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Cantate Choral Festival 2021 Program

UMKC Cantate Program 2021

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0% found this document useful (0 votes)
10 views4 pages

Cantate Choral Festival 2021 Program

UMKC Cantate Program 2021

Uploaded by

mckinneyd
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Cantate Choral Festival

Sunday, October 10, 2021


4:00 PM, Helzburg Hall

Conservatory Concert Choir


Dr. Jennaya Robison, conductor
Cameron Rolling, assistant conductor
Matteo Generani, piano

Alleluia Sven Lekberg

Ritmo Dan Davidson

Shawnee Mission West Madrigal Singers


Derek Cross, conductor

Dawn and Dusk Ken Stevens

O Occhi Manza Mia Orlando di Lasso

A Boy and a Girl Eric Whitacre

Olathe North Northwinds Chamber Choir


Micah Horton, conductor

I’m Gonna Sing ‘Til the Spirit Moves in My Heart Moses Hogan

Esto Les Digo Kinley Lange

Salmo 150 Ernani Aguiar

Blue Valley North Chamber Singers


Jason Sickel, conductor

The Road Home Stephen Paulus


Ellie Goldberg, soloist
Alleluia Elaine Hagenberg

Conservatory Singers
Dr. Jennaya Robison, conductor
Richte mich, Gott Felix Mendelssohn

Jubilate Deo Ivo Antognini

Solo Quartet: Julia Kasten, Evan Nelson, Aimee Stuart-Flunker, Bryan Waznik

Invitation to Love Jennifer Higdon


Blue Valley Northwest Chamber Singers
Beth Richey-Sullivan, conductor
Dr. Kurt Kneckt, piano
Please Stay Jake Runestad
Brett Oplotnik, soloist
Ayúdame Carlos Cordero

Lee’s Summit Sounds of Summit


Christopher Munce, conductor
Prayer Rene Clausen

Alleluia Elaine Hagenberg

Conservatory Concert Choir


Dr. Jennaya Robison, conductor
Alex Piazza, assistant conductor

Jesus Walked This Lonesome Valley Arr. Stanley Thurston


Cameron Rolling, soloist

Ain’-a That Good News! William Dawson

Shenandoah Arr. James Erb

Cantate Festival Chorus


Dr. Jennaya Robison & Isaac Cates, conductors

Down to the River to Pray Arr. Jennaya Robison

If Ye Love Me Thomas Tallis

It’s Working Issac Cates & John Stoddart

Featuring members of Ordained:


Lauren Barnes, Dana Mae Abram, Michael Andrews, soloists
Robert Tribitt, piano; Jamial Black, bass; Jermaine Ballew, drums

All of the Days of My Life/One Love Arr. Isaac Cates & Troy Armstrong
Belton High School Blue Springs South Kearney Chamber Choir
Belton Singers Chamber Choir Adams, Heidi
Kiersten Aurand Azimi-Tabrizi, Zach Alter, Cody
Emerald Barclay Bahr, Zoe Bailey, Lucas
Asher Bennett Bean, Emily Bell, Maleah
Victoria Bestor Betts, Caylee Beyeler, Elise
David Blaise Boyles, Cooper Bonham, Chloe
Levi Bottcher Chen, Xing Yu Bowles, Ryan
Luci Burr Cooper, Abigail Cooper, Eleandra
Wes Corbett Cooper, Allison Eberhardt, Heidi
Carlie Geise Creek, Alessio Flanigan, Shelby
Sean Hennessey Eaton, Joe Freestone, Jadon
Alex Hill Foster, Ella Haney, Keenan
Jeffrey Jones Gilburn, Broedy Heideman, Ephrum
Joseph Juitt Gleiser, Emily Hungate, Riley
Allie Lasswell Hoopingarner, Sienna Jarrett, Tommy
Marcella Mauk Leckbee, Jared Kane, Creason
Mackenzie Michaelree Lewis, Macee Parker, Hailey
Matthew Newman Meyer, Josh Riley, Jessica
Kennedy Rowlan Miller, Anna Roberts, Tess
Emma Spalding Neff, Isaac Robertson, Daniel
Jaden Wheale Phillips, Abigail Romero, Kailey
Olivia Winick Riley, Jordan Sendelbach, Audrina
Schaefer, Caroline Taylor, Ivy
Schulstrom, Annika Tevebaugh, Madison
Blue Valley North Starr, Caleb
Chamber Singers Van Deventer, Kiana
Lily Canent Verheek, Ryan Lincoln College
Colin Dennis Waters, Daylie Preparatory Academy
Daniel Estingoy Alyaa Altoni
Ty Eubanks Candelaria Batres
Andrew Flekier Blue Valley Northwest Patience Christensen
Gabrielle Fulford Chamber Singers Kenja Johnson
Eva Girard Ashton Barker Grace Hinkle
Ellie Goldberg Andriy Bondar Naomi Kriege
Katherine Goodwin Margaret Bunch Fatima Reyes
Muhammad Ibrahim Claire Doherty Madison Suggs
Sydney Kauphusman Kimberly Gibson Sophia Bond
Michael Kizhakekara Adam Koehler Valencia Chapman
Keaton Lewis Joey Monaco Sahara Hawkins
Rosemary Lufkin Brett Oplotnik Claire Kaufmanschmidt
Neha Madhan Madeline Passett Jacqueline Lechuga
Tess Moeller Natalie Policky Madison Wafer-Lyman
Paige Novak Hayley Riddle Charlene Welling
Laci Olberding Lauren Robinson
Dillon Price Luke Sallman
Maggie Ruckman Samuel Stubenhofer
Charlie Vincent
Ella Weigel
Maya Welde
Alex Wisebaker
Stella Woodall
Lee's Summit High School Shawnee Mission North
Sounds of Summit Chamber Choir
Aldenderfer, Lily Bella Dowdy
Baker, Addison Nevaeh Dull
Blumhorst, Owen Naomi Hart
Dean, Dylan Sage Hawkins
Doak, Chloe Morgan Jahnke
Gamble, Colton Lili Lawrence
Gerding, Nick Amil McDaniel
Hanumanthiah, Santosh Finley Murphy
Held, Travis Lawson Noland
Houseworth, Emma Evie Parnell
Johnson, Blaise Hank Pendergraft
Jordan, Jeanette Russell Rose
Julo, Izzy Lance Russell
Lewis, Nicole Eliot Thiessen-Scott
Loffer, Kailee Haley Wilson
Maas, Logan Claire Winston
Mesz, Victoria Faith Woodruff
Morgan, MJ Angie Zumbrunnen
Murphy, Anna
Murphy, Ian Shawnee Mission West High
Murphy, Isabel School Madrigal Singers
Nault, Logan Allyson Andrade
Ogbevoen, Osahon Gabriella Bailey
Perkins, Angie Maddox Fergus
Resig, Blake EmmaLouise Kirkendoll
Rowland, Elijah Kaitlyn Rongish
Shackelford, Olivia Samantha Wallenburg
Silva Nunez, Kevin Sierra Boyd
Srader, Vince Faryn Clevenger
Turner, Tyson Claire Deardorff
Twenter, Elaina Katie Johnson
Williams, Bryce Alexis Morris
Wuebker, Ellie Tania Smith
Zeiler, Addison Jackson Deardorff
Will Edeal
Olathe North Northwinds Ashton Foster
Chamber Choir Tate Jackson
Ella Bentley Jacob Jewell
Angelina Guzman Greyson Tuley
Abigail Strella Joel Bollinger
Jessica Pittenger Jonah Dolphino
Calista Stegner Matthew Martin
Parker Vanhooser Carson McLaughlin
Aiden Hunter Huston Rotich
Zane Johnson Tristan Stathas
Tyler Taylor
Hayden Krapes
Bryson Sanders
Jack Wilson

Common questions

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The collaborative directorship of Dr. Jennaya Robison and Isaac Cates is likely to enhance performance quality and cohesion by combining different perspectives and strengths in choral direction. Their joint leadership can integrate diverse methodologies, create a more balanced approach to rehearsals, and foster a collaborative environment that might not be possible under a single director. The resulting synergy could lead to more nuanced interpretations of pieces and a unified choral sound, as evidenced in performances like 'Down to the River to Pray' and 'It’s Working' .

Arranging a piece like Isaac Cates & Troy Armstrong's 'All of the Days of My Life/One Love' presents challenges such as ensuring vocal harmony and balance when incorporating solo parts, and the need to adapt to contemporary musical tastes while retaining choral integrity. However, the benefits include engaging audiences with familiar themes and modern arrangements that may resonate more with younger listeners. This approach can also attract a wider audience and demonstrate the versatility and adaptability of choral music to contemporary styles .

Performances at events like the Cantate Choral Festival foster community engagement by bringing together choirs from multiple high schools, creating a platform for shared musical experiences and cultural exchange. This environment encourages collaboration and mutual support among students and directors, enriching their educational experiences. Additionally, it provides an opportunity for schools to showcase their talents and achievements to the broader community, promoting appreciation for the arts and fostering local pride .

Soloists can significantly influence the dynamics and reception of choral performances by adding a distinct, personal element to the music, which can enhance its emotional impact. Solo performances, like those by Ellie Goldberg in 'The Road Home' and Brett Oplotnik in 'Please Stay', provide focal points within a larger choral arrangement, enabling audiences to engage more deeply with the narrative or emotive aspects of the piece. This spotlight on individual voices can heighten interest and create memorable moments that stand out in the overall concert experience .

Performing traditional spirituals like Moses Hogan's 'I’m Gonna Sing ‘Til the Spirit Moves in My Heart' is important in a choral festival program as it reflects and honors the cultural heritage and historical experiences of African Americans. These pieces often convey profound emotional depth and resilience, providing an opportunity for choirs and audiences alike to connect with and appreciate the rich traditions of spirituals. Including such works promotes cultural diversity and education within the program .

Diverse choral arrangements, including classical, contemporary, and spiritual works, can enhance the audience's experience by providing a richer and more varied auditory experience. This variety can cater to different musical tastes and expose the audience to a wide range of musical genres and styles, potentially leading to a deeper appreciation for choral music. For instance, including both Orlando di Lasso's 'O Occhi Manza Mia' and Moses Hogan's spiritual 'I’m Gonna Sing ‘Til the Spirit Moves in My Heart' highlights Renaissance and African American cultural influences .

The inclusion of established pieces like Thomas Tallis’s 'If Ye Love Me' alongside modern compositions by Jennifer Higdon reflects the festival’s educational goals by providing a historical and contemporary perspective on choral music. This combination allows performers and audiences to explore the evolution of musical styles, techniques, and expressions across centuries. It demonstrates the continuity and transformation within the choral tradition, thus serving as a pedagogical tool for understanding music theory and history in context .

Performing culturally and geographically varied pieces such as Alfredo Nenacuir's compositions alongside Eric Whitacre’s highlights the festival's commitment to showcasing global choral traditions and contemporary innovations. This approach can educate and broaden audiences' understanding of choral music's scope, promoting cultural appreciation and inclusivity. By featuring a Brazilian composer along with an American composer like Eric Whitacre, the festival reflects the varied influences that shape the choral landscape, fostering a greater appreciation for diverse musical heritage .

Accompanists like pianists Matteo Generani and Dr. Kurt Kneckt contribute significantly to choral performances by providing musical support that enhances both the overall sound and the interpretive quality of the performance. Their accompaniment helps maintain rhythmic stability and dynamic contrast, and they often guide the choir through complex passages. Additionally, their interpretation of the score can influence the choir’s expressive delivery, ensuring a cohesive and compelling performance .

The selection of a varied repertoire for different choirs at the festival demonstrates the skills and flexibility required by choral singers to adeptly navigate different musical styles and languages. Performing classical works demands proficiency in traditional musical techniques, while spiritual pieces may require an understanding of different cultural contexts and expressive styles. Avant-garde works challenge singers to embrace modern harmonic languages and vocal techniques. This diversity in programming enhances singers' adaptability and depth as performers .

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