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Mulk Raj Anand: Pioneer of Indian Fiction

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23 views4 pages

Mulk Raj Anand: Pioneer of Indian Fiction

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Chetan Suthar
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© All Rights Reserved
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Mulk Raj Anand

➢ Mulk Raj Anand is popularly known as an Indian novelist, short-story


writer, and art critic.
➢ He is notable for his depiction of the lives of the poorer castes in traditional
Indian society.
➢ He is also notable for incorporating Punjabi and Hindustani idioms into
English. For introducing Hindi and Punjabi idioms, Anand is regarded as
India’s Charles Dickens.
➢He is one of the pioneers of Indo-American fiction together with R. K.
Narayan, Ahmed Ali and Raja Rao. He is also regarded as one of the
‘founding fathers` of Indian English novels.
➢ His first main novel “Untouchable” (1935) was a chilling expose of the day-
to-day life of a member of India’s untouchable caste.
➢ His first prose essay was a response to the suicide of an aunt in his family
who had been ex-communicated by his family for sharing a meal with a
Muslim woman.
➢ He spent half of his life in London and half in India.
➢ He returned to India in 1946.
➢ He founded a literary magazine “Marg” in 1946.
➢ In 1950, he embarked on a project to write a seven-part autobiography.
One part Morning Face, won him the Sahitya Akademi Award.
➢ In 1952, he was awarded The International Peace for World Peace.
➢ He called himself ‘Bogus professor’.
➢ He is called Zola or Balzac of India.
➢ He spent World War II working as a scriptwriter for the BBC in London,
where he became a friend of George Orwell.
➢ He met Forster while working on T. S. Eliot’s magazine “Criterion”.
➢ He combines anthropology, history and fiction.

❖ Works:
• Untouchable (1935)
• Coolie (1936)
• Two Leaves and a Bud (1937) Protagonist- Gangu
• The Village (1939) –Protagonist: Lal Singh
• Across the Black Waters (1939)
• The Sword and the Sickle (1942) ; (the title is given by George Orwell. He
penned a favourable review on it.)
• The Big Heart (1945) Protagonist: Ananta
• The Private Life of an Indian Prince (1953)- (It is autobiographical in nature
and deals with the abolition of the princely states system in India).

❖ Autobiographies ▪
▪ Seven Summers (1951) (It is in 7 volumes. When compiled it was titled
The Seven Ages of Man).
▪ The Morning Face (1968)
▪ Conversations of Bloomsbury (1981)- It is about his life in London during
the heyday of the Bloomsbury group.

Untouchable – 1935
➢ This novel was inspired by his aunt’s experience when she had a meal with
a Muslim woman and was treated as an outcast by his family.
➢ The introduction of Untouchable is written by E. M. Forster. Forster wrote:
“Avoiding rhetoric and circumlocution, it has gone straight to the heart of
its subjects and purified it”.
➢ It depicts a day in the life of ‘Bakha’, a young sweeper, who is untouchable
due to his work of cleaning latrines.
➢ The entire plot gives us an account of events happening in a single day in
the life of Bakha. He doesn’t like to do toilet cleaning but wants to study
and be a learned man. Lakha is the father of Bakha, who is a bit of an
antagonist in the novel, his profession is sweeper.
➢ The outcasts were not allowed to draw water from wells, enter temples or
touch anything, as it would make anything impure and corrupt.
➢ At the end of the novel, Anand presents three answers to the malpractice
of untouchability.
➢ Bakha offered to accept Christianity which has no caste system and so he
will be no longer an outcaste. But Bakha fears changing his religion.
➢ Sohini is the sister of Bakha.
➢ Mahatma Gandhi comes to the village and educates everyone on
untouchability.
➢ In the concluding paragraph, a person randomly comes into the scene and
informs everyone about a machine (perhaps toilet flush) that will clean
faecal matters automatically
➢ Bakha thinks that this will be a solution to all his problems.

Coolie (1936)
➢ Main Characters- Munoo is the protagonist, Daya (Munoo’s aunt) and
Gujari (Munoo’s uncle)
➢ The book is highly critical of British rule in India and India’s caste system.
➢ The plot revolves around a 14-year-old boy Munoo and his plight due to
poverty and exploitation aided by social and political structure in place.
➢ Munoo who at his early stage gets into obscurity of his own existence.
➢ [Link] criticized this novel for defective plot construction.

Two Leaves and a Bud – 1937


➢ The story is about a poor Punjabi labourer.
➢ Gangu is the protagonist of the novel.
➢ He is brutally exploited in a tea plantation and killed by a British officer,
who tries to rape his daughter. This is mainly about the plight of the
labourers in a tea plantation in Assam. The tea gardens in Assam become
a symbol of his slavery.
➢ The novel describes an exploited peasant, who is killed while trying to
protect his daughter from being raped by a British colonial officer.
➢ The two leaves and the bud of the tea trees, the shade shrubs are the silent
witnesses of this oppression and agony of the poor Punjabi labourer who
represents the oppressed class.
➢ The novel explores the plight and sufferings of the tea labourers.
➢ Reggie Hunt is the British Officer who attempts to rape Gangu’s daughter
and kills Gangu when he tries to save his daughter.

Across the Black Waters


➢ 'Across the Black Waters' is an English novel by the Indian writer Mulk Raj
Anand first published in 1939.
➢ Lalu is the protagonist.
➢ It describes the experience of Lalu, a sepoy in the Indian Army fighting on
behalf of Britain against the Germans in France during World War I.
➢ It describes the experience of Lalu, a soldier(sepoy) in the Indian Army
fighting on behalf of Britain against the Germans in France during World
War-I.

Common questions

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'Untouchable' challenges traditional Indian social structures by presenting the daily life of Bakha, a sweeper considered untouchable due to his occupation. Anand critiques the caste system as Bakha yearns for self-improvement and education. The novel emphasizes the inhumanity of untouchability, highlighting restrictions faced by outcasts, such as access to water and temples, thereby showcasing systemic discrimination. Furthermore, Anand proposes solutions like adopting technology to alleviate caste-based labor and examines potential religious conversion to escape caste constraints, demonstrating a multifaceted critique of societal norms .

Anand's portrayal of religious themes and conversion in 'Untouchable' has profound implications for understanding caste and identity dynamics in India. Through Bakha's contemplation of converting to Christianity to escape caste oppression, Anand raises questions about religious identity as a potential tool for liberation. However, Bakha's hesitation underscores the complexity of religious conversion, influenced by deep-seated social and cultural fears. By presenting multiple viewpoints on escaping untouchability, including Gandhian reform and technological advancement, Anand depicts the intricacy of caste-ridden identity and the multifaceted struggle to surmount it in a rigid social system .

'The Village' critiques societal norms through Lal Singh, portraying his challenges against the oppressive traditions of rural life in British India. Anand uses Lal's journey to highlight issues like caste discrimination, economic hardship, and British imperialism's impact on villages. Lal's resistance and personal growth reflect the struggle for dignity amidst societal constraints. The novel reveals an intricate picture of village life, marked by resistance against entrenched injustices, thus questioning the romanticized notion of rural India by exposing systemic exploitation and resistance .

In 'Two Leaves and a Bud', Anand uses the setting of a tea plantation to symbolize broader themes of oppression and exploitation by depicting the harsh realities faced by laborers like Gangu. The tea plantation becomes a microcosm of colonial exploitation, where workers are brutally mistreated and Indigenous labor is commodified for colonial gain. By showcasing Gangu's struggle and ultimate victimization, Anand highlights the systemic injustice and dehumanization inherent in colonial economic practices, rendering the plantation a powerful symbol of the broader socio-political struggles faced by the oppressed classes in British India .

Anand's approach to language in his novels is significant for its innovative incorporation of Punjabi and Hindustani idioms into English, enriching the narrative texture and authenticity. This technique not only ground his stories in a culturally specific context but also challenges the dominance of standard English literary forms by infusing them with local expression. Such linguistic strategies serve to democratize English literature and make it more inclusive of Indian voices and experiences, aligning Anand with authors like Charles Dickens in their social realism and critique. By localizing English, Anand enhances the cultural resonance and accessibility of his themes concerning Indian society .

The historical context in 'Across the Black Waters' plays a crucial role as Anand captures the experiences of Indian sepoys like Lalu during World War I. By situating the narrative within the murky realities of colonial warfare, Anand exposes the paradox faced by Indian soldiers fighting for an empire that subjugates them. Through Lalu's experiences in France, the novel scrutinizes colonial exploitation of Indian manpower, their alien environment, and their search for identity amidst foreign battles. This context highlights the broader implications of colonial legacy and the personal struggles of the sepoys caught between loyalty and the quest for self-determination .

The autobiographical elements in 'The Private Life of an Indian Prince' enhance its portrayal of political and cultural changes in India by personalizing the narrative. Anand draws on personal experiences and insights to empathetically depict the decline of princely states post-independence, reflecting on identity and modernization. The nuanced characterization of the prince illustrates the conflict between tradition and progress, a theme resonant with Anand's own life journey between India and England. Consequently, the novel captures the tension of transitioning societal roles and the quest for cultural identity amidst national upheaval .

Anand's friendship with literary figures like George Orwell influenced his works by contributing to his thematic focus on social critique and stylistic choices. Orwell's own experiences and themes of social injustice and critique of colonialism align with Anand's portrayal of Indian society's hierarchies. Anand's narrative style, marked by realism and empathy towards marginalized characters, reflects the influence of contemporaries who valued directness and social realism. His connections with intellectual circles, such as those he met through T. S. Eliot's magazine 'Criterion', enriched his narrative approach, blending fiction with anthropology and history to address complex social themes .

Anand's role as an art critic influenced his literary works by enriching them with thematic depth and narrative detail. His critical eye for aesthetics is evident in the nuanced descriptions and careful attention to socio-cultural contexts within his narratives. This interdisciplinary insight allows Anand to create profound character studies and vividly render environments, reflecting the structural complexities akin to a well-composed piece of art. Such a background enables him to critically engage with themes like identity and social justice with the same precision and depth as an artwork, thus enriching the thematic texture of his novels .

'Coolie' reflects the social and political challenges in British colonial India by portraying the life of Munoo, a young boy exploited by the harsh socioeconomic systems bolstered by colonial rule. Anand critiques both the British colonial administration and Indian caste hierarchy, illustrating how these structures perpetuate poverty and exploitation. Through Munoo's journey and his myriad encounters with various forms of oppression and servitude, the novel underscores the systemic disenfranchisement faced by the lower classes. This critical portrayal invites reflection on the intersection of colonial policies and indigenous social practices in sustaining inequity .

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