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Music History Writing Assignment Guide

The writing assignment for Professor Hennen's Music History Survey 1 requires students to analyze a piece of musical evidence—either a score, a recording, or an image—and write 2 to 4 paragraphs interpreting their observations. Students must base their interpretations on class discussions and provide reasoning for their assumptions about the music's style, genre, and context. The assignment is worth 5% of the final grade and will be graded on observation validity, evidence interpretation, and writing quality.

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0% found this document useful (0 votes)
4 views3 pages

Music History Writing Assignment Guide

The writing assignment for Professor Hennen's Music History Survey 1 requires students to analyze a piece of musical evidence—either a score, a recording, or an image—and write 2 to 4 paragraphs interpreting their observations. Students must base their interpretations on class discussions and provide reasoning for their assumptions about the music's style, genre, and context. The assignment is worth 5% of the final grade and will be graded on observation validity, evidence interpretation, and writing quality.

Uploaded by

5hctnrkng
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Fall 2025, Professor Hennen

Music History Survey 1

Writing Assignment 2: Interpreting Evidence


Due Thursday, October 23, 2025
This assignment will give you an opportunity to look at or listen to something you haven’t seen
or heard before, and to use what you have learned so far in class to make some informed
speculations about what you are hearing or seeing.

Following are three pieces of musical evidence: a score, a recording, and an image. You must
choose one of these things to write about. For each piece of evidence, there is a series of
questions to consider in writing about what you see or hear. Your assignment is to write a
minimum 2 paragraphs (maximum of 4) about the piece of evidence that you choose, based on
the prompt questions provided. For each assumption that you make in your writing, you must
provide solid reasoning based on information we have discussed in class. The goal here is not
necessarily to accurately identify a piece of music, but to be able to write clearly about what it
might be and why. I don’t expect you to be able to name a piece or its composer, but to be able to
write what style it might be and why you think it is in a particular style. In the case of the image,
you must write something you have learned about Medieval music to answer the questions
provided about the subject of the image.

I recommend that you look at each piece of musical evidence and the questions posed about them
before you choose which to write about.

This writing assignment is worth 5% of your final grade. You will be graded on the content of
your answer, and on the quality of your writing.

Rubric

Up to 4 points for valid observations given the evidence provided

Up to 4 points for interpretation of the evidence observed; that is, how you use the information
you have learned in class together with the evidence observed to guess at what the music you are
hearing or seeing might be

Up to 2 points for effective written communication (use of complete sentences, paragraph


structure, appropriate use of vocabulary, etc.)

For a total of 10 possible points


Evidence: A musical score
(please see separate file titled “Score for Writing Assignment 1”)
Study the attached score. Observe the forces involved. How many voices are there? How are the
voices labeled? Is there text involved? If so, is there one text or more? If there is text, what
language do you think it is in? Note the structure of the music. Are the voices closely related or
completely independent? Can you see a pattern of stanza and refrain, or is there some other
pattern in the music? Are there other clues on the pages that might give you insight into what the
piece could be? Given what you have observed, can you make an educated guess as the the genre
of this particular piece? Where do you think it would have been written, and approximately
when? On what evidence do you base your answers?

Evidence: A recording
(Link to recording is on the PowerPoint)
Listen to the recording linked on the PowerPoint. What do you hear? (You may want to listen to
it several times before you start to answer the following questions.) Is the music vocal or
instrumental, or a combination? What is the texture – Monophonic? Polyphonic? Homophonic?
How many voices/parts do you hear? How do they relate to one another? (Are they similar in
rhythm? In activity level? In range?) Is there a text? If so, can you tell what language it is in? If
there are multiple voices, do they have the same text or different ones? Is there a pattern to the
music? Do you hear a refrain? How would you describe the rhythm? Is it varied and flowing? Is
it syncopated? Based on what you have observed, can you make an educated guess as to where
this music may have been written, and in what circumstances it may have been performed
(Where? Who would have been performing? Who would have been listening?)? Can you make a
guess at what genre this is? On what evidence do you base your answers?

Evidence: An image
(please see the next page)
Describe the figures you see in this image. Who do you think they could be? What do they
appear to be doing? What do you see in the image that suggests musical activity? Is there
evidence in the image that suggests the setting of this activity? Is it likely a religious setting or a
secular one? Is it indoors or outdoors? Are the figures doing or wearing anything that suggests
what type of music might be heard in this setting? Can you make an educated guess as to what
the music might be? On what evidence do you base your assumptions?
How to submit your assignment

• Please type your assignment (Times New Roman or Aptos or Roboto, 12 point, double
spaced).

• Please include your name and student number on each page of your assignment.

• Your assignment should be 2-4 paragraphs in length.

• Upload your assignment as a Word or PDF document using the assignment link on
Moodle.

Common questions

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The assignment emphasizes critical thinking by requiring students to interpret diverse pieces of musical evidence—such as scores, recordings, and images—and apply classroom knowledge to make informed speculations about their characteristics. It challenges students to articulate reasoning behind their interpretations instead of just recalling facts. For example, students must identify musical genres by analyzing patterns and textures, argue historical contexts based on stylistic features, and describe the environments suggested by visual elements—all demanding synthesis of evidence and learned material rather than mere memorization .

Requiring evidence-based reasoning in music history assignments ensures that students engage critically with the learning material, fostering a deeper understanding of musicological concepts. This method cultivates analytical skills by prompting students to substantiate their hypotheses about music with verifiable details, encouraging a disciplined approach to interpretation that mirrors professional musicological practices. It also develops the ability to synthesize disparate pieces of knowledge into coherent arguments, thus preparing students for advanced research and analysis tasks .

Interpreting different types of musical evidence—scores, recordings, and images—reflects the multifaceted skills needed in music history studies. Students must develop analytical skills to dissect scores and discern voice parts and structures. Listening skills are imperative for identifying musical elements such as rhythm and texture in recordings. Iconographical skills help interpret images to understand visual representations of music. This multidimensional approach ensures that students can apply historical, theoretical, and practical knowledge to appreciate and critique music comprehensively .

To analyze a musical score effectively, students should start by examining the number and labeling of voices and identifying any textual elements, which can signify the piece’s genre. Observing interaction between voices, such as whether they are independent or closely related, provides insights into the piece's texture and form. Recognition of any visible structural pattern, such as stanza-refrain structures, can suggest historical context. These strategies allow students to deduce potential styles and origins by connecting score elements with classroom-taught knowledge .

The rubric of the assignment supports students' progress by providing clear criteria focused on valid observations, interpretation skills, and effective communication. With specific points allocated for each aspect—observation, interpretation, and written clarity—students are guided to engage deeply with the evidence and articulate their speculations clearly. This structured approach ensures students focus on detailed analysis and coherent presentation of ideas, thus enhancing their skills in both critical music analysis and academic writing .

Encouraging students to make educated guesses about the style and genre of music helps develop critical analytical skills and deepens understanding of musical characteristics beyond surface recognition. This process fosters the ability to compare musical elements with known styles and genres, enhancing pattern recognition and deductive reasoning. It also nurtures creativity in interpretation and encourages a broader appreciation of music's evolution and context, rather than focusing narrowly on specific composers or known works .

Indicators such as musical instruments being played, the posture and gestures of the figures, and the architectural elements or attire (e.g., religious robes) visible in an image suggest the musical activity and setting. For example, figures in a chapel with a small choir and organ might suggest sacred music being performed in a religious setting. Elements such as outdoor scenes with dancers and tambourines would indicate secular music likely performed during community festivities. These visual cues help identify whether the music is liturgical or entertainment-focused .

By analyzing the number of voices, their labeling, and the presence of text in a musical score, one can infer the genre and historical context of the piece. Scores with multiple independent voices and Latin text may suggest sacred choral music from the Renaissance, a period known for its polyphonic masses and motets . Additionally, the structure of the music, such as patterns of stanza and refrain, might hint at whether the piece is secular or religious. Genres like the madrigal or motet can be distinguished based on the complexity and interaction of voices present in the score .

The texture of the music (monophonic, polyphonic, or homophonic), instrumentation, and language of any text present in a recording are key characteristics that can suggest its geographical and cultural origins. For example, the use of monophony and Latin text may indicate a piece of Gregorian chant from medieval Europe, whereas polyphony and vernacular text might suggest a Renaissance madrigal from Italy. Additionally, the style of rhythm, such as regular beat versus complex syncopations, can reflect cultural traditions intrinsic to specific regions .

Evaluating an image related to musical activities offers insights into historical performance practices and settings by highlighting contextual clues like clothing, instruments, and settings. Visual elements, such as the depiction of specific instruments and attire, hint at the period and function of music—ritualistic, ceremonial, or entertainment. Architectural and environmental cues provide context on venues, suggesting whether performances were public or private and aiding in understanding sociocultural interactions within the music's historical framework .

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