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Ir. Natanael de Melo, [Link].R

 SOME CONCEPTS

WHAT IS MUSIC?
Music is the art of manifesting the most diverse affections of our soul.
through sounds". (Abstract concept)

WHAT IS VOICE?
It is the sound produced by the vibration of the vocal cords in the larynx, by the air coming from the
lungs.

WHAT IS VOCAL TECHNIQUE?

It is a set of physiological movements, selected, ordered and
systematized for artistic purposes. The vocal technique consists of the use of the voice and
is basically based on: Relaxation exercises, breathing, and good use
from the resonance box.

SOME RELATIONS

MIND–BODY–VOICE

We need to have good physical condition to sing

Starting with posture: a straight spine is essential.

Muscle warm-up exercises

The great master of our body is the brain, and all things come from it.
impulses (orders) to be obeyed by the organs
The state of mind is a determining factor when it comes to singing.
Concentration defines tuning: the brain cannot get distracted to
do not lose control over the vocal cords
 DIFFERENCE BETWEEN
Sung voice and spoken voice

DETAIL SPOKEN VOICE SUNG VOICE

Breathing Natural Trained

It is necessary to have an identity.

It needs some sounds
of the sounds of speech must
they can be distorted
Articulation
to be maintained.
to privilege aspects
musicais

Individual speaker(s) Pre-programmed with

Breaks during intervals in emotional appeal and of
a speech. interpretation.

Speed Personal and dependent They depend on the type

the characteristics of of music, harmony and
the rhythm spoken language. melody

BREATHING

 Misunderstanding: Classic Quote of March: Belly in and chest out

fora
 Correct: The correct way to work on breathing is to receive the air (from
preference for the nose) in good quantity. When it's time to exhale, use the
mouth.
 Inhale (take in air) and exhale (release air).
 DIAPHRAGM

Diaphragmatic Breathing

Try to inhale slowly now and with the intake of air make
this same movement of "pushing the belly forward"
Inspire by making that air naturally push the
belly forward
What you are doing is elevating the diaphragm muscle.
allowing the lungs to be completely filled with
the air.

Also observe the expansion of the ribs, placing your

hands on hips. Try to feel the air completely taking over
your lungs.
 BREATHING EXERCISE
TRAINING DIAPHRAGMATIC BREATHING

Control the air outlet:

"Long s" and "short s", x and z.

Enough of Theory and Let's Sing

[Link]: legs, arms, neck...
2. Breathing: release in a long 's'
3. Activate the diaphragm: short "s"

4. Oral action: grimaces, slaps in the face...

[Link] warm-up - Bilabial: Br or Tongue: Tr >> Siren or
Seesaw
Crushed: A E I O U - U O I E A

The rat gnawed the clothes of King David

ACTIVITY
1. Practice Diaphragmatic Breathing
"L" Long and "S" Short
2. Vocal Warm-up Exercises
Bilabial and Language

3. Choose any song to sing at the next meeting

(religious or not)
 SOUND AND TONE

We heard everything we could: noises, objects falling, cracks, the voice

human when spoken, the noise of an engine or a thunder are sounds
simple and pure.
But there are some sounds with a special particularity: tonality.
Sounds with a variation of tone make the existence of Music possible.
Without the difference in tones, there is no melody.

When we speak, we don't emit tone, yet we sing to

produce sounds with varying tones.

Timbre

Timbre: it is the sound identity.

No one can confuse a piano touch with a iron bar.
being dragged. Therefore, every sound of yours, your tone, and it is who
characterize each sound.

I will distinguish the sound of a guitar from that of a violin, even if

they play the same tone.
It also serves to distinguish a person's voice.
Consider also that, as similar as two voices may be, there
discrimination techniques between them.

It is no wonder that there are many security equipment for

voice recognition.

VOLUME

When we say 'Speak louder', we are asking the other person

increase the volume of the sound.

However, in music (with varying tones), high and low say

respect aggravates. In this case we should specify 'more
volume or less volume.
The volume of the voice is directly linked to the force with which we expel the air.
mouth out. Hence the need for good breathing and conservation of
internal organs.
Everyone has their limit for volume.
Never force the volume of your voice. Not while singing, nor while speaking.
But it is possible to give it more consistency over the course of the training.
adequate, seeking what you have and have not developed.
 TONE VARIATION

Around the low (thick) and high (thin) sounds, we build the melody, or
be, the music itself.
There is, therefore, a scale of shades represented by notes.
musicals with international standards to be performed by instruments
or by the human voice.

• Singing consists of faithfully representing musical notes

established in the melody.

Vocal Classification

1. VOCAL EXTENSION
It is the set of notes from the lowest to the highest that can be
issued by the singer.
[Link] RANGE
In music, tessitura refers to the set of notes used by a
certain musical instrument, with the quality necessary for its
execution.
In the case of the human voice, it refers to the set of notes that
a singer can articulate effortlessly so that the timbre comes out
with the necessary quality.
The tessitura has, therefore, a narrower range than the extension.
While the extension represents all the
physically realizable notes, the texture refers to the more notes
frequently usable.

Low

Baritone

Tenor

Contralto

Mezzo - Soprano

Soprano
 Vocal Classification
Female Voices Male Voices

Soprano: C4 F5 Tenor: DÓ2 RÉ4

Mezzo-Soprano: A2 B4 Baritone: G1 A3

Contralto: E2 A4
Low: C#1 E3

EXERCISE

[Link]: legs, arms, neck...

2. Breathing: release in a long 's'
3. Activate the diaphragm: short "s"
4. Oral action: grimaces, slaps in the face...
[Link] warm-up - Bilabial: Br or Tongue: Tr
Siren or Seesaw
AEIOU-UOIEA
Brim–Brim–Brim
Vi–Vi–Vi
May–June–May–June–May
We–We–Us
 Vocal Resonance

Placement of air in the resonant cavities: The air vibrates and settles in a way
diversified in the resonance cavities, as the tones are deep,
mediums and high-pitched.

Let's imagine...

3 Dimensions
1D-Square (Mask)
2D–Cube (Bottom)
3D–Volume (Depth)

[Link] RECORD
In the graves, the air comes out of the lungs and vibrates at the front part of the roof of the mouth, and a
a small stream vibrates in the nostrils.
[Link] RECORD
In the media, air is evenly divided between the nostrils and the roof of the mouth,
vibrating with more intensity in the back part of this.
3. ACUTE REGISTER
In the high notes, the air vibrates in the cavities of the head, sinuses, nose, and cavity.
frontal. It is the so-called "head voice" or falsetto.

It is the so-called 'head voice' or falsetto.

Ex:♪ It Will Be – Urban Legion ♪

 EXERCISE

Volume
+ Volume e - Volume
Voice Records
Grave and Acute
•Cânone :Frère Jackes (4 Grupos)
Brother John
Brother Jacques
Are you sleeping?
Are you sleeping?

Ring the matins,

Ring the matins.
Ding, ding, dong.
Ding, ding, dong
 Teste: Vamos pronunciar
OTOLARYNGOLOGIST
ANTICONSTITUCIONALICIMAMENTE
FONOLOGIST
DEFIBRILLATOR
Assurbanipal

DICTION

Diction is the way a person articulates and pronounces words.

a language (correctly or not).

GOOD DICITION

When the mouth muscles are strengthened, that is, one engages in a
exercises for the cheeks, mouth, tongue, and jaw.

BENEFITS
Easier to project the voice
Less strength to sing
More clarity
More power
 HAS DICTION

When there is difficulty in pronouncing letters, syllables, and words.

We call this Dislalia = poor pronunciation, poor articulation.

TYPES OF DYSLALIA

Cacoepia: Words pronounced incorrectly

["DUPLEX","ARCHETYPE","EXODUS"]
Exceção: Oceania,Oceniânia /Xérox,Xerox

Dysfluency

A disfluency (stuttering) is the most common fluency disorder.

of speech, reaching about 70 million people in the world (2 million in Brazil).
The most evident symptoms of stuttering are the repetition of syllables, the
prolongations of sounds and the blocks of speech movements.

Lambdacism

Difficulty in pronouncing the letter R

(there is a replacement of the letter "R" by the letter "L")

Plate, Bruna, Cruzeiro, Skull

ROTACISM

Difficulty in pronouncing the letter L

(there is a swap of the letter "L" for the letter "R")

Flamingo, Chewing gum, Plastic, Bicycle

 EXERCISE

1. For LAMBDACISM
Take all the consonants of the alphabet, all the vowels, and in
In the middle of them, place the letter 'R'.

Ex: CRA, CRE, CRI, CRO, CRU

2. For ROTACISM
Take all the consonants of the alphabet, all the vowels, and in
put the letter "L" in the middle of them.

CLA,CLE,CLI,CLO,CLU
[Link] exercise can also be used for those who have
difficulties in pronouncing 'R' and 'S' at the ends of sentences or
words.
Take all the consonants of the alphabet, all the vowels, and in
final details, put the letter "R" / "S".
["PAR","PER","PIR","POR","PUR"]

DAS,DES,DIS,DOS,DUS

4. Train Tongue Twisters

Under that kite, there is a chick, the chick peeps, it drips the
pipe, a pipe drinks, or the rooster chirps.

5. Place a wine cork or pen in your mouth, between the

teeth, and to read syllables, words, sentences, and texts.
 INTRODUCTION

Voice professionals are all the people who use their voice as their
main working instrument. In this group, are included
professionals of sung voice (singers) and spoken voice (teachers)
["actors","radio announcers","religious leaders","sellers","reporters","voice actors"]
among others).
Just like an athlete takes care of their body to perform well,
A voice professional must pay attention to some care that can
contribute to your performance.

• It is important that this professional knows their instrument well.

work, so that I can take care of it in the best possible way.

MOST COMMON CHARACTERISTICS OF THE VOICE AND

IMPRESSION CAUSED BY EACH ONE OF THEM

HOARSE VOICE »» tiredness, exhaustion;

Breathy voice (with air) »» weakness, sensuality;

VERY HIGH VOICE »» fragility, childishness;
VERY DEEP VOICE »» authoritarianism, virility;
MEDIUM TONE VOICE »» awareness of the environment, control of
emotions and information;

LOUD VOICE/FOR YOU »» lack of spatial awareness, invasion of personal space

intimidation;
LOW WEAK VOICE »» shyness, negative self-image.

Vocal Disturbances (Dysphonias)

A dysphonia represents any difficulty in vocal emission that impedes

the natural production of the voice. This difficulty can manifest through a
series of changes: effort to produce voice:
difficulty in maintaining the voice

fatigue when speaking

variations in habitual frequency

hoarseness
lack of volume and projection
loss of vocal efficiency
little resistance to speaking
 TYPES OF INJURIES

These alterations of the vocal fold mucosa are characterized by

common, the fact that they represent an inflammatory response of the mucous membrane to
aggressive agents, whether of external nature or resulting from
own vocal behavior.
Nodules
Polyps
Infections

Nodules result from: factors

predisposing anatomical factors (clefts
triangular), personality
NODULES anxiety, aggression
perfectionism) and behavior
inadequate vocal (excessive use and
voice abuse). The treatment of
nodules are phonotherapy.

Polyps are inflammations.

resulting from layer traumas
deeper layers of the lamina propria of
POLYPS larynx.
The treatment is surgical. The typical voice.
is hoarse.
The causes can be: voice abuse
ou agentes irritantes, alergias,
acute infections, etc.

The infectious factors, including the

sinusitis, decrease the resonance and
they alter the respiratory function,
producing modifications in the voice.
The primary effect of infections of
INFECTIONS upper airways have an effect
directly about the pharynx and the larynx,
which can cause irritation. These
infectious processes can generate
harmful activities, such as the clearing of the throat and

the cough which, in turn, can

cause traumas in the folds
vocals.
 CARE WITH THE VOICE

Reduce the voice stressors (cold and heat);

Avoid air conditioning (very dry environment);
Increase hydration;
Maintain proper respiratory coordination
Perform massages and relaxations in the area of the head, neck
and shoulders;

Do vocal warm-up and cool-down;

Avoid overeating before speaking, before singing.
Laryngeal Lubrication: It is recommended to consume 2.5 L to 3.0 L of
water per day (1 glass every 40 minutes in the presence of air
conditioned) and reduction of caffeine, milk, and
derivatives, alcohol, tobacco, and medications that cause
drying of the mucosa.
Eat an apple or pear – it is astringent, that is, it cleans the
vocal treatment and its chewing exercise the responsible musculature
by the articulation of the words.
Use some times of your day to rest and relax,
trying to save your voice;
Avoid clearing your throat – this action causes strong friction in the folds.
vocals, annoying them;
Suck on bullets or strong lozenges when you have a sore throat.
irritated. This masks the symptom and the person tends to force their voice.
without realizing it. When the effect of the bullet passes, the irritation in
throat increases.
 INTRODUCTION

Whether to sing, speak in public or even communicate via the internet, the
the microphone is increasingly present in people's lives. The amplification
provided by the microphone aids the understanding in a speech for
several people, and saves the vocal cords of teachers in courses
crowded, besides being the only equipment needed to have fun in
an amateur singing.
The microphone, as we know it, was invented as a derivation of
telephone mouthpiece, and it was a milestone in the birth of radio and in history of
communication.

CONCEPT AND CHARACTERISTICS

A device that converts sounds into electrical signals.

Convert sound waves so that they are amplified, modified or
recorded.
It has a membrane that vibrates and transforms sound energy into energy.
elétrica equivalente (transdutor).

TYPES OF MICROPHONES

They are selected according to 3 criteria:

Translator (transformer)
Drawing
Capture Management

[Link]

Dynamic Capacitive (studio)

 [Link]

It is the most used by singers,

Microphone of journalists and at events, such as
Hand or with speeches and lectures. Better
Pedestal capture at 30 cm and at 45 degrees.

Used in recordings for TV,

ensuring that the person's voice
Lapel or be captured more consistently
Lavalier what or by hand. The name says it all:
it tends to be stuck to the clothing, in the
interviewee's torso.

It is especially made to capture

sounds from a distance. Very used in
Shotgun or cinema, in situations where the
Boom the microphone cannot be in sight.

Microphone of Capture the sounds directly from the source

Contact sonorous. Ex: musical instruments

It works by sending the sound as

Microphone without electrical signal for a transmitter
Thread or that sends it to a base where
Wireless will be transformed again into
an audio signal.
 3. FUNDRAISING MANAGEMENT

They capture the sounds of

Omnidirectional in all directions.
ou Panorâmicos Bom para som
environment and groups
vocals: orchestras,
corals.

Directional or I capture the sound coming

Cardioids in one direction.
It is the most common.

Bidirectional or capture sounds at

Figure 8 front more, of
opposite directions.

Capture of sounds more

narrow that o
cardioid, that is, with
but more precision. Has
Supercardioids sensitivity
to the sounds coming from the
front part of what it gives
rear part. Ideal
where are used
multiple microphones.
 HANDLING: PROPER/IMPROPER USES AND TIPS

Do not hit = sensitive diaphragm cracks

Don't blow
Don't shout = the microphone is not deaf
Do not swallow

Don't stall
Don't be afraid = the microphone doesn't bite

Be careful with feedback = The microphone should be removed from the direction
the speakers
Gesture with the correct hand = Do not gesture with the hand that is
holding the microphone.

DO NOT COVER YOUR FACE WITH THE MICROPHONE = hold

directionally in front of your mouth, tilted a little towards
down.

BE CAREFUL NOT TO CAUSE SOUND LEAKAGE =

Lectures, presentations, seminars – the microphone always
accompany those who are using it.
Go to the board to write, point to the audience, dance...
Danger: Thinking that people are listening and the music
ends up getting lost in the air

Axé Bands, Samba, Calypso

GOLDEN LITTLE QUEEN

APPROXIMATE = Every time you are going to sing a low note with little
volume.
AFASTA = Every time you are going to sing a strong, high note, with a lot
volume.
 RESEARCH SOURCES

[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
works/2646/
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
[Link]
Channels: Marcio Makkx
Natália Aurea
André Fantom
Lorna Earnshaw
Marcio Guerra Canto
 ANNEX

Maria-Mole is soft, if it's not soft, it's not Maria-Mole.

It's a sultry thing, neither a suitcase, nor a spring, nor Maria, nor
mole.

There were so many aunties. There were so many old capybaras. There were so many capybaras that
she was an aunt. There were so many aunts that she was a capybara.

The thrush did not know. That the wise man knew. That the thrush did not know.
to whistle.

The sweet asked the sweet What is the sweetest sweet Than the sweet
from sweet potato. The sweet replied to the sweet That the sweeter
The sweet potato sweet is the sweet of sweet potato.
twelve.

Look at the frog inside the bag The bag with the frog inside, The frog
chatting And the chat letting the wind loose.

A lontra prendeu a Tromba do monstro de pedra E a prenda de

talks about Pedro, the bricklayer.

The spider scratches the frog. The frog scratches the spider. Neither the spider
The frog scratches. Not even the frog scratches the spider.

Let go of aunt, little lizard! Little lizard, let go of aunt! Only on the day that your
Aunt calls the lizard a little lizard!

Five spouts, five barrels, five bombs. Take from the mouth of the spout,
put it in the mouth of the bomb.

Put the boot in the boat and take the pot out of the boat.

The rat gnawed the clothing of the king of Rome. The furious queen ripped the
remaining.