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Journey to the Land of Fiction

In 'El cuento ficticio', Julio Garmendia reflects on the evolution of fictional heroes from perfect beings to flawed characters, expressing a desire to restore the idealism of earlier tales. The narrator embarks on a quest to rediscover the 'country of the Unbelievable Tale', facing skepticism and resistance from those entrenched in realism. Ultimately, the narrator's unwavering faith in the existence of this fictional realm serves as a rallying point for fellow characters seeking to reclaim their fantastical origins.

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0% found this document useful (0 votes)
8 views3 pages

Journey to the Land of Fiction

In 'El cuento ficticio', Julio Garmendia reflects on the evolution of fictional heroes from perfect beings to flawed characters, expressing a desire to restore the idealism of earlier tales. The narrator embarks on a quest to rediscover the 'country of the Unbelievable Tale', facing skepticism and resistance from those entrenched in realism. Ultimately, the narrator's unwavering faith in the existence of this fictional realm serves as a rallying point for fellow characters seeking to reclaim their fantastical origins.

Translated by

ScribdTranslations
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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“El cuento ficticio”, de Julio Garmendia

There was a time when the heroes of stories were all perfect and so happy that they were
completely implausible. One day came when we wanted to run to the lands, seek adventures and
to try one ’s luck, and walking and retracing steps from then until now, thus we have come to be the

decomposed subjects that we now are, who have succumbed to the absurdity of not being absolutely
fictitious, and of extraordinary and supernatural beings we have become plausible, and even
true, and even real... Extravagance! Abomination! As if we were anything other than
fictitious ones that we intend to stop being! As if it were possible to prevent us from continuing to be

illusory, fantastic and unreal those to whom we were given, at our beginning or origin, a
invisible and tenacious twist in that sense!… I—word of honor!—retain the old temperament.
fictional in its purity. I am nothing less than the current representative and legitimate descendant and

heir in a direct line of the improbable heroes of Blue Tales that are no longer spoken of in the
stories, and my ideal is to restore our first perfections, beauties and idealisms today
lost: return all - heroes and heroines, protagonists and characters, central figures and
episodic extras- to return, I mean, all the fictions we lived, to the Kingdoms and Reigns of
country of the Blue Tale, happy climate of the unreal, benign latitude of the illusory. Adventure

truly imaginary, positively fantastic and materially fictitious of what we are


worthy and capable those of us who were not born subjected to ongoing police adventures or false ones

heroes of detective novels. March or journey, expedition, conquest or discovery,


positions under my supreme command and superior responsibility.

My first step is to gather the data, memories, testimonies, and documents that establish
clearly the existence and situation of the country of the Unbelievable Tale. Do I need to say it? Spirits
those who are titled strong and who are nothing more than mean insist on pretending that it has never been

has never existed nor can it exist, being by nature nonexistent, and at the same time they are dedicated to collecting the

documents that tend to prove the opposite of what mine prove: as if there were some
merit in not believing in Tall Tales, as there is much truth in knowing that it is indeed so
they existed. As always happens in the preambles of any great undertaking, those who have
They begin by refusing to support me in benefiting from my efforts. Like everyone great
Reformer, they call me crazy, inexperienced, and utopian... This without mentioning the self-interested resistances.

of the large bulky characters, that is, those who lounge in thick volumes
comfortably and at their ease they breathe in a realistic environment, neither of the feigned slights of
those who, whether because they are from a novel or a novella, or because they appear in a short story, which proves nothing, are

they intend to be superior in rank and quality to those of us who have been born on the edges of the Tale, as much

but if we have blue story origins.

But I am not one of those whose faith in the improvement of the fictional species is dampened by the
difficulties, which previously exalt my fervor. My incurable idealism urges me to work tirelessly in
this reckless company; and in the long run, I will end up proving the existence of the country of the Tale

Improbable to these same fictional ones who today deny it, and mock my faith, and call themselves shrewd.

only because they do not believe, while I believe, and because in the course of our exile in the
They have become skeptical, incredulous, and materialistic in these and many other matters; and not
I will only have to test them, but I will also drag them to undertake the long and burdensome journey.
undoubtedly, but it will be rewarded for so much fortune as it is to be, the arrival, entry and
reception in the land of the Illusory Tale, the mere announcement of which already excites, of the mobs of

fictitious of all kinds and conditions, exhausted, miserable and aged after so much running
reality and to never again fall into such a fatal misadventure.

Some may have started to doubt the outcome, discouraged during the march by the wait and
the fatigue. They will not stop reproaching me for having led them to the search or rediscovery of the Lost Kingdom,

in which, even assuming, which is impossible, that we never reach it, I will have done nothing but
to elevate them and magnify them much more than they deserve; and since they will start with
to find the unfindable, I will try to encourage them with good words, of which they will not stop
inspire me the closest proximity of the Unreal Story and the faith I have that enlightens me at its end

discovery and possession. By then I must be the good old man from the stories or fables,
of long white beards, leaning on a thick staff, bent under the weight of the saddlebags
the shoulder; and when passing through a narrow ravine between rocks or through a narrow gorge between
cliffs, and flow out in front of plains, this at the fall of some afternoon, extending the hand to
I will show my fictional companions, increasingly sparse and rare beside me, how
Far away, the fantastic vision of the Blue Tales mountains begins to emerge...

There will be the new shoot of disputes, and the sidelong glances to communicate new doubts.
and inquiring whether such mountains are rather the very real, known, and explored mountains of
such or such a naturally mountainous country where we would happen to find ourselves, and the one that if all the

mountains of any story or country they may be are not blue from afar... And I will speak again of
the nearby bliss, of the neighboring perfection; of the imminent certainty already close to being touched with the

bro!

So until we truly step on the land of Unreal Tales, where we must arrive one day.
another, today or tomorrow, perhaps in a few moments, and where all the fictional ones now shine
and radiant ones come to ask me for forgiveness for the offenses they committed against me, which I grant them wholeheartedly

soul since we are already back in the Tale in which perhaps if ever, for only
setback or displeasure, a ugly hunchback, giant potbellied or deformed dwarf appears.
Small busts and large statues, even equestrian ones, perpetuate the memory of this great
adventure and the science studied or the art not learned with which from the terrestrial countries and
maritime, or of the mainland and insular, or of fresh and brackish waters, I knew how to come here, not only,
but bringing along those who wanted to come with me and dared to retrace Reality where
they had penetrated. My own detractors come to praise and celebrate my name, when my
the name praises itself and celebrates itself. The plump and sensational powerful who
yesterday they did not deign to know me nor did they know in what language to speak to me, they forget their disdain for the

blue story-tellers, and they intend to have the same origin as me, and furthermore to have me
always helped in my dark beginnings, and they even prove it, nothing strange in the domain
of the Impossible, Unlikely, and Extraordinary Tales, which are more so today than ever... My
the fictitious service sheet is, in summary, one of the brightest and most admirable. I am attributed all
gifts, virtues, and eminent qualities, in addition to my character already proven in the fictional.

setbacks. And, in short, it is said of me: He deserves well of Fiction, which is no less illustrious than
other merits...

Por lo cual me regocijo en lo íntimo del alma, me inclino profundamente delante de Vosotros, os
I smile pleased and back away making great bows to you...

Common questions

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The journey towards the 'land of Unreal Tales' symbolizes an intellectual and creative quest to rediscover and reclaim the power of pure imagination and idealism in fiction. It is depicted as a challenging expedition not only against skeptics but also against the entrenched norms of realistic narratives. The journey represents the narrator's unwavering belief in the transformative power of fantastical fiction, hopeful that reaching the 'land of Unreal Tales' will rejuvenate the fictional landscape. It serves as an allegory for the pursuit of artistic purity and the reclamation of fiction's role as a conduit for imaginative escapism .

Garmendia articulates nostalgia through the narrator's longing for the idyllic and perfect fictional tales of the past, represented by the 'Blue Tale.' This yearning indicates dissatisfaction with contemporary realistic storytelling. Meanwhile, ambition is embodied in the narrator's quest to reform fiction by proving the existence of the 'Improbable Tale' and restoring the grandeur of fantastical stories. The narrative juxtaposes the lament for lost fictional wonders with the proactive endeavor to reclaim and reinvigorate them, showcasing an intertwined relationship between nostalgia for idealized past narratives and the ambition to transcend current literary constraints .

The narrator considers himself a 'great Reformer' of fiction because he is committed to reviving the imaginative depths of storytelling that have been overshadowed by realism. By seeking to prove the existence of the 'Improbable Tale,' he aims to challenge the prevailing literary trends that favor grounded narratives, positioning himself as a visionary striving to restore fiction's magical allure. His self-view as a reformer aligns with his mission to rally fictional characters back to their idealized beginnings, indicating his desire to influence and transform the current state of narrative approaches .

The narrator uses the metaphor of 'blue story origins' to critique the shift away from imaginative, larger-than-life narratives to more realistic, grounded stories. 'Blue story origins' symbolizes a time when fiction embraced pure fantasy and idealistic storytelling, which the narrator feels has been diminished by modern, realist trends. This metaphor highlights a dissatisfaction with contemporary literature's focus on realistic depictions, suggesting that such stories lack the charm and freedom of their imaginative predecessors. The critique underscores a call to revive narrative possibilities that celebrate creativity over contrived realism .

The narrator in "El cuento ficticio" by Julio Garmendia presents fiction as a realm of pure imagination and idealism, in contrast to the mundane and skeptical nature of reality. By longing for a return to the "Blue Tale"—a metaphor for the pure and perfect fictional worlds—he critiques the shift towards realism and materialism in literature. The narrator defies the notion that realistic, skeptical perspectives are superior, asserting instead that embracing imaginative fiction has its own intrinsic merit and truth. This contrast highlights a deeper commentary on the cultural shift away from whimsical fiction towards more grounded narratives .

The text suggests that fictional characters have undergone a transition from being purely fantastical and implausibly perfect to becoming more grounded and realistic. The narrator laments this shift, arguing that characters have succumbed to the 'absurdity' of not being fictitious enough. Originally, fictional heroes were impeccable and otherworldly, intended to spark imagination rather than mimic reality. However, as narratives have leaned toward realism, these characters have become more human-like, succumbing to the mundane traits of reality. This evolution signifies a broader change in storytelling that the narrator intends to challenge by reinvigorating the whimsical essence of fiction .

The narrator’s efforts to gather 'data, memories, testimonies, and documents' signify a symbolic attempt to validate and legitimize the existence of an extraordinary fictional realm in a world that demands tangible proof. This act underscores the tension between fantasy and reality, where the narrator tries to bridge imaginative narrative with conventional evidence. It reflects a deeper argument that fiction holds intrinsic truths worthy of exploration and acknowledgment alongside physical evidence. This quest to document the fantastic serves as a metaphor for the broader endeavor to reclaim fiction's rightful place in a credibility-focused society .

The narrator's confidence in proving the existence of the 'Unreal Story' implies a deep-seated faith in the inherent value and truth of fantastical fiction despite widespread skepticism. This conviction suggests that embracing imaginative storytelling can reveal deeper truths about the human experience that realism cannot capture. The narrator’s unwavering belief serves as a counterpoint to the prevalent doubt and materialism in society, advocating for the redemption and celebration of fiction’s illusory yet insightful nature. It stresses the importance of maintaining imaginative narratives as a vital component of cultural and literary discourse .

Redemption is a central theme in the narrative as the fictional characters who have ventured into the realistic worlds are promised a return to the 'Tale,' representing a reclamation of their original essence and purpose. This narrative arc suggests that these characters, once stripped of their fantastical nature by the demands of realism, can find restoration and fulfillment in the return to a more whimsical, imaginative existence. The journey back to the 'Tale' symbolizes a renewal of fictional splendor and a rejection of the constraints imposed by realist storytelling. It highlights a redemption arc where characters regain their true, fantastical identities .

Skepticism is portrayed as an obstacle but also a backdrop against which the narrator’s faith and idealism shine even brighter. The narrator sees himself as a reformer of fiction, challenged by those whose disbelief in the 'Improbable Tale' fuels his fervor and determination to prove its reality. Skeptics, according to the narrator, have grown materialistic and cynical due to their prolonged exposure to reality. Their dismissal of the 'Improbable Tale' as non-existent only intensifies the narrator's resolve to uncover and reclaim the whimsical and idyllic qualities of fiction, illustrating the tension between faith and doubt .

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