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Literature Exam Questions for S.S.S 2

The document is an examination paper for Literature-In-English for S.S.S Two students at Eminence College, Ota, covering various literary concepts and analysis of prose and poetry. It includes multiple-choice questions, unseen prose and poetry analysis, and theoretical questions related to classical literature and Shakespeare's 'Antony and Cleopatra'. The exam assesses students' understanding of literary devices, themes, and character analysis.

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0% found this document useful (0 votes)
2K views4 pages

Literature Exam Questions for S.S.S 2

The document is an examination paper for Literature-In-English for S.S.S Two students at Eminence College, Ota, covering various literary concepts and analysis of prose and poetry. It includes multiple-choice questions, unseen prose and poetry analysis, and theoretical questions related to classical literature and Shakespeare's 'Antony and Cleopatra'. The exam assesses students' understanding of literary devices, themes, and character analysis.

Uploaded by

sharafadeenao
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Eminence College, Ota.

Second Term, Examination(24/25 Academic Session).


Subject:Literature-In-English. Duration: 2 Hours Class: S.S.S Two (2)
SECTION A: PART I (OBJECTIVES)
General Literary Appreciation
1. A literary work which is intended to teach a moral lesson is? (a) Romantic (b)
Didactic (c) Mimetic (d) Moralistic.
2. A short account of an interesting event is? (a) Tale (b) An Anecdote (c)?An
Episode (d) A Story.
3. The introductory part of a play, a novel or a poem. (a) Epilogue (b) Plot (c)
Settings (d) Prologue.
4. An Elegy is a poem of? (a) Mourning (b) Complaint (c) Hope (d) Joy.
5. The Flags bowed their heads in shame illustrates? (a) Personification (b)
Alliteration (c) Assonance (d) Paradox.
6. A character whose actions are predictable in a literary work is ? (a) A Round
Character (b) A Flat Character (c) The Hero (d) The Villain.
7. A scene in fiction, enacting past events is?(a) Foreshadow (b) Allusion (c)
Flashback (d) Interlude.
8. ………… refers to ancient Greek and Roman works, as well as other early
writings that have had a significant impact on Western literature. (a) African
Literature (b) Neo-Classical Literature (c) Classical Literature (d) Pro Classical
Literature.
9. Poetic Licence is a term applied to a Poet’s? (a) Choice of Words (b) Choice of
Character (c) Choice of language (d) Freedom in the use of language.
10. ……….. is a word or group of words that suggests the sound it represents? (a)
Onomatopoeia (b) Irony (c) Euphemism (d) Sarcasm.
11. ‘Milton! thou should’st be living at this hour’. The device used in the line is? (a)
Aside (b) Apostrophe (c) Soliloquy (d) Suspense.
12. We live to die, We die to live is an example? (a) Paradox (b) Inversion (c)
Hyperbole (d) Oxymoron.
13. Characterisations refer to? (a) how characters are grouped (b) the readers’
opinions of the characters (c) how characters are depicted (d) the roles played by
characters.
14. A Figure of Speech that expresses words or expression in a less offensive way is?
(a) Sarcasm (b) Euphemism (c) Simile (d) Oxymoron.
15. Dramatic Personae resets to? (a) Audience (b) Characters (c) Cast (d) Chorus.
16. ‘…the world is like an inn…’ is an example of? (a) Metaphor (b) Irony (c)
Simile (d) Inversion.
17. A literary device used to enhance sound effect in poetry is? (a) Alliteration (b)
Refrain (c) imagery (d) Symbol.
18. A foil character …………another character.(a) Compliment (b) Complement (d)
Contrast (d) introduces the character.
19. A play in which characters act through gestures and facial expressions is? (a)
Pantomime (b) Burlesque (c) Farce (d) Melodrama.


Here lie I, Martin Elinginbrodde
Have Mercy on my soul, Lord God.
20. The extract above illustrates? (a) Epitaph (b) Elegy (c) Ballad (d) Dirge.
PART II
UNSEEN PROSE AND POETRY
Read the Passage and Answer Questions 21-25
Mark lies sleepless, his supine eyes rolling as he counts the rafters-vertically,
horizontally, diagonally-over and over. There is continual rumbling in his belly. Lying
so still, whom can he blame now? Isn’t it his own fault to be like this?
Three months ago, Atongo and Agbenya said they were leaving town because “things
have become too hard”, as they put it. They asked Mark to come along. He declined
saying that he would have to prepare. Of course, he simply couldn’t go-dare not. He
had a pact with Akwele who sells kenkey downtown: neither could leave town
without the other. At the time Mark’s friends were ready, Akwele had travelled to
Accra and would, unknown to anyone, not return in a hurry.
This is why Mark is lying dejected on his bed, a hungry man. Anyhow, he is not an
angry man.

21. …. supine eyes …. illustrates? (a) Oxymoron (b) Paradox (c) Verbal Irony (d)
Synecdoche.
22. Rumbling as used in the 1st Paragraph is? (a) Onomatopoeic (b) Metaphoric (c)
Ironic (d) Alliterative.
23. The dominant theme is? (a) Unrequited Love (b) Loss of Opportunity (c) Lack of
Trust (d) Insatiable hunger.
24. The narrative technique is one of? (a) third person (b) first person (c)
Interior-Monologue (d) Multiple Narration.
25. The writer’s attitude is one of? (a) Anger (b) Indifference (c) Sympathy (d)
Mockery.
Read the Poem and Answer Questions 26-30.
Walker, stop and let me move and check you
My sneaky, fleeting moon of reckless birth
The light of hope you flashed at dawn has dimmed
And flickers weakly, so you squint at Earth.

Walker, stand and let me sit and quiz you


Will foes and friends be irked if Mum you tell
The bitter tale of woe behind your flu?
The trickling tears unseen, announce your age.

Walker, stay and let me come and tell you


My fleeting moon, I own you dim my light
Your sparkling blouse has turned a darker hue
You must, I guess, have done a steeplechase.


26. The stanzas are written in? (a) Quintets (b) Quatrains (c) Sestets (d) Tercets.
27. The recurrent device used is? (a) Synecdoche (b) Apostrophe (c) Metonymy (d)
Paradox.
28. The mood of the Poet is? (a) Derisive (b) Ecstatic (c) Regretful (d) Melancholic.
29. The opening lines of the stanzas are? (a) Trochaic (b) Iambic (c) Anapestic (d)
Dactylic.
30. The first stanza rhymes? (a) ab ac (b) ab ab (c) abcb (d) abba.

SECTION B
Answer all the questions in this section.
WILLIAM SHAKESPEARE: Antony and Cleopatra
Read the extract and answer questions 31-35
‘Cheer your heart.
Be you not be troubled with the time, which drives
O’er your content these strong necessities,
But let determined things to destiny
Hold unbewailed their way’.
(Act 3, scene 6).

31. Who made the above statement? (a) Octavius (b) Agrippa (c) Maecenas (d)
Cleopatra.
32. Who was he addressing? (a) Octavia (b) Maecenas (c) Cleopatra (d) Agrippa.
33. When was the above statement made? (a) After Antony ran to Egypt (b) Before
Antony and Octavia’s wedding. (c) Just before the sea battle (d) Immediately after the
battle.
34. ……….was not present at the time of the above statement? (a) Cleopatra (b)
Agrippa (c) Maecenas (d) Octavius.
35. Who was the addressee to the addressee? (a) His friend (b) His doctor (c) His
adviser (d) His page boy.

Read the extract and answer questions 36-40


‘Give me my robe.
Put on my crown.
I have immortal longings in me
Now no more the juice of Egypt’s grape shall moist this lip’.
(Act 5, scene 2)

36. The setting of the scene occurred in? (a) Alexandria (b) Rome (c) Battle field (d)
On the Sea.
37. ………. was absent from the scene? (a) Antony (b) Cleopatra (c) Iras (d)
Charmian.
38. The speaker of the above extract is? (a) Cleopatra (b) Antony (c) Octavia (d)
Octavius.


39. ……….occurred in the scene? (a) Multiple Triumph (b) Multiple Deaths (c)
Minimal Love (d) Celebration of Love.
40. ………..character responds after the extract above? (a) Antony (b) Iras (c)
Charmian (d) Octavius.

SECTION C: THEORY
Instruction: Answer any THREE Questions.
1. Define Classical Literature. (1 Mark).
1b Mention any four (4) Features of Classical Literature. (4 Marks)
1c. Mention any Five Characters in the Play: ‘Antony and Cleopatra’ by William
Shakespeare.
(5 Marks).
2. Discuss the following Characters: (i.)Antony (ii) Cleopatra (iii) Fulvia (iv)
Octavius (v) Pompey. (10 Marks)
3. With notable reference(s) from the lines of the Poem: ‘The Telephone Call’ by
Fleur ADCOCK, outline any five (5) Poetic Devices with examples . (10 Marks).
4. Discuss the Theme of Prank in the Poem: ‘The Telephone Call’ by Fleur
ADCOCK

Common questions

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Cleopatra's quote reflects her acceptance of mortality while asserting her eternal legacy beyond her mortal life. The commanding tone of the imperatives 'Give' and 'Put' shows her determination to embrace death with dignity, while 'immortal longings' signifies an aspiration for her memory and impact to transcend her physical existence, highlighting her regal self-awareness and defiance .

'Loss of opportunity' in literature often explores themes of regret and the consequences of missed chances, as seen in narratives where characters fail to act decisively. 'Insatiable hunger,' meanwhile, can symbolize unfulfilled desires or ambitions that drive personal actions. While both themes revolve around want or lack, 'loss of opportunity' typically deals with past inaction, and 'insatiable hunger' focuses on ongoing, sometimes destructive desire .

An epitaph is a brief statement commemorating a deceased person, often inscribed on a tombstone, whereas an elegy is a poem of mourning for someone who has died. Both serve to honor and remember a lost individual, though an elegy typically explores themes of loss and may be more elaborate .

The poem utilizes recurring motifs such as light and motion to underscore the theme of impermanence. Phrases like 'sneaky, fleeting moon' and 'light of hope' emphasize the transient nature of hope and life itself, suggesting that although these elements may brighten our paths, they are inherently unstable and short-lived .

Antony's interactions with characters like Cleopatra and Octavius reveal his complex nature, caught between personal desires and political duties. With Cleopatra, his romantic passion often overtakes rational thought, illustrating his vulnerability and emotional depth. Conversely, interactions with Octavius highlight Antony’s strategic mind and awareness of duty, showcasing his internal conflict between love and power .

Personification attributes human characteristics to non-human entities, enhancing imagery by creating vivid and relatable descriptions. In the phrase "The flags bowed their heads in shame," personification is used to imbue flags with human-like behavior to convey a sense of collective loss or defeat, enhancing the emotional resonance of the scene .

Apostrophe in Shakespearean drama, such as in the line 'Milton! thou should’st be living at this hour,' allows characters to address absent or abstract entities, revealing their innermost thoughts and emotions. This device adds depth to soliloquies by allowing characters to express personal strife or aspiration, thereby adding layers to their psychological portrayal .

Didactic literature is primarily intended to teach a moral lesson, differentiating it from romantic literature, which focuses on emotion and individualism, and mimetic literature, which aims to replicate the real world .

Foreshadowing hints at events to come, building anticipation and dramatic tension, whereas flashback provides context or background by depicting past events. Both devices enrich storytelling; foreshadowing creates suspense by suggesting potential outcomes, while flashback allows for character development and explanation of current circumstances .

The passage about Mark's sleepless night employs a third-person narrative technique, which provides a detached perspective on Mark's internal struggles. This style allows the reader to understand Mark's context without the bias of his personal viewpoint, thereby fostering a broader understanding of his predicament and the environmental influences on his decisions .

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