Drum Study Guide: Techniques & Tips
Drum Study Guide: Techniques & Tips
1 - Plan 4
5 - Register 12
8 - Be Consistent 19
I recap 25
Where can you find me? 26
Credits 28
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Introduction
This guide summarizes the methods, techniques, and practical advice on the study of the most
great world drummers.
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|1. Pianifica
Terry Bozzio
Having clear ideas from the beginning is essential for creating a study system that
day results.
Terry Bozzio, in this interviewtalks about the need to have a clear understanding of one's own
objectives from the very beginning: "Do you want to be a studio musician, rock, jazz or country? Do you want
to be a session man, to play in a band that makes original pieces or do you want to work with the
symphonic orchestras?
Mike Johnstonargues that "sitting behind the drums without a plan is like
going to the supermarket without a shopping list. You'll waste a big part of your time
"only thinking about the list."
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For example:
If you are at the beginning and starting from scratch, you could work on these areas:
[Link] technique: the correct movements to perform: tap, down, upstroke and
3. Coordination and rhythms: study of the main rhythms in order to play pieces
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2. Study What is Necessary
Chris Adler
It is not always easy to identify what is really needed to study. The topics are
many, but the ideal is to choose those areas that can improve you in the context in which you
found in a certain period.
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For example:
If you are playing with a pop/rock band and your interest is to improve timing, the
precision and control, works on these topics:
Groove
Reading
Sound on click
Precision
Use of the metronome
Ghost notes
●Exercises play along
Useful resources:
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3. Set the Goals
Ilan Rubin
SecondIlan Rubinthe ingredient of success is only the work ethic: "creates the
goals, achieve them and create new ones. Keep improving and making progress. Work
always on what I want to achieve, I am a workaholic.
Once the main objective is established, it will be necessary to divide it into mini-objectives or
step, on which to focus attention for shorter periods. This system is used to
keep the focus only on specific topics.
It could take a week, a month, or more. Beyond three months, it is more difficult.
maintain focus, so if you are studying a method or a topic that requires
such a long term, take a specific section and set a deadline for then
start the next one.
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For Example:
Choose topics of different durations, so you don't get bored and don't lose.
enthusiasm
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4. Track Progress
Benny Greb
Keeping track of your progress helps to have an indication of what you have.
reached up to that moment. And seeing the daily progress fuels the
motivation.
You will notice the usefulness of this system even after months or years, and it will be interesting in
time, see how manybpmwere you able to do that exercise to compare yourself with your
current capacities.
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For example:
Get a notebook or a planner dedicated to your sessions and note down:
Useful resources:
studio
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5. Register
Gavin Harrison
Recording your sessions doubles (at least) the effectiveness of your study.
It is a system that greatly speeds up learning and allows us to understand.
where we need to improve and what our weak points are.
Gavin Harrisonrecord your sessions with the metronome and take care in a way
maniacal all the details of the execution. Slowing down the listening, check if the notes of the
the kick or the charleston are perfectly in time, if the ghost notes are aligned
with the sixteenths or if there are accidental flats.
He also adds: "It is difficult to think about certain things while you are playing. It is more...
easy and functional to record and listen, to record and listen. It is only when you take the
time and learn to feel what happens in your way of playing, you will be able to isolate
what is not right is to work on it to solve the problem.
AlsoDave Weckl, in his famous educational video "Back to Basics, speaks of how
thanks to the recordings, I was able to fully understand the dynamic problems or
of time, which he would not have noticed otherwise.
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For example:
You don't need to have a professional recording studio to record your own
sessions, here are some possibilities:
Audio recorder
If you want to know more, watch my course on how to record drums and create a home.
studio from scratch:[Link]
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6. Practice Slowly,
Learn Quickly
Stanton Moore
"Practice slowly and learn quickly" is a valuable piece of advice fromStanton Moore,
one of the best drummers and educators around.
This concept means that the fastest way to learn to play any
what is studying very slowly with the metronome and gradually speeding up
time. Even though it may seem boring, it is truly the best way to do
decisive progress.
Stewart Copeland, the great drummer of the The Police” diceWhen you practice, you look for
perfection. To achieve it, find the right speed to play the rudiment at
perfection and not going beyond. Because going beyond that time will make you sound in
imperfect manner and therefore study poorly.
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For example:
I started slowly, even at 40 or [Link]
Useful resources:
● Groove ScribeWebsite to study grooves or fills in a loop
● AnytuneSlows down and speeds up tracks while maintaining high file quality.
● Amazing Slow DownerTo slow down or speed up tracks without changing the
pitch
● Audipo(Android) - Speed up and slow down songs or sections of a song. Create loops,
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7. Don't Get Distracted
Mike Johnston
But studying six hours every day, checking email every 10 minutes,
Social media or your girlfriend's texts won't yield great results for you...
Today, with everything the web has to offer (videos, DVDs, books, etc.), it is easy
to be fascinated by new topics and lose concentration on those that
Instead, they should be our work plans.
Stay focused on your starting goals and use any new insights that you
they arrive to plan future study topics.
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For example:
Useful resources:
● Cold Turkeyone of the most comprehensive tools on the market to avoid distractions and
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8. Be Consistent
Kenny Aronoff
The frequency and duration of study sessions are very subjective things. Many
factors (time, work, health, relationships...) significantly affect one's
personal routine. But developing the habit of exercise is extremely important for
to reach the goals we aspire to.
Kenny Aronoffinthis interview, states that discipline has always been at the
basis of all her successes. The second element is hard work, supported by
passion and from the study of the instrument.
According to some studies, creating a habit is a process that on average takes 30 days.
dayswatch this video), after that it becomes natural to do it. Study every day,
a little but always, and after a few weeks, you won't feel it as a burden anymore.
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For example:
Be realistic about the time you intend to dedicate to studying.
Find that moment of the day where you can perform better mentally and
physically
It's better to study for one hour every day than for six hours in a single session.
Useful resources:
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9. Work on Weaknesses
Thomas Lang
Tommy Igoe, in the introduction to "Great hands for a lifetimeit argues that: "If the
Drummer A practices 12 hours a day, while drummer B does it for four hours.
working on his weaknesses and pushing himself into new territories every time he studies, who
Do you think he will become a better musician in the end?
AlsoMike Johnstoninthis articlesaying: 'What do you want to improve? What do you see of
better than other drummers? What are your weaknesses that you wish could become
What are your strengths? Answering these questions will help you define your study routine.
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For example:
Work on what you consider to be the most difficult of your current abilities.
Isolate the sections where you make mistakes most often and repeat them.
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10. Study the Technique
Buddy Rich
The in-depth study of technique is the element that unites most of the
great drummers. Working seriously on the technical foundations is necessary to gain control
of the instrument, in order to be able to do with the hands what the brain is
elaborating.
Buddy Rich, considered by many to be the greatest drummer of all time,speak like this
the importance of technique: "The concept of technique that many drummers have, is
groundless. Many of them spend an infinite number of hours practicing the technical aspect.
without worrying about the true purpose: expressing one's musical thought and one's own
sound.
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AlsoThomas LangHighlight the advantages of having a large technical base: "The technique
it is the key to playing effortlessly. It allows you to focus on what you want to play,
not on how to play it.
The famous session manJosh Freese, telldi come fin da bambino, fosse abituato
to study the rudiments: double strokes, five-stroke rolls, seven-stroke rolls, paradiddles, flam taps,
I was studying a snare drum solo called 'Three Camps'... Learning it
it was a big goal for me, at just ten years old. I loved the routine of that exercise, the
the way my wrists warmed up and stayed in shape.
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For example:
Study all the basics on the snare or on the pad
Useful resources:
● 40 Rudiments PAS
I 40 official rudiments in PDF format
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I recap
1. Don't sit behind the drums without already knowing what to study.
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Where can you find me
My online courses:
● Register the Batterycreate your home studio and record drums from home
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Who I am and what I do:
● [Link]/who-i-am
My personal sites:
● [Link]
● [Link]
Social:
● YouTube
● FB Group SuonarelaBatteria
Buy on Amazon:[Link]
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Credits
● Drumeo - Kenny Aronoff (Functional Practicing)
● EffectivelyPomodoro Technique
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Image Credits
● Terry Bozzio
● Chris Adler
● Ilan Rubin
● Benny Greb
● Gavin Harrison
● Stanton Moore
● Mike Johnston
● Kenny Aronoff
● Thomas Lang
● Buddy Rich
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The document highlights the importance of utilizing a diverse array of resources for comprehensive drumming mastery. Examples include method books such as 'Stick Control' for hand techniques , and 'Syncopation for the Modern Drummer' for rhythm coordination . Additionally, using tools like metronomes for tempo mastery and recordings for performance analysis ensures that different facets of drumming are addressed . These combined resources enable drummers to develop a well-rounded skill set, integrate technical prowess with practical application, and creatively explore various musical styles.
Kenny Aronoff highlights that discipline and hard work, supported by passion, are essential for achieving success in drumming. He suggests making practice a routine part of life . Neil Peart stresses that practicing regularly should initially be mechanical and accurate until it becomes an enjoyable private performance . To maintain consistency, both drummers recommend setting a realistic practice schedule that can be adhered to daily, gradually increasing session lengths .
Recording practice sessions allows drummers to critically analyze their play objectively. Dave Weckl advocates this method as it helps identify timing issues or dynamic problems that might not be detected during practice . By listening to recordings, drummers can pinpoint specific areas needing improvement, thereby accelerating progress and refining their technique.
Chris Adler and Tommy Igoe underscore the need for self-awareness in selecting practice material effectively. Adler focuses on dedicating time to what is contextually necessary, such as style-specific exercises . Tommy Igoe warns against practicing merely to impress or follow trends, advising instead to focus on what truly enhances one's performance . This targeted approach ensures practice time is used effectively to overcome personal limitations and meet relevant goals.
Buddy Rich and Antonio Sanchez argue that technical proficiency provides drummers with the tools needed for creative expression. Rich states that technique should serve the purpose of musical thought expression, not merely as an end in itself . Sanchez emphasizes that a solid technical foundation allows physical actions to seamlessly translate musical ideas, enabling drummers to focus more on what they play rather than how they play it . This proficiency frees a drummer to be more innovative and expressive in performance.
Gavin Harrison stresses the importance of minimizing distractions to maximize productivity during practice, recalling his personal experience of dedicated, distraction-free practice sessions . Mike Johnston adds that distractions like checking emails or social media can significantly impede progress. He recommends techniques like the Pomodoro Technique to focus attention and optimize practice time . Both suggest creating an environment where the only focus is the instrument, thereby enhancing skill development.
Ilan Rubin highlights the importance of establishing clear goals and working diligently to achieve them as fundamental to continuous improvement . By setting specific targets, drummers can create mini-goals that focus their efforts on small, manageable tasks, gradually building towards larger objectives. This structured approach leads to steady, measurable progress and fosters a strong work ethic.
A clear study plan is crucial for drummers as it prevents wasted time and enhances learning efficiency. Terry Bozzio emphasizes the need for a plan by encouraging drummers to have a clear understanding of their objectives, such as whether they want to be a studio musician or perform in a band . Mike Johnston equates practicing without a plan to shopping without a list, suggesting that it leads to a significant waste of time .
Thomas Lang suggests that drummers should identify and focus on their weaknesses systematically, integrating these into their practice routines as specific objectives . Techniques such as isolating difficult sections and repetitive practice until corrected are recommended. Addressing weaknesses is crucial for overall progress and ensures a balanced skill set without significant gaps, enabling greater versatility and confidence as a musician.
The 'Practice Slowly, Learn Quickly' technique involves playing exercises at a slower tempo to allow greater focus on accuracy and technique. Stanton Moore suggests this method because it helps in achieving precision and perfect form, which can be gradually sped up . This systematic approach ensures that drummers solidify their skills gradually and avoid reinforcing poor habits at higher speeds.