Teaching Music with Recorders in Schools
Teaching Music with Recorders in Schools
RECORDER PROJECT
INTRODUCTION
the most delightful melodies and would tell you about instruments
what makes the music." Rubem Alves - The Joy of Teaching.
Teaching music with the help of the Recorder brings many benefits such as
like:
Motor coordination and good body posture;
2. Controle do ar e da respiração;
Good sense of time;
4. Sense of organization;
5. Rhythm and melody;
6. Observation and attention;
7. Memory;
8. Language development;
9. Contact with mathematics;
10. Valuing teamwork;
11. Individual expression;
Logical reasoning;
13. Self-discipline and diligence (interest in a task); etc.
MATERIAL USED
25 recorders will be needed for the students of the 3rd year A. Each
the instrument will be used individually, as it is a wind instrument,
in which the mouth is used.
The recommended flute for beginners is the Baroque Recorder, this is the
that has the minimum quality to achieve a good sound result.
TRC56B
Baroque Soprano Recorder TRC56B Concert Soprano Pitch: C.
Baroque Typing, ABS Resin. Constructed in 3 pieces, with a typing table.
Its price ranges from R$ 15.54 to R$ 35.26.
Another widely used flute is the German Recorder, it is one of the
cheaper.
B9318
METHODOLOGY
This work will be carried out with students of the 3rd grade A, in the afternoon shift.
a total of 25 students. It will be taught by the class's main teacher who plays
sweet flute since the same age as your students.
The contents mentioned below will be worked on:
MUSIC
Music is one of the main elements of our culture. There are indications of
that music has been produced since prehistory, probably as a consequence
from the observation of the sounds of nature. It dates back to around 60,000 B.C.
of a bone flute and from 3000 B.C. the presence of lyres and harps in
Mesopotamia. In the Greek pantheon, for example, Apollo is the deity that governs the
arts. That is why we see several representations of him, in which he holds a lyre. Worth
remember that inAncient Greeceonly music and poetry were considered
artistic manifestations as we understand them today.
Sweet Flute
The instrument originated in Europe, probably in Italy, by
around the year 1300, when it was played together with other instruments of
blow and strings.
Around the year 1600, it also became a solo instrument and had its
its height. The most famous recorder maker at the time was called
Many of Joseph Rottenburg's flutes are now in important
museums and served as inspiration for current flutes.
They were made of selected wood, to produce quality sound.
Currently, flutes are also made of plastic, a material that is easier to be.
preserved and of lower cost.
The most well-known recorder is the soprano recorder, which has a
high-pitched sound. In fact, it belongs to a family that also includes the
contralto, tenor and bass flutes, larger and with a deeper sound. It is the quartet of
sweet flutes, with a shape similar tostring family: violin, viola,
cello and double bass.
The soprano has high sounds, is the most popular, making many
They think she is the only one who is the 'recorder'.
Parts of
Flute
Sweet
DO YOU KNOW THE DIFFERENCE BETWEEN LOW AND HIGH SOUNDS?
The musical notes are 7 (seven): do, re, mi, fa, sol, la, si.
They represent the tone, variation of bass and treble, of sounds.
It also has ascending and descending order.
SCORE
G Clef
The tip of the flute rests on the lower lip, close your lips tightly for the air.
do not escape from the sides.
Let's breathe with the diaphragm and not with the shoulders.
This breathing will make the sound consistent when playing the recorder.
it's pretty.
Diaphragmatic breathing is what you do when you are sleeping!
BREATHE THROUGH THE MOUTH!
WHISPER SOFTLY.
TYPING ON THE BAROQUE FLUTE
DURATION OF SOUND
There are long sounds and short sounds. In the recorder, we can play long sounds - and
short sons
Exercises:
− − − − −− − − − −
you you you you you you you you you you
LEFT THUMB
In these exercises, you will use only the notes E, G, and A.
Do the following exercise:
Position your fingers for the note E in the 1st octave. Keeping the blow of
a long note, (blow for 10 to 15 seconds, at least).
Open a slit in the hole of the left thumb (only the left thumb)
will be used) leaving open only 1/4 or 1/3 of the hole, so that the sound
it will transform in my 2nd octave. Do this several times during the 10 to 15
seconds (Mi1, Mi2, Mi1, Mi2..., Mi1, Mi2 - the number after the note represents the octave).
Repeat this exercise with the notes G and A! Repeat the exercise for the
minus 10 times in each note. Start memorizing the positions.
As an addition to the previous exercise, play between each of the notes.
the D note of the second octave - that is: in E for example - play E1, D2, E2,
Ré2, Mi1 (o n° representa a oitava) - Faça a mesma coisa com as notas Sol e Lá!
Normally, with the intensity of the blow on the note E2, one can play up to
Bb2.
You are breathing many times in the middle of a sentence. Normally
when we play songs that people know, we breathe at the same points in
What a person singing breathes!
Sometimes we eliminate some breathing points!
Do the long notes exercise on the recorder, but in the following way:
Play the C scale in two octaves.
In each note you will pronounce the articulations: ta-te-ti-to-
where is the vibrato. If it gets complicated to do the vibrato, leave it.
he for later.
Do this for each note of the C scale.
Then, do the same for the C# (or Db) scale, train all the
major scales in normal form.
É necessário ter as escalas na ponta dos dedos - em todos os tons.
It is important to know the pentatonic scales in every key.
Grande parte do aprendizado vem do ouvir! Por isso é fundamental você
listening to a lot of music played on the flute, and also on other instruments.
It is necessary to be aware of the harmonic field - in summary: to know
what chord is being played and to use the notes from the scale of the tonic of the chord
Normally, creativity comes as a result of training and
mainly listen to examples and songs;
MELODIC FIGURES
Sweet Flute[Link]
ROSA, Nereide Schilaro saint. Recorder Method for Children. Ed. Scipione:
São Paulo, 1993.