Understanding Programmatic Music
Understanding Programmatic Music
It is music that aims to evoke extra-musical ideas or images in the listener's mind.
musically representing a scene, image, or mood. It is different from music.
absolute that does not seek to refer to anything and is appreciated for itself. The term begins to
to be used in the romantic period of the 19th century, during which the concept will gain great popularity,
becoming an autonomous musical form, although it had already existed before
pieces of a descriptive nature. This term is only used for purely orchestral works (only
instruments, without lyrics) because otherwise it would lose the character of describing something with just music without that
the words make it.
CATEGORIAS:
Descriptive music
Symphonic Poem
Incidental music
Descriptive music
For example:
The work, included in the set of twelve concerts known asThe Test of Harmony and
of the invention(the struggle between harmony and invention).
Note. It should be mentioned that Vivaldi's 4 Seasons is taken as an example for music.
descriptive being Vivaldi from a time prior to Romanticism (Baroque)
Symphonic Poem
The first to use the term was the composer Franz Liszt, with his Twelve Symphonic Poems.
Programmatic Music 1
For example:
Incidental music
For example:
Programmatic Music 2
Ludwig van Beethoven
Beethoven spent most of his time in the countryside and often left Vienna to
go to rural areas.
The composer said that the Sixth Symphony is 'more the expression of feeling than painting', a
point underlined by the title of the first movement.
Piano Sonata No. 26, Op. 81a, also known as Beethoven's Farewells, was composed
in 1809-10. The title Les Adieux implies a programmatic character, although according to reports
Beethoven considered it a poor translation of the German "Lebewohl." In the publication of
1811, a dedication was added that said 'To the departure and in admiration of His Imperial Highness, the '
Archduke Rudolf. An average performance of the piece lasts about 17 minutes.
It is one of Beethoven's most challenging sonatas due to the mature emotions that must be expressed.
to be transmitted through it. It is also the bridge between the medieval period and its last period
and is considered the third great sonata of the middle period. The last movement is technically
Very difficult. An average interpretation lasts about 16 minutes.
Camille Saint-Saëns
The Danse Macabre op. 401874
Programmatic Music 3
Hector Berlioz
Fantastic Symphony
The Fantastic Symphony was dedicated by the author toNicholas I of Russia,and to compose it he was inspired by
the actressShakespeareanHenrietta Constance Smithsonto whom I loved madly. The symphony is
a beautiful and clear example of thedescriptive [Link] composition consists of five movements:
"Dreams and Passions" ("Rêveries–Passions").
A Dance
"Scene in the Field" ("Scène aux Champs").
March to the Scaffold
Dream of a Night of Witches
The symphony has a very detailed narrative. It is for this reason that it is often said to be one of
the best examples of programmatic music; it is also perhaps one of the first
arguments.
Argument
A desperate young musician has takenopio and in a longdreamhas a series of visions and
nightmares, with the idea of his beloved coming to his mind over and over again. He remembers the joys and
depressions of the past, before she entered his life, and then the neurotic jealous one in which he
she transformed when she entered his life, having the only comfort of thereligion.
The second movement evokes the music of a dance, in which, with the turns of the dance, it glimpses
to his beloved again.
The third movement was very difficult for Berlioz. In the field, two shepherd boys sing a melody.
with their flutes to call their cows. Everything is peaceful until the beloved appears again,
causing unease in the hero. The other little shepherd plays hisflutebut this time there is no answer.
At that moment, the sun sets accompanied by a distant thunder. Then, silence predominates.
in the scene.
The fourth movement is the 'March to the Scaffold'. He dreams that he has murdered his beloved and that he has been
sentenced to death, taking the road to the place of execution. The procession moves,
marching at times ominous and at times magnificent, during which the clumsy sound of heavy footsteps
abruptly continues for a moment, the last thought of love cut off suddenly by the
death.
The final movement is acovena wild demonic celebration. The image of the beloved
It now seems like a sharp mockery. The bells of death can be heard above the [Link]
Iraeoffinal judgmentand they mix with [Link] music of the death bells in this
movement has been used byWendy Carlosin the soundtracks ofA Clockwork Orangeand the
glow.
Programmatic Music 4
Franz Liszt
His contribution to the history of music can be summarized in two fundamental aspects: on one
on one hand expanded the technical resources of writing and piano interpretation, and on the other gave a
conclusive impulse to program music, that which is born inspired by a motif
extramusical, whether it be literary or pictorial.
Father of the symphonic poem, his influence in this field was decisive in the work of musicians.
later composers such as Smetana, Saint-Saëns, Franck or Richard Strauss.
Works.
The years he lived in Weimar marked the beginning of his dedication to the composition of great works.
for orchestra, among which stand out
Hell
2. Purgatory–Magnificat
The work significantly lacks a third movement 'Paradise'. This is becauseRichard
Wagnerhe convinced Liszt that such a place was beyond the reach of human abilities
any composer. Instead, the symphony concludes with a Magnificat for choir of voices
femeninas.
Programmatic Music 5