DATA TRANSFER

The data transfer modifier transfers one type of data from one object to another.
Commonly used to create custom normals by utilizing the custom normals option under
face corner data.
Allows taking normals from one object and projecting them directly onto another
object.
Artifacts may be left over, but there are other ways to achieve similar results.

MESH CACHE

The Mesh Cache modifier imports and applies different types of animation files,
such as MDD and PC2.
To use the Mesh Cache modifier in Blender, enable the MDD import/export add-on and
export the MDD file, then import it into the Mesh Cache node.
You can adjust the animation influence and flip the axis if needed.
It is important to keep the vertices in the exact same spot when importing files
like OBJ for the Mesh Cache modifier to work correctly.
Mesh Sequence Cache and Alembic have similar functionalities.

NORMAL EDIT

The Normal Edit modifier allows altering the normals of an object.

It can use another object as a reference for editing.
Practical use of this effect can be found in Blender documentation.
Common effect in games is editing the normals of leaves to face the camera,
creating an illusion of fuller branches.
The Normal Edit modifier helps achieve a fuller look for branches in images.

WEIGHTED NORMAL

Weighted normal modifier tightens up the normals of objects.

It makes the normals point towards the direction of face normals.
Adding the modifier can significantly improve the appearance of objects.
Increasing the weight of the modifier can make a noticeable difference in the
object's appearance.
The modifier is effective even with high levels of subdivision depth.
The difference in appearance between objects with and without the modifier is
hardly noticeable.
The weighted normal modifier is considered awesome for its impact on object
appearance.

UV PROJECT

Select an object as a projector for custom UV projections.

Use the selected object to project UV maps onto other objects.
The UV map stays consistent even when the subject is rotated.
The UV warp modifier can make it appear as if the subject is moving.

UV WARP

UV Warp allows you to use external objects to alter the projection of UVs onto
another object.
You can rotate, scale, and move the external object to achieve different effects.
It provides additional options compared to using the object output of the texture
coordinate.

VERTEX WEIGHT

Vertex Weight Edit is used for weight painting.

Select the vertex group you want to edit.
Use "Group Add" and "Group Remove" options to adjust weight painting.
With "Group Add", you can change the default weight and adjust the fall off.
"Group Remove" can be used to scale back weight painting.

VERTEX GROUP MIX

Vertex Group Mix is like a mixed node for vertex weights.

It involves using vertex groups A and B, and various mixed nodes.
Different operations like addition, subtraction, multiplication, and division can
be performed on weight paint groups.
It allows for similar manipulations as with other types of data.
The process concludes with the vertex weight.

VERTEX WEIGHT PROXIMITY

Create a new vertex group and assign all vertices to it.

Set the group as the vertex group option in Vertex Weight Proximity.
Place the 3D cursor in the center of the topology.
Add an empty and scale it down.
Select the empty as the target object and set the distance to geometry.
Enter weight paint mode to see the vertex group changing based on the empty's
position.
Adjust the falloff and falloff type parameters.
Apply the Vertex Weight Proximity before the wireframe modifier.
In object mode, create a cool fade effect by adjusting the vertex group.
Click the invert button for a fade effect.
The effect may not be realistic for games but is great for full geometry.

ARRAY

The array modifier in Blender can be used to create multiple instances of a mesh
based on an offset.
There are three types of offsets: relative offset (based on the size of the
original object), constant offset (based on actual coordinates), and object offset
(using an empty to rotate, scale, or remove the array independently).
Object offset is a commonly used feature that can be very useful in various
scenarios.
There are additional settings within the array modifier that will be discussed
later.

BEVEL

The bevel modifier creates a bevel on all edges of the model.

It is possible to choose to only bevel vertices.
The offset can be adjusted to control the effect.
Segments adjust the resolution of the bevel, which is important for beginners.

BOOLEAN

The boolean modifier is one of the most important modifiers for beginners to know
about.
There are three operations in boolean: difference, union, and intersect.
Difference uses one object to cut out of another object.
Intersect cuts out everything except what intersects with the object.
Union combines both objects and makes them hollow in the center.
Both objects need to be closed meshes for the union operation to work properly.

BUILD MODIFIER
The build modifier creates a cool effect where things start disappearing and the
timeline is being built face by face.
The build modifier can be used creatively to come up with something really cool.
The speaker personally has never really used the build modifier.

DECIMATE

The object has 31,000 faces.

When a slider is brought down, it collapses all the faces into a mess while trying
to maintain the shape.
The symmetry tool helps keep all faces the same on either side.
This method is commonly used for artistic purposes, especially for creating a low
poly style.
The edge split modifier can also assist in the process.

EDGE SPLIT

Edge Split splits edges based on an angle or sharp marking.

After applying Edge Split, faces are separated from each other.
There is also the rip region tool for similar purposes.
The mask modifier is another option for splitting edges.

MASK

Objects can be hidden based on a vertex group or an armature.

The speaker has never found a reason to use this feature.
The speaker is open to hearing about potential uses in the comments.

MIRROR

The mirror modifier is used to mirror one side of a mesh to the other side,
allowing for easy symmetry editing.
It eliminates the need to manually edit both sides of the mesh separately.
The mirror modifier can be used on multiple axes simultaneously.
The multi-resolution modifier can also be used in conjunction with the mirror
modifier.

MULTIRESOLUTION

Multiresolution is like a subdivision service modifier with many options.

Dynamic topology creates more geometry as you zoom in while sculpting.
Dynamic topology has been popular before the introduction of even topology.
Retopology is needed for a good look when using dynamic topology.

REMESH

Remesh modifiers offer different ways to change the topology of models.

Options include sharp, smooth, and blocks (which has a voxel look).
People have created cool abstract art using the blocks modifier.
If you're interested in abstract art, check it out.

SCREW

The screw modifier takes an object, usually a 2D object like a circle, and coils it
around based on parameters like angle, screw value, iterations, and other factors.
This technique can be used for creating springs or any other shapes resembling
coils efficiently.
SKIN

The skin modifier generates geometry around the edges of a model.

It can be used with just one vertex or edge to create geometry.
By using shortcuts like Alt + M and Ctrl + click, edges can be created and modified
easily.
The skin modifier allows for scaling the geometry in and out.
It is a simple way to create low poly trees or any other objects.
When combined with other modifiers like solidify, it can enhance the modeling
process.

SOLIDIFY

Solidify modifier adds thickness to objects.

Can be used with two-dimensional objects to automatically turn them into three
dimensions.
Useful for procedural workflow.

SUBDIVISION SURFACE

The Subdivision Surface modifier is considered the best modifier in Blender.

The Subdivision Surface modifier is used in almost every workflow.
The modifier has options for subdivisions for viewing and rendering.
It is recommended to keep the render subdivisions one level higher than the
viewport subdivisions for better quality.
Example of using different subdivision levels for editing and rendering a model.

TRIANGULATE

Triangulate modifier converts phases into tries instead of quads.

There are different algorithms to find the perfect triangulated topology.
It is worth trying different algorithms if some are giving errors.
Wireframe is mentioned as a preferred option.

WIREFRAME

The modifier allows adjusting thickness and generating a wireframe around edges.
The wireframe modifier creates a chassis around edges to resemble a wireframe.
The weld modifier is used in the process.

WELD

Weld modifier merges vertices that are close together in hard surface models.
It helps in situations where vertices are meant to be merged but for some reason,
they are not.

ARMATURE

The armature modifier helps add a rig to a model for animation.

Typically, a rig is created first and then the object is parented to it.
The armature modifier can be added by selecting the object and bone structure,
pressing control p, and clicking on "armature deform with automatic weights."
The armature modifier allows for automatic weight painting.
With the armature modifier, the rig can be selected and posed to rotate and
position the character for animation.

CAST

The modifier specializes in turning things into either spheres, cylinders, or

cuboids.
The factor setting determines the extent of the transformation.
A factor of one is ideal for entirely morphing the object.
Any factor above or below one will exaggerate the transformation.

CURVE

The curve modifier allows you to deform an object along a curve.

The array modifier can be set to "fit curve" to determine the number of objects
based on a curve.
By increasing the size of the curve, more objects are generated along it.
This technique is useful for creating instances of objects along a curve, such as
chains or ropes.
You can draw a curve and have objects duplicate along it perfectly using a specific
tool.
The effect is great for creating detailed ropes or chains.
The curve modifier is particularly useful when the number of objects is based on
the length of the curve.
The process involves adding modifiers like wireframe, curve, path, and array to
achieve the desired effect.

DISPLACE

Displaced modifier uses a texture to move the vertices of your mesh up and down,
useful for adding extra detail without sculpting or modeling.
Particularly useful for materials for landscapes and various objects.
Pay attention to texture coordinates, which are set to local by default but may
need to be set to the UV map in some cases.

HOOK

The hook modifier allows you to use an object to edit the geometry of another
object.
You can subdivide an object, create vertex groups, and add the hook modifier to
edit the object's geometry.
Choose an empty object as the modifier object and adjust the radius for the desired
effect.
You can animate in edit mode by adding multiple hooks and selecting individual
faces to be hooked.
Pressing Ctrl + H allows you to hook to a new object assigned to one of your hooks.
This method provides a fun and versatile way to edit and animate objects in
Blender.

LAPLACIAN DEFORM

Laplacian Deform is a modifier in Blender.

It involves using a vertex group as anchors to reposition a mesh by attaching hooks
to certain vertices.
The modifier is powerful and can be used for serious professional purposes.
It can be used to transform one object into another, like turning a zebra into a
giraffe.
It is recommended for workflows involving a lot of hooks and deformation.

LATTICE

The lattice modifier is a useful tool for deforming objects.

Increasing the resolution of the lattice is recommended for better results.
By scaling up the lattice and dragging its corners in edit mode, you can deform the
object based on the lattice.
This is particularly helpful for higher density objects where direct manipulation
is impractical.

MESH DEFORM

Mesh deform modifier is similar to the lattice modifier, but uses a mesh instead.
Clicking the bind button attaches the mesh, but it may take time for larger
objects.
Offers extra customization compared to lattice modifier.
Works effectively, providing an alternative when lattice is not sufficient.

SKINWRAP

The shrinkwrap modifier is popular for retopology.

It involves projecting one object onto another using a shrinker modifier.
There are various mode settings to explore.
Retopology is an important part of the workflow, but not the primary topic.

SIMPLE DEFORM

The Simple Deform tool offers a variety of options such as twist, bend, and taper.
The twist option allows users to choose an axis and use the deform angle to twist
objects.
The bend option also requires selecting an axis to begin deforming.
The taper option can create effects like the one shown on the screen.
The tool provides creative freedom for creating unique and trippy objects.
Users can create procedural models with the Simple Deform tool.

SMOOTH

The smooth modifier is used to smooth objects.

The main option to work with is the repeat slider.
Increasing the repeat slider increases the iterations of the smoothing algorithm.
The factor can be adjusted to change the strength of the smoothing effect.
The objects will continue to be smoothed until they reach a desired level.
The smooth modifier can transform an object from its original form to a smoother
version.

SMOOTH CORRECTIVE

Smooth corrective modifier is meant to fix mistakes that happen when deforming an
object using an armature.
The effects become more beneficial with complex characters, as even a nice weight
paint job can still result in things turning out wrong.

LAPLACIAN SMOOTH

The slider determines the iterations of the modifier.

The factor value changes the strength of the effect on the surface.
Inverting the effect can emphasize imperfections.
The border setting affects borders in the same way.
Suzanne's eyes were removed.
The modifier can be used to emphasize imperfections on the surface.

SURFACE DEFORM

Surface Deform modifier can be used to transform the deformation of one object to
another.
It can be used for creating effects like blinds affected by wind.
The modifier allows for bending and deforming objects without using cloth
simulation.
Steps include adding the Surface Deform modifier, binding the objects, testing by
moving edges, adding pins with a vertex group, and using cloth simulation with wind
effects if desired.
The process involves targeting a plane, adding pins, setting up cloth simulation,
and adjusting wind settings if needed.
The modifier transfers the deformation from the plane to objects like blinds,
allowing for creative possibilities.

WARP

The warp modifier is a unique modifier that requires adding two empties.
It creates proportional editing based on the strength, radius, and falloff between
the starting and ending points.
The falloff type can be customized to create unique effects.
It adds a new layer of complexity to editing, but may not be frequently used by
beginners.

WAVE

The wave modifier can be used to create radial waves.

There are options to adjust the position on the x and y axes.
Decreasing the offset can help reduce the delay in the wave's start.

CLOTH

Cloth simulations can add atmosphere to a scene.

Cloth simulations are mostly related to physics rather than modifiers.
Steps to set up cloth simulation include adding a plane, scaling and rotating it,
subdividing it, and creating pin groups.
Pin groups are selected edges added to a vertex group for the cloth modifier.
Adjusting settings like stiffness and physical properties can affect the cloth
simulation.
Cutting out parts of the fabric with the knife tool can create a stylized look.
After achieving the desired cloth simulation, more objects can be added for fun or
keyframes can be applied to freeze the simulation.

COLLISION

The collision modifier allows objects to collide with each other.

The cloth simulation already has object collision enabled.
For objects that are not part of the simulation, a collision modifier needs to be
added.
Objects can be added within the physics tab.
Adding a collision modifier is recommended.
The dynamic modifier is up next.

DYNAMIC PAINT

To use Dynamic Paint, you need a canvas object (such as a subdivided plane) and a
brush object (like a rock generator).
Add a Dynamic Paint modifier to the canvas and brush objects from the physics tab.
Change the type to "canvas" for the canvas object and "brush" for the brush object.
Different surface types are available, such as paint brush, waves, and
displacement.
Waves type creates dynamic waves when playing the animation.
Displacement type allows you to displace the geometry.
Another option is the explosion modifier.
EXPLOSION

Use an explode modifier to break faces off an object using particles.

Add a new particle system and use an emitter.
Ensure the explode modifier is placed before the particle system.
Adjust the number of particles to control the amount of pieces the object will
break into.
Define the range of frames for the explosion.
Work with rotation by randomizing it.
The explosion will use particles to break the object until it is completely gone.

OCEAN

Create ocean by adding a plane, scaling it up, adding vertices, and applying an
ocean modifier.
Adjust the scale value of the ocean.
Understand and adjust settings like time setting for animation.
The ocean modifier works effectively with some adjustments.

PARTICLE INSTANCE

The particle instance modifier allows you to copy particle settings from one
particle system to another with a different object or choice.
It enables transferring particle settings between different particle systems.

PARTICLE SYSTEM

Particle system can be added automatically or through a modifier.

Two types of particle systems: emitter and hair.
Both types can be complex to work with due to dealing with different physics.
Extensive tutorials are available for working with particle systems.
Fluid simulation is another aspect related to particle systems.

FLUID SIMULATION

Fluid simulation requires both flow and domain objects.

CG Geek has an excellent video on fluid simulation.

SOFT BODY

Soft Body modifier allows for creating objects with flexible and bouncy properties.
Start with a simple geometry like a cube and then subdivide it to add detail.
Adjust settings in the Physics tab, including unchecking "Goal" to prevent the
object from staying in one spot.
Experiment with stiffness, aerodynamics, and self-collision settings for different
effects.
Soft Body simulations can be used to create bouncing and jiggling effects, like
making jello or Tetris shapes.
Adding multiple soft body objects may require a powerful PC for smooth performance.