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SCUBA Lessons: A Romantic Comedy

SCUBA LESSONS is a romantic comedy by Joseph Zeccola that revolves around Kelly Donovan, a young woman navigating her feelings about love and fate during a blind date at a coffee house in Los Angeles. The play features a cast of characters including her date Martin, her friend Dan, and Dan's date Rayne, with Kelly's internal thoughts providing insight into her hopes and anxieties about finding her soulmate. The narrative blends humor and magical realism as Kelly experiences a day filled with signs that she believes indicate her luck is about to change.

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0% found this document useful (0 votes)
84 views20 pages

SCUBA Lessons: A Romantic Comedy

SCUBA LESSONS is a romantic comedy by Joseph Zeccola that revolves around Kelly Donovan, a young woman navigating her feelings about love and fate during a blind date at a coffee house in Los Angeles. The play features a cast of characters including her date Martin, her friend Dan, and Dan's date Rayne, with Kelly's internal thoughts providing insight into her hopes and anxieties about finding her soulmate. The narrative blends humor and magical realism as Kelly experiences a day filled with signs that she believes indicate her luck is about to change.

Uploaded by

kmckenzie
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

SCUBA LESSONS

a magically realistic romantic comedy

by: Joseph Zeccola

Copyright © 1997 by Joseph Zeccola

CAUTION: Professionals and amateurs are hereby


warned that Scuba Lessons is subject to a royalty. It
is fully protected under the copyright laws of the
United States of America, and of all countries covered
by the International Copyright Union (including the
Dominion of Canada and the rest of the British
Commonwealth), and of all countries covered by the
Pan-American Copyright convention and the Universal
Copyright Convention, and of all countries with which
the United States has reciprocal copyright relations.
All rights, including professional and amateur stage
performing, motion picture, recitation, lecturing, public
reading, radio broadcasting, television, video or sound
taping, all other forms of mechanical or electronic
reproduction, such as information storage and
retrieval systems and photocopying, and the rights of
translation into foreign languages, are strictly
reserved.

Inquiries concerning all rights should be addressed to


the author at [Link]@[Link]

CHARACTERS
KELLY DONOVAN: A woman in her mid-twenties of
Irish-American descent. She works in the
programming department of a large, network affiliate.

DAN LANZETTA: A man in his mid-twenties of Italian-


American descent. He works with Kelly in
programming.

MARTIN MICHAELSON: A recently divorced man of


about 30 of Anglo-Saxon descent. He works in the
business office of the same T.V. station. He’s Kelly’s
date.

RAYNE STORM: A woman in her mid-twenties of


“Dead-Head” descent. She is an accountant and
works in the business office with Martin. She’s Dan’s
date.

COFFEE HOUSE GUY/PATRON: Two guys in their


early twenties who have the misfortune of being in the
cafe with these four weirdos. (Can and should be
played by the same actor)
SETTING
A coffee house at night in Los Angeles. A service
counter and a few tables are visible.

NOTE
This play is viewed primarily through Kelly’s Point of
view. Kelly has asides, which are indicated by a” >”
preceding the line. These asides interrupt other
characters’ words and are interrupted by other
characters’ words--just as our own thoughts and focus
shifts and overlaps with other people. However, no
other characters notice Kelly’s asides.

[Lights up on KELLY. She stands in front of the cafe, which is dimly lit. DAN and
RAYNE sit inside.]

KELLY: >Do you believe in fate? [Short pause] Last night I had one of those dreams where I
woke up and I couldn’t remember anything I dreamt about. But I knew it was something great.
When I woke up I felt warm all over. That usually means I dreamt about him. My soul mate. … I
know it’s silly, I mean I don’t even know what he looks like. Even when I do remember my
dreams, he’s just a blank face on this great body. Or Brad Pitt. Just kidding. But even though
I’ve never seen him, I know what he’ll be like. He’ll be someone who looks in my eyes and
knows that’s where he belongs. That’s why I’m so excited about tonight.

[KELLY enters the coffee house and the lights inside rise.]

KELLY: >Did you ever wake up and know it was gonna be your day? I did. Today. First time. I
woke up five minutes before my alarm went off. The sun was shining, the birds chirping, I felt
warm all over and then... ... I read my horoscope.

>“Today is your day!!! What you dreamed about becomes real. Romance figures prominently.
Musical notes involved.”

>Okay--I don’t get the musical notes thing either--but that’s not the point. The point is it said
today is my day. And it has been--all day!!! I got on the scale--I was five pounds thinner, and
that was after getting out of the shower. On my way out the door, my manager tells me he’s
going to fix the broken closet in my apartment I reported six months ago. Normally I wouldn’t
believe it, because I have rotten luck. But I’ve had this feeling all day. And that’s leaving out the
best part of my horoscope: “Romance figures Prominently.”
[The PATRON enters, KELLY sees him and steps up to him.]

KELLY: Excuse me. Hi. Are you Martin?

PATRON: Uh--no.

KELLY: Sorry.

>He’s not here yet. Martin. My date. Actually it’s a blind date. Both Dan and I have blind dates
tonight. Which would normally scare me. To tell the truth I was terrified. Until this morning. I
know, I know--what are the odds of finding Mr. Right on a blind date? I mean, someone who
would count on that is an optimist, at best. At worst ... well--let’s not go there. I’m being an
optimist. I have faith.

>You know my luck is actually worse with men. Until recently I’ve been convinced I have bad
guy-karma. Which is why I told Dan to meet his date here, too. I had a friend at work set us up.
Raul. He’s gay. We decided to meet our dates at the same place just in case they were ugly. If I
knew my day was gonna be like this, I would have told him to fend for himself.

[KELLY notices a mug on the merchandise rack. She steps to it and picks it up.]

KELLY: >Do you see what I mean?!! This is my favorite painting on this coffee mug. I was in
here two days ago and they didn’t have this mug. This is like some giant cosmic accident. It’s
fate. Did I tell you I found a parking space in less than five minutes. My favorite painting. The
Scream. Dan says only freaks like that painting. I think only tactless jerks call their friends
freaks.

[KELLY looks over to DAN and RAYNE.]

KELLY: >It looks like the jerk’s doing okay so far. He hasn’t pissed her off yet. She looks okay.
Seems a little thin for Dan though. He’s Italian, they like those buxom women. Or at least he
does. And he thinks he speaks for every guinea on the planet. He doesn’t like it when I call him
a guinea. [Short pause] Guinea.

>Oh. That’s Dan. He likes me. But we’re not. No. I mean he’s sweet. We always do stuff like this
together. Well not like this. We do things. Sometimes we come here and get coffee. Well he
gets coffee. I don’t like coffee. Or tea. Actually I hate tea; but, we’re just friends. It’s hard to
explain. Dan and I ... ... we just--

DAN: Celtic. [Pronounced like the basketball team, seltic].

RAYNE: It’s Celtic. [Pronounced like the ancient people, Keltic]

DAN: Seltic.

RAYNE: The only people who pronounce it that way are the Boston Celtics.

DAN: Exactly. They’re a professional sports organization. Wouldn’t they know? [No response.]
They won 13 world championships and they wouldn’t know how to pronounce their own name?
[No response.] Excuse me ... uh--Miss?

[KELLY turns to DAN and RAYNE.]


KELLY: Yes.

DAN: I was just wondering. You could probably hear our conversation and well... Is it Seltic or
Keltic?

KELLY: I really--don’t want to get in the middle...

RAYNE: It’s okay.

DAN: Really. It’s fine.

KELLY: Then it’s Keltic.

DAN: Oh. [Pause. Dan turns back to Rayne] So what other types of music do you like?

KELLY: >You see what I mean? He’s always like that. Dan relates everything to sports. It’s kind
of cute--if it wasn’t so stupid. His favorite topic is baseball. The Yankees, specifically. They hold
some sort of mythical status in the history of mankind or something. At least that’s how Dan tells
it. His dream is to find a woman who loves the Yankees. Or at least one who will learn to love
them for him. It’s a pipedream.

>We wouldn’t get along. We bicker constantly. Dan calls me the ex-wife he never wanted. I call
him evidence to the need for artificial insemination. [Pause.] He’s really not that bad. He’s just
that bad for me. Dan just needs to find a woman who isn’t annoyed by him. And who isn’t
meeting her soul mate tonight.

[KELLY grabs the mug again as MARTIN enters behind her.]

KELLY: >I still can’t believe this mug. It’s like a sign that the gods are smiling on me today. Not
that I’m religious. I’m not really. Mom hates when I say that. [Mimicking her mother] “You don’t
need to advertise it.” We fight all the time. She wanted a more catholic daughter. I feel guilty a
lot. I think that should count for something. [Short pause--another light bulb] Mom and I didn’t
fight when we talked on the phone today. That’s not a sign, it’s a minor miracle. Why didn’t I
remember that? “Mom, I want you to know I found god again, and it’s all because of a man...
and this mug.”

[KELLY stands with the coffee mug held out in her hand and looks up to see that
MARTIN is standing in front of her.]

MARTIN: Uh--Hi. [looking around the Cafe for anyone else.] You must be Kelly?

KELLY: Oh. Hi. ... Martin? [Noticing the mug in her hand.] I was just...looking at this mug.

MARTIN: It’s very nice.

KELLY: Uh-huh.

[KELLY puts the mug away.]

MARTIN: So ... ... would you like something to drink?

KELLY: Oh--yeah. Sure.


MARTIN: Coffee?

KELLY: I’m ... not a big coffee drinker.

MARTIN: Oh, I’m sorry. I thought you liked this place. We could’ve went--

KELLY: --No! I do like this place. I just don’t drink Coffee. Or Tea. [Short pause.] You know
what? I think I might like some coffee. They used to have this Jazz blend. Could you see if they
have that?

MARTIN: Jazz blend?

KELLY: Uh-huh.

MARTIN: Like the music?

KELLY: If they don’t have that, then juice.

MARTIN: Okay

[MARTIN goes to the coffee counter to order the drinks.]

KELLY: >Jazz Blend. Musical notes involved. I figured it was worth a shot. I just hope the stuff
doesn’t taste like coffee. They used to have this Jazz CD they sold with the coffee, that’s how I
remember it. [Short pause] Martin’s pretty cute. And nice. Looks like he stays in shape.

[As KELLY watches MARTIN, DAN gets up.]

DAN: Cream and sugar, right?

[RAYNE smiles and nods. DAN steps up near KELLY to refill the mugs.]

DAN: Excuse me, miss.

[KELLY steps out of the way as DAN pours coffee into the mugs, speaking to Kelly
under his breath.]

DAN: How’s it going. Martin looks good.

KELLY: Rayne drinks coffee.

DAN: Yeah, she seems nice. What’d’you think?

[DAN fills the second mug.]

KELLY: She does seem nice. Although... ... ... No. Never mind.

[DAN stops pouring and looks at KELLY.]

DAN: What?

KELLY: Nothing.
DAN: [Trying to keep his voice down] What?!!

[DAN turns to KELLY and she turns away toward MARTIN. DAN stares at her for a
brief moment then steps back to RAYNE. As he does, KELLY looks after him
smiling.]

KELLY: >That was wrong, wasn’t it?

[MARTIN turns and brings the drinks over to KELLY. He hands her a bottle of
Snapple ™.]

MARTIN: No Jazz blend. They haven’t had it for a few months. They did have some CD though.

KELLY: That’s okay. Thanks.

[KELLY gestures toward a table near DAN and RAYNE.]

MARTIN: As you can see, I’m very experienced at this.

KELLY: Oh, are you? I don’t really know much about coffee. I think this is a great place though.
A nice place to meet people. And to talk.

[KELLY and MARTIN sit, right behind DAN and RAYNE.]

MARTIN: Actually I’ve never been here before. I was talking about dating. This is my third blind
date in a row.

KELLY: Oh. Well you know how these things can be. Hit and Miss. Maybe you just had some
bad luck.

MARTIN: I guess that’s possible. [Short pause] So, do you think maybe my luck could change?

KELLY: I think maybe it could.

[MARTIN and KELLY smile at one another.]

MARTIN: Because it just seems unlikely that none of them would have worked out. They all
seemed very compatible.

KELLY: What?

MARTIN: My dates. They all seemed compatible. You know--Interests, hobbies ... political
affiliations. I went through a service.

KELLY: A service?

MARTIN: Uh-huh.

[Silence.]
KELLY: >Third blind date in a row. Okay. That’s not so bad. A lot of people have three blind
dates in a row. From a service. That doesn’t make him a freak. It’s not like he has a third eye or
anything.

So...

[The COFFEE HOUSE GUY enters and steps up to MARTIN holding a CD.]

COFFEE GUY: I found that Jazz CD you wanted. I had to dig it out of the back corner of the
stockroom. But it’s still in perfect condition.

MARTIN: Thanks. But she really doesn’t want it.

[COFFEE HOUSE GUY looks from MARTIN to KELLY and back to MARTIN. He
laughs.]

COFFEE GUY: You’re kidding?

MARTIN: Uh--No. I’m not. But thanks.

[COFFEE HOUSE GUY just stares at MARTIN, then exits.]

KELLY: So, how come you went through a service? I mean, you don’t look like you would need
one.

MARTIN: Well it’s been kind of hard to meet people. [Short pause] Since my divorce. And it
seemed like a good idea to find someone whose interests were similar.

KELLY: >Okay, God hates me. Next he’s gonna tell me he voted for Perot.

Well, you know... ... How much can you really tell by those things, really?

MARTIN: You’d be surprised. You can tell a lot about a person by studying demographics.
That’s what I do at the station, actually. I work in marketing. It’s amazing how much you can
predict about people by surveying their preferences. In retrospect I probably should have done
that with my wife before marrying her.

KELLY: >That’s my soulmate.

Really?

MARTIN: Yes. You see the modern study of demographics doesn’t just break people down into
groups by age, gender and ethnicity--you have education, region, family size and type, marital
status--

KELLY: >I want to rip my leg off and beat myself with it.

[KELLY turns to DAN and RAYNE again as MARTIN’s lips continue to move, he is
talking, unaware that her thoughts and focus has shifted elsewhere.]

DAN: The Godfather movies.


KELLY: >Looks like Dan’s moved from music to movies. His favorite movie is the Godfather
trilogy. Shocker, huh? He likes all three, but if he had to pick, Part II would be his favorite.

DAN: If I had to pick, Part II would be my favorite. But I like all three.

KELLY: >Now he’s gonna segue into baseball and start with the Yankees.

RAYNE: You really like Part III? Even with his daughter?

DAN: It wasn’t that bad--compared to the first two, maybe. But not compared to most movies in
general.

RAYNE: I don’t know--I thought she was pretty awful [Imitating Sofia Coppola from Godfather
III] “Dad?”

[DAN and RAYNE laugh again.]

DAN: That’s a good one. [Pause] You know, you have really pretty eyes.

[RAYNE smiles.]

RAYNE: Thanks.

[KELLY watches DAN and RAYNE for a quiet moment. Silence.]

MARTIN: --and that doesn’t even take into account metaphysical considerations.

[KELLY slowly turns back to MARTIN as her focus shifts.]

MARTIN: So, Kelly, tell me. What’s your sign?

KELLY: Uh-huh. Is that Rayne over there?

MARTIN: What?

KELLY: Rayne. She works in your office, right?

MARTIN: Do you know Rayne?

KELLY: >Never met her before in my life.

Only in passing. How about we go over and say hi?

>Rayne works with Martin in the business office, she’s an accountant. Thank you, Raul.

MARTIN: You want to go over there?

KELLY: Yeah, why not? It’ll be fun.

MARTIN: That’s really not how these things go usually. [Short Pause.] You know, I tell you
about me and you tell me about you and we sit and talk. Together. Alone.
KELLY: Come on.

MARTIN: This is really not how these things are supposed to go. Do you like old movies?

[KELLY ignores him and gets up. MARTIN watches her, then follows, slowly.
KELLY leaves her purse behind.]

DAN: Actually, my favorite sport is baseball. I’m a big Yankee fan.

KELLY: >Looks like Dan’s finally moving up to the heavy artillery. I was late but I was right.

[DAN and RAYNE look up to see KELLY and MARTIN.]

MARTIN: Hi.

RAYNE: Hi. [Silence.] Oh. Dan, this is Martin. He works with me in the business office.

DAN: Hi.

MARTIN: Hi. [Pause. Looking at KELLY] Do you mind if Kelly and I join you?

[DAN and RAYNE look at each other for a quick, puzzled moment.]

DAN: [Short pause] Well, I don’t know if--

RAYNE: --I ... guess not.

MARTIN: It’s okay, we could just go back to where—

[KELLY sits.]

KELLY: --Thanks. That’s really nice of you.

[MARTIN sits.]

RAYNE: Um--Martin Michaelson, Dan Lanzetta.

[MARTIN and DAN shake hands. KELLY holds out her hand to RAYNE.]

KELLY: Kelly Donovan.

RAYNE: Rayne Storm. [Pause.] I hate my parents. They never really left the sixties.

MARTIN: Actually you and Kelly know each other. She works in programming.

RAYNE: We do?

KELLY: We only met in passing. Once.

RAYNE: I’m sorry, I don’t remember. Where was it?

KELLY: It was a long time ago... The Christmas Party, I think.


RAYNE: [Short pause.] I started in February.

KELLY: Oh. It must’ve been some other time.

[Silence.]

RAYNE: So you work in programming, too?

KELLY: Yeah.

RAYNE: Dan here works in programming.

[DAN and KELLY turn and “recognize” each other.]

KELLY: I knew I knew you from somewhere.

DAN: Yeah. That’s right. I’m sorry what was your name again? Karen?

KELLY: Kelly.

DAN: Right. [Silence.] So, you guys work at the station, too, huh?

MARTIN: Yeah.

RAYNE: And Raul set you two up as well?

MARTIN: Yeah.

DAN: That’s quite a coincidence.

[KELLY nods and smiles.]

KELLY: >Shut up, Dan.

So Rayne. You work in accounting, right?

RAYNE: Yeah. How did you--? Oh that’s right. Gosh--why don’t I remember you?

KELLY: Believe me. I understand.

RAYNE: But--yeah. I work in accounting.

DAN: Rayne passed the CPA test on her first try.

KELLY: You must come from some family. What do your parents do?

RAYNE: They spent a lot of time following the Grateful Dead around. Now they don’t do
anything.

KELLY: Oh. [Short pause.] So, Do you like it? Accounting?

RAYNE: No. Not really.


KELLY: Oh. [Pause] Are you looking for a new job, then?

RAYNE: No.

KELLY: But you don’t like accounting?

RAYNE: No.

KELLY: Okay.

[Silence.]

DAN: So, Martin. What do you do?

MARTIN: Oh. I work in Marketing. [Pause.] I like it.

DAN: That’s good.

MARTIN: Yeah.

[Silence. The COFFEE HOUSE GUY steps up to the table.]

COFFEE GUY: Would you folks like anything else?

KELLY: >Thank you god.

[RAYNE and DAN exchange a look, shaking their heads.]

DAN: Uh--no. Thanks.

[COFFEE GUY starts to leave, when KELLY stops him.]

KELLY: Rayne, you really should try some of their coffee here. It’s really good. I mean, that’s
what I hear.

RAYNE: Uh ... No. That’s okay. Maybe some other time.

DAN: No. You’re right. That is a good idea. Thanks, Karen.

KELLY: Kelly.

DAN: Right. Get what you’d like, Rayne. [Looking straight at KELLY] My treat.

COFFEE GUY: Do you know what type you’d like?

RAYNE: I’m not really sure. [Laughing] I usually just drink Folgers.

KELLY: Oooh. Rayne. There was this Coffee a friend of mine was telling me about that they
have here. It’s supposed to be really great. Jamaican Blue, I think it’s called.

[DAN who was taking a drink of his coffee nearly spits it out.]
KELLY: Are you okay, Dan?

DAN: I’m fine.

RAYNE: Jamaican Blue? That sounds good. What do you think, Dan?

[DAN glares at KELLY.]

DAN: Sure. That’s fine.

COFFEE GUY: Really. Wow. I’ll have to go in back and find some. That stuff’s really expensive.
They don’t even let us brew it.

KELLY: >Like thirty-eight dollars a pound expensive.

RAYNE: Oh. No. Then I’ll just have some other kind--

DAN: --No. No. That’s fine. [To the COFFEE GUY] A pound of Jamaican Blue.

[COFFEE GUY exits.]

KELLY: >I knew he was gonna do that. He’s so easy. Guinea 101--they’ll never let you think
they’re cheap.

MARTIN: You know, I’m surprised you two don’t know each other better, working in the same
department like you do.

DAN: Well--

KELLY: Actually--

MARTIN: It seems like you would both belong in many of the same demographic groups.

KELLY: Oh. Yeah. Probably.

MARTIN: Has Raul ever tried to set two you up?

KELLY: [Blurted, almost as a laugh] NO!

[DAN turns to KELLY.]

DAN: Why [Imitating her response]“NO!”

KELLY: I... ... just meant that Raul would never set up two people who work in the same area.

MARTIN: That’s true. He never tried to set Rayne and I up either.

RAYNE: Nope. He sure didn’t.

MARTIN: But you do seem very compatible.

RAYNE: [To DAN] Yeah, you and Karen might have made a good match.
KELLY: Kelly.

RAYNE: Right. [Pause. Looking at DAN, smiling] I guess it’s a good thing for me he didn’t set
you up.

DAN: Yeah.

KELLY: >Actually it did happen. Raul told me I should go out with Dan. I told him to shut up and
get me a date.

RAYNE: So, Dan, you were saying that you’re a big Yankee fan?

KELLY: >Yeah. He pretty much lives and dies with them.

DAN: Yeah. I pretty much live and die with them.

KELLY: >Did I mention his ideal date: Taking a girl to Yankee Stadium and singing “Take Me
Out to the Ballgame”. Charming, huh?

MARTIN: I don’t ... really like baseball.

KELLY: >I think I love you Martin. [Staring straight at Dan] Me, neither. I hate it.

[DAN looks from KELLY to MARTIN.]

DAN: [To Martin] You don’t like baseball?

MARTIN: Not really. I don’t. No. .

DAN: You don’t like baseball?

MARTIN: No. I play raquetball.

DAN: But you don’t like baseball?

MARTIN: No. It’s not really my demographic. It’s like that movie, Field of Dreams. I don’t know if
you remember, but we broadcast it last year at the station, and it rated very high among white,
middle-income 18-47 year-old males from suburban nuclear families.

DAN: Huh?

MARTIN: And my parents were divorced. Like me.

DAN: I’m not from the suburbs.

MARTIN: I’m sure that’s true, but--

DAN: No. I am not from the suburbs. New York City, buddy.

[Long silence.]

RAYNE: I never really liked baseball, myself, but... I think I might be willing to learn.
[RAYNE smiles at DAN.]

KELLY: >Willing to learn? What’s she gonna do, go to umpire school?!!

RAYNE: [Pause.] You don’t follow the Yankees around the country or anything like that do you?

DAN: No. Not at all.

RAYNE: That’s good.

[KELLY stares as RAYNE and DAN smile at each other.]

KELLY: So, Martin. You have really nice shoulders. Do you work out?

MARTIN: Oh. Thank you. Yes, I do actually. Five days a week. For about a year. Since the
divorce. I figured it would help my stress level.

KELLY: That’s really great. It’s nice to meet a man who actually goes out and does something
athletic, instead of sitting at home and watching someone else do it on T.V. [DAN turns from
RAYNE to KELLY.] I’m sorry, I didn’t mean to offend you--I’m sure you do a lot of athletic things.
When you aren’t watching your team.

DAN: I do.

KELLY: I’m sure.

[Silence.]

RAYNE: So.

MARTIN: So. [Pause.] This is really awkward.

RAYNE: It’s a little unusual.

MARTIN: Yeah--this isn’t really how these things are supposed to go. Usually.

RAYNE: Well, I don’t know what to do. I feel totally at sea.

MARTIN: That’s dating for you. Maybe Kelly and I should go back to our table and leave you
two--

KELLY: Scuba lessons!

[DAN, MARTIN and RAYNE all turn to KELLY.]

KELLY: Did I tell you guys about the semester that I took scuba lessons? [No Response.] I was
just thinking because you were saying that you felt at sea. And then Martin said dating and I
thought scuba.

>Let’s see if I can pull this one out of my ass.


It means self contained underwater breathing apparatus. You know, you’re lost, you’re at sea in
the world of dating and you need to find your way... ... ...Anyway I had lessons. [Short pause.]
Okay--it’s my senior year in college and I need two extra credits to graduate. So I’m thinking--
Hey scuba lessons--sounds fun, right? It was the most hellish experience of my life. Kind of like
a blind date--except it lasted fourteen weeks. And had a final exam.

[KELLY laughs. No one else does.]

KELLY: So I go out to the lake for the final. They had the final at Lake Mead so we could get a
feel for the real thing. A genuine scuba experience if you will. And of course I get there late--
which I never do. And because I’m late, all the good equipment is taken. And let me tell you, I’m
not exactly Jasques Cousteau to begin with. So I put on the equipment and I plod down to the
boat and get in. We go out a little ways and then all the members of the Las Vegas Junior
Frogman’s Society start flipping off the boat backwards into the lake. So I’m sitting there feeling
sucky and stupid when it occurs to me that I’m the only one left on the boat. I finally get up the
nerve and jump in. And this humongous cloud of dirt and mud comes up. You’re supposed to
take off your mask and clear it as soon as you jump in-- which I forget to do--probably because I
can’t see with the mud cloud around me. And, of course, the mask starts to fill with muddy
water. You’re also supposed to clear your mouthpiece. You’re supposed to take it out of your
mouth and throw it over your shoulder and then put it back in your mouth and blow or
something. I’m about to do that when I realize that I’m floating back to the top. I don’t have
enough weight on my belt. The instructor grabs me and pulls me back down. And I’m thinking, I
paid for this? As soon as he lets go I, of course, start floating back up again and I decide to start
kicking and swim myself back down to the bottom, which kicks up even more dirt and mud then
before. Then I decide to try and clear my mouthpiece. I throw it over my shoulder and reach
back for it, and I can’t find it--because my mask has now filled with muddy water. So there I was
like Pigpen, kicking up a giant mudcloud around me, blind, frantically searching for my
mouthpiece while floating slowly to back the top –the absolute worst experience of my life one
big, giant, muddy mess!

DAN: And to top it off she got a speeding ticket on the way home.

[MARTIN and RAYNE slowly turn to DAN.]

DAN: Shit.

RAYNE: Oh, my god.

KELLY: >Okay this sucks pretty bad.

Oh my god is right--how did you know that about me?

DAN: Give it up, Kelly.

KELLY: Were you eavesdropping on me at work?

DAN: Kelly!!!

MARTIN: You two ... know each other?

RAYNE: Of course they know each other!


DAN: Sorry?

KELLY: Can I tell you how much I hate you right now?

DAN: Hate me? It was your idea. I didn’t even want to come here tonight!

RAYNE: You didn’t even want to... What is this some sick game you guys play?

KELLY: No!

DAN: No! [Short Pause] It was an accident. We were just covering for each other.

RAYNE: Covering for each other?

DAN: Well you know these things can be really awkward.

RAYNE: And you thought this would make it better?

DAN: No! I just thought that—

KELLY: Shut up, Dan. Just Shut up.

[Long silence.]

MARTIN: You know, this never happened to me before.

RAYNE: People today have no morals.

MARTIN: I agree.

RAYNE: It’s everywhere. Just look at politics.

MARTIN: That’s why I voted for Perot.

RAYNE: [Short pause] Really? Me too.

[RAYNE and MARTIN stare at each other for a moment, then RAYNE stands up
and grabs her purse.]

DAN: Where are you going?

[RAYNE glares at DAN.]

DAN: I guess you’re leaving, huh? [Pause.] Bye.

RAYNE: You both have major problems. You’re very obsessive people. Believe me. I’d know.

[RAYNE gets up, as does MARTIN. MARTIN turns again to KELLY and DAN.]

MARTIN: You know, this really never happened to me before.

RAYNE: [To Dan] And by the way, I was lying. I really hate baseball.
[MARTIN turns to RAYNE as they start out.]

MARTIN: You hate baseball? Me, too.

RAYNE: [Looking at MARTIN as if for the first time] That’s great!!!

MARTIN: Do you like old movies?

[MARTIN and RAYNE exit. KELLY glares at DAN. Finally he looks at her.]

DAN: What?!

KELLY: What do you mean “what”? You did that on purpose.

DAN: No I didn’t! [Pause.] And you didn’t say you were gonna come over and sit with us.

KELLY: And you didn’t say you were gonna be feeling her up right in front of me.

DAN: I was not feeling her up.

KELLY: You know, friends or not, that’s pretty classless, throwing that in my face.

DAN: It’s a date, Kelly. What did you think I’d do? Punch her in the nose?

KELLY: She wasn’t even your type.

DAN: What is that supposed to mean?

KELLY: I don’t know, she seemed a little thin, Dan. I don’t think she had wide enough birthing
hips for you!

DAN: [Short pause.] What was all that stuff about Martin’s shoulders?

KELLY: Hey--if you can do it--

DAN: --The stupid sissy’s dad was teaching him how to knit while the rest of us were playing
catch.

KELLY: At least he knows how to say Celtic.

DAN: Oh and you’re an expert on Celtic culture or something?!

KELLY: I’M IRISH!!!

DAN: SO?!!! [Pause] Look, if you didn’t want to see me with another girl, you should’ve just met
Sissy Boy someplace else.

KELLY: I was going to, but I didn’t want to abandon you!!! You know, I was supposed to find my
soulmate tonight.

DAN: You were supposed to find what?!


KELLY: Why should I have to go someplace else?

DAN: You don’t like coffee!!

KELLY: They Serve Juice. I like Juice. [Pause.] I didn’t want to go on a blind date in the first
place.

DAN: Then why did you set it up?!

KELLY: I don’t know. Maybe to see if you’d stop me, you stupid Guinea.

DAN: I hate it when you call me that.

KELLY: I actually thought that after we held hands, you might get some guts.

DAN: I did not hold your hand! [No response.] I was helping you up!

KELLY: You didn’t let go for fifteen minutes.

DAN: Neither did you.

KELLY: Right.

DAN: Right. One minute you’re holding my hand and the next you’re going to our Remote
Segment director and asking him to set us up on blind dates.

KELLY: I was trying to see--

DAN: Bullshit. You’re just jealous that someone likes me. That’s all.

KELLY: Jealous?!! Please. There is no way Rayne Storm would like you.

DAN: Why not?

KELLY: Do you really think little miss CPA was going to learn baseball for you? There is no way
she’d stay interested in the Yankees when they drop three out of four to Detroit at home!

DAN: [Pause.] How did you know they lost three out of four to Detroit?

KELLY: I watch CNN. Detroit sucks, Dan.

DAN: You’ve been watching the Yankee scores for me?

KELLY: I wouldn’t have if I’d known you were going to whisper sweet nothings to her right next
to me.

DAN: What are you talking about?

KELLY: Gee, Dan, I don’t know. Something to do with you telling her how pretty her eyes were.

DAN: I didn’t know.


KELLY: You never once told me I had pretty eyes, Dan.

DAN: That’s not fair. [Pause.] I love your eyes.

[KELLY turns to DAN.]

KELLY: Don’t you even try it!

DAN: Try what?

KELLY: Just forget about it, okay?

DAN: I don’t want to forget about it. Her eyes were okay, but they’re not like--

KELLY: Fine, Dan. Okay. Come on. Get it over with. What do my eyes look like?

>He’s gotta start. He always does this. He’ll make up some big flowery comment about my eyes
and then my hair and then--

DAN: --Home. They look like home.

[Silence. KELLY and DAN stare into each other’s eyes for a long moment.]

KELLY: You big jerk.

DAN: [Smiles.] I’m sorry.

KELLY: Me, too. [Laughing to herself.] Can I tell you how completely like shit I feel.

DAN: Me, too.

KELLY: I think we should quit our jobs. No, move. A small state would be good. No
infrastructure to speak of. Maybe pony express. [Pause.] I wish they had an Idaho for liberals.

[The COFFEE HOUSE GUY comes over to DAN and KELLY with a large bag of
coffee in a green velvet bag. He sees that RAYNE is gone and just stares at KELLY
and DAN for a moment.]

COFFEE HOUSE GUY: I don’t suppose you want this anymore, do you? No.

[COFFEE HOUSE GUY picks up Martin and Rayne’s cups.]

COFFEE HOUSE GUY: Okay--If you guys want anything else, let me know. Otherwise I think
we’re kinda closing.

[He starts back toward the counter, then turns back briefly.]

COFFEE HOUSE GUY: But thanks. I really enjoyed having you guys here, tonight. Really. I
learned a lot about our stockroom. Really. Thank you.

[The COFFEE HOUSE WORKER exits.]


DAN: So, Celtic and Irish are the same thing, huh?

KELLY: Sort of. Like Roman and Italian.

DAN: Oh. [Pause.] That makes sense. The Boston Celtics have a shamrock on their logo.

[KELLY and DAN stand to leave. DAN holds out his hand for KELLY. She looks at it
for a long moment, then takes it.]

KELLY: You should probably know. I have rotten luck, usually.

[DAN and KELLY start out together, hand in hand.]

KELLY: The last date I went on, we got into a fifteen minute discussion over which Star Trek
movie Shatner’s toupee was better in.

DAN: Star Trek II. [KELLY shakes her head.] Well, you know what my ideal date is.

KELLY: Yankee Stadium. Take me out to the ballgame. [Short pause--a lightbulb goes off in
Kelly’s head] There’s musical notes involved in “Take me out to the ballgame!”

DAN: What?

KELLY: Never mind.

>Close enough.

[They’re about to exit, when she stops for a moment.]

KELLY: Oh. I forgot my purse.

[KELLY steps back to the table she was sharing with Martin and grabs her purse.
She starts back toward DAN.]

KELLY: >That’s Dan. He likes me.

[KELLY takes DAN’s hand and they exit, together.]

END OF PLAY

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Kelly uses humor and sarcasm as coping mechanisms to deflect discomfort and to navigate awkward interactions, such as when diverting attention with her scuba lessons story or deploying self-aware jokes about her relationships. This showcases her reliance on irony to manage personal vulnerabilities and societal expectations humorously, often diffusing tension but also sometimes exacerbating or misaligning expectations when her humor fails to resonate. Her sarcasm becomes a protective shield that allows her to control social narratives and maintain a semblance of composure .

The theme of misunderstanding pervades character interactions, causing friction and misalignments. Misunderstandings range from the trivial—like the pronunciation of Celtic/Seltic—to the personal, such as assumptions about ideal partners or relationship dynamics. These misconceptions lead to conflicts or reinforce existing tensions, as seen in the misread potential between Dan and Kelly or the awkward exchange over Martin's blind dating experiences. Such misunderstandings underscore the challenges characters face in effectively communicating and perceiving each other's true intentions and preferences, often leading to comedic or tense outcomes .

Kelly's perception of religion and her contentious relationship with her mother manifest in her sarcastic and dismissive stance toward religious signs, as seen in her mock confession about finding God through a man and a mug. This demonstrates her struggle with her mother's expectations and her tendency to express herself through irony. At the coffee shop, this influences her behavior by adding to her anxiety and self-reflection about relationships and meeting new people, indicating a person who's defensive about her beliefs and wary of judgment .

Martin's reliance on demographics for understanding people suggests a methodical and analytical approach to relationships. He uses demographic data to predict compatibility in his personal life, indicating a belief that scientific data can influence personal connections as it does in professional settings. His statement about missing the opportunity to apply this analytical skill to his marriage highlights both a dependence on data-driven decisions and a possible detachment from emotional intuition, potentially limiting the spontaneity and organic growth in his relationships .

Marty's marketing-oriented perspective, focusing on demographics and psychographics, heavily informs his views on relationships. He applies analytical and research-based strategies to personal connections, believing that data—and by extension, demographic compatibility—yields effective understanding and interaction in dating. This pragmatic and quantitatively driven viewpoint suggests an approach that values logical predictability over emotional chemistry. It implies both a systematic efficiency and a possible restriction of organic relationship development, demonstrating his belief that personal and professional realms are navigable with similar strategic frameworks .

Kelly employs humor and distraction to mediate social tension, like when she pivots awkwardness by mentioning her scuba diving lessons. This suggests she uses storytelling to diffuse discomfort, showcasing her ability to introduce levity and redirect conversations in tense moments. Her actions reveal a knack for improvisation and a willingness to employ self-deprecating humor. However, this can sometimes backfire, as seen when her attempts do not elicit the expected laughter, indicating limitations in her effectiveness through select contexts and audiences .

Rayne’s decision to leave after realizing she was inadvertently involved in Dan and Kelly's dynamic indicates her distaste for deception and drama. Her observation that people have 'no morals' and her alignment with Martin over shared political views highlight her value for sincerity and mutual understanding. Her abrupt exit suggests a preference to disassociate from relationships or environments that compromise these principles, underlying a pragmatic approach to social interactions where personal dignity and alignment of values are paramount .

The interaction between Kelly and Dan reveals a complex, bickering friendship where underlying tension suggests a deep familiarity with each other's quirks and preferences. Kelly views Dan as tactless and often annoying, calling him 'the ex-wife he never wanted,' indicating they have a relationship ripe with banter and frustration but perhaps also buried affection or connection. This relationship affects their potential romantic involvements as it creates awkwardness and jealousy. Dan's ideal partner is someone who can appreciate his love for sports, especially the Yankees, which might not align with Kelly's disinterest or disdain for the same .

Dan argues for the pronunciation 'seltic' based on its use by the Boston Celtics, a professional basketball team. He uses their authority and success as justification, suggesting that they would naturally know how to pronounce their name correctly due to their status and achievements. This argument reflects Dan's personality as someone who highly regards mainstream, popular, or successful establishments and sees them as benchmarks for correctness, illustrating a pragmatic yet somewhat superficial approach to cultural and linguistic debates .

Dan's unwavering support for the Yankees acts both as a defining and divisive element in his relationships. His intense passion for the team means that compatibility with his sports interests becomes a significant criterion for potential partners, as seen in his idealized vision of a partner who can share or tolerate his fervor. This devotion can alienate individuals like Martin, who have no interest in baseball, thereby limiting Dan’s relational pool and fostering tension with those who do not share his enthusiasm or prioritize different interests .

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