B. Arch I / I – ARC121.

2 Introduction to Architecture 1
Chapter One:
STUDY OF ARCHITECTURE [2 hrs.]

What is architecture?
Architecture is nothing more and nothing less than the gift of making places for
human purposes.
- Spiro Kostof (an architectural historian)

Architecture is generally conceived, designed and realized, built in response to

an existing set of conditions. These conditions may be purely functional in nature
or they may also reflect in varying degrees, the social, political and economical
climate.
- Francis D. K. Ching in “Architecture: Form, Space and Order”

You employ stone, wood and concrete and with these materials you build house
and palaces. That is construction. Ingenuity is at work.

But suddenly, you touch my heart, you do me good. I am happy and I say: “This
is beautiful.” That is architecture. Art enters in.

My house is practical. I thank you, as I might thank Railway engineers or the

Telephone service. You have not touched my heart.
- Le Corbusier in his book “Towards a New Architecture (1927)”

Architecture is:
Art Art of building design
Creative art
Utilitarian art
Social art
An unavoidable art
Mother of all arts

Science Includes systematic process / Design process and principles

Systematic way of doing things
Skilful technique

Technology Structure and enclosure (Building erects with the help of

technology)
Comfort, safety and protection
Proper use of material

Architecture is scientific art of designing built environment.

Architecture is science of planning the elegant, beautiful and comfortable

buildings for the human purpose.

Architecture is art of organizing spaces.

Architecture is the art which gives element of surprise to buildings.

Architecture is poetry of construction and a frozen music.

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Architecture also is:

 A physical record of human activity / Printing machine of all ages
 A non-verbal form of communication
 Matrix of civilization
 Innovative and creative work for human comfort

Architecture holds unique position for being both art and science.

Elements of Architecture
Roman Architect Vitruvius (25 BC) established the basic elements of architecture
which have remained essentially unchanged. These are referred to as the
“Vitruvian Triad”.

Vitruvian Triad #1: Function / Utility / Commodity (Utilitas)

Does a building work by supporting and reinforcing its use?

Vitruvian Triad #2: Firmness (Firmitas)

The most apparent part of the building - what makes it stand up?
The structural quality and technology of the building

Vitruvian Triad #3: Beauty (Virmitas)

Does a building look pleasing and appealing to the eyes?
The aesthetic or visual quality of building

Architectural education in Nepal

Architectural education at bachelor level (B. Arch) under the affiliation of
Tribhuvan University (TU) started in the year 1996 at Institute of Engineering,
Pulchowk Campus. A year later in 1997, Nepal Engineering College (nec) also in
affiliation with TU started B. Arch in private sector. By this time, more than
hundreds of architects have been produced by both of these institutions.
Currently, apart from above mentioned schools of architecture, Kathmandu
Engineering College (KEC), Khwopa engineering College and Acme Engineering
College have also been running B. Arch course.

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Chapter Two:
BUILT ENVIRONMENT AND SOCIETY [6 hrs.]

Architecture results in the making of a built environment. A building with its

interior spaces along with the external surroundings can be referred to as “The
built environment”. Since architecture is very closely related to the society, the
built environment thus created is response to the social needs and desires. In
fact, society plays a vital role in making our built environment, our streets and
open spaces along with our places and our cities.

Besides social influences, built environment is also influenced by local geology

and climate to much extent.

There are two types of built environment. They are:

 External built environment
 Internal built environment

External Built Environment

 External spaces around the built structures are referred to as external
built environment
 In context of external built environment, we must be able to realize
 how the built mass responds to the external environment
 how the response has been made to site context / site features
 how the existing features of the site have been used
 a created relationship between built structure and the external
environment
 Examples: Durbar Squares in Kathmandu Valley
Chowks and various open spaces
Plazas and forums (Roman Architecture)
Falling Water by Frank Lloyd Wright

Internal Built Environment

 Internal spaces within the built structures are referred to as internal built
environment
 Buildings create an environment within them
 Various interior spaces like lobby, foyers, corridors, halls, etc.
 Properly planned interior should consider the function of the space,
proportions, scale, “the feeling of the space” and relationship of the
interior with the exterior

Built Environment as conceptualized by apologist Siegfried Giedion

Giedion in his extremely popular book “Space, time and architecture, (1963)”
gives three different concepts to define architecture and the built environment.
His concepts are summarized and explained below:

Concept One: Architecture as space radiating volumes

Building as sculptures
Buildings form spaces outside for the use of man

It is much clear that in his first concept, Giedion has put more consideration upon
the external aspects of the built environment. The built mass becomes so

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important in architecture that it is treated like a sculpture. All the principles of
design are taken into account while making that sculptural built volume and the
built volume is also emphasized and decorated or elaborated accordingly. In
contrary to this, there is limited or no use of internal spaces in this type of built
structures.

Besides, the external space created with the placement of built volume forms a
part of the external built environment, which is to be experienced, enjoyed and
utilized by the [Link]

One of the most perfect examples of building as a sculptural volume is the great
pyramids of Egypt. These pyramids are said to be constructed to view from
some calculated distance as the roughly finished and huge blocks of stones
have been used to shape them. The monumental scale and monstrosity of the
pyramids have contributed in making these masses notable and worth taken into
account while studying architecture.

Nepalese temples and Buddhist stupas also make a good example for Giedion’s
first concept. The temples are considered perfectly designed built volumes, the
sculptures standing amidst the great squares. It is to be noted that there is
limited use (especially the ground floors) of internal spaces for almost all the
temples while the stupas have no internal use. The monuments like Dharahara
and Sahid Gate are also notable to elaborate above concept.

Concept Two: Architecture as interior space

Building hollowed out and opened up by means of window
Elaboration of interior, lighting, etc.
Buildings forms spaces inside for the use of man

Giedion’s second concept deals with the internal built environment of buildings
and its elaboration by means of lightings and decorations and also with the
introduction of windows. Besides, the grandeur of interior space thus created
gives architecture a different dimension.

The very notable example for this second concept would be Pantheon in Rome
(120-124 A.D.) which is basically a domical structure lit from the top with a
puncture called an oculus (dome being hollowed out). Also the interior has been
decorated to much extent for this temple of Roman god.

The Gothic Cathedrals punctured with excessive amount of windows to bring

more light to the interior also make a good example.

For historic Nepalese buildings, the 55 Window Palace at Bhaktapur Durbar

Square may somehow relate to this second concept.

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Concept Three: Architecture as both volume and interior space

The third concept is about the buildings that have come up as modern
movements after industrialization. The buildings with the emphasis on both
external and internal spaces finally results in total architecture or total built
environment.

It is interesting to note that Giedion has put forward his concepts according to
the chronological developments in architecture from Ancient Egypt (or even
earlier) to modern movements. His first concept, as talks about building as
volumes, relates to buildings in the past, his second concept relates to buildings
in Medieval Era (buildings that are transitory in their developments) and finally
the last concept is about buildings in the modern world.

We can find many more good buildings as example for the last concept of
Giedion and to name a few, following is the list:
 Sydney Opera House, Sydney, Australia by Jorn Utzon (1973)
 Falling Water, Pennsylvania, USA by Frank Lloyd Wright (1936-37)
 Villa Savoye, Poissy, France by Le Corbusier (1928-31)
 Notre Dame Du Haut, Ronchamp, France by Le Corbusier (1950-55)
 National Gallery or Art, Washington D. C., USA by I. M. Pei (1978)
 HISEF Building at Hattisar, Kathmandu, Nepal by Rajesh Shrestha
(2002): Nepalese context

ADDITIONAL NOTES:
FOCI
Foci in architecture can be defined as the point of interest or focal point created
by the build volumes. It is believed that for every built volume and its external
built environment, there exists some sort of point of interest. The emphasis on
built volume is made with the application of principles of design.

Generally, there are two types of foci related to architecture. They are:
 Directional foci (the built volume creates a direction along an axis, e.g.
Singh Durbar, Royal Palace, etc.)
 Rotational foci (the built volume creates a space around for rotation, e.g.
Dharahara as linear element, temples, etc.)

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Chapter Three:
SOCIAL, CULTURAL AND RELIGIOUS CONTEXT [6 hrs.]
OF ARCHITECTURE

A glance along the perspective of past ages reveals architecture as the history of
social condition, progress, religions which are landmarks of mankind.
- Sir banister Fletcher (an architectural historian)

Society: System in which people live together in organized community

Institutions, linkage or relationship between humans and group or
section of human beings
The means of relationship - family, caste, status, strata, etc.

Social Context: Social relevance, defines obligation to the society

Culture: Set of intellectual (non – material) and physical (material) accretion

of the past those have potential to condition our behaviors and
nature
Community felt ordered totality of the environment
Cultural objects – common values, philosophical ideas, moral
codes, scientific constructs, etc.

Cultural Context: Cultural relevance / obligation, confirmation to cultural objects

Religion: Matters related to gods, priest, rites and rituals

Religious Context: Religious relevance, about religious controls and dictation

Architecture responds to the social context:

 Social aspects tell us what to do with the objects
 Change in time change in social values change in
architecture
(Lichchhavi Malla Shah Rana Modern era)
Change / advancement ???

Architecture responds to the cultural context:

 Organization of spaces confirming to the culture
 Built environment responding to cultural objects

Architecture responds to the religious context:

 Greater influence
 Temples, churches, mosques, stupas as examples

Architecture responds to social, cultural and religious context.

It can be said that since the day man tried to be “social” refusing his nomadic life,
the concept of architecture emerged, as man created buildings to live in, be it the
walls of the caves or primitive huts.

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We define architecture as means of serving human purpose or fulfilling human
needs, buildings depict the nature of society and culture that creates or uses
them. Architecture also has power to condition social behaviors, values and
needs.

Architecture gives solutions to the set of problems coming from environment; the
environment is always defined by social, cultural and religious context.

Every society seems to have passed through various stages, the stages of
“Social refinement” and “Cultural progression” to reach the current stage of
architectural advancement.

Architecture is therefore a social art and a cultural object.

In architecture, confirmation to the prevailing context or order is generally

expected. However, some scope of point of departure from existing rules or
order is always present for better solutions and this is how and why, the changes
have been made throughout the history.

With the modern movements in architecture, the local character of building,

indigenous to the site / context seems to vanish, giving birth to the so-called
“International Style”. The reason behind this is changing social attitudes, socio -
cultural intercourses and trends on globalizations. Now a modern building can
stand / fit anywhere in the world without any social disapproval.

It is to be noted that modern scientific studies / experimentation and

industrialization have led to the dismantling of religious framework of explanation
throughout the world, leading to faith in material world. The consequences lead
us to creation of little modern religious buildings but more secular and public
architecture.

Socio - cultural and religious context of architecture:

A study of historic urban settlement of Kathmandu Valley and Traditional
Newari House

Urban settlement
The historic urban settlement of Kathmandu Valley confirms to social
stratifications and hierarchies, cultural practices and religious faiths, in their
organization of spaces and street layouts and in making of over all built
environment.

To be more specific, cultural activities have been the prime force to shape their
physical attributes for the cities of Kathmandu Valley. These activities include
feasts and festivals and other rituals that have been passed on to succeeding
generations from their forefathers.

King Jayasthiti Malla (1380 – 1395 A. D.) introduced caste system of Hinduism
leading towards deliberate social stratification which in turn has made great
influence upon the planning of the entire settlement.

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There seems a hierarchy of physical structures maintained in the urban pattern
of settlement according to the status of the inhabitants. The central places
locates palaces and the Durbar Squares, the immediately surrounding goes to
the bureaucrats and the next is occupied by more lower cast people and the
fringes have been provided to the lowest class people like Pode. Caste was the
major influencing factor to shape the various zones of the city and likewise, it
seems clear that the cultural patterns have played a significant role in the urban
pattern of the city.

Throughout the year, the Newar community celebrates different festivals and the
urban structures have also been articulated accordingly. The Newar city design
included both buildings and streets for various Jatra and ceremonies. The public
buildings like Chhapa is meant for local feast in Jyapu community and the Digi
serves for same purpose in the Shakya and Vajracharya communities.

The Pati, though basically meant for public gathering, have served as festive
platforms, especially in the case of Debhoya at a distant location at the out skirt
of the city. The valley cities have provisions of open lands at the outskirts where
during festivals a kind of picnic is organized. These open lands are mostly
religious spots with temples for major deities.

The street festivals are most significant in the shaping of the street patterns. The
various forms of street festivals like chariot festivals are performed, in which the
chariots are made to travel around the major routes of the city. Among the
various jatras performed in the streets, the significant is Machhindranath Jatra in
Patan which is going to be listed on World Heritage Site list.

In summary, the following important points can be noticed to discover the socio-
cultural and religious context of Kathmandu Valley urban settlements.
 Planning responds to life style, social behaviors
 Primarily, they were walled towns with narrow gates – defines security as
social factor
 Human scale is present in the built environment
 Adequate space for social gatherings can be found such as chowks and
squares
 Ceremonial routes are present for various jatras
 Buildings like Chhapa, Digi for feast and cultural gathering
 Pati, Pauwa and Sattal are present for social functions

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 Dhungedharas ( stone water spouts) have been constructed as urban
infrastructure also serves the social purpose
 Ghats have been built along the periphery of town parallel to river bank for
rituals related to death

Newari House
Traditional Newari house developed in Malla reign in the history of Nepalese
architecture is outcome of ingenuity that society possessed. The socio-cultural
environment, the family structure and their lifestyle have resulted in unique
design features of these houses.

Features of Newari house

 Generally three storey (two and four storey are also found)
 Urban in character and adjacent to street
 Vertical arrangement of rooms: security and need to use little irrigable
land for building purpose as main reasons
 Arrangement of houses around a common courtyard: living in harmony
and being social
 Similar buildings and uniform architectural style: Indicate common lifestyle

Allocation of space
 Ground floor (Chidi): never used for living purpose but as store, shop or
even rest space for trade people
 First floor (Matan): used as sleeping space (bedrooms), use of Tikijhya
(Lattice windows) provides privacy and security
 Second floor (Chota): main living and family area, long and broader open
area, use of Sanjhaya gives adequate light and ventilation, space for
many works and family feast
 Top / attic floor (Baiga): location for kitchen and family shrine, strangers
and people of lower caste are not allowed for religious reasons

For more notes on Kathmandu Valley Urban Settlement and Traditional Newari
House, see The Traditional Architecture of the Kathmandu Valley.

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Chapter Four:
TECHNOLOGY AND MATERIAL CONTEXT [6 hrs.]
OF ARCHITECTURE

What is technology and why it is required?

What are building materials and how they have been used in the building
construction?

What is the relationship between technology and building material?

How technology and material affect the style of architecture?

This chapter intends to give answers to the above questions.

Material Innovative ideas / creativity

+ Building / Architectural style
Technology

Technology is usually based on local materials resulting in local / indigenous

technology.

Difference in the style of architecture is apparent for different places depending

upon difference in material used and technology applied.

In past, people always preferred local material and technology for economical
reasons. Materials used had to be locally available by necessity as they are
needed in bulk and long distance transportation is not feasible. However, in
special cases for monumental buildings, long distance transportation of materials
have also been made in history along with borrowing of foreign technology e.g.
Egyptian Pyramids, Ashokan Pillars, etc.

Technology and material: Historic perspectives

Technology in the past
1. Trabeated System (Post and Lintel)
 This is basic and simplest structure consists of post as vertical
member for support and lintel or beam as horizontal member for
spanning
 Examples - Temples from Ancient Egypt, Greek temples (Parthenon):
Development of “Colonnade Architecture”
 Greek Architecture developed simple post to the ordered columns
(Doric, Ionic, Corinthian and Composite order / style of columns)

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2. Arch System (Vault and Dome)
 Arch is a structure constructed of wedge shaped units (bricks or
stones) joint together with mortar and spanning an opening to support
the weight of wall above
 Tunnel, barrel and groin vaults are created with repetition of arch
 Dome is nothing but multiple nos. of arch placed along a
circumference
 This type of technology has been extensively used from Roman to
Muslim Architecture
 Examples – Pantheon (Roman Architecture, 118-128 A. D.), Hagia
Sophia ( Byzantine Architecture), Taj Mahal (Muslim Architecture)
 It is to be noted that arch terminology is never present in Nepalese
Architecture

3. Corbelled and cantilever system

 Master architect Frank Lloyd Wright extensively used cantilever in his
buildings (Falling Water)
 Corbelled system: Krishna Mandir at Patan and other Nepalese and
Indian Shikhara style temples, early Muslim mosques in India

4. Truss and space frame

 Modern large scale commercial and industrial buildings

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Chronological Study: Historical development in material and technology in west
Ancient Egyptian Architecture  Trabeated structure
 Use of stone, timber

Greek Architecture  Trabeated structure

 Use of stone, marble

Roman Architecture  Use of arch, dome and vault for roofing

 Use of stone, bricks and “Pozzolona” (volcanic earth)
 Development of concrete
Byzantine Architecture  concrete,
Additionalbricks
use of timber
truss

Dark Age

Continuation
Romanesque Architecture

Gothic Architecture  Use of pointed arch and flying buttresses

 Extensive use of stained glass

Renaissance Architecture  Revival of classical

Roman Architecture

Baroque and Rococo  Excessive ornamentation

Modern Movement after  Transportation made easier

Industrial Revolution  Loss of local character
 Use of structural iron (steel) and large glass
panes
 Use of reinforced concrete
 Invention of elevators
 Large span made possible
 High rise buildings

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Technology and material in Nepalese Architecture
In the context of Nepalese architecture, the locally available materials were
timber, stone and bricks. Nepalese architecture was primarily and mostly of
trabeated (post and lintel) structure in almost all buildings. The absence of the
term “arch” has given Nepalese architecture special and unique features.

Nepalese temples
 There has been learning from experience over a long time,
experimentation on rain and earthquake results in derivation of the form –
square in plan and pyramid in form (However, some rectangular plan
forms are also found as exceptions)
 Symmetry was the answer to both religious needs and earthquakes
 Roofs of decreasing size stacked over one another as height is gained
give structural stability and a sense of composition – a unique form
 Thick load bearing and receding walls are used
 Trabeated system of structure
 Use of timber beams, stone bases, slope roofs, overhang projections,
struts, horizontal bands of timber, etc.

Newari house
 Use of timber, bricks and stones with Jhingati roofing tiles
 Thick load bearing walls with minimum openings
 Short span and the span being always dictated by timber size
 Trabeated (post and lintel) system of structure
 Symmetrical building – good looking and structurally stable
 Use of multi-layered brick walls: wedge shaped baked bricks (Dachhi
Appa) on outside (for protection of mortar from weathering effects) and
sun dried bricks on inside layer

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Chapter Five:
THE PROFESSION AND INTERACTIVE RELATIONSHIP WITH [4 hrs.]
ALLIED PROFESSIONALS – Planners, Engineers,
Interior Designers, Landscape Architects, etc.

The profession of architecture

The architectural profession relates to the design of buildings in general;
however other activities related to building and built environment is also carried
out by architects. The scope of architecture varies from urban planning at macro
level to interior design and detailing at micro level. This provides architect with
wide range of job opportunities as well as interaction with other professionals.

Region City Place Building Interior

Interactive relation of architects with allied professionals

For project on buildings, architects are responsible for planning (master plan and
floor plans) and organization of spaces, aesthetics and other architectural
considerations. Besides this, design and construction of building also requires
consideration of other aspects like structures, electrification, mechanical aspects,
interior design and landscaping.

While practicing architecture, architects are expected to interact with other

professionals involved for the successful completion of the project. Architects
visualize the project and arriving at the end result is always supported by the
help of associated professionals. Throughout the project, whoever the
associated professionals might be, architect is always required to act as the
coordinator. He / she should also have knowledge on the services provided by
those allied professionals for his / her better coordination. This clarifies the fact
that architecture is never complete without consideration of other engineering
aspects. The other allied professional are:
 Engineers (Civil, structural, mechanical, electrical)
 Urban planners and designers
 Interior designers
 Landscape architects

Relationship between architect and engineer

The consideration of engineering aspects of building makes engineers
necessary in its execution. Architects are supported by engineer right from the
design phase to the construction period. In fact, the engineering design of
building is made by related engineers themselves for e. g. structural design of
the building is done by structural engineers, electrical design for lighting systems
by electrical engineers and so on. With the help of civil / water supply and
sanitary engineers the problems on water supply and sanitation is solved where

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as in coordination with mechanical engineers, HVAC (Heating, Ventilation and
Air-Conditioning) systems are also developed. This shows the undeniable
relationship of architects with above mentioned engineering disciplines.

Relationship between architect and planners

A building is a part of over all built environment and since planners are
concerned with urban or rural scale of built environment, architects may work in
collaboration with them in following duties:
 Urban planning / design
 Rural / regional planning
 Zoning
 Preparing building bye-laws

Relationship between architect and interior designers

The spaces in building designed, created and organized by architects are to be
further materialized by interior design in their detailing. Architects in collaboration
with interior designers perform following duties for further elaboration of interior
spaces:
 Detailed space layout
 Design and detailing of furniture
 Choosing appropriate color schemes
 Choosing appropriate finishing materials, etc.

Relationship between architect and landscape architects

The external built environment includes spaces around the building. They can be
open ground, paved areas, lawns, approach pathways, terrace land, water
bodies, etc. These elements of landscape are planned and organized by
architects along with the help of landscape architects.

Preparing master plan and site plan requires support of landscape architect as
these plans deal with external spaces.

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Chapter Six:
PROFESSION OF ARCHITECTUER IN NEPAL [2 hrs.]
Public and Private and career opportunities

Historical perspective
History of Nepalese architecture starts from Kirat period. No buildings have been
found or documented from Kirat period however, some evidences of Lichchhavi
buildings can be traced, but with no names of designer or architect.

In Malla period, the king could have acted as the concept designer but there
were some caste of people like Sthapits who were specialized in building crafts,
responsible for construction and detailing of buildings.

The Shah period has contributed very little in architecture and hence
identification of architect has not been made.

The 104 years long Rana regime brought change in the building style too with
erection of white “Neo-classical” buildings. Despite the fact that the Rana prime
ministers highly impressed by British style of architecture, put a lot of effort in
construction of those palaces, architects were not involved in these projects.
However technician hired from abroad were given the task of building design
along with two Nepalese engineers namely Mr. Kumar Narsingh Rana and
Kishor Narsingh Rana.

The democratic revolution in 2007 B. S. also brings changes in the field of

architecture and engineering contributing in their modernization and
professionalization. This brings proper recognition to the designers of buildings,
the architects and the profession itself. The qualified person with proper
education background then performs the job of designers.

In 1960s and 60s the persons to work as building designers were the engineers
(Civil) as there were no (or very few) architects present in the country. Engineers
like B. P. Lohani (Saraswati Sadan, Tri-Chandra College) and Shanker Nath
Rimal (Shahid Gate) have done remarkably good job in architecture doing justice
to this field.

In 1970s, the Department of Housing, Building and Physical Planning (DHBPP)

was established and the post of architect was created in government sector.

Gangadhar Bhatta “Haluwe” (Rastriya Sabha Griha) becomes the first person to
be recognized as the first modern architect of the Kingdom of Nepal.

Architectural practices by the architects can be traced from 1970s as people

started getting architectural degrees from abroad, especially from former USSR
and India. Architects working for DHBPP designed numerous government
buildings where as architects with their own private firms also contributed in the
field of Modern Nepalese architecture.

Contemporary scenario
With more than 400 architects registered in SONA (Society of Nepalese
Architects, Estd. 2047 B. S.), recent trend in architectural profession is

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progressing. From the year 2000 onwards, nation has been able to produce
architects in own institutions resulting in competitive professional practice.

Till date, many Nepalese architects have come up with innovative ideas and
design as truly modern buildings catch the eyes of beholder. For deserving
candidates the scope is always better as the modern day society starts to
recognize properly the architects and the profession.

Some notable architects in private practice:

 Bibhuti Man Singh Sanchaya Kosh Building, Thamel
(Technical Interface) Hotel Dwarika’s, Battisputali
 Deepak Man Sherchan Heritaze Plaza, Kamaladi, Kathmandu
(Creative Builders Collaborate)
 Narendra Pradhan Mountaineering Museum, Pokhara
(Narendra Pradhan and
Associates)
 Mr. and Mrs. M. L. Kayastha Sanchaya Kosh Building, Sundhara
(Mr. and Mrs. M. L. Kayastha
and Associates)
 Tom Creese Bakery Café, all outlets
(Recently not in Nepal) Spring Water Resort, Kurintar (Award
winning)
ICIMOD Headquarters, Dhaphakhel,
Lalitpur (Award winning)
 Rajesh Shrestha HISEF Building (Laxmi Bank Plaza),
Hattisar
(Vaastukala Paramarsha) Om Hospital and Research Center,
Chabahil
 Bishnu Panthee United World Trade Center,
Tripureshwor
 Ranjan Singh Shah
 Rajaram Bhandari
 Arun Pant
 Biresh Shah
 Shesh Krishna Shrestha Share Market Complex, Putalisadak
 Sarosh Pradhan

Career opportunities in public and private sectors

Career opportunities in government sector
 Ministry of Housing and Physical Planning
 Department of Housing and Urban Development
 Municipalities
 Academic institutions

Advantages:
 Job security
 Participation in seminars and workshops (both national and international)
 Involvement in national level projects
 Association and collaboration with senior architects

Disadvantages:

Prepared By: Ar. Rajjan Man Chitrakar Department of Architecture - nec

B. Arch I / I – ARC121.2 Introduction to Architecture 18
 Tough to get permanency, only through Lok Sewa Aayog
 Learning process might be slow leading towards inefficiency
 Senior post might not be available

Career opportunities in private sector

 Consultancy (engineering and architecture)
 Freelance
 Turn key (Design / consultation / construction / supervision)
 Housing cooperation

Advantages:
 Opportunity to work under experienced architects
 Teaching – better finance
 Freelance
 Can own private firm
 Opportunity for better creativity

Disadvantages:
 Job insecurity
 Credit goes to next

Prepared By: Ar. Rajjan Man Chitrakar Department of Architecture - nec

B. Arch I / I – ARC121.2 Introduction to Architecture 19
Chapter Seven:
ARCHITECT AND THE CLIENT [4 hrs.]
Planning and Building Controls enforce

The architect
Basically, architect is a person whose job is to design buildings. However
architects are also involved in several other fields as well, from teaching to
bureaucracy.

To become professionally qualified architect in present context, one has to

complete Bachelor level of architectural studies (B. Arch or any other equivalent
degree).

A good architect should have following qualities:

 Responsible for good built environment
 Qualified in design of buildings
 Good at graphics and presentation skills (should properly understand and
produce drawings)
 Understand client’s needs and desire and should be aware of constraints
(should be able to understand client’s psychology too and advice in good
manner)
 Able to act as coordinator among allied professionals
 Good relationship with both client and contractor
 Adhere to code of conducts and should behave ethically
 Follow laws of government and other rules and regulation pertaining the
profession
 Contribute in overall uplift of the profession

The Client
Architects design buildings for an individual or a group of people (an
organization) called client.

It is to be noted that most of the architects are not aware of building in totality.
They have their requirements, ideas and bit of exposure and money but it is the
architect who has to fulfill their dreams and demands and satisfy them. The easy
and better communication is always desired while architects deal with clients.

Architects should not loss his / her creativity while dealing with client even if
some compromises have to be made. The constraints like finance and
complexity in project formulation is always their and thus the relationship
between the architect and the client is always critical. Hence, handling any client
might be a tough job.

Prepared By: Ar. Rajjan Man Chitrakar Department of Architecture - nec

B. Arch I / I – ARC121.2 Introduction to Architecture 20
Bibliography
Korn, Wolfgang (1979), The Traditional Architecture of Kathmandu Valley, Ratna
Pustak Bhandar, Kathmandu
Tiwari, S.R., (1988), Tiered Temples of Nepal, Mrs. Sunita Tiwari, Kathmandu

Prepared By: Ar. Rajjan Man Chitrakar Department of Architecture - nec