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Grease Musical Lyrics and Script Guide

The document provides guidance for cast members of a production of 'Grease' on how to read and perform the lyrics and script. It emphasizes the importance of paying attention to character names and formatting to ensure correct lip-syncing and singing parts. Additionally, it includes a list of cast members and their roles, as well as specific instructions for certain songs.

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isabella.a.bitar
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0% found this document useful (0 votes)
36 views7 pages

Grease Musical Lyrics and Script Guide

The document provides guidance for cast members of a production of 'Grease' on how to read and perform the lyrics and script. It emphasizes the importance of paying attention to character names and formatting to ensure correct lip-syncing and singing parts. Additionally, it includes a list of cast members and their roles, as well as specific instructions for certain songs.

Uploaded by

isabella.a.bitar
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

‭Grease‬

‭Lyrics and Script‬


‭Hi Friends!‬
‭Please don’t be alarmed when you first look at this, I can agree, it’s intimidating‬
‭at first glance. Remember to look at this when listening to the final music cut‬
‭that is posted on band (I’m happy to airdrop or send the file to you when I see‬
‭you on Wednesday if that is easier for you.)‬
‭When reading a script like this, you want to pay attention to whatever name‬
‭that is bracketed above the lyrics or lines, for example…if you are cast as Danny‬
‭and you are looking at the Summer Nights script…‬
‭[DANNY]‬
‭SUMMER LOVIN’ HAD ME A BLAST!‬
‭[SANDY]‬
‭SUMMER LOVIN’ HAPPENED SO FAST!‬
‭ ou would be lip syncing only what is below “[DANNY]”‬
Y
‭Sometimes it's not as straightforward as that. As you know, a lot of times in this‬
‭production we have layered voices, which means there are multiple characters‬
‭or groups singing different things at the same time. When that happens, pay‬
‭close attention to the format of your character's name, as the lyrics will mirror‬
‭the same format. For example…‬
‭[DANNY & SANDY]‬‭(FULL CAST ON STAGE)‬
‭YOU’RE THE ONE THAT I WANT!‬
‭(‭Y
‬ OU ARE THE ONE I WANT!)‬
‭YOU-WHO-WHO-HONEY!‬
‭When looking at this section, Danny and Sandy's character names are written‬
‭in‬‭BOLD CAPS,‬‭so they would only sing the lyrics written in‬‭BOLD CAPS.‬
‭Whereas the rest of the cast is in‬‭ITALICIZED CAPS,‬‭so they would only sing‬
‭the lyrics written in‬‭ITALICIZED CAPS.‬
‭To aid in clarity when practicing, I highly suggest highlighting any and all lyrics‬
‭you are responsible for learning.‬

‭If you have any questions or are in need of clarification, please let me know!‬
‭Cast (as seen in document)‬
‭ BIRDS‬
T ‭PINK LADIES‬
‭ ANNY………….. JULES‬
D ‭ ANDY…………….. VANESSA‬
S
‭KENICKIE……. BELLA‬ ‭RIZZO……………… ANNIE‬
‭DOODY…………. SAMMY‬ ‭FRENCHIE…….. LAYCIE‬
‭SONNY …………. CAROLINE‬ ‭MARTY …………… OLIVIA‬
‭PUTZIE …………. TAYLOR‬ ‭JAN …………………… BROOKE‬

‭MALE CHARACTERS FEMALE CHARACTERS‬


‭DANIEL ALANNA‬
‭CECI EMMILYN‬
‭THEA ANTONELLA‬
‭ZOE LAYLA‬
‭ALYSSA LILY‬
‭GRACE‬
‭ELLA‬

‭GREASE IS THE WORD‬

‭No lip syncing required‬


‭SUMMER NIGHTS‬
{‭ DANNY]‬
‭SUMMER LOVIN', HAD ME A BLAST‬
‭[SANDY]‬
‭SUMMER LOVIN', HAPPENED SO FAST‬
‭[DANNY]‬
‭I MET A GIRL CRAZY FOR ME‬
‭[SANDY]‬
‭MET A BOY CUTE AS CAN BE‬
‭[DANNY & SANDY]‬
‭SUMMER DAYS DRIFTIN' AWAY‬
‭TO, UH OH, THOSE SUMMER NIGHTS‬
‭[T-BIRDS]‬
‭OH WELL-A, WELL-A, WELL-A, UH‬
‭TELL ME MORE, TELL ME MORE‬
‭[PUTZIE]‬
‭DID YOU GET VERY FAR?‬
‭[PINK LADIES]‬
‭TELL ME MORE, TELL ME MORE‬
‭[FRENCHIE]‬
‭LIKE DOES HE HAVE A CAR?‬

[‭ PINK LADIES / T-BIRDS]‬


‭DOWN DOOBIE-DOO, DOOBIE-DOO / UH-HUH, UH-HUH‬
‭DOOBIE DOOBIE DOOBIE-DOWN / UH-HUH, UHHH-HUH‬
‭DOWN DOOBIE-DOO, DOOBIE-DOO / UH-HUH, UH-HUH‬
‭DOOBIE DOOBIE DOOBIE-DOWN / UH-HUH, UHHH-HUH‬

[‭ DANNY‬‭(PINK LADIES / T-BIRDS)‬‭]‬


‭TOOK HER BOWLIN' IN THE ARCADE‬
‭(DOWN DOOBIE-DOO, DOOBIE-DOO, DOOBIE DOOBIE DOOBIE-DOWN /‬
‭UH-HUH, UH-HUH, UH-HUH, UHHH-HUH)‬
[‭ SANDY‬‭(PINK LADIES / T-BIRDS)‬‭]‬
‭WE WENT STROLLIN', DRANK LEMONADE‬
‭(DOOBIE-DOO, DOOBIE-DOO, DOOBIE DOOBIE DOOBIE-DOWN / UH-HUH,‬
‭UH-HUH, UH-HUH, UHHH-HUH)‬
‭[DANNY (‬‭PINK LADIES / T-BIRDS)‬‭]‬
‭WE MADE OUT UNDER THE DOCK‬
‭(DOOBIE-DOO, DOOBIE-DOO, DOOBIE DOOBIE DOOBIE-DOWN / UH-HUH,‬
‭UH-HUH, UH-HUH, UHHH-HUH)‬
‭[SANDY (‬‭T-BIRDS & PINK LADIES)‬‭]‬
‭WE STAYED OUT TILL TEN O'CLOCK‬
‭(DOO-RA-RA, DOO-RA-RA, DOO-RA-RA)‬

[‭ DANNY & SANDY]‬


‭SUMMER FLING DON'T MEAN A THING‬
‭BUT, UH OH, THOSE SUMMER NIGHTS‬
‭[T-BIRDS & PINK LADIES]‬
‭WOAH, WOAH, WOAH‬
‭[PINK LADIES]‬
‭TELL ME MORE, TELL ME MORE‬
‭[JAN]‬
‭HOW MUCH DOUGH DID HE SPEND?‬
‭[T-BIRDS]‬
‭TELL ME MORE, TELL ME MORE‬
‭[SONNY]‬
‭COULD SHE GET ME A FRIEND?‬

[‭ DANNY & SANDY]‬


‭SUMMER DREAMS RIPPED AT THE SEAMS‬
‭BUT, OH, THOSE SUMMER NIGHTS‬
‭[MALE & FEMALE CHARACTERS]‬
‭TELL ME MORE, TELL ME MORE‬
‭GREASED LIGHTNIN’‬
[‭ DANNY]‬
‭WHY THIS CAR IS AUTOMATIC‬
‭IT'S SYSTEMATIC‬
‭IT'S HYDROMATIC‬
‭WHY, IT'S GREASED LIGHTNIN’‬
‭[KENICKIE]‬
‭GREASED LIGHTNIN’‬
‭[DANNY]‬
‭WE'LL GET SOME OVERHEAD LIFTERS‬
‭AND FOUR BARREL QUADS, OH YEAH‬
‭[KENICKIE]‬
‭KEEP TALKING, OH, KEEP TALKING‬
‭[DANNY]‬
‭FUEL INJECTION CUTOFFS‬
‭AND‬‭C‭H
‬ ROME PLATED RODS, OH YEAH‬
‭[KENICKIE]‬
‭I'LL GET IT READY, I'LL KILL TO GET IT READY‬
‭[DANNY]‬
‭WITH THE FOUR SPEED ON THE FLOOR‬
‭THEY'LL BE WAITING AT THE DOOR‬
‭YOU KNOW WITHOUT A DOUBT‬
‭I'LL BE REALLY MAKING OUT IN GREASE LIGHTNING‬
‭[MALE CHARACTERS ON STAGE]‬
‭GO, GO, GO, GO, GO....‬
‭ ANCE BREAK‬
D
‭[ALL MALE CHARACTERS ON STAGE]‬
‭GO, GREASE LIGHTNING, YOU'RE BURNING UP THE QUARTER MILE‬
‭GREASE LIGHTNING, GO, GREASE LIGHTNING‬
‭GO, GREASE LIGHTNING, YOU'RE COASTING THROUGH THE HEAT LAP‬
‭TRIAL‬
‭GREASE LIGHTNING, GO, GREASE LIGHTNING‬
‭YOU ARE SUPREME (UH HUH)‬
‭ HE CHICKS'LL SCREAM (UH HUH)‬
T
‭FOR GREASE LIGHTNING, lightnin’, lightnin’, lightnin’, lightnin’, lightnin’,‬
‭lightnin’, lightnin’, LIGHTNIN’‬

‭HAND JIVE‬
‭NO LIP SYNCING REQUIRED UNTIL ALL CHARACTERS ON STAGE ARE‬
‭PHYSICALLY DOING THE HAND JIVE WITH THEIR PARTNER, WHEN THE‬
‭SONG SAYS “EVERYBODY”‬

(‭ EVERYBODY)‬
‭[FULL CAST ON STAGE]‬
‭NOW CAN YOU HAND JIVE, BABY!‬
‭OH! CAN YOU HAND JIVE, BABY!‬
‭OH YEAH, OH YEAH, OH YEAH, YEAH‬
‭BORN TO HAND JIVE, OH YEAH!‬

‭YOU’RE THE ONE THAT I WANT‬

[‭ DANNY]‬
‭SANDY!‬

[‭ SANDY]‬
‭TELL ME ABOUT IT, STUD.‬

[‭ DANNY]‬
‭I GOT CHILLS! THEY’RE MULTIPLYIN'‬
‭AND I’M LOSING CONTROL‬
‭‘CAUSE THE POWER, YOU’RE SUPPLYIN’‬
‭IT’S ELECTRIFYIN’!‬
‭[SANDY]‬
‭ OU BETTER SHAPE UP!‬
Y
‭‘CAUSE I NEED A MAN!‬
‭AND TO MY HEART I MUST BE TRUE!‬
‭[DANNY]‬
‭NOTHIN’ LEFT, NOTHIN’ LEFT FOR ME TO DO!‬

[‭ DANNY & SANDY]‬‭(FULL CAST ON STAGE)‬


‭ OU’RE THE ONE THAT I WANT!‬
Y
‭(‬‭YOU ARE THE ONE I WANT!)‬
‭YOU-WHO-WHO-HONEY!‬
‭THE ONE THAT I WANT!‬
‭(YOU ARE THE ONE I WANT!)‬
‭YOU-WHO-WHO-HONEY!‬
‭THE ONE THAT I WANT!‬
‭(YOU ARE THE ONE I WANT!)‬
‭ OU-WHO-WHO‬
Y
‭ HE ONE I NEED‬
T
‭(ONE I NEED)‬
‭ HE ONE I NEED‬
T
‭(ONE I NEED)‬
‭ H YES INDEED‬
O
‭(YES INDEED, YES INDEED)‬

[‭ FULL CAST]‬
‭YOU’RE THE ONE THAT I WANT!‬

‭END‬

Common questions

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In "Summer Nights," gender dynamics are highlighted through the divergent perceptions and expectations of the T-Birds and Pink Ladies. Danny's interactions with his friends exhibit a stereotypical male bravado, focusing on physical prowess and conquest, which caters to the male gaze and peer approval. Meanwhile, Sandy's side, reflecting the Pink Ladies' focus, centers more on emotional connection and romantic aspects, embodying traditional feminine ideals of love and sentimentality. This interaction illustrates the contrasting social constructions of masculinity and femininity and reflects the cultural expectations of gender roles during the 1950s, where men were expected to be assertive and women nurturing .

In "Summer Nights," the characters of Danny and Sandy reflect on their summer romance, which highlights the themes of love and identity through their reminiscing. Danny portrays a more boastful version of events to impress his friends, emphasizing his identity as a T-Bird and a 'cool' guy who had a flat-out blast during the summer. In contrast, Sandy recounts a more innocent and tender version of events, focusing on the quick and cute connection she shared with Danny. The song captures their different perspectives on identity: Danny's need to maintain his tough persona and Sandy's earnest interpretation of their summer love. These contrasting identities underscore the complexities of teenage relationships and the impact of peer pressure .

The repetitive use of "Tell me more" in "Summer Nights" highlights the curiosity and social dynamics within the peer groups, emphasizing their desire for juicy details and gossip to bolster their social narratives. This ongoing request for more information signifies a communal involvement in the romantic lives of others, reflecting the collective social intrigue and peer scrutiny typical among teenagers. It also represents the competitive nature of storytelling between the T-Birds and Pink Ladies, as each group seeks to validate their own perceptions of summer experiences through comparing and contrasting stories .

The use of bold and italicized text in "You're the One That I Want" is a strategic choice to aid performers in distinguishing their parts. Bold text is designated for lines sung by the main characters, typically Danny and Sandy, while italicized text indicates lines performed by the supporting ensemble. This visual differentiation establishes clarity in performance, ensuring that each performer understands which lines to emphasize and who should be in focus during the energetic ensemble exchanges. It minimizes confusion during rehearsals and performances, allowing for a more seamless and professional execution of the musical's layered vocal arrangements .

"Greased Lightning" utilizes technical jargon such as "overhead lifters," "four barrel quads," and "chrome plated rods," which serves to convey excitement and innovation by highlighting the technical upgrades and power of the car. This reflects the cultural significance of automotive technology in the 1950s, a time when cars symbolized freedom, status, and technological advancement. The excitement generated by these terms underscores the importance placed on cars as embodiments of personal identity and aspirations during this era. The specific references to car parts not only enhance the character's passion but also connect with the audience's shared cultural values surrounding automotive innovation .

In "You're the One That I Want," the transformation of Danny and Sandy is symbolically communicated through both lyrics and choreography. Lyrically, phrases like "You're the one that I want" capture a declaration of mutual choice and change, where both characters recognize and embrace their altered identities. Sandy's costume transformation into more assertive and glamorous attire symbolizes her embrace of self-confidence and alignment with Danny's world, while Danny's enthusiastic involvement in the choreography portrays his acceptance and appreciation of Sandy's evolving persona. Collectively, these elements signify a culmination in their character development, visually and musically illustrating their transformed relationship .

The "Hand Jive" sequence is significant for its representation of community and collective performance in Grease. During this number, the entire cast engages in synchronized dance movements, which symbolize unity and group involvement, highlighting the inclusivity of community culture in the 1950s. The song invites all characters, regardless of their cliques, to participate together, momentarily erasing social barriers and focusing on shared enjoyment and rhythm. This fosters a sense of togetherness and collective celebration, key aspects of the community-oriented setting of Grease .

"You're the One That I Want" serves as the musical and narrative climax in Grease by symbolizing the resolution of Danny and Sandy’s character arcs. Throughout the play, both characters struggle with societal expectations and their true desires. In this song, the characters shed their inhibitions and embrace their love for each other, marking a personal transformation. Sandy adopts a more assertive, confident persona, aligning with Danny's world, while Danny reciprocates with vulnerability. This mutual acknowledgment and acceptance present a harmonious resolution, validating their relationship and serving as a joyous conclusion to their developmental journeys .

In "Greased Lightning," ensemble participation is crucial as it reflects the collectiveness and unity among the T-Birds. The full group engages in the energetic and communal performance, especially during the dance break and choruses. The ensemble supports the lead vocals by echoing phrases and building a sense of camaraderie and shared enthusiasm for the car, which is a significant symbol of their identity and group cohesion. This collective dynamic not only enhances the musical impact but also visually and audibly represents the T-Birds' identity as a tightly-knit group .

The set and costume design for "Greased Lightning" are meticulously crafted to reflect the 1950s cultural aesthetic, enhancing the authenticity of the performance. The visual elements are characterized by vibrant colors, vintage car models, and fashions typical of the era, such as leather jackets and slicked-back hairstyles for the T-Birds, which delineate the rebellious yet stylish youth culture of the time. These elements contribute to the period's authentic feel by immersing the audience in the societal norms and visual styles that influenced the characters' identities, thus bolstering the nostalgic experience of the musical .

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