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Metaphorical Architecture Explained

Metaphorical architecture is a mid-twentieth century European movement that employs analogy and comparison to create designs inspired by known objects and intangible ideas. Notable examples include the Notre Dame du Haut Chapel, which resembles a clam shell, and the Jewish Museum by Daniel Libeskind, which symbolizes aspects of the Jewish experience in Germany. The movement emphasizes the integration of metaphorical concepts into architectural forms, influencing modern design principles.

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0% found this document useful (0 votes)
10 views25 pages

Metaphorical Architecture Explained

Metaphorical architecture is a mid-twentieth century European movement that employs analogy and comparison to create designs inspired by known objects and intangible ideas. Notable examples include the Notre Dame du Haut Chapel, which resembles a clam shell, and the Jewish Museum by Daniel Libeskind, which symbolizes aspects of the Jewish experience in Germany. The movement emphasizes the integration of metaphorical concepts into architectural forms, influencing modern design principles.

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METAPHORICAL ARCHITECTURE

Metaphorical architecture is a movement


architectural style that developed in Europe during the
mid-twentieth century.

The metaphor is based on analogy and comparison. It implies a


double movement: metá: insofar as 'beyond' and phorein:
to carry, which translated in terms of Ricoeur and Derrida would be the idea
of the destruction of one's own meaning and subsequent sliding of
meaning. This double movement is controlled by analogy.

The metaphor consists of a type of analogy or association between elements that


do they share any similarity in meaning to replace one with the other in a
same structure. A metaphor presents two things together that allow for the
suggestion to be compared and interpreted as a single concept.
THE METAPHOR IN THE ARCHITECTURAL CONCEPT
FORMAL METAPHOR
Relate its design formally to known objects, without
copy them identically.
Notre Dame du Haut Chapel, Le Corbusier (Ronchamp, 1955).
The seemingly heavy cover of the chapel of Notre
Dame du Haut is inspired, according to what has been reported by the
same Le Corbusier, in the SHELL OF A CLAM.
One of the most striking aspects of the Church is heaven.
curved. The roof seems to float above the building, resting on
embedded columns in the walls. The ceiling is perhaps the
the only sign of some influence of mechanical advancements,
also simulating the curves of an airplane wing.
Aerodynamics in design, all its enormous qualities and
heavy, appear weightless before the gaze of the spectator.
THE METAPHOR IN THE ARCHITECTURAL CONCEPT
FORMAL METAPHOR
Relate its design formally to known objects, without copying them directly.
identical.
Hall of Fame of Football in Mexico, Ricardo Calderón
(2011).
It is located in David Ben Gurion Park in the city of
Pachuca has a rare infrastructure in the shape of
a giant sphere with a height of almost 40 meters,
emulating a soccer ball. Using concrete
reinforced, the huge ball is considered as one of the
most important icons of the State of Hidalgo.
The peculiar envelope of this building contains offices,
exhibition halls and meeting center.
The TWA terminal is sculpted like
THE METAPHOR IN THE ARCHITECTURAL CONCEPT if it were a flight symbol,
abstract, an allegory to flight created
FORMAL METAPHOR in reinforced concrete. It has often been
described as the figure of "an eagle"
TWA TERMINAL IN NEW YORK BY EERO "taking earth". Its curved shapes
SAARINEN, INSPIRED BY THE SHAPE OF WINGS they evoke a smooth flight. The vocabulary
the formal of the modern architect appears in
A BIRD
the symmetry of the plant or the elevations,
being the movement of forms the
main inspiration, even in the minimums
details, to develop your design.
THE AUDITORIUM OF
TENERIFE, WORK OF
ARCHITECT SANTIAGO
CALATRAVA
It is located on Avenue of the
Constitution of the capital
Canary, Canary Islands, Spain.

For some it has the shape of a wave; for others, of a moon, or of a helmet, or of a gigantic tongue.
cobra
In any case, Calatrava is pleased that it is "suggestive"; because "so is the music."
According to some commentators, the Tenerife Auditorium has two characteristics.
primera es su abertura al exterior, tanto al mar como a la ciudad, con amplias terrazas y un
pedestrian walkway that crosses from side to side of the building. The second, due to the expressive stroke of
Calatrava positions the Auditorium more as a conception of a gigantic organic sculpture...
In any case, it is a building that always keeps the wave of music fresh.
If one steps away from the structure and positions it against the background of the sea, the Auditorium looks like a
Foam mountain about to crash against the coastal rocks.
LOTUS TEMPLE IN NEW DELHI BY FARIBORZ SAHBA
The temple was built in the village of Bahapur, Kalkaji, in the south of New Delhi and west of Connaught Place, on Mandir Marg, a secluded area.
from the bustling center of the capital of India.
Conceptually inspired by the lotus flower, which symbolizes purity and holiness in Hindu tradition, is architect Fariborz Sahba.
he developed the project for this temple. This concept had to be converted into defined geometric shapes, such as spheres, cylinders,
toroids and cones, which are translated into equations, later used as a basis for structural analysis and engineering plans. The
The resulting geometry was so complex that it took two and a half years to complete the temple plans.
The temple is built with marble, cement, and sand. The structure is made of concrete, combining prefabricated pieces also made of concrete.
the fluted petals.
THE METAPHOR IN THE ARCHITECTURAL CONCEPT
METAPHOR OF SOME IDEA
The designer expresses an intangible idea, such as tranquility, in three dimensions.
the silence, passion or other feelings.

Chapel of Light, Tadao Ando (Osaka, 1988-1989).

The projection of light that pierces the wall in the shape of


cross, as well as the absence of distracting elements
(views to the outside, ornaments), creates an atmosphere of
serenity that facilitates reflection on issues
spiritual.
THE METAPHOR IN THE ARCHITECTURAL CONCEPT
METAPHOR OF SOME IDEA

Jewish Museum–Daniel Libeskind

The building opened to the public in 1999 completely empty,


being architecture the only experience to which the
visitors were subjected. The abstract drama of this
architecture, it must have been significant, metaphorical and due to
overwhelming moments for those who would have traversed their
empty walls, adorned only with the wounds of light that
they generated the lines of its facade.
THE METAPHOR IN THE ARCHITECTURAL CONCEPT
METAPHOR OF SOME IDEA
Jewish Museum–Daniel Libeskind
Subterranean lines, called "axes", different from the zigzagging form.
of the building, they define the general concept of the work and symbolize three
Aspects of the Jewish experience in Germany: continuity, exile, and death.

Axis of the Holocaust


A dark room 24 m high illuminated only by a slit at the top.
The silence, the darkness, the scale of the room create a highly suggestive effect, the architect's intention in
highlight the character of absence that the extermination of entire Jewish communities represented. From the outside, the tower
it appears as a trapezoidal concrete silo separated from the main building, only connected from the
subsoil.
THE METAPHOR IN THE ARCHITECTURAL CONCEPT
METAPHOR OF SOME IDEA
Jewish Museum–Daniel Libeskind

Axis of Exile
Leads to an outdoor garden outside the building boundaries,
composed of 7 x 7 concrete columns that support
gardens at the top. To represent exile, he worked
concrete blocks arranged in a grid that visitors
They must explore and experience. These blocks are located
tilted 10 degrees with respect to the floor plane, generating a
sensation of instability in contrast to the order of the grid.
The garden has no escape route, symbolizing exile as a form.
of a prison without doors.
Tomb of Gul Baba

Basil Al Bayati
Architect, designer, and writer born in Iraq, considered one of the
most important names in Metaphorical Architecture, an area that was
at the forefront of pioneer, which uses analogy and metaphor as a
basis for architectural inspiration, as well as the "exploration of
geometric and design patterns found in nature.
He is also the inventor of the wasitah mechanism (mechanism of
CHURCH ISLAND HOUSE IN THE

geometric feedback.
THAMES

He currently resides in Málaga in southern Spain where he runs a center.


of architecture and culture with great success.

KING SAUD UNIVERSITY ENTRANCE GATE, RIYADH THE CHIMNEY 'PALM SUITE' HYDE PARK GATE MEWS, LONDON
THE PALM TREE MOSQUE,
KING SAUD UNIVERSITY, RIYADH
He was highly praised and it was even claimed that it would mark the beginning of a
new era, a new renaissance of Islamic architecture.
The interior calligraphy above the doors and in the mihrab was
made by Ghani Alani.
GRAND MOSQUE OF EDINBURGH
The architectural elements and decorative details, basically,
they are based on Islamic traditions, mainly Turks, interact
successfully with ancestral architectural and decorative customs
from Scotland.
The calligraphic texts of the mosque architecture with a motif
a subtly derived plaid from tartan fabric.
DEFINITION bionics

It is a movement for design and


construction of buildings that will express
drawings and lines taken from the
natural shapes, that is to say in shape
systematic, the concepts that it provides us
nature – to be applied later
technically and artistically
START 21st Century

It began to mature at the beginning of


21st Century.

FROM THE FIRST RESEARCHES OF


DESIGNS SE DID Hincapié EN LA
FEASIBILITY.

OPPOSITION DE THE TRADITIONAL


RECTANGULAROUTLINES

THEY USE CURVED SHAPES AS WELL AS SURFACES


REMINISCENTES DE ESTRUCTURAS EN BIOLOGÍA
AND FRACTAL MATHEMATICS

AMPHIBIOUS GARDEN 'PHYSALIA'


DESCRIPTION OF BIONICS • ALSO CALLED BIOLOGICAL ARCHITECTURE,
BIOMETRIC OR CREATIVE.

The classic symbol of this science is the use


OF WATERPROOF COLORS AGAINST WATER

BIOLOGICAL MODELS:

IMITATION OF PRODUCTION METHODS


NATURAL.

IMITATION OF EXISTING MECHANISMS


IN NATURE.

STUDY DE PRINCIPLES ORGANIZED


BASED IN ORGANISMS Y
SOCIAL BEHAVIOR.

THE FIRST SCIENTIFIC PROJECTS IN THIS


CONTEXTO WAS MADE BY LEONARDO
DA VINCI.
STRUCTURE MIXED CONCRETE-CLAY-
WOOD
CONSTRUCTIVE PRINCIPLESAND
MATERIALS
WALLS INTERIORS DE CONCRETE
FORMWORK

SOLID CONCRETE SLABS

EAST, WEST AND NORTH FACADE CLADDED WITH


PANELS WITH WOODEN SUBSTRUCTURE AND
Hemp wool insulation, facade
SOUTH OF ADOBE

EXTERIOR CARPENTERIES OF MENGKULANG

EXTERIOR CLADDING OF FALSE ABETON


SIBERWOOD

PRE-COATED STEEL SHEET, TERRACES,


MULTILAYER WATERPROOF MEMBRANE.

THE NEST OF THE SWIFTS - TAIWAN


INTERIOR PAINTINGS, WALLS OF THE
LORD.

COATINGS
SPECIAL EQUIPMENT

VENTILATION DE DOUBLE FLOW FOR


HEAT EXCHANGER WITH RECOVERY DE
HEAT.

FOUNDATION THE FLOATING FOUNDATION


GROWS ALONG WITH THE TOWER IMITATING THE
BEHAVIOR OF THE ROOTS OF THE
TREES ALSO INSPIRE IN THE
GROWTH HORIZONTAL OF A
ARBOL.

INDOOR MICROCLIMATE

ALLOW CONTROLLED PASSAGE OF NATURAL AIR


AND THE LIGHT INSIDE THE COMPLEX

FIRE

THE ADULT TREES FUNCTION WITH A


RING SYSTEMS THAT ACT AS
AIR MATTRESSES.
ADVANTAGES BIOMIMICRY HELPS HUMANITY TO
DEVELOP TECHNOLOGY TO REDUCE THE
IMPACT ON THE ENVIRONMENT AND A
IMPROVE OUR QUALITY OF LIFE.

USE OF ALTERNATIVE ENERGIES.

THIS TECHNIQUE BUILDS BUILDINGS


AUTONOMOUS, IN OTHER WORDS, SELF-RECYCLE THEIR
ENERGIES.

CONSTRUCTIONS ARE PLANNED FOR


AVOID FUTURE DISASTERS HOW CAN THEY
TO BE EARTHQUAKES IN A MORE
ORGANIC.

Their foundation techniques are diverse:


ROOTS WITHIN THE EARTH, BEAMS AND
BIONIC CRYSTALS.

BY SHOWING MORE ADMIRATION FOR THE MEDIUM


ENVIRONMENT, IN THE SAME WAY IT IS SOUGHT
RESPECT HIM AND SEEK THROUGH HIS
EXECUTION OF THE REDUCTION OF EXPENDITURE
NATURAL RESOURCES.

ECO–BARRIOS "HYPERION"
DISADVANTAGES
They are expensive projects since they are new.
TECHNOLOGIES.

It could be said that these projects are


THEY STILL FIND A WAY TO PROVE IT SINCE
WHEN IMPLEMENTING NEW SYSTEMS OF
CONSTRUCTION IS NOT 100% SAFE.

When proposing designs sometimes


TOO SOPHISTICATED, MANY TIMES
UNFORTUNATELY THEY ARE NOT CARRIED OUT
WELL, THERE ARE STILL MANY PEOPLE WHO DO NOT
ADAPT TO VANGUARDISM.

Their forms can be somewhat unrealistic,


THIS BEING A DISADVANTAGE FOR THE CLIENT.

PARIS IN 2050
REPRESENTATIVES

BIONIC TOWER -
SHANGAI
JAVIER PIOZ
CERVERA & PIOZ ARCHITECTS

WORKING WITH ROSA CERVERA FOR THE


PROJECT, BIONIC TOWER, ONE OF THE MOST
EMBLEMATIC

OPERA HOUSE - KOREA ROSA CERVERA


REPRESENTATIVES

TOYOO ITÓ

SENDAI MEDIATHEQUE, JAPAN Japanese architect.

It is considered "one of the most architects"


INNOVATORS AND INFLUENTIAL PEOPLE OF THE WORLD.

MARCH 17, 2013 WAS AWARDED WITH


THE PRITZKER PRIZE.

REALIA TOWER BCN AND PORTA FIRA HOTEL, SPAIN


REPRESENTATIVES

SANTIAGO KALATRAVA

ARCHITECT, CIVIL ENGINEER AND SCULPTOR


SPANISH.

He has received the Prince of Asturias Award for


THE ARTS 1999.

NATIONAL ARCHITECTURE AWARD 2005

EUROPEAN ARCHITECTURE AWARD 2015.

THE STUNNING TURNING TORSO, SWEDEN


REPRESENTATIVES

VINCENT CALLEBAUT

BORN IN BELGIUM.

Dragon Fly, New York He graduated in 2000 from the Victor Institute.
GARDEN

ONE OF THE GREATEST PROMOTERS OF THE


BIONIC ARCHITECTURE IN THE PRESENT

HE WAS AWARDED IN 2013 AS ONE OF THE 50


Sustainable Architects of Green Planet
ARCHITECTS.

CORAL REEF, HAITI

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