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Superman and the Ethics of Intervention

The document explores the philosophical essence of international politics through the lens of a film featuring Superman, who intervenes in a conflict between Boravia and Jarhanpur, reflecting themes of power, legitimacy, and morality in interventionist politics. It critiques the liberal internationalist belief in humanitarian intervention and highlights the complexities and ethical dilemmas surrounding unilateral actions by powerful nations, paralleling real-world geopolitical conflicts. The analysis also connects the film's narrative to broader theories of international relations, including realism and Marxism, while emphasizing the fragile nature of peace when moral ideals lack institutional support.

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0% found this document useful (0 votes)
21 views1 page

Superman and the Ethics of Intervention

The document explores the philosophical essence of international politics through the lens of a film featuring Superman, who intervenes in a conflict between Boravia and Jarhanpur, reflecting themes of power, legitimacy, and morality in interventionist politics. It critiques the liberal internationalist belief in humanitarian intervention and highlights the complexities and ethical dilemmas surrounding unilateral actions by powerful nations, paralleling real-world geopolitical conflicts. The analysis also connects the film's narrative to broader theories of international relations, including realism and Marxism, while emphasizing the fragile nature of peace when moral ideals lack institutional support.

Uploaded by

akshita.2023.71
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

​ hilosophical essence of international politics: who wields power, how legitimacy is constructed, and what​

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​becomes of morality when strength defines order.​

​ he film opens Superman intervening to stop Boravia’s invasion of the neighboring state Jarhanpur invoking​
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​the dictum that war is a continuation of politics by other means. Yet Gunn vision of Superman’s act of​
​“intervention” is a moral impulse that inadvertently destabilizes the political equilibrium. His decision to​
​prevent aggression embodies the liberal internationalist belief in collective security and humanitarian​
​intervention which echoes the post–Cold War doctrine of “Responsibility to Protect” (R2P).​

​ owever, the ethical clarity of his intervention dissolves when Lois Lane challenges him on the legal and​
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​moral legitimacy of his actions as to who authorized Superman to act as the global arbiter of justice? And​
​this raises the central dilemma of modern interventionist politics, one that defined NATO’s intervention in​
​Kosovo (1999). This can also recur in debates over Ukraine and Gaza. Superman becomes a stand-in for​
​the international community itself which morally burdened and perpetually torn between​​action​​and​​burden​
​of independence​

I​n IR terms, we can also correlate Boravia and Jarhanpur as representing the periphery nations whose fates​
​are often decided by the interventions of a hegemonic “guardian.” and this guardian is usually clad in red​
​white colours with drones in its hands. Superman’s unilateralism parallels the American foreign policy​
​posture in the post–Cold War order: a liberal hegemon seeking to enforce peace, yet often reproducing​
​instability through power asymmetry. Desabolising middle east with complete disregard for native history​
​and politics.​

​ e will study war and peace in our syllabus. Quincy Wright’s description of war as the “violent contact of​
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​distinct but similar entities” finds embodiment in the film’s Boravian and Jarhanpur conflict. Both nations,​
​mirror-images of each other in weakness, become instruments in Luthor’s larger geopolitical design. Gunn’s​
​war is thus not born of chaos but of structure—an organized, rational enterprise shaped by competition,​
​ideology, and misperception, in perfect alignment with the realist understanding of international conflict.​

​ he Boravia–Jarhanpur conflict, manipulated by Lex Luthor, is a case study in the​​underlying causes​​of war​
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​that transcend the immediate battlefield. Luthor’s orchestration of the invasion for territorial and resource​
​gain reflects the Marxist critique of capitalism as a driver of imperialist expansion. His secret deal—half of​
​Jarhanpur’s territory in exchange for Boravian compliance—mirrors Lenin’s argument in​​Imperialism: The​
​Highest Stage of Capitalism​​(1917), where economic​​exploitation and geopolitical rivalry become​
​inseparable. And is somehow mirroring the present settlers in middle east and their claims over land. This is​
​evident in israel gaza conflict.​

​ Ex manipulation of both technology and information parallels the hybrid warfare tactics of the 21st​
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​century—cyber manipulation, disinformation, and proxy conflicts that redefine the boundaries of war. He can​
​be seen as a realist in this context​

​ uperman, conversely, personifies liberal idealism—the belief in moral responsibility, cooperation, and​
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​human dignity. His insistence on taking the kaiju “alive” despite its destruction potential parallels the ethical​
​restraint embedded in the UN Charter’s collective security principles. Yet his failure to prevent others—like​
​Mister Terrific—from using lethal force exposes the liberal dilemma: peace is fragile when ideals lack​
​institutional enforcement.​

​IV. The Levels of Analysis in Superman’s World​

Common questions

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The film explores moral responsibility in international politics through Superman as he navigates the ethical landscape between intervention and autonomy. Superman's unilateral interventions are driven by a moral impulse to prevent suffering and protect justice, embodying liberal ideals around humanitarian intervention and collective security . Yet, these actions, lacking formal authorization, raise questions about legitimacy, mirroring dilemmas faced by real-world international actors. His character illustrates the challenge of balancing moral imperatives with sovereignty and political order, highlighting the inherent tension in acting as a self-appointed guardian of global peace .

Superman embodies liberal idealism through his belief in moral responsibility, cooperation, and human dignity. His actions, such as insisting on capturing the kaiju 'alive,' reflect ethical restraint akin to the principles of collective security in the UN Charter . However, Superman also symbolizes the moral burden of international intervention as he often acts unilaterally, paralleling the American foreign policy posture of a liberal hegemon in the post-Cold War order . This duality creates tension, highlighting the fragile nature of peace when ideals are not backed by institutional enforcement, and bringing to light the dilemma of acting as a 'guardian' without clear mandate or support .

The film critiques the actions of hegemonic powers in international interventions by paralleling Superman's unilateral actions with the post-Cold War U.S. foreign policy as a liberal hegemon . This comparison highlights how such interventions often disregard native histories and political contexts, leading to destabilization rather than achieving the intended peace . The narrative suggests that while interventions are framed around protecting humanitarian ideals, they often suffer from moral uncertainties and legitimacy issues, reflecting broader critiques of hegemonic foreign policy postures .

The Boravia-Jarhanpur conflict in the film aligns with Quincy Wright's description of war as the 'violent contact of distinct but similar entities' . Both nations serve as mirror-images in weakness and become pawn instruments manipulated by Lex Luthor's larger geopolitical designs, illustrating the structured and rational nature of war rooted in competition, ideology, and misperception . This reflects a realist understanding of international conflict as organized rather than chaotic .

The film uses Superman to highlight the tensions inherent in liberal internationalism by juxtaposing his moral impulse to intervene with the broader complexities of legitimacy and unilateralism. Superman acts to enforce peace and protect human dignity, embodying the liberal internationalist belief in humanitarian intervention . However, his actions raise questions about the morality of acting as an unrecognized global arbiter and the effectiveness of acting independently without collective endorsement, reflecting the challenges faced in international interventions such as Kosovo, Ukraine, and Gaza .

In the film, technological and informational manipulation, exemplified by Lex Luthor, plays a significant role in the depiction of contemporary warfare strategies. Luthor's manipulation aligns with hybrid warfare tactics of the 21st century, including cyber manipulation, disinformation, and proxy conflicts . These elements blur traditional boundaries of warfare, showcasing the transition to more covert and structured forms of conflict that are increasingly prevalent in modern geopolitical landscapes .

Lex Luthor's manipulation of the Boravia-Jarhanpur conflict illustrates the Marxist critique by showcasing how economic exploitation and geopolitical rivalry are drivers of imperialist expansion. His orchestration of the invasion involves a secret deal for half of Jarhanpur’s territory in exchange for Boravian compliance, reflecting Lenin’s argument in 'Imperialism: The Highest Stage of Capitalism' that such motives are inseparable . This manipulation for territorial and resource gain highlights how capitalist interests fuel conflicts that transcend immediate battlefield conditions .

Superman's intervention in the conflict between Boravia and Jarhanpur mirrors the post-Cold War doctrine of 'Responsibility to Protect' (R2P), which advocates for collective security and humanitarian interventions to prevent aggression and protect civilians . However, this intervention raises ethical dilemmas regarding legitimacy and authority. Lois Lane challenges Superman on the legal and moral legitimacy of his actions, questioning who authorized him to act as a global arbiter of justice . This reflects the broader dilemma in modern interventionist politics, similar to the ethical debates around NATO's intervention in Kosovo, where moral clarity is compromised by questions of unilateralism and authority .

The Boravia-Jarhanpur conflict reveals that international conflicts, from a realist theory perspective, are structured, rational enterprises shaped by competition, ideology, and misperception rather than mere chaos. The conflict, orchestrated by Lex Luthor, serves as a case study in these underlying causes of war, emphasizing the role of geopolitical manipulation and economic interests . This aligns with realist theories that see states as rational actors driven by power and security interests, where conflicts are organized pursuits of material and strategic gains rather than irrational or random events .

Superman's unilateral interventions in the film parallel the United States' foreign policy in the post-Cold War era, where America often acted as a liberal hegemon seeking to enforce peace . This is characterized by interventions without multilateral authorization, reflecting a form of moral responsibility and burden similar to Superman's position . However, these actions led to instability because of power asymmetries, akin to how U.S. foreign policy can disrupt political equilibria by disregarding local histories and politics .

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