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Understanding Crafts: History & Importance

The document is a module from Quirino State University focusing on crafts, detailing their definition, historical significance, and importance in Filipino culture and economy. It outlines the competencies learners should achieve, discusses the evolution of handicrafts in the Philippines, and highlights various regional specialties. Additionally, it emphasizes the personal, educational, cultural, and economic importance of handicrafts in society.
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0% found this document useful (0 votes)
16 views5 pages

Understanding Crafts: History & Importance

The document is a module from Quirino State University focusing on crafts, detailing their definition, historical significance, and importance in Filipino culture and economy. It outlines the competencies learners should achieve, discusses the evolution of handicrafts in the Philippines, and highlights various regional specialties. Additionally, it emphasizes the personal, educational, cultural, and economic importance of handicrafts in society.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

QUIRINO STATE UNIVERSITY

MADDELA CAMPUS
Maddela, 3404 Quirino

COLLEGE OF TEACHER EDUCATION

Module 1: CRAFTS : MEANING, IMPORTANCE, HISTORY AND DEVELOPMENT


Competencies
At the end of this module, the learners should be able to:
1. define crafts;
2. trace the history and development of crafts;
3. appreciate the importance of crafts in everyday life..
Discussion
Introduction

The term "craft" denotes a skill, usually employed in branches of the decorative arts, or
in an associated artistic practice. A key feature of crafts is that they involve a high degree of
"hands-on" craftsmanship (hence the colloquial term "handicrafts) rather than just skill with
a machine.

According to Merriam Webster Dictionary, the word craft is synonymous to art, handcraft,
handicraft and trade.

UNESCO Definition
The United Nations Educational, Scientific, and Cultural Organization (UNESCO) defines
“crafts” as follows:

Those produced by artisans, either completely by hand, or with the help of hand tools or
even mechanical means, as long as the direct manual contribution of the artisan remains the
most substantial component of the finished product. These are produced without restriction
in the terms of quantity and using raw materials from sustainable resources. The special
nature of artisanal products derives from their distinctive features, which can be utilitarian,
aesthetic, artistic, creative, culturally attached, decorative, functional, traditional, religiously
and socially symbolic and significant.

Handicraft

A handicraft, sometimes more precisely expressed as artisanal handicraft or handmade,


is any of a wide variety of types of work where useful and decorative objects are made
completely by one’s hand or by using only simple, non-tech related tools like scissors, carving
implements, or hooks.

It is a traditional main sector of craft making and applies to a wide range of creative and
design activities that are related to making things with one's hands and skill, including work
with textiles, moldable and rigid materials, paper, plant fibers, etc. Collective terms for
handicrafts include artisanry, crafting, and
handcrafting. The term arts and crafts is also
applied.

VISION MISSION
The leading center for academic and technological Develop competent and morally upright professionals and generate
excellence and prime catalyst for a progressive and appropriate knowledge and technologies to meet the needs of Quirino
sustainable Quirino Province and Southern Cagayan Province and Southern Cagayan Valley.
Valley.
“Molding Minds, Shaping Future”

Page |1
QUIRINO STATE UNIVERSITY
MADDELA CAMPUS
Maddela, 3404 Quirino

COLLEGE OF TEACHER EDUCATION

Brief Historical Accounts of Handicrafts in the Philippines

Handicrafted relics discovered in caves and in the burial places of ancient Philippine
tribes serve as evidence of the early Filipinos’ craftsmanship before the Spanish Colonial
Period. Some noteworthy examples include the 29 earthenware secondary burial pots, called
Maitum jars, named after the place where these jars
were found – in Ayub Cave in Maitum, Saranggani
Province. It was reported that the jars are
anthropomorphic (human-shaped) and have head-
shape covers depicting detailed and varied facial
expressions. There are also jars with “arms, female
breasts, male genitalia” and have additional
decorative elements such as earrings, perforations or
paints. Given the estimated age of the jar (about 5
B.C. – 225 A.D.) and the period when it was produced,
the quality of the maitum jars indicates a high level of
craftsmanship in pottery.

A similar cultural treasure, also believed to be a work of master


potter, was found in Tabon Cave, Palawan – the Manunggul jar.
The Structural design of the jar features a lid with boat where
two human figures are seated, thought to represent souls on
a voyage to the afterlife. Aside from the historical meaning of
the symbols used, the detail of the human figures and the
curvilinear scroll designs in the lid show a good
understanding of design requirements. Though there is a
limited literature on handicrafts during the early period,
pottery is not the only handicraft documented. There were
also furniture carvings and ornaments which are believed to
have been facilitated by a regular trade between the Philippines
and the neighboring countries.

During the Spanish Colonial Period, handicraft


flourished especially as religious items. Sculpture,
woodcarving, metal craft, embroidery and weaving
were mentioned as the more prominent types of
handicrafts. Embroidery, such as calado where
Philippines is known for, was developed and applied
to clothes and undergarments. The Banton cloth,
found in Banton, Romblom, is an example of a warp
ikat (tie-resist dyeing) textile that was loom woven
from red, black and white abaca threads. Based on
online articles from the Philippine National Museum,
the cloth is estimated to be 400 years old, around the
time of Spanish occupation, and to date is the oldest
known relic of its kind.

The period of American Occupation saw the growth of handicraft artisans due to the
introduction of handiwork or skills training in the primary curriculum. The teaching of
handicraft was differentiated by gender such as carpentry for boys where the assigned
teachers were the local carpenters and embroidery, such as calado were taught to girls. These
activites may have influenced the observation that during this period, local designs and
indigenous handicrafts flourished. Export of handicraft products was also made possible due

VISION MISSION
The leading center for academic and technological Develop competent and morally upright professionals and generate
excellence and prime catalyst for a progressive and appropriate knowledge and technologies to meet the needs of Quirino
sustainable Quirino Province and Southern Cagayan Province and Southern Cagayan Valley.
Valley.
“Molding Minds, Shaping Future”

Page |2
QUIRINO STATE UNIVERSITY
MADDELA CAMPUS
Maddela, 3404 Quirino

COLLEGE OF TEACHER EDUCATION

to the existing free trade agreement with the United States during that time. Some reported
handicrafts for export were Marikina shoes, Buntal, Baliwag hats, and embroidered products.

Through time, handicrafts from the different regions or provinces in the country have
developed their own ‘specialty’ products and techniques that are known not only in the
Philippines but abroad. With the introduction of technology, enabling mechanized equipment
to facilitate some processes of production, efforts were made to characterize and define
handicraft products to differentiate it with machine-made ones. Several books were also
written then and now to document and preserve the skills for each handicraft, some which
are feared to be ‘dying’ because the ‘art’ or techniques of making the products the way our
ancestors made them were already lost. Interestingly, entrepreneurship may have been a boon
for handicraft since the demand for handicraft which entrepreneurs saw as opportunities
helped sustain and to some cases, revive the handicraft industry.

Handicraft making and use of handcrafted products are indeed a part of the way of life of
many Filipinos. The production of handicraft may have been an answer to some need or a
creative use of abundant materials in our country; whatever is the case, handicraft flourished
and is now facing another promising future with the recognition of handicraft as part of the
creative products that our country may invest into.

Regional Pride: Handicrafts from Selected Regions

Loom Weaving in the Cordillera Region. There are numerous tribes in the Cordillera region
collectively known as Igorots and some of these tribes have their unique weaving techniques.

In Baguio, The aster Weaving Room has


continuously trained and preserved the weaving
techniques particularly after Second World War.
Present-day weavers can be observed while working
on their looms. The colourful woven ikat clothes and
other woven items such as clothes, bags, rugs and
carpet have become so popular that the colors have
been identified already with Baguio.

Aside from weaving, there are numerous other


handicrafts made from the Cordillera Region such as wood craft, Baguio brooms (walis tambo)
and metal craft.

Calado from Lumban, Laguna and Taal, Batangas.


Calado is the type of embroidery using a process of
pulling threads from certain areas of a cloth, then
sewing the drawn threads using various stitches to
form clean holes on the cloth. The final process
entails embroidery to create designs that are smooth,
evenly stitched and has an embossed quality to give
depth and volume. This is a meticulous process done
by bordados (embroiderers); it will usually take a
month or more to finish depending on the size of the
project. The skill of the bordados, particularly from
Lumban and Taal, in doing a calado is truly
renowned even during the early times.

VISION MISSION
The leading center for academic and technological Develop competent and morally upright professionals and generate
excellence and prime catalyst for a progressive and appropriate knowledge and technologies to meet the needs of Quirino
sustainable Quirino Province and Southern Cagayan Province and Southern Cagayan Valley.
Valley.
“Molding Minds, Shaping Future”

Page |3
QUIRINO STATE UNIVERSITY
MADDELA CAMPUS
Maddela, 3404 Quirino

COLLEGE OF TEACHER EDUCATION

Whittling (wood shaving) in Pakil, Laguna. Whittling is


the art of shaving soft wood using knives of different
thickness to create animals like peacocks, birds,
butterflies, swans, and other items like fans or
flowers.

Pakil undoubtedly is the only place in the country


where the most skilful whittlers reside. Their skills
are known within and outside the country while their
products are popular gift items, decorations and
framed artwork.

Romblons’s Marble Craft. The earlisest products


carved out of marble were created out of need such as
ubiquitous mortar and pestle used in the kitchen and
even ashtrays, name plates for offices and
tombstones a grave markers. Marble, an inorganic
material for handicraft, is perhaps one of the most
difficult to handle.

T’nalak of the T’boli Tribes in South Cotabato. T’nalak


is a wooven cloth made from abaca using a simple
wooden loom but its uniqueness lies in the
meticulous techniques and design that is believed to
have been guided, inspired or revealed by spirits
through dreams to a selected few. The revealed
designs also carry meanings and requirements. Thus,
the t’nalak cloth in itself is a “sacred heirloom or
maternal bond” passed on during a matrimonial
ceremony and “used as covering for safe delivery
during childbirth.”

Personal and Social Importance


At a personal level, creative handicrafts give deep satisfaction to the craftsman when
performed with skill, confidence, and enthusiasm. It has been said that when the “mind and
the hands are occupied with the creation of something useful and attractive, there is no cause
for the breeding of discontent, boredom, petty worry, fear or jealousy”. In this case, handicraft
has therapeutic value. For this reason alone, handicraft is a good outlet for you at this stage
– adolescence – so that your creative impulses and youthful energy are directed to productive
means.

Arts and Educational Importance


Handicraft is related to arts and is integrated in the Philippine educational system
because “the skill and understanding required by studying art encourage the appreciation in
nature, life, production and art”. This is manifested by the ability to discern and prefer beauty
and having higher standards for workmanship, appearance and usefulness of things not only
in the handicrafted materials but in everyday life. It is also recognized as an “important means
for aesthetic, intellectual and moral education”. It helps students develop self-realization in
the form of enabling confidence, creative self-expression and communication of one’s idea to
others. It also promotes learning to respect and value the artistic expression of others within
the context of values prevailing in the community.

VISION MISSION
The leading center for academic and technological Develop competent and morally upright professionals and generate
excellence and prime catalyst for a progressive and appropriate knowledge and technologies to meet the needs of Quirino
sustainable Quirino Province and Southern Cagayan Province and Southern Cagayan Valley.
Valley.
“Molding Minds, Shaping Future”

Page |4
QUIRINO STATE UNIVERSITY
MADDELA CAMPUS
Maddela, 3404 Quirino

COLLEGE OF TEACHER EDUCATION

Cultural Importance
Handicrafts also play a very important role in preserving the culture and traditions of our
country. They are concrete evidences of our rich traditional art, skills and talents as well as
the Filipino way of life and history. Tacloban’s name was said to be derived from bamboo
baskets called ‘taklub’ (cover). Fishermen used “taklub” which were created specifically to
catch fish, crabs or shrimps in shallow areas by hovering over a fish and quickly covering it,
creating a small corral before catching the fish by hand through an opening at the top of the
basket. A similar basket was also used by the Bagobo tribe in Davao. In this case, the basket
as a handicrafted product shows a way of life, of how people used the basket as a resource to
achieve life goals. That is why, in the social sciences, such as in the home economics field,
handcrafted materials are included as culture materials to study how families manage their
resources. Artisans and craftsmen, in a way, pay tribute to the past by showcasing products
that do not only belong to shelves and museums but are also useful in everyday life to families
and consumers.

Economic Importance
Handicrafts are also contributors to the country’s economic development in at least two
ways. The first is through job creation and employment; since a huge number of handicraft
industries around the country support a much larger number of artisans or craftsman as
employees. The second is that even with low capital investments, handicraft products became
a respected medium for earnings from the international market.

Handicraft entrepreneurs, who are usually operating cottage industries as well as small
and medium enterprises, are also given support through the financial programs and trade
fairs coordinated by their respective regions or the Department of Trade and Industry.

Having handicraft skills is handy – you learn skills you can be proud of. Eventually, you
may use it to gain financials reward by doing something useful for the end users of the crafted
product and help spread the Filipino culture as well.

References
Romo, S. B., & Romo, C. G., 2014. Crop Production. LORIMAR PUBLISHING INC.: Manila,Philippines.
Romo, S. B., 2013. Horticulture. LORIMAR PUBLISHING INC.: Manila, Philippines.
[Link]

VISION MISSION
The leading center for academic and technological Develop competent and morally upright professionals and generate
excellence and prime catalyst for a progressive and appropriate knowledge and technologies to meet the needs of Quirino
sustainable Quirino Province and Southern Cagayan Province and Southern Cagayan Valley.
Valley.
“Molding Minds, Shaping Future”

Page |5

Common questions

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Before Spanish colonization, Filipino craftsmen already demonstrated advanced skills, as evidenced by artifacts such as the Maitum jars, which are notable for their anthropomorphic designs and high craftsmanship . With the arrival of the Spanish, handicrafts like embroidery and woodcarving flourished, often driven by religious influences, which incorporated European styles into local practices . The colonial period further enriched the cultural tapestry by integrating new techniques like the calado embroidery technique . Economically, the introduction of handicrafts in educational curricula during the American period expanded local artisanal practices and facilitated the export of craft products due to free trade agreements with the U.S. . Culturally, these crafts remain integral, preserving traditional Filipino artistry and providing a means for cultural expression and economic livelihood .

Historical trade practices, such as interactions with neighboring Asian countries, facilitated the introduction and exchange of various handicraft techniques, materials, and styles, enriching Filipino craftsmanship . During the American colonial period, handicrafts were integrated into curricula, further diversifying skill sets across gender lines and promoting local designs . Free trade agreements with the U.S. allowed exports like Marikina shoes and embroidered products to reach broader markets, impacting the economic distribution and global awareness of Filipino handicrafts .

Regional handicrafts such as the loom weaving of the Cordillera Region and marble crafts of Romblon enrich local culture by perpetuating traditional techniques and designs unique to various tribes and communities . These specialized crafts promote distinct cultural identities and have gained international acclaim, not only providing income but also serving as cultural ambassadors, enhancing the global image of Filipino artisanship . They preserve cultural stories and practices, offering a tangible connection between the Philippines’ past and present in the global arena .

Handicrafts in the Philippine education system promote cultural appreciation and provide intellectual and moral education, fostering an understanding of art and its relation to life . By teaching these skills, students develop confidence, creativity, and communication abilities, enhancing societal appreciation of craftsmanship, which contributes to preserving cultural heritage . This educational approach also prepares individuals to value artistic expression, thus influencing societal norms toward higher appreciation of artistic and practical contributions in daily contexts .

Mechanization presents challenges such as the potential loss of traditional techniques and the unique qualities of handcrafted items, as machines can replicate crafts faster but may lack the artisanal touch . However, it also offers opportunities by enhancing production efficiency and meeting global demands, possibly aiding in the preservation of crafts through economic viability . The future of handicrafts may hinge on balancing mechanization with the preservation of traditional skills to maintain cultural authenticity while leveraging technology for broader market reach .

Handicrafts in contemporary Filipino society serve socio-cultural functions by preserving traditional skills and crafting methods passed through generations, which articulate community identity and historical continuity . They enable personal creative expression and cultural storytelling, providing individuals a sense of pride and artisanship that strengthens cultural bonds . These crafts also fulfill social roles, potentially reducing socio-economic disparities by offering income and workshops to low-income individuals, thus perpetuating traditional practices through new generational engagement .

Handicrafts contribute to economic development by creating employment opportunities for artisans and craftsmen, thereby supporting families and communities . They are central to the economic activities of regions, fostering cottage industries and small enterprises that benefit from trade fairs and financial programs . The export potential of unique handicraft items, despite low capital investment, enhances regional economic robustness and connects local artisans to international markets .

Engaging in handicrafts provides therapeutic benefits by channeling creative impulses into productive tasks, which can help mitigate negative emotions such as boredom or anxiety during adolescence . The process fosters a sense of accomplishment and self-expression, enhances confidence, and promotes problem-solving skills . By engaging the mind and hands creatively, individuals develop a sense of pride and a means of personal expression, which are crucial during the identity-forming years of adolescence .

Quirino State University's mission focuses on developing morally upright, competent professionals and generating knowledge and technologies that meet regional needs. The university aims to achieve this by integrating the study of handicrafts into its curriculum, fostering an appreciation for cultural heritage and encouraging technological advancements that support progressive, sustainable development in Quirino Province and Southern Cagayan Valley .

T’nalak weaving is distinct for its use of abaca fibers and the intricate designs revealed to the weavers through dreams, embodying cultural narratives specific to the T’boli tribe. These designs are believed to carry meanings of spiritual significance, with the weaving process being a sacred practice taught by the 'dream weavers' . Culturally, the cloth serves as a sacred heirloom, used in pivotal life events like matrimonial ceremonies and childbirth, symbolizing a deep connection to T’boli traditions and spirituality .

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