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Inside Out: Joy's School Adventure

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0% found this document useful (0 votes)
76 views11 pages

Inside Out: Joy's School Adventure

Uploaded by

thuyhienvn123
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

INSIDE OUT 34.

JOY (CONT’D)
Don’t you worry. I’m gonna make
sure that tomorrow is another great
day. I promise.

INT. RILEY’S ROOM - NIGHT

Riley SMILES in her sleep.

INT. KITCHEN - MORNING

Riley excitedly snarfs down breakfast cereal.

INT. HEADQUARTERS - MORNING

Joy plays the accordion around Headquarters. The others


appear, looking grumpy. Joy yells over the noise.

JOY
Hello! Did I wake you?

ANGER
DO you have to play that?

JOY
Well, I have to practice. And I
don’t think of it as playing so
much as hugging.

She tosses aside the accordion and runs off.

JOY (CONT’D)
Okay, first day of school! Very,
very exciting! I was up late last
night figuring out a new plan. Here
it is.
(to Fear)
Fear! I need a list of all the
possible negative outcomes on the
first day at a new school.

FEAR
Way ahead of you there. Does anyone
know how to spell “meteor?”

JOY
Disgust! Make sure Riley stands out
today... but also blends in.
INSIDE OUT 35.

DISGUST
When I’m through, Riley will look
so good the other kids will look at
their own outfits and barf.

JOY
(addressing herself)
Joy! Yes Joy? You’ll be in charge
of the console, keeping Riley happy
all day long. And may I add I love
your dress, it’s adorable. Oh, This
ol’ thing? Thank you so much, I
love the way it twirls...

TOOT TOOT! A TRAIN rushes by outside.

JOY (CONT’D)
Train of Thought! Right on
schedule.

The engineer waves from the cab and drops off a large bag.

JOY (CONT’D)
Anger! Unload the daydreams. I
ordered extra in case things get
slow in class.

ANGER
Might come in handy, if this new
school is full of boring useless
classes, which it probably will
be...

Sadness walks by. Joy stops her.

JOY
Oh - Sadness! I have a super
important job just for you.

SADNESS
Really?

JOY
Mmm-hmmm. Follow me.

CUT TO:

THE BACK OF THE ROOM

Joy draws a chalk circle on the floor around Sadness’s feet.

SADNESS
What are you doing?
INSIDE OUT 36.

JOY
(finishing the circle)
And... there. Perfect. This is the
circle of Sadness. Your job is to
make sure that all the Sadness
stays inside of it.

SADNESS
So... you want me to just stand
here?

JOY
Hey, it’s not MY place to tell you
how to do your job. Just make sure--
(nudging Sadness’ foot back
over the line)
--ALL the Sadness stays in the
circle.

Sadness stands there.

JOY (CONT’D)
See? You’re a pro at this! Isn’t
this fun?!

SADNESS
No.

JOY
(heading to the console)
Atta girl. Alright everyone, fresh
start! We are gonna to have a good
day, which will turn into a good
week, which will turn into a good
year, which turns into a good LIFE!

INT. SAN FRANCISCO HOUSE - MORNING

Mom helps Riley on with her backpack. Dad is on the phone.

MOM
So, the big day! New school, new
friends, huh?

RILEY
I know! I’m kinda nervous, but I’m
mostly excited! How do I look? Do
you like my shirt?

INT. HEADQUARTERS

Joy looks back at Family Island, working away.


INSIDE OUT 37.

INT. SAN FRANCISCO HOUSE - CONTINUOUS

MOM
Very cute! You gonna be okay? You
want us to walk with you?

INT. HEADQUARTERS

DISGUST
Mom and Dad? With us in public? No
thank you.

JOY
(operating console)
I’m on it.

INT. SAN FRANCISCO HOUSE

RILEY
Nope, I’m fine. Bye Mom! Bye Dad!

DAD
(covering phone)
Have a good day at school, Monkey!

All three make monkey sounds at each other.

INT. HEADQUARTERS

Goofball Island works out the back window.

INT. SAN FRANCISCO HOUSE

Riley giggles as she exits.

MOM
Have a great day, sweetheart.

EXT. SCHOOL - MORNING

Riley walks up to her new school. New kids everywhere. She


hesitates.

FEAR (O.S.)
Are you sure we want to do this?

JOY (O.S.)
In we go!
INSIDE OUT 38.

FEAR (O.S.)
Okayyy! Going in! Yes.

Riley perks up and walks in.

INT. CLASSROOM - MORNING

Riley sits at her desk and looks at the other kids in class.

DISGUST (O.S.)
Okay, we’ve got a group of cool
girls at 2 o’clock.

INT. HEADQUARTERS - CONTINUOUS

JOY
How do you know?

DISGUST
Double ears pierced, infinity
scarf...

A group of makeup-wearing girls look back at Riley.

JOY
Whoa. Is she wearing eye shadow?

DISGUST
Yeah, we want to be friends with
them.

JOY
Let’s go talk to ‘em!

DISGUST
Are you kidding?? We’re not TALKING
to them, we want them to like us.

JOY
Oh!
(then)
Wait, what?

FEAR
(drops a giant stack of
paper on the console)
Almost finished with the potential
disasters. Worst scenario is either
quicksand, spontaneous combustion,
or getting called on by the
teacher. So as long as none of
those happen...
INSIDE OUT 39.

INT. CLASSROOM

TEACHER
Okay, everybody. We have a new
student in class today.

INT. HEADQUARTERS

FEAR
Are you kidding me?! Out of the
gate? This is not happening!

INT. CLASSROOM

TEACHER
Riley would you like to tell us
something about yourself?

INT. HEADQUARTERS

FEAR
Nooooooo! Pretend we can’t speak
English!

JOY
Don't worry. I got this.

Joy pushes a lever.

INT. CLASSROOM

RILEY
Uhh... okay. My name is Riley
Andersen. I’m from Minnesota. And
now I live here.

TEACHER
And how about Minnesota?... Can you
tell us something about it? Well
you certainly get a lot more snow
than we do.

INT. HEADQUARTERS

JOY
(laughs)
She’s hilarious!

She turns a lever.


INSIDE OUT 40.

INT. CLASSROOM

Riley smiles, in spite of all the eyes on her.

RILEY
Yeah, it gets pretty cold. The lake
freezes over, and that’s when we
play hockey. I’m on a great team.
We’re called the Prairie Dogs. My
friend Meg plays forward. My Dad’s
the coach. Pretty much everyone in
my family skates.

INT. HEADQUARTERS

Joy recalls a MEMORY: the family skating together.

INT. CLASSROOM

Riley “watches” the memory, smiling.

RILEY
It’s a kind of family tradition. We
go out on the lake almost every
weekend.

INT. HEADQUARTERS

Joy smiles. Then, mysteriously, the IMAGE TURNS BLUE.

INT. CLASSROOM

Riley’s smile fades, her brow furrows.

RILEY
Or we did, ‘til I moved away.

INT. HEADQUARTERS

Confused, Joy looks around.

FEAR/DISGUST/ANGER
Huh?/Hey, what gives?/What?

JOY
Hey--

She spots Sadness, who is guiltily touching the memory.


INSIDE OUT 41.

JOY (CONT’D)
Sadness! You touched a memory?! We
talked about this.

SADNESS
Oh yeah, I know. I’m sorry.

JOY
Get back in your circle.
(trying to eject memory)
Gnnh! What’s going on? Why won’t it
eject?!!

She fiddles with the console, but the blue memory won’t move.

FEAR
Get it out of there, Joy!

INT. CLASSROOM

RILEY
(sniffling)
We used to play tag and stuff...

INT. HEADQUARTERS

DISGUST
Cool kids whispering at 3 o’clock!

INT. CLASSROOM

The other kids whisper and stare.

INT. HEADQUARTERS

FEAR
Did you see that look?!? They’re
judging us!

JOY
Oh no.

Joy tries pulling the memory. Anger, Fear and Disgust help.

JOY (CONT’D)
Somebody help me. Grab that...
everybody...

They pull with all their might, but the memory’s not budging.
INSIDE OUT 42.

INT. CLASSROOM

RILEY
But everything’s different now.
Since we moved...

TEARS stream down Riley’s face.

INT. HEADQUARTERS

FEAR
Oh no! We’re CRYING AT SCHOOL!!!

Joy turns to the console. SADNESS IS DRIVING.

JOY
What? No! Sadness, what are you
doing?

Joy finally yanks the memory out. She runs to the console and
pulls Sadness away from the controls.

SADNESS
Oh no, I'm sorry... I... oh...

PING! A memory is created. BRIGHT BLUE.

JOY
Huh?

ANGER
Whoa!

FEAR
It’s a core memory!

DISGUST
But it’s blue!

The bright blue core memory rolls through the memory shelf
and STARTS TOWARDS THE CORE MEMORY HOLDER!

JOY
No wait... stop it! No! Ahh!

Joy leaps to the holder and pops it open, preventing the new
blue core memory from going in. Joy grabs it.

She pushes the end-of-day “memory flush” button. The tube


comes down from the ceiling.
INSIDE OUT 43.

SADNESS
(trying to take her memory
back from Joy)
Joy, no. That’s a core memory, Joy!

JOY
Hey! Stop it. Let go.

As they struggle, they bump into the Core Memory Holder,


KNOCKING ALL OF THE CORE MEMORIES OUT onto the floor.

FEAR/DISGUST/ANGER FEAR
Ahh! The core memories!

Out the window, the ISLANDS OF PERSONALITY GO DARK.

INT. CLASSROOM

Riley, her face tear-stained, looks up.

INT. HEADQUARTERS

JOY
Ahh!

Joy tosses the blue core memory aside to collect the yellow
core memories.

Sadness grabs the blue core memory and heads to the Core
Memory Holder to plug it in. Joy lunges, knocking the blue
core memory out of Sadness’s hands. It’s SUCKED UP the vacuum
tube.

Joy trips backward. In the chaos a yellow core memory rolls


toward the tube.

JOY (CONT’D)
No, no, no, no!

She reaches to grab it and gets sucked up the tube herself,


along with the other core memories -- and Sadness!

Fear, Anger and Disgust now stand alone in Headquarters. A


stunned silence as the tube retracts.

INT. CLASSROOM

Riley sits and wipes her tears.


INSIDE OUT 44.

TEACHER
Thank you, Riley. I know it can be
tough moving to a new place, but
we're happy to have you here.
Alright everyone, get out your
history books and turn to chapter
seven.

Riley hides behind her book.

INT. HEADQUARTERS

ANGER
Can I say that curse word now?

INT. TUBE

Joy and Sadness scream as they rocket down the tube. Joy
desperately tries to hold on to the core memories.

The blue core memory is sorted to a side tube.

EXT. LONG-TERM MEMORY CLIFF EDGE

Joy lands in a bin of memories. Sadness crashes next to her.

JOY
Oh no...
(gathering memories)
One, two, three... okay, got ’em.
Wha-- where are we?

Joy takes in the shelving around her.

JOY (CONT’D)
Long-Term Memory...!

Joy grabs the core memories and jumps out of the dumpster.
She sees GOOFBALL ISLAND, silent and dark.

JOY (CONT’D)
Goofball Island.

Joy surveys the islands beyond. They’re all dark.

SADNESS
Hoh... Riley’s Islands of
Personality. They’re ALL down! This
is bad.

Common questions

Powered by AI

Joy’s leadership style, characterized by control and suppression of negative emotions, initially maintains a facade of happiness. However, during disruptions like Sadness affecting core memories, her style proves ineffective because it disregards the complexity of emotions necessary for a nuanced response to real-world challenges. Joy’s inability to manage Sadness’s role in emotional processing results in emotional imbalance and unintended consequences, highlighting the necessity for inclusive leadership that recognizes all emotions, including those perceived as negative .

The dynamics between Joy and Sadness illustrate crucial lessons about emotional intelligence, primarily the importance of recognizing and integrating all emotions for a balanced psychological state. Joy initially sidelines Sadness, aiming to maintain positivity, which backfires as the narrative unfolds. This underscores the lesson that emotional intelligence involves understanding the role of sadness in providing depth and context to experiences, facilitating empathy, relationship-building, and resilience. Acceptance of a complete spectrum of emotions is vital for emotional maturity and adaptive coping strategies in life's challenges .

When Sadness touches the memory, it turns blue, symbolizing a negative or melancholic change to Riley's emotional state. This action leads to Riley recalling her past fondly, but simultaneously feeling sad about what she has lost after moving, such as family hockey traditions . This pivotal moment shifts the narrative by introducing conflict within Headquarters, disrupting Joy’s control and ultimately leading to an excursion through Riley's memories as Joy and Sadness are sucked into a tube away from the control console . The shift marks the beginning of a journey to restore balance within Riley's emotions.

The emotional interactions in Headquarters metaphorically represent personal growth and emotional maturity through their evolving dynamics and increasing complexity. Joy’s dominance and her approach to suppress Sadness initially suggest a simplistic view of emotions – where happiness should prevail. However, as the narrative progresses, the inability to control emotions and the necessity for Sadness to play a role highlight the importance of embracing a broader emotional spectrum for true maturity. This development signifies Riley's journey towards understanding and accepting all her feelings, which is essential for her personal growth and adaptation to life's challenges .

Joy assigns Sadness the task of ensuring all sadness stays within a chalk circle drawn around Sadness's feet. This task reflects Joy's management style by showing her tendency to delegate tasks in a way that contains and minimizes negative emotions, thereby maintaining control. Joy tries to keep Riley's emotional experiences overwhelmingly positive, as seen when she dismisses any involvement of Sadness rather than integrating it constructively .

The 'Islands of Personality' concept depicts various facets of Riley’s identity, reflecting on how distinct experiences and core emotions shape one’s personality over time. These islands go dark when core memories are disrupted, symbolizing how significant losses or changes can dampen aspects of personal identity. This concept enriches understanding by illustrating how interconnected memories and emotions create a complex, dynamic psychological landscape, emphasizing the fragility and interplay between core attributes and life experiences in forming a balanced self .

Joy’s reaction to the potential disasters list prepared by Fear reveals her tendency to minimize or dismiss risks and uncertainty in favor of maintaining a positive outlook. Despite Fear’s detailed preparation, Joy's assurance indicates her perspective that potential negative outcomes are either avoidable or manageable through optimism and control . This approach highlights Joy’s belief in proactive intervention to steer clear of negativity, yet it also points to a lack of comprehensive preparedness for inevitable emotional challenges.

The memory turning blue when touched by Sadness signifies the infusion of melancholy into an otherwise joyful memory, symbolizing how sadness can alter perceptions of past experiences and contribute to emotional depth. This event introduces the narrative’s exploration of emotional balance by demonstrating that sadness is not merely a negative force but a necessary element for growth and understanding. This realization is central to Riley's development, highlighting that emotional experiences need to be integrated rather than isolated for a mature emotional state .

Riley’s first day at a new school symbolizes the challenges and inherent anxiety of adaptation and change. Her nervousness and excitement reflect the dual nature of new beginnings, balancing hope for new experiences with the fear of unknown outcomes . These themes are encapsulated in the way Riley is introduced and has to present herself to her classmates, an act requiring adaptation to social and cultural differences while trying to maintain her identity .

The interactions show that Joy operates as the dominant emotion, often overriding others' input, indicative of her intent to maintain a positive and happy demeanor for Riley. For example, when Anger accuses Joy of needing to practice the accordion, Joy insists on practicing anyway, showing her focus on cheerfulness over consoling disgruntled emotions . When Fear voices concerns about the first day of school, Joy is quick to assure control over the scenario, ignoring Fear's detailed list of potential negative outcomes . This highlights the tension in balancing various emotional inputs to create a cohesive persona for Riley.

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