a play while maintaining a directorial
vision.
● Advanced Research - The ability to recognize and evaluate the social relevance and historical significance of a
play.
● Advanced Scene Comprehension - The ability to actively participate in the theatre “community.”
● Advanced Context - The ability to evaluate the impact of history and society on a given play; and, the ability to
identify and evaluate the impact of a given play on history and society.

Standards Student Friendly “I Can” Statements Resources

Script Writing Script Writing Textbooks (and accompanying


resource notebooks):
1.4.4 - Create a short play. 1.4.4 - Use knowledge of directing, historical context,
and theatrical presentation to select and design a short Theatre: Art in Action
play.
The Stage and the School
Character Acting Character Acting
Websites:
2.2.4 - Incorporate a fully 2.2.4 - Use character development techniques to bring [Link]
developed character into a a complex character to life in a play directed by a peer. age
performance. Books/Plays:

The LCHS library and the Drama Club


play library (located in Room 41) have
many supplementary plays and
Scene Design improv/monologue books that are/can
Scene Design be used.
3.1.1 - Use technical theatre vocabulary to explain
3.1.1 - Understand and use directorial choices.
basic technical theatre
vocabulary.
3.1.3 - Functionally operate the technical systems
3.1.3 - Demonstrate the ability to present in the Adnia Rice Theatre.
operate technical equipment,
such as fly rail, sound board,
light board, and spotlights.
3.2.1 - Make educated choices in the categories of
3.2.1 - Demonstrate a basic scenery, costuming, sound, lighting, props, and
knowledge of design in scenery, makeup to fulfil a directorial vision.
costuming, sound, lighting,
props, and makeup.
3.3.1 - Perform the roles of the director and various
3.3.1 - Demonstrate an theatre personnel in the designing and planning of a
understanding of the play for performance.
responsibilities of various
theatre personnel.
Directing
Directing
4.1.1 - Perform the roles and responsibilities (such as
casting and presenting design proposals) of a director.
4.1.1 Demonstrate knowledge of 4.1.2 - Cast and stage a selected play for in-class
the role and responsibilities of performance.
the director.

4.1.2 - Perform the role of a 4.2.1 - Design and compile a rehearsal schedule that
director by casting and staging a takes various variables (performance time, cast
scene for performance. schedules, etc.) into consideration.

4.2.1 - Demonstrate knowledge Research


of the rehearsal process.
5.1.1 - Explain the importance of theatre in a period of
social change (e.g., the French Revolution, the Red
Research Scare, and the Great Depression).

5.1.1 - Demonstrate an
understanding of various genres
and historical periods of theatre. Scene Comprehension

7.2.1 - Participate, with formal etiquette, in both live


Scene Comprehension and recorded performance situations.

7.2.1 - Understand and


demonstrate rules of theatre
etiquette for both live and 7.2.2 - Prepare and deliver a curtain speech for a
recorded performances. directed play.

7.2.2 - Write a curtain speech for Context


a production.
8.1.2 - Explain the impact that a period of social
Context change (e.g., the French Revolution, the Red Scare,
and the Great Depression) had on theatre.
8.1.2 - Demonstrate an
understanding of contributions to
theatre from given historical 8.2.3 - Explain the impact that a period of social
periods. change (e.g., the French Revolution, the Red Scare,
and the Great Depression) had on theatre.
8.2.3 - Demonstrate an
understanding of the relationship
between film and television and 8.3.2 - Explain how film and theatre have impacted
historical events. history and how history has impacted film and theatre
(in a period of great social change).
8.3.2 - Demonstrate and
understanding of theatre in 8.3.3 - Explain the social impact of a play produced
various cultures. during and impacted by a time of great social change
(e.g., ​The Marriage of Figaro, The Crucible, ​and ​The
8.3.3 - Analyze how live and Glass Menagerie​)
recorded performances raise
social awareness.
Drama 2, 3, 4, Quarter 4
2015-2016 School Year

Big Ideas/Key Concepts:


● Advanced Script Writing - The ability to make decisions necessary (and the knowledge of the process necessary)
to adjust a script for live performance.
● Advanced Character Acting - The ability to perform a complex character; and, the ability to guide a peer in the
performance of a complex character.
● Advanced Scene Design - The ability to develop a clear vision for a play’s performance to to communicate it
effectively.
● Advanced Directing - The ability to make critical choices in the directing of a play while maintaining a directorial
vision.
● Advanced Theatrical Presentation - The ability to use research, modern technology, and modern context to make
critical decisions about the presentation of a new or modernized piece of dramatic literature.
● Advanced Scene Comprehension - The ability to actively participate in the theatre “community.”

Standards Student Friendly “I Can” Statements Resources

Script Writing Script Writing Textbooks (and accompanying


resource notebooks):
1.4.4 - Create a short play. 1.4.4 - Use knowledge of directing, historical context,
and theatrical presentation to select and design a short Theatre: Art in Action
play.
The Stage and the School
Character Acting Character Acting
Websites:
2.2.4 - Incorporate a fully 2.2.4 - Use character development techniques to bring
developed character into a a complex character to life in a play directed by a peer. [Link]
performance. Scene Design age
Scene Design Books/Plays:
3.1.1 - Use technical theatre vocabulary to explain
3.1.1 - Understand and use directorial choices. The LCHS library and the Drama Club
basic technical theatre play library (located in Room 41) have
vocabulary. many supplementary plays and
3.1.3 - Functionally operate the technical systems improv/monologue books that are/can
3.1.3 - Demonstrate the ability to present in the Adnia Rice Theatre. be used.
operate technical equipment,
such as fly rail, sound board,
light board, and spotlights.
3.2.1 - Make educated choices in the categories of
3.2.1 - Demonstrate a basic scenery, costuming, sound, lighting, props, and
knowledge of design in scenery, makeup to fulfil a directorial vision.
costuming, sound, lighting,
props, and makeup.
3.3.1 - Perform the roles of the director and various
3.3.1 - Demonstrate an theatre personnel in the designing and planning of a
understanding of the play for performance.
responsibilities of various
theatre personnel.
Directing
Directing
4.1.1 - Perform the roles and responsibilities (such as
4.1.1 Demonstrate knowledge of casting and presenting design proposals) of a director.
the role and responsibilities of
the director. 4.1.2 - Cast and stage a selected play for in-class
performance.
4.1.2 - Perform the role of a
director by casting and staging a 4.2.1 - Design and compile a rehearsal schedule that
scene for performance. takes various variables (performance time, cast
schedules, etc.) into consideration.
4.2.1 - Demonstrate knowledge
of the rehearsal process.
Theatrical Presentation
Theatrical Presentation 6.1.1 - Choose the appropriate music to highlight
chosen aspects of a performance.
6.1.1 - Select music to
underscore a performance. 6.1.2 - Use an artwork as an inspiration for the creation
of a play/scene.
6.1.2 - Develop a scene based
on a work of art. 6.1.3 - Choreograph a simple dance routine for a
performance.
6.1.3 - Develop a scene that
incorporates simple dance steps
or unified movement. 6.1.4 - Perform a musical scene.

6.1.4 - Perform a scene from a


musical. 6.2.1 - Compare a modernized work of dramatic
literature with its original counterpart.
6.2.1 - Compare and contrast a
classic piece of dramatic
literature with its contemporary
counterpart (e.g., ​Romeo and
Juliet ​and ​West Side Story​). 6.2.2 - Use script writing and directing skills to
modernize a classic piece of dramatic literature.
6.2.2 - Modernize and perform a
classic piece of dramatic
literature. 6.2.3 - Perform a multi-media performance.

6.2.3 - Perform a scene that


incorporates another art form. 6.2.4 - Utilize existing music in a new creative scene.

6.2.4 - Use existing


contemporary music in a scene
(e.g., ​Mama Mia​).
6.3.1 - Research and report on 6.3.1 - Provide a report on the use of theatrical
the use of technology in a technology.
theatrical production.

6.3.2 - Research and report on 6.3.2 - Provide a report on the evolution of sound and
the evolution of lighting and/or lighting.
sound in theatrical productions.

6.3.3 - Research and report on 6.3.3 - Provide a report on the use of special effects.
the use of special effects in a
theatrical production.

6.3.4 - Incorporate the use of 6.3.4 - Use researched information on modern


modern technology in a scene. technology to incorporate it into a scene.

Scene Comprehension Scene Comprehension

7.2.1 - Understand and 7.2.1 - Participate, with formal etiquette, in both live
demonstrate rules of theatre and recorded performance situations.
etiquette for both live and
recorded performances.

7.2.2 - Write a curtain speech for 7.2.2 - Prepare and deliver a curtain speech for a
a production. directed play.

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