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"Two Kinds Comprehension Questions"

The document contains comprehension questions and vocabulary exercises related to Amy Tan's story 'Two Kinds.' It assesses understanding of character motivations, themes, and vocabulary from the text. The questions focus on Jing-Mei's relationship with her mother and her struggles with identity and expectations.

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lara ghaddar
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0% found this document useful (0 votes)
50 views2 pages

"Two Kinds Comprehension Questions"

The document contains comprehension questions and vocabulary exercises related to Amy Tan's story 'Two Kinds.' It assesses understanding of character motivations, themes, and vocabulary from the text. The questions focus on Jing-Mei's relationship with her mother and her struggles with identity and expectations.

Uploaded by

lara ghaddar
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

“Two Kinds” Amy Tan Name: ___________________________

Date: ___________________________

Block: ___________________________

COMPREHENSION Write the letter of the best answer to each of the following items.

__A___1. Jing-Mei’s mother’s life in China was hard because she—


A) lost her home and family C) lost her family’s vast fortune
B) was wounded in war D) was not allowed to practice her religion

__A___2. According to Jing-mei’s mother, what are the “two kinds”?


A) Daughters who obey and daughters who follow their own minds
B) Great pianists and all other pianists
C) People who try their best and people who are lazy
D) Parents who are proud and loving and parents who are selfish

__D___3. When Jing-mei sees her “prodigy side” in the mirror, she realizes that she—
A) has successfully become a prodigy
B) has inherited that side of herself from her mother
C) has no right to think so well of herself
D) must resist her mother’s efforts to make her a prodigy

__B___4. The mother immediately gives up her goals for Jing-mei when—
A) Jing-mei calmly explains her real goals C) the school guidance counselor offers sound
B) Jing-mei mentions the dead twin girls advice
D) Old Chong raises his fee

__C___5. The main source of conflict between Jing-mei and her mother is Jing-mei’s—
A) friendship with her cousin Waverly C) need to be appreciated for who she is
B) dislike for Old Chong, the piano teacher D) desire to be just like Shirley Temple

VOCABULARY DEVELOPMENT Match the definition on the left with the vocabulary word on the right. On the line provided,
write the letter of the correct vocabulary word.

__B___6. without energy or interest A) prodigy

__E___7. clashing; not harmonious B) listlessly

__D___ 8. total failure C) mesmerizing

__C___9. spellbinding; fascinating D) discordant

__A___10. child of highly unusual talent or genius E) fiasco

VOCABULARY SKILL Choose the best meaning of the underlined word. Look for context clues in the sentence to help you
determine the word’s meaning.

___C__11. “Ni kan,” said my mother as Shirley’s eyes flooded with tears.
A) Dried up D) Darkened
B) Reddened
C) Filled

This study source was downloaded by 100000877419930 from [Link] on 04-11-2025 [Link] GMT -05:00

[Link]
___A__12. The instructor of the beauty training school had to lop off these soggy clumps to make my hair even again.
A) Cut C) Wash
B) Add to D) Rub

___B__13. I whined and then kicked my foot a little when I couldn’t stand it anymore.
A) Spat C) Laughed
B) Complained D) Howled

__B___14. I dawdled over it, playing a few bars and looking up to see what notes followed.
A) Wasted time C) Practiced hard
B) Concentrated D) Hurried

___D__15. After our struggle at the piano, she never mentioned my playing again.
A) Opportunity C) Fistfight
B) Experience D) Conflict

LITERARY FOCUS Write the letter of the best answer to each of the following items.

__C___16. What can you infer was Jing-mei’s motivation for bringing up the dead babies?
A) To make her mother sad C) To shock her mother
B) To make Waverly sad D) To shock Waverly

__C___17. At first, her mother’s ambitions for Jing-mei are motivated by—
A) the family’s extreme poverty C) a belief that America is the land of opportunity
B) resentment of her sister D) Chong’s enthusiastic reports

__C___18. Jing-mei’s motive for not working hard at her piano lessons is that she—
A) has no love or respect for her mother C) resents the pressure from her mother
B) dislikes the instructor D) wants to play chess like her cousin

READING FOCUS Write the letter of the best answer to each of the following items.

__A___19. Based on Jing-mei’s behavior toward her mother, a reader can infer that Jing-mei is—
A) strong willed C) old-fashioned
B) hard working D) easily fooled

__C___20. Based on the mother’s behavior toward Jing-mei, a reader can infer that the mother—
A) wants Jing-mei to be a pianist just like she was C) wants Jing-mei to succeed and reach her potential
B) is unhappy she left China D) gives up easily

___C__21. When Jing-mei daydreams about people jumping to their feet and Ed Sullivan rushing onto the stage after her recital, we
can infer that Jing-mei—
A) is well prepared for the recital C) will amaze the audience with her ability and
B) is a prodigy confidence
D) does not have a realistic understanding of her
abilities

This study source was downloaded by 100000877419930 from [Link] on 04-11-2025 [Link] GMT -05:00

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Common questions

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Jing-mei's perception of her abilities is shaped by her resistance to her mother's expectations. She daydreams about achieving great success but is not committed to the hard work required, reflecting a lack of realistic self-assessment and the internal conflict she faces between her desires and her mother's demands . Her imagination of people applauding her talent on stage, despite her lack of preparation, suggests her desire for recognition without effort. This reveals her struggle with identity and self-worth, as she oscillates between wanting to fulfill her mother's dreams and asserting her independence . Her character development is marked by a gradual acknowledgment of her limitations and a deeper understanding of her mother's motivations.

The primary conflict between Jing-mei and her mother stems from differing expectations; Jing-mei's mother holds traditional beliefs that view obedience and the pursuit of excellence as a sign of filial piety and success . Her mother believes in the American Dream and that America offers opportunities for unprecedented success, thus pushing Jing-mei to be a prodigy . In contrast, Jing-mei desires to be appreciated for who she is and resists these expectations, leading to tension and disputes . This conflict highlights the cultural clash between traditional Chinese values of obedience and the American emphasis on individualism and self-determination.

The conflict over piano lessons in "Two Kinds" highlights broader themes of generational differences and cultural expectations. Jing-mei's mother embodies traditional values and the immigrant pursuit of the American Dream, leading her to impose ambitious expectations on her daughter . Conversely, Jing-mei represents a younger generation grappling with the dual identity of cultural heritage and American individualism, choosing to resist these expectations . This intergenerational conflict underscores the challenges faced by immigrant families in balancing cultural preservation with adaptation, as both characters navigate misunderstandings borne from distinct worldviews and lived experiences.

Cultural identity fundamentally shapes Jing-mei's mother's motivations. Coming from a background of hardship in China, she views the opportunities in America as a chance for her daughter to succeed and fulfill unachieved dreams, motivated by the belief that America is the land of opportunity . This perspective leads her to impose expectations of success on Jing-mei, fostering a relationship built on ambition rather than emotional understanding. The cultural emphasis on achievement and honor pressures Jing-mei, leading to resistance and a strained relationship as she navigates her own identity against these expectations .

The concept of "two kinds" in "Two Kinds" symbolizes the duality permeating Jing-mei's life and her relationship with her mother. Jing-mei's mother describes "two kinds" as daughters who obey versus those who follow their own minds, which echoes the broader theme of compliance versus independence . This dichotomy represents Jing-mei's struggle between conforming to her mother's vision of an obedient, successful child and asserting her individuality. It also captures the broader dualities she faces: the push-and-pull between American and Chinese cultural values, and the tension between generational expectations and personal aspirations, all of which define her character’s journey.

In "Two Kinds," Amy Tan utilizes the piano as a powerful symbol representing Jing-mei's struggle with identity and self-worth. Initially, the piano symbolizes her mother's dreams and expectations, which Jing-mei resents as she perceives them as pressures rather than opportunities. Her resistance to practicing the piano highlights her defiance and desire to forge her own path . As the story progresses, the piano comes to represent Jing-mei's internal conflict between fulfilling her mother's aspirations and seeking her own identity. Ultimately, the piano becomes a symbol of reconciliation, indicating Jing-mei's understanding and acceptance of her complexities and the nuances in her relationship with her mother.

The mother's decision to cease mentioning the piano after their conflict symbolizes a turning point in their relationship. It signifies a tacit acknowledgment of Jing-mei's autonomy and an end to the active pursuit of her dreams for her daughter. This cessation reflects the deep-seated disappointment both feel but also indicates a reluctant acceptance of Jing-mei's resistance to maternal expectations . The piano, initially a tool for accomplishment, becomes a symbol of the unresolved tensions and unfulfilled potential between them, highlighting the complexities of their bond influenced by cultural and personal aspirations.

"Two Kinds" explores the theme of parental expectations and its influence on children's autonomy by portraying the intense pressure Jing-mei faces from her mother's ambitious demands. Her mother believes wholeheartedly in the boundless possibilities offered by America, leading her to assert control over Jing-mei's pursuits . However, this undermines Jing-mei's autonomy, causing friction and resistance as she yearns to discover her own identity and aspirations. The story showcases the detrimental effects of imposing rigid expectations, prompting readers to consider the importance of supporting children in developing their individuality and respecting their personal journey towards self-discovery.

The theme of disillusionment in "Two Kinds" is evident through Jing-mei's piano lessons. Initially encouraged by her mother's belief that she could be a prodigy, Jing-mei fantasizes about performing brilliantly. However, her lack of genuine interest and practice results in failure, such as during the recital where her lack of preparation is exposed, causing her embarrassment and realization of her unrealistic expectations . Her disillusionment grows as she understands the disparity between her dreams and reality, reflecting her internal conflict with her mother's aspirations for her. This failure at the piano becomes a metaphor for her struggles with identity and self-acceptance.

"Two Kinds" illustrates the impact of deferred dreams within an immigrant family by highlighting the unfulfilled aspirations of Jing-mei's mother, who projects her own ambitions onto her daughter, hoping for success in America as a means of redemption after the losses suffered in China . This transfer of dreams places a heavy burden on Jing-mei, leading to psychological conflict and resistance. For the mother, the deferral of her own dreams results in increased pressure on her daughter, while for Jing-mei, it creates tension between pursuing personal desires and meeting familial obligations. This dynamic captures the complex interplay of aspiration, sacrifice, and expectation in immigrant narratives.

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