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Audio EQ Techniques for Instruments

The document provides a detailed guide on audio consulting and training, focusing on the equalization settings for various musical instruments. It outlines specific frequency ranges for bass guitar, drums, and other instruments to enhance sound quality and clarity. Recommendations include cutting undesirable frequencies and boosting certain ranges to improve overall audio performance.

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0% found this document useful (0 votes)
8 views1 page

Audio EQ Techniques for Instruments

The document provides a detailed guide on audio consulting and training, focusing on the equalization settings for various musical instruments. It outlines specific frequency ranges for bass guitar, drums, and other instruments to enhance sound quality and clarity. Recommendations include cutting undesirable frequencies and boosting certain ranges to improve overall audio performance.

Translated by

ScribdTranslations
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

AudioCon Audio Consulting & Training

Instrument Interesting frequencies and starting points

Fundamentals between 60 and 80 Hz; good for attenuation at 300 Hz; attack and grip
Bass Guitar increased between 700 and 1 kHz; gain of 2 to 5 kHz increases definition. For
eliminate blade and execution noise, attenuate between 4 and 5 kHz.

The equalization depends on the style of music and the instrument. In drums, in
Battery generally, the range of 80 to 250 Hz adds body; cuts from 300 to 800 Hz help to clean up
undesirable regions and a gain of 3 to 5 kHz increases the attack.

Resonance between 50 and 100 Hz; good for cutting between 200 and 800 Hz (find the point
Bumbo
great); to increase the kick reinforce between 2 and 4 kHz.

Box Body and weight from 200 to 300 Hz; sung at 400 and 500 Hz; brightness from 3 to 5 kHz.

Hi-hat Little useful below 1.5 kHz.

Dishes If the lows are not necessary, cut below 800 Hz to 1.6 kHz.

Weight between 150 to 300 Hz; good for cutting between 400 and 800 Hz (or up to 1.8 kHz,
Tom-toms
depending on the tuning); hitting between 2 to 4 kHz.

Practically the same as the tones. It has more shine in the mid-highs and the
Deaf
resonance is at a lower point.

Weight from 180 to 500 Hz; desirable averages between 800 Hz and 1.6 kHz; cutoff between 2
Guitar
3.5 kHz; 5 kHz helps in the mix. Be careful not to mask the voice.

Undesirable resonance on the top around 180 Hz; removable excess between
Guitar 150 and 300 Hz; clarity between 2 and 4 kHz. If it is part of a base, highlight the
high media.

Very broad spectrum. It is generally beneficial to empty the mid-lows in order to


Piano
open the way for other instruments. It is highlighted between 1.5 to 2.5 kHz.

Much more low-mid than the acoustic. Remove strongly if it is masking.


Electric Piano
other instruments.

Body of 120 to 300 Hz; characteristic sound between 1 and 3 kHz; interesting brightness
Trumpet between 2 and 4 kHz.

Body from 120 to 300 Hz; characteristic sound from 450 to 600 Hz; do not disregard the
Trombone
high media.

Sons nasalizados from 600 Hz to 1.2 kHz; in flutes, blowing above 6 kHz; those of
the palette has a highlight of 2 to 3 kHz; clarinets reach important bass between
Woods 150 and 400 Hz; in saxophones, the mid frequencies are important but can leave the sound
ugly, they cut well in the medium-highs.

E-mail: audiocon@[Link]

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