History and Evolution of Advertising
History and Evolution of Advertising
UNIT-I
DEFINITION
The word advertising originates from a Latin word advertise, which means to turn
to The dictionary tuning of the term is to give public nouice or to announce
publicly.
Excavation in Pompeii and other ancient cities have also thrown up evidence of
some form of advertising. Says one advertisement in Latin found in Pompeii: 'A
copper pot has been taken from this shop. Whoever brings it back will receive 65
cents. If anyone shall hand over the thief, he will receive an additional reward'.
Such a public announcement has a striking resemblance to modern 'classified'
advertisements. Further, an excavation suggests that notices of theater
performances, garaes, entertainments, and other public events were painted on the
walls of the busy centers of the city. This was also the practice among the ancient
Romans: they 'albums' (places on walls made smooth and white for writing or
carving), stone tablets and even playing cards for making announcements of public
interest. Public notices were places in the 'Acta Diurna, a wall-newspaper that
provided daily news of Senate politics.
Modem advertising was made possible by the invention of printing, and the
subsequent attempts to print notices, posters and bills in large numbers. However,
it was the industrial revolution in Europe, combined with large-scale arbanization
and mass production. of goods, and the growth of the publishing business that
made the expansion of competitive advertising possible. The eighteenth and
nineteenth centuries in Europe and the United States were witness to migration of
peopie from rural to urban areas, there to work in factories and live in crowded
unhygienic conditions. The industrial revolution proved to be a success on the back
of the working classes, and the availability of large markets in the 'colonies' from
where cheap raw material could be bought.
Mass production resulted in the need to market the products as they rolled out of
factories. Advertising war hit upon as a powerful tool to stimulate public demand
for standardized factory products. Advertising was welcomed by the growing
printing and publishing trades as it subsidized their costs of production, this went a
long way in keeping the price of newspapers low. By 1861 there were as many as
5,000 newspapers and magazines in the United States, with several of them
publishing more advertisements than news or articles. 'Space sellers' entered the
business world to act as middlemen or brokers between the manufacturers and the
press.
HISTORY OF ADVERTISING
Advertising, in ancient and medieval times, wat primitive when measured by the
present day standards. But the basic reason for employing this technique was the
same. That is, to communicate information and ideas to people in order to change
an attitude or persuade.
The important forms of advertising used prior to the time of printing presses are
given below:
B) Signs: Few people could read in the ancient days and merchants used symbols
and signs carved in stene, clay or wood and displayed them prominently to inform
customers of the a availability of goods. For example, a barrel indicated a wine
shop and a boot indicated a shoemaker's shop.
C) Town criers: In ancient Egypt and Greece merchants hired town criers, a group
of professional criers, to walk through the streets and announce the arrival of ships
and cargo.
The invention of movable type by Gutenberg of Germany in 1440 led to the
first form of mass advertising. At the end of 15th century, the first posted
advertisement began to appear. These were handwritten announcements and they
were posted up on church and cathedral doors by clergymen looking for work.
Lecturers and teachers were quick to use this medium to announce their services
William Caxton, who introduced priming in England, produced the first
printed advertisement in English in 1472. With the regular publication of
newspapers and magazines, advertising became a standard feature.
The history of advertising in India parallels the history of the Indian Press.
You would have learnt in the module on print media that the first issue of the first
newspaper of the Indian subcontinent, was the 'Bengal Gazette' or the 'Calcutta
General Advertiser', started by James Augustus Hicky on January 29, 1780. During
the early years the newspapers announced births, deaths, appointments, arrival and
departure of ships and sale of furniture.
By 1830, around three dozen newspapers and periodicals were being published
on a regular basis from India. With the rise of new industries, advertising, even
from British companies, increased.
The first Indian ad agency, the Indian Advertising Agency, was launched in the
very early years of the 20th century. On the other hand, B Dattaram & Co, located
in Girgaun in Mumbai and launched in 1905, also claims to be the oldest existing
Indian agency! This was followed by the launch of the Calcutta Advertising
Agency in 1909.
By the 1920s a number of Indian agencies were working from the major Indian
cities, the most important being the Modem Publicity Company in Madras, Central
Publicity Service in Bombay and Calcutta and the Oriental Advertising Agency in
Tiruchirapalli. In 1931, the first full-fledged Indian ad agency, the National
Advertising Service, was established. During the post independence era, the
advertising business was well on its way to growth and expansion. The Indian
Society of Advertisers was formed in 1951 and in May 1958, the Society of
Advertising Practitioners was established and advertising clubs came up in
Bombay and Calcutta to promote higher standards of work
Market research and readership surveys led to further professionalisation of the
advertising industry. Television Rating Points, popularly known as TRP
measurements, provided ad agencies with statistical data on consumer viewer ikes
and dislikes and helped them create effective media plans and ad campaigns. The
introduction of multi-colour printing, improved printing machines and the
development of commercial art gave the ad business a further boost. The
advertising agencies expanded their services and this was due to the phenomenal
growth in media. Besides selling space in new spapers and magazines, they began
to offer art sworks, organization of fairs and exhibitions and market research.
1780 Modern advertising history began with classified advertising. Ads appeared
for the first time in print in Hickey's weekly newspaper, the Bengal Gazette.
Newspaper studios trained the first generation of visualizers and illustrators to
produce advertisements for the print media.
1905 B Dattaram & Co, one of the early companies making advertisements for
newspapers was launched in Mumbai.
1920-1929 The first foreign owned ad agencies were set up. 1931 The first ad
agency, the National Advertising Service was sestablished.
Two main events responsible for growth of Indian advertising agencies were the
Swadeshi Movement (1907-1911), which gave rise to indigenous industries, and
the second, was the installation of first rotary linotype machine by the Statesman of
Calcutta in 1907.
In few years, other papers too installed the new machine, which made it possible to
produce a cheap newspaper with a large national circulation. The first Indian Ad
Agency, the Indian Advertising Agency, was launched around this time, and is still
going strong. The main functions of these agencies were to secure advertisements
and to get them published in the press. The major British agencies during this time
were: Alliance Advertising Associates, Publicity Society of India, L.A. Stronach
and Co, and others. They catered to the need of the affluent British and Indian
elites living in the metropolitan cities. They rarely advertised Mass consumer items
like tea and cigarettes.
During the war, press advertising was exploited to raise funds for the war effort.
Ad Agencies established during this period included Alliance Advertising
Association Ltd, at Bombay, started by the British India Cooperation of Kanpur, to
sell its manufactured goods. Mr. L.A. Stronach, the manager of Alliance, bought
up the Bombay branch of the agency and started in 1922 his own agency, with a
branch in London. It provided production and media services to advertisers (unlike
the space-selling agencies) and so even manufacturers of competing products or
brands had to use these services.
During the inter-war years a few Indian agencies too sprang up, the most notable
being the modem Publicity Co. in Madras, the Calcutta Publicity, and the Oriental
Advertising Agency in Tiruchirapalli. The Vasudevea Publicity Service was started
in Delhi to carry out outdoor publicity campaigns in Uttar Pradesh, Punjab and
Delhi. In 1931, the first full-fledged Indian Ad Agency, the National Advertising
Service, was established. Among the other Indian Agencies to be launched during
this period were: New India Publicity Co. 1930, Paradise Advertising Agency of
Calcutta (1928), the Indian and Eastern Newspapers Society (IENS), and others.
The IENS was set up as a central organization of the newspaper owners of India,
Burma and Ceylon. The society looked after the interests of newspaper publishing
houses; an indirect effect of the formation of the IENS was the standardization of
Ad agency practices. The IENS also sought to foster better publisher
agencyrelationship.
The establishment of the Advertising Agencies Association of India (AAAI) in
1945 and the Audit Bureau of Circulation (ABC) in 1948 helped to bring some
order to the competitive field. The AAAI came to be recognized as a representative
body of the profession, with the authority to represent its interests and problems.
The ABC gave some credibility to the claims of newspapers regarding their
circulation.
POST-INDEPENDENCE ADVERTISING
Following World War II and the Indian Independence, the British-owned agencies
were sold to Indian business. Several agencies, however, retained an 'affiliate'
status with the main branches of the agencies in London. They continue to enjoy
this status even today," though American multinational agencies have replaced
affiliation with British agencies.
At independence the advertising business was well on its way to growth and
expansion. Partition did not touch the business at all. The introduction of
multicolor printing, improved printing machines (like offset and web offset), and
the development of commercial at gave the Ad business a further leap. Agencies
began to offer, besides space selling, many more services, such as artwork,
organization of fairs and exhibitions, market research, public relations
consultancies.
The phenomenal growth in the media, especially television and cable has given a
best to Indian advertising. Market research and readership surveys have led to the
further professionalization of the business. Individual publishing houses like 'The
Hindu and The Times of India' first conducted readership surveys. Now, National
Readership Surveys (NRS) and Indian Readership Surveys (IRS) as well as
regular Television Rating Points (TRP) measurements provide advertisers with
statistical data on which to base their media plans
The Indian advertising industry has evolved from being a small-scaled business to
a full-fledged industry. The advertising indinary is projected to be the second
fastest growing advertising market in Asia after China. It is estimated that by 2015,
the share of ad spend in India's Gross Domestic Product (GDP) will be around 0.45
per cent.
The Indian govemment has given tremendous support to the advertising and
marketing industry Advertising expenditure is likely to increase in the financial
sector, driven by Reserve Bank of India (RBI) policies which could result in a
more favourable business environment. Also, proposed liemees for new banks and
better market sentiments reader the advertising and marketing industry in India a
fertile space.
Market size
Recent Developments:
Indian Railways has appointed Emst & Young (EY) as a consultant to discover
its advertising potential, which is in line with the Railway Budget proposal of
increasing non- fare earnings to over Rs 5,000 crore (US$ 750 million) in five
years.
Tata Motors has appointed renowned football player Lionel Messi as the
global brand ambassador for Tata cars and utility vehicles globally, with an aim to
tap the youth and expand visibility and presence of Tata Motors in newer markets.
Advertising agency J Walter Thompson has launched its global digital agency
network 'Mirum' in India which will provide services such as strategy and
consulting services, campaigns and content, experience and platforms, analytics
and innovation and product development, with the target to increase non-traditional
media revenues to 40-45 per cent from 35 per cent currently.
DDB Mudra Group has planned to launch Track DDB, a brand that addresses
the data-led world of marketing communications, which will provide services like
creative, data and digital analytics, database marketing, CRM, digital and mobile
marketing in India.
All India Radio (AIR) has appointed 'releaseMyAd' as a virtual agency to let
advertisers book ads for all of AIR's station online.
Google is all set to help India implement Prime Minister Mr Narendra Modi's
"Digital India" initiative, and the government has a well laid out plan to realize it,
said Google's Chief Internet Evangelist Mr Vinton G. Cerf. Digital India is Ps 1.13
trillion (US$ 16.95 billion) government initiative that seeks to transform the
country into a connected economy, attract investment in electronics manufacturing,
and create millions of jobs and support trade.
Jaipur-based Girnar Software Private Limited, which owns and operates the
website [Link], announced that it has raised US$ 50 million in its second
round of funding. The funding was led by Hillhouse Capital with participation
from Tybourne Capital and Sequoia Capital.
ZipDial has become the first Indian technology product startup to be bought by
Twitter in what is the third such deal led by a global corporation following the
acquisitions by Facebook and Yahoo. The ZipDial deal is expected to cost Twitter
US$ 34-35 million. This feature is expected to help Twitter reach people who will
come online for the first time in countries such as Brazil, India and Indonesia,
mostly using a mobile device.
Government Initiatives
India and Poland are seeking to enhance cooperation in the digitisation and
restoration of film archives. This was decided in a meeting between Mr Bimal
Julka, Secretary of Information and Broadcasting, India, and a delegation from
Poland led by Ms Malgorzata Omilanowska, Secretary of State. The two countries
will form a joint working group that will help improve cooperation in fields such
as student exchange programmes, animation, films and digitisation, among others.
Mr. Rajyavardhan Singh Rathore, Minister of State for Information &
Broadcasting, has announced that Indian government has planned to increase
advertising spend on the digital platform which will help increases the
government's presence in digital media.
Road Ahead
The advertising and marketing sector in India is expected to enjoy a good run.
Growth is expected in retail advertisement, on the back of factors such as several
players entering the food and beverages segment, e-commerce gaining more
popularity in the country, and domestic companies testing out the waters. The rural
region is a potentially profitable target.
For instance, in the automobiles sector, the focus of two-wheelers on rural areas
could mean more launches and more advertising spends. The telecom sector could
see growth as well, driven by better smartphone penetration and service providers
cutting down on prices.
GLOSSARY OF TERMS
Billboard: An outdoor sign or poster. Costs for a specific billboard are determined
by the board's size and the amount of traffic that passes its location.
Broadcast TV: Television stations whose signals are carried to households over
airwaves.
Cable TV: Television station whose signals are carried to households by cable and
paid by subscription.
Closing Date: The date by which all advertising must be ordered from a specific
medium in order to secure dates, times, and placements.
Drive Tine: The hours when the most commuters are in their cars. During "drive
time," radio advertising costs more because of increased listeners.
Editorial Calendar: The part of a magazine or newsletter media kit that describes
the editorial content planned for each issue in the coming year.
Inline Ad: An online ad located anywhere on the page that consists of a few lines
of copy and/or an image together with a link or email address for action.
Insertion Date(s): The day or issue month your advertisement appears in the
publication.
JPEG (.jpg): A common image file format that is very effective at displaying high
color images in a compact file size. Photographs to be used on the internet often
are compressed as jpgs.
Jump Page: The page that is displayed when a user clicks on a website banner.
Often this is just the home page for a product or service, but special promotions
may have more complicated pages.
Out-of-Home: OOH is advertising that reaches the consumers while they are
outside their homes and would include advertisements placed on billboards,
busses, shopping area directories, etc.
PDF (Portable Document Format): An open file format used to create or view
documents. PDF files can be used to review and approve ads. In some cases, they
also can be used as the final file format sent to the media outlet.
Rate Card: Information cards provided by both print and broadcast media that
contain information about advertising costs, mechanical requirements, special
issues, closing dates, cancellation dates, circulation data, etc.
Reservation Date: The day you request that a publication set aside space for your
organization because you will be advertising in a particular issue. Typically,
advertisement space must be reserved a number of days in advance of the insertion
date.
Run Date: The day your advertisement appears in the publication; also known as
insertion date.
Sandwich Board: Two hinged boards with advertising messages that are placed at
an advantageous location.
Sidebar Ad: An online ad (also known as a skyscraper ad) that is vertically
oriented and positioned on the left or right edges of the webpage.
Spot Color: The technique of coloring for emphasis some areas of basic black-
and-white advertisements, usually with a single color.
Spot Television (or Radio): Time slots purchased on a market basis rather than
through a network and allowing for greater flexibility for advertisers.
Storyboard: A series of panels roughly depicting scenes, copy, and shots proposed
for a television commercial. The storyboard provides a good representation of the
concept for a commercial before extensive production charges are incurred.
Subway Card: Advertising poster attached to the interior of a subway car or train.
Time Slot: A specific time bought for airing a commercial on radio or television.
Total Audience Plan (TAP): A radio advertising package rate that guarantees a
percentage of spots in the better parts of the day.
URL (Uniform Resource Locator): The URL is the internet "address" of a
website or webpage. A browser requires this information in its location box in
order to load a webpage.
Voice Over: A recorded narrator who is heard but not seen in a television
commercial, or narration that is distinct from the scene portrayed in a radio
commercial.
Webcasting: The process of delivering audio and/or video online. Audio or video
webcasts can be delivered live (as an event happens) or on-demand (at the user's
convenience). They can be streamed (delivered progressively as it is viewed) or
downloaded (delivered in its entirety before it can be played) by the user.
Advertisements can be inserted at the beginning of the webcast.
UNIT-II
MEDIA VEHICLES
Newspapers:
1. Wide coverage.
2. Quick response
5. Economical.
1. Shortest life.
3. Waste in circulation.
4. Possibility of duplication
Radio:
At present, there are 60 million sets which work out a set for every two people.
The advertisements may be straight commercials dialogue, commercials
dramatised, commercials integrated commercials and musical commercials.
The relative merits of radio advertising are:
1. Hama touch
5. Selectivity
2. Lack of illustration
3. Limited time.
4 Wastage.
Television:
Radio ruled the scene between 1920 and 1970, its greatest and-latest rival has
been television that smashed its supremacy from 1950s.
In India, it was commissioned for the first time in 1959 and went commercial
in 1976 and transformed into colour in 1982. By now, 90 per cent of the population
is covered by the way of television.
We have 10 million sets working in India giving a figure of one set for every
100 people. Television advertisements are called as television commercials lasting
for 10, 15, 20 and 30 seconds. These may be 'stop motion", "puppets", "cartoons' or
'line-action type'.
The relative merits are:
1. Deep impact.
advertising is the only one of its kind that has been carried for ages. This is the
media to reach the people when they are out of doors. The ad message is delivered
to the audience like print and broadcast media; rather the message is placed in
strategic places exposed to moving audience.
Its strength is tremendous because, 97 per cent of the total adult population
moves out of doors every week. Its vehicles are: posters, printed displays, electric
signs, travelling displays, sky writing, sandwich men and the like.
A 'sky writing' is a kind of publicity where message is spread in the sky in the
form of a smoke or fire-workers nor the lights. A 'sandwich-men' advertising is the
team of tall and dwarf men singing and spending the ad message and is the oldest
and the simplest of all vehicles of outdoor advertising.
2. Greater flexibility.
3. Economy.
5. Beautification.
1. A reminder publicity.
2. Uglification.
3. Heavy investments
4. Immeasurability
Exhibitions:
Exhibitions can be an excellent way to promote your business and the products
and services that you offer. They are also a great way to network with other
industry members and grow your customer base. An Exhibition is an event where
goods and services in a specific industry are exhibited and demonstrated to the
general public. Exhibitions can be useful marketing tools; however, not all
businesses benefit from them. Consider your business situation and do your
research before getting involved in trade shows and exhibitions.
Hoarding (Billboard):
A billboard (also called a hoarding in the UK and many other parts of the
world) is a large outdoor advertising structure (a billing board), typically found in
high-traffic areas such as alongside busy roads Billboards present large
advertisements to passing pedestrians and drivers. Typically showing witty slogans
and distinctive visuals, billboards are highly visible in the top designated market
areas.
Handbill
For example, handbills are commonly used by new restaurants when they
open. They distribute handbills around the locality, informing these potential
customers about the whereabouts and other details of these new places, and also
any promotional discounts that they may be offering to them.
TYPES OF ADVERTISING
Classified advertising
Advertisements in a newspaper are typically short, as they are charged for by the
line, and are one newspaper column wide.
Classified ads generally fall into two types: individuals advertising sales of their
personal goods, and advertisements by local businesses. Some businesses use
classified ads to hire new employees.
One issue with newspaper classified advertising are that it doesn't allow images,
even though display ads, which do allow images, can be found in the classified
section.
Display advertising
The birthday of the first banner display on the World Wide Web was on the 27th
October 1994.
The COCONET online service had graphical online banner ads starting in 1988 in
San Diego, California.
The PRODIGY service, launched also in 1988, had banner ads as well.
Political Advertising
Political advertising does not include letters to the editor, news or feature articles,
editorial comment or replies to editorials in a regularly published newspaper,
periodical, or on a radio or television broadcast where payment for the printed
space or broadcast time is not normally required.
General Requirements
● When candidate photos appear in political ads, at least one photo must have
been taken in the last five years and it can be no smaller than the largest
photo in the ad
During the war, many PSA aware issued, often citing the need to be vigilant, and
support the war effort in every way possible. "Loose lips sink ships" is the kind of
message PSAS would air. Over the years, PSAs evolved to cover a vast array of
public interests, and are still around to this day.
The goal of a PSA is not to make a big sale, but rather to change public opinion
and raise awareness for a problem. The strategy here is to educate first and provoke
a feeling and reaction after that. However, sometimes money is solicited, although
usually not for profit.
Topics Covered by Public Service Ads:
As long as there have been advertisements, there have been ads for charitable
causes, government issues (including war), politics, religion and health & safety
issues.
● Drug Audiction
● Obesity
● Smoking
● Fitness
● Education
● Gambling
● Alcoholism
PSAs can be seen anywhere traditional ads are seen, including television and radio,
outdoor, lie, direct mail and in print. Due to the nature of the ads, many insertions
are provided at a discount.
Radio Advertising
Radio advertising spots are typically purchased with numerous air times in mind.
Spots during the top and bottom of the hour are typically more expensive than
spots played at the 15-minute marks. Advertisers can select how many times they
want their spots to be heard through the course of a day as well as on which shows.
Some programs can charge more for an ad spot, depending on their listenership as
well as the time of day the show airs. Prime drive time hours between 5 p.m. and 7
p.m. are the most expensive, while late-night ad spots are generally cheapest.
Television Advertising
Television ad spots are very similar in structure to radio advertising. They run at
specified times during specified programs. Prime time advertising is 6 p.m. to 10
p.m. and these spots can be very expensive, Ads purchased to run during sporting
events are the most expensive, while ads purchased to run during late-night
television are typically more affordable. Television ad spots are also more
expensive to produce than radio spots and require more design time.
UNIT 3
MEDIA PLANNING
(b) Frequency: It refers to the number of times within the specified time period
that an average person or household is exposed to message.
(c) Gross Ratings Points: It refers to the total weight of a media effort in
quantitative terms. GRP's are equal to each multiplied by average frequencies. E.g.
80% of the homes watch Chitrahar and they are exposed on average 2.5 times
within the 4 week period. The total impact or GRP's 80 × 2.5-200.
3. Selection of Media Types: Every media plan requires that specific media types
to be selected. There are a number of advertising media available to the advertiser
for advertising the goods etc. These may be grouped under the following heads:
1. Press Advertising Media - (a) Newspapers and (b) Magazines and Journals.
3. Direct Mail Advertising Media - (1) Circulars, (ii) Price-lists, (ii) Booklets, (v)
Leaflets, and Folders, (v) Business Reply Envelops and Cards, (vi) Gift Novelties,
and (vii) Personal Letters.
5. Promotional Advertising Media - (1) Window Display, (ii) Show- Room, (in)
Exhibitions and Fairs, (iv) Interior Display. (v) Trade Shows, (vi) Samples,
Coupons and Premiums etc.
MEDIA SELECTION
Advertising media selection is the process of choosing the most efficient media for
an advertising campaign. To evaluate media efficiency, planners consider a range
of factors including: the required coverage and number of exposures in a target
audience; the relative cost of the media advertising and the media environment.
Media planning may also involve buying media space. Media planners require an
intricate understanding of the strengths and weaknesses of each of the main media
options. The media industry is dynamic new advertising media options are
constantly emerging. Digital and social media are changing the way that
consumers use media and are also having an impact on how consumers acquire
product information.
Television advertising:
Radio advertising
Promotion through radio has been a viable advertising option for over 80 years.
Radio advertising is mostly local to the broadcast range of a radio station, however,
at least three options exist that offer national and potentially international
coverage. First, in many countries there are radio networks that use many
geographically distinct stations to broadcast simultaneously. In the United States
such networks as Disney (children's programming) and ESPN (sports
programming) broadcast nationally either through a group of company-owned
stations or through a syndication arrangement (ie., business agreement) with
partner stations. Second, within the last few years the emergence of radio
programming delivered via satellite has become an option for national advertising.
Finally, the potential for national and international advertising may become more
attractive as radio stations allow their signals to be broadcast over the Internet.
In many ways radio suffers the same problems as television, namely, a mass
medium that is not highly targeted and offers little opportunity to track responses.
But unlike television, radio presents the additional disadvantage of limiting
advertisers to audio-only advertising. For some products advertising without visual
support is not effective.[citation needed]
Magazines, especially those that target specific niche or specialized interest areas,
are more tightly targeted compared to broadcast media. Additionally, magazines
offer the option of allowing marketers to present their message using high quality
imagery (eg, full color) and can also offer advertisers the ability to integrate
interactive, tactile experiences through the use of scratch-it papers impregnated
with scents (e.g., perfume).
Special Issue publications can offer very selective targeting since these often focus
on an extremely narrow topics (eg, auto buying guide, tour guides, college and
university ratings, etc.).
Internet advertising
The Internet is the fastest growing advertising media The fastest growing media
outlet for advertising is the Internet. Compared to spending in other media, the rate
of spending for Internet advertising is experiencing tremendous growth and in the
US. trails only newspaper and television advertising in terms of total spending.
Internet advertising's influence continues to expand and each year more major
marketers shift a larger portion of their promotional budget to this medium. Two
key reasons for this shift rest with the Internet's ability to: 1) narrowly target an
advertising message and, 2) track user response to the advertiser's message.
The Internet offers many advertising options with messages delivered through
websites or by email:
Paid inclusion - Paid inclusion is a search engine marketing product where the
search engine company charges fees related to inclusion of websites in their search
index. The use of paid inclusion is controversial and paid inclusion's popularity has
decreased over time among search engines.
Social-media advertising - is just one of the ways that advertisers use the Internet
to communicate with audiences
MEDIA MIX
Once the media selection is decided upon, the next step is to determine the mix of
the media one must use. A media mix is the combination of communication
channels your business can use to meet its marketing objectives. Typically, these
include newspapers, radio, television, billboards, websites, email, direct mail, the
Internet and social media, such as Facebook or Twitter Combining these channels
in a media mix enables you to communicate in the most effective way with
different types of customers and prospects at different stages of the purchase
decision, according to Entrepreneur.
An effective media mix delivers the right marketing message to your customers
and prospects at the lowest cost and with minimal waste. If you want to reach a
consumer audience across the country, you might use a media mix that includes
national newspapers, radio or television. If you wanted to reach a specific group of
business decision-makers, such as technical directors, your mix might include
specialist business magazines or exhibitions aimed at those directors. To reach a
small number of key executives who influence a major purchasing decision, you
might include personalized direct mail or an executive briefing session in your
mix.
Entrepreneur notes that the emphasis in the media mix changes at different stages
in the buying cycle. When prospects are looking for information, they may read
publications covering their interests, search websites, visit trade shows or check
product review sites. So, it's important that you have information in the places they
are likely to visit. The emphasis in your media mix would be on raising awareness
through advertisements, press releases, product pages on your website,
participation in trade shows or comments on social media. When prospects have
expressed an interest in your products, you can use a different media mix to
murture them and move them toward a buying decision. The mix at this stage
might include email offering detailed product information, a seminar or a
customized sales proposal.
Integrated Media Work Harder
The components of a media mix are more effective when they are integrated. The
benefit of an imtegrated campaign is that the media mix is more effective when the
components work together and communicate consistent messages each time,
according to MMC Learning. In practical terms, that means using the same
creative themes and marketing messages across all elements of your medis mix.
Prospects viewing an advertisement, website page, direct mail piece or product
guide from an integrated campaign would receive consistent messages, with each
element of the mix reinforcing the others.
Analytical tools are available to assess your media mix and improve the results you
achieve. These tools identify the strengths and weaknesses of your marketing
programs and your media mis. By demonstrating how changes in the mix can
affect results, the tools help you to reallocate your budgets and create a better mix
to improve marketing performance.
MEDIA BUYING
The specialist who is the counter part of the media sales representative is the media
buyer. Most of these specialists work for advertising agencies, although some are
retained by advertisers and some work for firms of media specialists who offer
media buying services to both advertising agencies and advertisers. Media buying
service is likely to be more personal and direct.
The media buying specialist helps to decide what media should be used for a
product, purchases the media, and controls and evaluates the performance of the
media purchased. There is growth of Media Buying Units (MBUs) throughout the
world, Advertising Agencies merge and form a group and then set up an
independent MBU to buy advertising space. The MBU benefits not only the
advertising agencies, and the advertisers because of cost-effective rates, but also
the media sellers. The media sellers can negotiate for rates, with one media buying
unit on behalf of a group of ad agencies.
SPACE SELLING AND INSERTION OF AD
The phrase 'media sales' is used to describe the selling of advertising space in any
communication platform, such as newspapers, magazines, outdoor billboards &
screens, event sponsorship, commercial radio or television, business information/
data and online/digital. It can also be connected to the events/exhibitions and
conference industries where executives are responsible for selling delegate spaces
to attend the event or the selling of sponsorship opportunities.
The companies that run the communication medium employ sales people to ensure
that revenues generated from advertising are fully maximized.
● The phrase "media sales' is used to describe the selling of advertising space
in any communication platform, such as newspapers, magazines, outdoor
billboards & screens, event sponsorship, commercial radio or television,
business information/data and online /digital. It can also be connected to the
events/exhibitions and conference industries where executives are
responsible for selling delegate spaces to attend the event or the selling of
sponsorship opportunities.
● The companies that run the communication medium employ sales people to
ensure that revenues generated from advertising are fully maximised.
● Contact potential clients, usually over the telephone but also in a face to face
environment (client presentations, client days out, business lunches/dinners),
to describe potential advertising opportunities.
● You will attend meetings to ensure your clients are fully aware of all
potential advertising, promotion and sponsorship opportunities and to
cement your relationship with them for the long term.
● Work closely with the editorial features team to ensure all leads are covered
and relevant information exchanged to the benefit of both parties. Editorial
input from sales: executives normally receive a welcoming response.
● Work closely with the advertising operations team to ensure the correct
advertisements are placed on the correct websites pages at the correct time,
according to your clients' wishes.
● Selling is not about having the 'gift of the gab'. It's about asking questions,
listening to the answers and using the information to build a case for your
product; this will usually involve matching your product to what the client is
looking for. To have a successful career in media sales you need to be
controlled, assertive, mature, flexible and innovative.
● To work in media sales you must be inquisitive and very resilient in order to
handle objections that potential clients may raise. You have to stand up to
these objections and overcome the clients' doubts and fears.
● The very best sales people perform well due to their excellent relationships
with clients. They have built up trust through delivering what the client
wants, not what he/she thinks the client should have. The latter is usually the
result of a poor listener.
● In order to succeed in a media sales job you need to have confidence so that
your clients buy into your ideas.
● All advertising sales jobs are very demanding with the constant need to meet
sales targets.
● The core competencies or personal attributes that are often seen as desirable
in media sales roles are:
● A target orientated disposition and the desire to sell and meet targets.
● Common Sense.
● Energetic and enthusiastic people, often those who keep themselves fit by
playing spon or regularly attending the gym.
● Media sales professionals can earn a lot of money; you will do likewise even
inside your first eighteen months.
● Salaries in media sales are composed of two parts, the basic salary and a
commission element that comes from each sale made.
● Typical basic salaries are between £17,000 - £20,000 in the London area. A
significan proportion of the overall salary comes from the commission
element. This is usually between £6,000 to £20,000 but this is dependent
upon the company and location.
● Media Sales is usually seen as a young environment and it is not unusual for
senior managers to be in their late twenties or early thirties. Promotion is
based on merit and the
STEP 3: With six to eighteen months experience and the graduate training under
your belt this is the point where you are most valuable to your company. At this
stage you are free to move onto any other media platform or medium. You will
normally be promoted to a Senior Sales Executive position, where you take on
more responsibility, get a chance to train in other areas and offer support to those
below you. This is also where basic salaries and commission structure start to
become very appetizing.
STEP 4: From a Senior Sales Executive position you will also be given the chance
to move into more of an Account Manager or New Business Development role,
where you will be managing large client accounts instead of people. This route
tends to suit those not so interested in managing a team and who would rather earn
larger amounts of commission for themselves.
STEP 6: Promotion from Advertising Sales Manager normally takes the route of
moving into a Group Sales Manager role whereby you'll be in direct charge of
several Advertising Sales Managers and indirectly managing their teams. When we
reach this stage it's rare to be directly involved with active selling and the role
tends to change more into a strategic and product development role, generating
ideas for product extensions and mapping out the route the titles should take over
the long term.
STEP 7: From Group Sales Manager level the next big step up the career ladder is
to become a Publisher/ Sales Director / Director of a magazine, website, etc.
Publishers are the commercial & editorial head of the title / set of titles and it is
their responsibility to ensure that the magazine hits all of its targets. From here
progression is to Board Director level. Therefore media sales provides a great
career ladder to climb, which very few sales roles can offer, and it is therefore a
brilliant role for someone seeking to make a career for themselves in sales. Media
sales can also provide a valuable learning experience on which to base future sales,
advertising or marketing careers.
A Media Sales Career in Digital
STEP 1: It is rare but not unheard of for digital advertising networks (ad
networks), digital media owners and digital technology companies to take
candidates straight from university with little or no experience. As the digital
sector expands, more and more companies are realising the importance of
recruiting graduates and training schemes are now being set up even in smaller
companies. A lot of candidates who take their first step into the digital sector come
from a consumer print media or broadcast media sales background and after 1-3
years working within this area finally move into the digital sector.
STEP 2: There are four main roles within any digital company, Publisher
Development, Agency Sales, Ad Operations and Account Management. Each of
these roles has its own individual career path and each of these roles look for
specific personality traits, work experience and have different educational
requirements. Roles within Digital Advertising Operations normally look for
individuals with a Maths or Economics Degree along with a meticulous eye for
detail. Roles within Agency Sales and Account Management normally suit
individuals with big personalities and roles within Publisher Development
normally suit those who are very commercially minded with the ability to pitch
senior level decision makers.
STEP 3: Whichever role you choose, you'll spend the next few years learning
about the digital sector, keeping up to date with new digital technologies and
software, speaking and meeting with key contacts, bringing on board new clients
and managing advertising campaigns ensuring your client's campaigns are a
success!
STEP 4: Eventually you'll move into a role where you'll be managing a small team
of 3-4 people, looking after advertising campaigns, catering to key clients and
helping senior management with major strategic decisions. From there hopefully
you'll gradually work your way up the ladder and end up as a Director of a
department/company!
A Media Sales Career in Radio, TV & Outdoor
STEP 1: Your first step into the broadcast & outdoor advertising industry will
normally be that of a planner. The planner is the key point of contact between
several different departments, normally spending a lot of their time liaising
between the sales team and each individual radio station/TV channel/outdoor
advertising area. The planner ensures the correct advertisements are placed on the
correct radio station/TV channel/ outdoor advertising platform and shown at the
correct time. A lot of advertisements are tailored to specific channels / stations/
geographical areas and their respective demographics so the role involves a high
level of attention to detail.
STEP 2: Your next step will be into the role of Client Direct Account Executive or
Agency Sales Executive. Broadcast stations and outdoor media owners will
normally divide their sales teams between those sales people who deal solely with
advertising agencies and those who deal directly with clients. Both roles will
involve account managing a selection of clients/advertising agencies and speaking
and meeting with new clients and agencies in order to persuade them to switch
their advertising spend to your station/channel/outdoor advertising options. When
it comes the broadcast industry the role will involve selling airtime space, digital
space and packages and within the outdoor advertising industry the role will
involve selling advertising space across billboards, poster displays, telephone
boxes, trains, tube stations, buses, airports, shopping centres, etc.
STEP 3: After roughly 2-4 years you'll eventually be an Agency Sales Account
Manager/ Account Director or Business Manager, spending most of your time
account managing a selection of large advertising agencies or brands who spend
significant sums of revenue with your radio station TV channel/outdoor media
owner. The role will now largely be a face face role, keeping in constant
communication with your contacts and ensuring their happines with their
advertising campaigns. At this stage you may also be given the opportunity to
move into a more creative role, working within Creative Solutions or Sponsorship
& Promotions, generating ideas for advertising campaigns beyond the normal
inventory of airtime.
STEP 4: If you've proven that you're a great sales person and shown the ability to
manage team effectively then the next step will be that of Advertising Manager or
Group Advertising Manager looking after a set budget, normally millions of
pounds and looking after a team of 3-6 sales people.
Advertising planning and decision making depends on internal and external factors
Internal factors are situation analysis, the marketing program, and the advertising
plan. The three legs of advertising planning concern are the
1. Situation Analysis
Situation analysis begins by looking at the aggregate market for the product,
service, or case being advertised, the size of the market, its growth rate,
seasonality, geographical distribution. Whereas Consumer and Market analysis is
concerned with the following factors:
Nature of demand
Extent of demand
-What is the size of the market (units and dollars) now, and what will the future
hold? -What are the current market shares, and what are the selective demand
trends?
-What are the current marketing programs of established competitors? -Why are
they successful of unsuccessful?
Environmental climate
-What are the relevant social, political, economic, and technological trends?
-Do we have the skills and experience to perform the functions necessary to be in
the business?
-How do our skills compare with those of competitors?
-Where are the funds coming from, and when will they be available?
3. Competitive Analysis:
Advertising planning and decision making are affected by competition and the
competitive situation facing the advertiser. Competition is such a pervasive factor
that it will occur as a consideration in all phases of the advertising planning and
decision making process. It should include an analysis of what current share the
brand now has, what shares its competitors have, what share of a market is
possible, from which competitors the increased share of a market is possible? The
planner also has to be aware of the relative strengths and weaknesses of the
different competing companies and their objectives in the product category. It is
important to look at competition as a precursor to the advertising planning process.
Continuity
This model is primarily for non-seasonal products and some seasonal products.
Advertising runs steadily with little variation over a campaign period. There may
be short gaps at regular intervals and also long gaps--for instance, one ad every
week for 52 weeks, and then a pause. This pattern of advertising is prevalent in
service and packaged goods that require continuous reinforcement on the audience
for top of mind recollection at point of purchase.
Flighting
Pulsing
Continuity: Flighting:
Advantages-give maximum impact of ad by advertising at Advantages- all of the same as mentioned in above
the key strategic times.
two methods: continuity and flighting
There is no airing of commercials during off-season and
that result in less waste in advertising since it is
concentrated for best purchasing cycle time. Disadvantages - not required for seasonal products.
UNIT 4
ADVERTISING AGENCIES
"The work of a tailor is to collect the raw material, find matching threads, cut the
cloth in desired shape, finally stitch the cloth and deliver it to the customer."
Advertising Agency is just like a tailor. It creates the ads, plans how, when and
where it should be delivered and hands it over to the client. Advertising agencies
are mostly not dependent on any organizations.
These agencies take all the efforts for selling the product of the clients. They have
a group of people expert in their particular fields, thus helping the companies or
organizations to reach their target customer in an easy and simple way.
The first Advertising Agency was William Taylor in 1786 followed by James
"Jem" White in 1800 in London and Reynell & Son in 1812.
3. Planning for type of media to be used, when and where to be used, and for how
much time to be used.
4. Taking the feedbacks from the clients as well as the customers and then deciding
the further line of action
All companies can do this work by themselves. They can make ads, print or
advertise them on televisions or other media places; they can manage the accounts
also. Then why do they need advertising agencies? The reasons behind hiring the
advertising agencies by the companies are:
● The agencies are expert in this field. They have a team of different people
for different functions like copywriters, art directors, planners, etc.
● The agencies make optimum use of these people, their experience and their
knowledge.
Interactive Agencies
● The ads produced are very interactive, having very new concepts, and very
innovative.
Creative Boutiques
● Small sized agencies with their own copywriters, directors, and creative
people.
● Finally supervises or checks whether the ad has been telecasted at opted time
and place or not.
In-House Agencies
● Big organization prefers these types of agencies which are in built and work
only for them.
There are some specialized agencies which work for some special advertisements.
These types of agencies need people of special knowledge in that field. For
example, advertisements showing social messages, finance advertisements,
medicine related ads, etc.
ADVERTISER
3. The Vice President of Marketing Services looks after its Media, Research and
Sales Promotions.
5. The Vice-President of Creative Services takes care of its Copy Art, Production
(TV and Radio,
Press, etc.) and Traffic.
1. Contact Department,
2. Media Department,
3. Copy Department,
4. Art Department,
5. Production Department,
6. Research Department,
9. Office Management.
Now let's discuss main departments of advertising agency along with specialized
functions assigned to each of them.
1. Contact Department
3. It brings new customers, and this is crucial for increasing revenue, expansion,
and growth.
4. It acts as a liaison authority (connection) between the advertising agency and its
5. It serves as a sales promotion department of the ad agency. clients.
6. It finds out new clients and promotes the business of the ad agency.
2. Media Department
Media Department of advertising agency selects the best media for advertising the
products and services of the clients.
Media Department of Advertising Agency
3. Media scheduling
1. Select and use the best media possible to communicate the ad message to the
consumers. It is a crucial function because a wrong selection will result in the
failure of an advertised product.
3 Media scheduling.
4 Supervise the execution of the schedule.
5. Buy or book an advertising time and space in media for the client.
6. Keep contact with various media. Media Department of ad agency comes under
marketing services.
[Link] Department
● The copy of the advertisement is very crucial. It is called the Heart of the
AD. It is so since it directly communicates the ad message to the consumers.
● The staff of this department includes copywriters, copy-supervisors, and
others. They use their talent of imagination, skill of putting flair and fluent
language while preparing a copy.
● The advertising may fail if the copy is not appealing to consumers. The
copy-staff works in close co-operation with the staff of the art and
visualization branch.
● The head of the copy department is a Copy Chief. He directs the functioning
of it. The copy branch is perhaps the largest department of an ad agency. It
comprises of a hard-working team of qualified professionals and
experienced staff Some agencies have a creative branch instead of it that
does the entire work of preparing an advertisement. Here, making an ad
copy, artwork and actual production of the ad are all linked together and
executed entirely by this department alone.
4. Art Department
● The Art Department of advertising agency uses the power of creativity and
to make the AD more appealing and agreeable. Its activity is not a
mechanical one. It uses the principles of real art (that works) as a guideline
or base to present a product to the targeted audience.
3. Make painted bulletins, posters, car cards, illustrations, slogans, etc. Art heads
Art Department of an AD agency. He gets assistance from the assistant art director,
artists, visualizers and layout men.
The artists of art department work together with copywriters to make the final copy
of advertisement more attractive.
Both departments of Art and Copy operate under the overall guidance and
supervision of vice- president of creative services.
Not all ad agencies have a separate art department. Some prefer to outsource their
art-related work to freelance artists.
5. Production Department
The principal role of the production department is to process and produce a final
ad.
3. Show it to the client (advertiser) and get his approval for its release.
4. Send it (after approval) to print media like magazines, newspapers, etc. for
advertising. With advancements in technology, the use of print media is gradually
slowly down. The digital media is now an emerging trend. As a result, some
production houses have started adapting to this change. Now their work also
includes activities like:
Not all ad agencies have a separate production unit. Some prefer to outsource their
production-
related work to others.
6. Research Department
The success of an advertising agency greatly depends on the success of the client's
ad campaign. Today, achieving success is not an easier task. It is getting very
difficult now-a-days because of rising market competition. With so many
alternatives and choices at hand, already well- established goodwill and trust on
older brands, it is now tougher to attract and convince consumers. However,
against all odds hope still exists.
To stand out from the plethora of availability and make the client's products and
services attractive, needs not only an enormous amount of tedious work but also
some good amount of research. One must remember that without knowing, What
to do? How to do? When to do? and Where to
do? Nothing is possible to achieve. However, with right direction and approach,
everything can be made possible. Therefore, the importance of research department
in advertising is rising.
The function of research department of advertising agency is to:
● Market,
● Market competition,
● Market trends,
● Produces and services,
● Competitors,
● Consumer behavior,
● Media trends,
● Investigator ,
● Field workers,
● Analysts,
● Marketing assistants,
● Statisticians,
● This team works under the guidance and direction a Research Director, who
is the head of the research department.
Public Relations Officer (PRO) is the head of this department, and his subordinates
assist him
The art of guiding the personnel of the office in the use of materials, methods,
machines and
equipment appropriate to their environment in order to achieve its specified
purpose.
Advertising Copywriter
An advertising copywriter works under the creative director, writing for a variety
of ad mediums They might write print ads, online ads, brochures, or commercial
scripts. Some advertising copywriters work for ad agencies, writing for various
clients.
Others work for a specific company, only writing advertising material for them.
Advertising copywriters need extremely strong communications skills, and also
need to be able to spot spelling and grammar errors easily.
Types of Copywriters
First of all, copywriting most obviously means ad copy, like ads you see in
magazines, on billboards, in newspapers, and even text you see on TV. One
offshoot of magazine ad copy that I've personally written is the advertorial, an ad
that looks somewhat like editorial work, or like a part of the magazine or an article
in the newspaper.
Another kind of copywriting occurs in marketing collateral. This can be things like
newsletters and brochures. These are publications that often endeavor to sell you
something, but it may be a softer sell. It may be couched in useful information, or
"About Us" type of content.
The Iast kind of copywriting is also one of the most prevalent today, copy for the
web.
Advertising Manager
They help implement an advertising campaign, oversee all employees within the
advertising department, maintain the advertising budget, and make sure each
campaign is a success. They are in charge of making sure the client is satisfied
with the ad agency's advertising strategies.
Advertising Sales Representative
Graphic Designers
Broadly, a graphic designer creates visual concepts, by hand and/or using computer
software In advertising, they create visual concepts to attract consumers. They
might work for an advertising firm to create advertising campaigns for various
clients, or they might work for one company They might help create visuals for
magazine and newspaper advertisements, television advertisements, or brochures
and corporate reports. Graphic designers often work under art directors, who are in
charge of developing and executing an advertising concept.
Marketing Associate
a) Culture
● The concept of culture has long occupied theoreticians from many schools
and disciplines. In 1952, for example, Kroeber and Kluckhohn found 164
definitions of the term. Definitions have varied from the complex and
academic, in sociology and social anthropology. to the simple and
pragmatic, in organization development theory. This article employs a
conceptual framework that draws on both these traditions.
● Turning first to sociology and social anthropology, one of the earliest and
classic definitions of culture was that of E. B. Tylor (1871). Culture is that
complex whole which includes knowledge, belief, art, morals, law, custom,
and other capabilities acquired by man as a member of society (Tylor, 1871).
This view of culture was later refined and developed by
sociologists and social theorists such as Sorokin (1947), Parsons (1952) and
Merton (1968) to include the significance of interaction.
Level One: At the observable level, there are identifiable behaviors which are
often stated in frameworks, rules and norms. These characterize the unique features
of an organization or group's way of thinking and acting.
Level Two: These observable attributes are predicated on sets of values and
attitudes which can be inferred from symbols, rituals and signs within
organizations or groups. We do not always know precisely what our values are and
may not be able to state them although these "unconscious values may become
manifest during the process of evaluation.
Level Three: In turn, these inferred values and attitudes are based on tacit beliefs,
some of which may be unconscious.
b) Cultural Codes
● Codes can be used both consciously and unconsciously and they are
invariably difficult to comprehend. Like an enigmatic crossword, it is
necessary to divine the rules that will expose the underlying themes to
enable the puzzle to be fitted together. However, unless the codes are
cracked we are left floundering in a world of assumption, guesswork and
false premise. This means that our ability to influence change, through
evaluation and other similar processes, is significantly Evaluation 5(1) 28
03hyatt (ds) 11/2/99 3:43 pm Page 28 curtailed. We are in danger of acting
on miscomprehension which means that our efforts to bring about change
are likely to be misdirected.
● Codes exist in all cultures and sub-cultures. However, they would appear to
have been a particularly important phenomenon in Central and Eastern
Europe in the post-Communist era. Pre-1989, it could be argued, the use of
codes was vital to keep alive beliefs unacceptable to the Party State, to
subvert the imposition of homogenized cultures and to work within a system
that fostered low trust, suspicion and self-protection. The collapse of a wall
did not bring an end to these psychologies overnight. Moreover, a new set of
beliefs came into play including a strange and powerful tension between a
wish for things Western and memories of abandonment by the West nearly
50 years before. Culturally, many of these countries entered a state of flux
and correspondingly codes became difficult to open and comprehend. This
was further exacerbated by an historical equation of outside interest in
performance with control. Similarly, the notion of self-reflection had been
rendered meaningless since professional (and even personal) development
was rarely self-determined. In short, many Central and Eastern Europeans
experienced a deep, cultural confusion where codes served both to keep the
'old order alive and to give expression to the new.
● When it is immoral.
● MISLEADING CLAIMS
● REINFORCING STEREOTYPES
● CONCEALMENT OF FACTS
● MANIPULATIVE ADS
● SURROGATE ADS
● PUFFERY
Misleading Claims
● In these ads, company claim false regarding the quality, style, history of a
product or service etc.
Reinforcing Stereotypes
Concealment of Facts
● They ignore to mention those facts which would make their products less
desirable
Manipulative Ads
Surrogate Ads
● Surrogate advertising is prominently seen in cases where advertising a
particular product is banned by law.
Puffery
Weasel Claim
● Weasel word is a modifier that practically neglects the claim that follows.
● These words look substantial but degenerate into meaningless verb after
analysis.
● Commonly used weasel words are- helps, like, virtual or virtually, acts or
works, tackles, fights looks like etc.
● Not only this, children's are considered as most susceptible target audience
as they are not able to differentiate
Advertising Regulations
Advertising regulation refers to the laws and rules defining the ways in which
products can be advertised in a particular region.
"Advertising is a non-moral force, like electricity, which not only illuminates but
electrocutes. It's worth to civilization depends upon how it is used." (J. Walter
Thompson) The namesake & Founder of the JWT advertising agency
Advertising has been in the vortex of controversy of the many ills that it brings to
society- It is accused of encouraging materialism and manipulating our behavior
generally contributing to the downfall of our social system. Hence, there comes a
need for regulatory bodies
Purpose
The purpose of the regulatory bodies would be to make sure that advertisers and
advertisements are Truthful and fair to consumers and competitors. Within the
bounds of generally accepted standards of public decency-Not used
indiscriminately for the promotion of products, hazardous or harmful to society or
to individuals particularly minors, to a degree unacceptable to society at large.
(ASCI)
Composition of ASCI
● 4 from Advertisers
● 4 from Media
Objectives
The objectives of ASCI are to make are advertisers and advertisemmts are-
Truthful and Honest- Not offensive- Not hazardous to socity Fair with competitors
The Complaints the ASCI receives are handled by Consumer Complaints Council
(CCC)
CONSUMER COMPLAINTS COUNCIL (CCC)
Receiving complaints
For public awareness sake, from time-to-time the Council puts out advertisements
in newspapers- This invites them to complain to the Council Each year the Council
receives approximately 150 complaints - 50 % Upheld- 80% Voluntarily
modified/withdrawn
Complaining Procedures
ANYONE!
There are two ways of complaining to CCC. They are through- Online and- Printed
form The form can be downloaded from, ASCT's Official Website -
[Link]
UNIT-V
DESIGNING ADVERTISEMENTS
IDEATION
Idea generation is arguably the most vital part of the advertising process -
and can be the most demanding. This book provides an essential introduction to the
process of generating creative advertising ideas and concepts, and looks at the
various obstacles that can stop ideas from forming before exploring in detail a
range of effective ways to break through creative blocks.
VISUALISATION
Visualisation is a mental process. Visualisation means seeing in the mind's eye the
form of the idea as it would appear in the advertisement". It is communicated to the
prospects by way of an advertisement. Fundamentally, visualisation is the process
of playing with different ideas. A visualiser must possess fertile mind so as to
develop worthwhile ideas. Later, these ideas are transformed into effective
advertising message.
Advertisement comprises of several component parts like headline, sub-headline,
slogan, body-text, illustration etc. Visualisation is the skill to determine which
elements an advertisement should contain and also how they should be featured.
Through a gradual process, a visualiser imagines how his advertisement will
appear when it takes the final form. Visualisation is generally undertaken by
copywriters and art directors.
Techniques of Visualisation
3. Generating Brain Waves: This involves thinking on the part of the copy-
writer. In this process, the information collected is thought over and a tank of
storage collection is formed in the mind.
5. Mediation: Then follows the analysis and synthesis of the ideas. In this stage,
the search for tranquility and calmness of mind takes place, where a quiet churning
of ideas after waves and storms would lead to the obtaining of vision.
6. Rough Layout: A sketch of a rough work out is prepared of final vision which
is the preliminary stage of visualisation.
7. Giving Final Shape: Copy, art work, layout design and illustrations are the
products of final touches given to the vision that is the idea is given the final form.
All these techniques of visualisation are time-tested.
ADVERTISEMENT LAYOUT
Elements of a layout
An advertising copy is the means by which the advertiser's ideas are given
expression to in a message to readers. Regardless of its length and brevity copy
refers to all the reading matters of an advertisement, including the headline, sub-
headlines, text or body, and the name of the firm or the standard initials of the
advertiser. As we have seen that advertising has so many immediate purposes but
its ultimate goal is to stimulate sales. As a reader turns the pages of a magazine or
newspaper, he notices so many advertisements but a great variation in copy. Some
copy may be so sticking that the reader takes immediate action and rush to the
nearest dealer to purchase it while there may be some other copy or copies that he
does not like or it does not click to his mind. The first copy conforms to the
requisites of a good copy. A copywriter must take pains in making up a sound
advertisement copy containing its various components i.e. headlines, subhead lines,
illustrations etc.
The following are the main components of an advertisement copy
1. Background
2. Border
3. Caption
4. Coupon
5. Decoration
6. Heading
7. Illustration
8. Mascot
9. Name plate
10. Price
11. Product
12. Slogan
13. Space
15. Text
16. Trademark
1. Background
The background for the advertisements should be somewhat catchy and colourful.
The arrangement of background differs from medium to medium and
advertisement to advertisement In short, background should be suitable for the
contents of the advertisement.
2. Border
3. Caption
4. Coupon
Coupon is that part of the advertisement which is intended for the convenience of
the prospective customer in communicating with the advertiser. The coupon must
contain the name and full postal address of the firm followed by the offer. The
offer should be brief and clear There should be space for name and address of the
prospective customer. The usual shape of the coupon is triangular or rectangular.
5. Decoration
The heading or headline is defined as the title of the advertisement. The words in
the heading should be short.
7. Illustration
Illustrations are the part of layout that pictures the basic theme of the
advertisement. It has the power to capture the attention of the reader. The
advertisements become richer by the use of illustrations
8. Mascot
The name plate or name block is the signature of the advertiser. It represents the
personality of the company and its product
10. Price
It is another part of layout. The price of the product should be featured clearly. The
price is usually taken in the concluding lines of the copy.
11. Product
12. Slogan
Space refers to the entire space left in the space hired by the advertiser. This
depends on Use design of the copy.
14. Subheading
15. Text
Text or body of the advertisement refers to the general reading matter. It is the
subject matter of the copy. It should be neither too wide nor too narrow.
COPY
A "Copy" means a written matter in any advertisement. It may consist only one
word or many words. A copy comist of headlines, subheads, captions etc. The copy
supports the illustration and contains description of the products merits, demerits,
uses, services etc. A copy is the heart of an advertisement. It shoulders the
responsibility for influencing the buyers.
Elements of Copy:
2. Sub-Headlines: At times, some ads have more than one headline. Of these, one
is usually the main headline, and the others are sub-headlines. There may be
overlines - that precede the main headline and there can underlines that follow the
main headline. The subheadlines are used to support or to complete the meaning of
the main headline.
4. Captions: Captions do form part of copy text. Captions are small sentences that
seem to come out the mouth of the people shown in the ads. Comic strip type of
copy make use of captions. For example, you must have come across such captions
in the print ads of Tortoise Mosquito Coil.
5. Slocans: Most ads do make use of slogan. It is a small catchy phrase used to
sum up the advertising message. Ideally the slogan should be short, preferably 3 to
6 words. Many a times the slogan says it all. For instance. The best tobacco money
can buy Rothmans.
6. Logo: Logos or signature cuts are special designs of the advertiser or its
products which are used to facilitate identification. There is no rule as to where a
logo should be placed. However, in most of the cases, the logo is placed at bottom
right.
Types of Copy
3. Narrative Copy: It is in the form of a fictitious story which narrates the uses
advantages, after effect etc., of the product. The story narrated is humurous to
make it interesting.
4. Topical Copy: This copy establish a connection between the product and a
particular happening eg. A watch company may advertise that those who were
successful in climbing Mount Everest had with them the watches of the company
thus proving their excellent quality.
6. Colloquial Copy: In this type, informal language may be used to convey the
message. The terms which are used in daily conversation are in the copy.
8. Questioning Copy: In this type, the text asks one or more questions to readers
not for any answer but only for the sake of response to it. For eg. Do you want
quient holiday in Summer? (Then stay at Hotel ABC at the XYZ hill station).
9. Prestige Copy: In this type, the position and prestige of the customer is
emphasised. It creates a favourable atmosphere by changing the position of the
customer for the sale of product. Normally luxury items are advertised by such
copies.
HEADLINE
As people go through a newspaper or a magazine the headline is the only thing that
attracts its attention. Thus the headline carriages the heaviest burden of attracting
readers to the advertisement
Role of Headline
b. to attract attention of the target consumers easily and quickly and to read the
whole of the ad;
c. to create curiosity and interest in the ad; d. to make the illustration and the copy
more meaningful;
2. Concise: A good headline must be brief ie it should not have more than 8 to 10
words and should form a maximum of two lines.
3. Specific : The headline should be relevant and appropriate to the copy and
illustration It should convey the advertising message specifically and not vaguely.
Classification of Headlines
1. Benefits Headline: Such headlines indicates the benefits of the product or the
service advertised.
6. Situation Headline: It puts the customer in a situation and enquires whether the
prefers to be in such a situation. Such headlines supports the illustration.
7. Label Headline: A label headline announces not only about the lable of the
product but also the selling points. Such headlines are introducing type" or warning
type”.
SLOGAN
A slogan suggests the thing and he advertises. It suggests the use of product again
and again or several times so that readers know it by heart. Generally, slogans are
used for headlines in advertisements. They are similar in structure to the
summarizing headlines and try to summarise some advertising idea just as a
headline does. Slogans are mainly used in outdoor advertising
An ideal slogan is short, simple, easily remembered and filled with pleasing
suggestion of the product. The simplest slogans are the hardest to create. To create
a good slogan is to define what you want to say in as many words as necessary.
LOGO
The word logo comes from the Greek word logos" meaning simply the world". The
noun logos also appears in the Bible signifying the word of God". Today the world
logo is used in marketing and in advertising parlance. From the coveted double 'R'
of Rolis Royce to the immediately recongrusable script that Coca-Cola uses, logos
are quickly identified by everyone. Apart from large corporations in every country
even the small businessman and one-man enterprises have adopted the corporate
logo as a means for creating brand recognition and corporate image.
The need for a logo arises from the need to be different, followed closely by the
need to be recognized. Your own given name could be a good example of a logo.
In your childhood days, the name is a device to attract your attention and to
differentiate you from others. Over time as one grow up, the name takes on newer
meanings to yourself and finally becomes a matter of great pride when you dash
off a signature on a letter, cheques or some other document. It is your expression
(difference, distinction and recognition) saying "this is me". The company's logo is
the corporate signature. It reposes in itself the collective pride of the company and
is designed with great care to represent the personality of the company and
product.
Diversified Corporation use a variety of symbols as part of their logos. ITC uses
the upwards steeply, which also conveys the sense of growth as well as excellence.
Welcome group uses unique folded hands symbols to denote hospitality in the
inimitable Indian style. Others too use Indian leitmotifs like LIC which uses two
supped hands to denote security is care. Logos today go beyond just being mere
symbols. They represent the spirit, the belief, the raison..d" ere of companies and
brands. Logos the world over have their own logic which is distinguishable, easily
recognised and identifiable.
Trade names (marks) and brand names are much more than mere signs, symbols or
names. They communicate a lot. These names and marks have great marketing
significance as well. Brands are sold at retail stores and not the physical product.
For example, in a supermarket people do buy vivel and not a bath soap, Colgate
and not merely a tooth paste A brand name is the title given to a product by its
manufacturer which must be distinguished from the trade name, which is the name
of a business firm. For example, WagonR, A Star. Swift, Omni are the brand
names of the cars manufactured by Maruti-Suzuki. The trade name is Maruti-
Suzuki. Trade names (marks) and brand names are officially registered and legally
restricted to the use of the owner or manufacturer.