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Pine Crest Murder Mystery Unfolds

The document is a publication by Cambridge University Press, detailing the beginning of a detective story set in Pine Crest, a small town known for skiing. The narrative follows Flick Laine, a detective called to investigate the murder of a young woman found in a hotel swimming pool. The story highlights the tension between the serene vacation spot and the shocking crime, as well as Flick's personal struggles following a recent tragedy.
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0% found this document useful (0 votes)
9 views7 pages

Pine Crest Murder Mystery Unfolds

The document is a publication by Cambridge University Press, detailing the beginning of a detective story set in Pine Crest, a small town known for skiing. The narrative follows Flick Laine, a detective called to investigate the murder of a young woman found in a hotel swimming pool. The story highlights the tension between the serene vacation spot and the shocking crime, as well as Flick's personal struggles following a recent tragedy.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

CAMBRIDGE UNIVERSITY PRESS

Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore,


São Paulo, Delhi, Dubai, Tokyo

Cambridge University Press


The Edinburgh Building, Cambridge CB2 8RU, UK

Published in the United States of America by Cambridge University Press, New York

[Link]
Information on this title: [Link]/9780521693790
© Cambridge University Press 2006

This publication is in copyright. Subject to statutory exception and to the


provision of relevant collective licensing agreements, no reproduction of any part
may take place without the written permission of Cambridge University Press.
First published in print format 2007

ISBN-13 978-0-511-64889-2 eBook (NetLibrary)

ISBN-13 978-0-521-69379-0 Paperback

ISBN-13 978-0-521-69392-9 Paperback

Cambridge University Press has no responsibility for the persistence or accuracy


of urls for external or third-party internet websites referred to in this publication,
and does not guarantee that any content on such websites is, or will remain,
accurate or appropriate.
Contents

Chapter 1 A body 6
Chapter 2 Pine Crest 10
Chapter 3 The Mountain Hotel 16
Chapter 4 A talk with Jeff 20
Chapter 5 Looking for reasons 27
Chapter 6 A movie star 31
Chapter 7 A visit to Redridge 36
Chapter 8 Dangerous days 40
Chapter 9 A lot to lose 43
Chapter 10 The Big Boss 46

3
People in the story

Flick Laine: a detective in the Denver Police


Leo Cohn: Chief of Denver Police – Flick’s boss
Bill Gershon: Chief of Pine Crest Police
Teresa Douglas and Jeff Mason: students from Texas
Susan Hunter: a movie star

4
5
Chapter 1 A body

In January they found the girl’s body.


They found it in Pine Crest. Pine Crest is a small town
about 90 miles from Denver, in the Rocky Mountains. In the
past it was famous for silver and gold. But now it’s a place
where people go on vacation; they ski there in the winter and
walk in the mountains in the summer. Movie stars have
homes there. It’s beautiful and it’s quiet when the snow falls.
And the snow falls a lot in the winter. Pine Crest isn’t usually
the kind of place you find a dead body. Denver’s the place for
that, not Pine Crest.
Oh, of course sometimes there are skiing accidents, like in
all ski resorts. I remember that a young man died about three
years ago. He was skiing too fast and he went into a tree. It’s
sad, but it happens. But murder – killing someone – well,
that’s different.
So that January morning my boss, Leo Cohn, Chief of the
Denver Police, called me into his office.
‘Girl’s body in Pine Crest, Flick,’ said Leo. Leo was thin
and worked too much. He never sat down. Now, he was
standing near his desk. ‘They found her yesterday.’
‘Oh?’ I said.
‘It looks like someone killed her,’ he said. I didn’t say
anything. ‘Murder,’ he said, as if I didn’t understand. I
waited. He didn’t look at me. Then he said, ‘I want you to
go to Pine Crest.’

6
‘Ha!’ I said. ‘So that’s what you want. But Leo, why me?
It’s too soon. It was just two months ago … I can’t!’
‘Flick, you’re the best,’ he said, ‘and you need to get out of
Denver … it’s the best thing.’
‘Listen, Leo …’ I started, but I stopped. Leo looked me in
the eyes.
‘Come on, Flick. Bill Gershon, the Chief of Police there,
is an old friend of mine. He’s not happy. If it’s murder, it’s
bad for business. No-one wants to ski when there’s a killer
about.’

7
Well, yeah, I thought, as I looked out of Leo’s window at
the city, a dead body was bad for business. I knew Pine Crest.
I used to go skiing there on the weekends. The town made its
money from the thousands of visitors who went there every
year. The restaurants, cafés, hotels, ski school, all made
money from the people who went to beautiful Pine Crest for
their vacation.
‘And the girl?’ I asked. ‘Was she a visitor?’
Leo smiled. He could see that I was interested. ‘Yes,’ he
said. ‘She was there on a skiing vacation with some friends
from college. Someone found her in the swimming pool at
the hotel where she was staying.’
‘She died in the swimming pool?’ I asked. ‘I mean …’
‘Looks like somebody drowned her,’ Leo said.
I looked at him.
‘She was twenty-three years old,’ Leo said softly.
‘And?’ I asked.
‘You’ll get what you need from Gershon,’ said Leo.
I got up to leave.
‘Oh, and Flick …’ said Leo. I turned at the door.
‘I want you to get this one and I want you to get it fast,’
he said. ‘First because it’ll make the Denver Police
Department look good. And we need that.’
‘And second because you think it’s good for me to get out
of the office and back to work?’ I said.
Leo didn’t say anything, but it was true. He was helping
me in his way.
‘OK, Leo,’ I said, ‘but remember, it was just November,
just two months ago … that Scott …’
‘Yeah, yeah, I know. But Flick, Scott’s dead,’ said Leo. His
voice was kind, but strong. ‘And you’ve got to live.’ He

Common questions

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Leo Cohn demonstrates a leadership style that is direct and persuasive, utilizing his understanding of Flick’s situation to convincingly delegate the case to her, emphasizing both the department’s and Flick's personal needs . In contrast, Bill Gershon, although not directly interacting with Flick in the text, is indirectly characterized as reliant on connections, as Leo Cohn mentions him as a friend needing help to maintain the local business's reputation . This suggests a potentially collaborative or relational leadership style where Gershon avoids bad press for Pine Crest's economy.

From an organizational perspective, assigning the case to Flick Laine is both strategic and supportive. Strategically, Flick is depicted as highly capable and likely to resolve the case efficiently, which reflects positively on the Denver Police Department's capabilities, as highlighted by Leo Cohn . Supportively, this decision is framed to benefit Flick personally—encouraging her to re-engage with work following a personal loss, suggesting a human resource approach that balances operational needs with employee welfare . Leo Cohn's leadership reflects an understanding of the importance of aligning employee skill sets with organizational goals while also providing personal growth and healing opportunities for staff.

The body's discovery in the swimming pool is significant as it indicates the murder's deliberate nature, distinguishing it from regular ski accidents, which are common in the area. It highlights the intentionality and violence behind the act, aligning it with the story's theme of a startling crime in a typically serene resort town . This specificity of location—a communal, leisure area—also positions the murder as a stark disruption to the town's peace and its vacationing visitors, catalyzing the urgency and complexity of the investigation .

The murder significantly affects Pine Crest's local economy and social atmosphere by creating a sense of insecurity among potential visitors, thereby threatening the town's income from tourism. This is evident through Leo Cohn's concern that a known murder will be detrimental to tourism, as no one wants to vacation where a killer may be present . Socially, it likely introduces fear and suspicion within the community, especially as Pine Crest is depicted as a place where such crimes are not typical, thereby unsettling its serene vacation image .

The setting of Pine Crest, a small ski resort town, plays a critical role in the challenges faced by investigators. Being a resort town, its economy relies heavily on tourism, which makes the presence of a murder particularly problematic as it deters visitors and affects local businesses . Additionally, the serene and quiet nature of Pine Crest, usually not associated with violence, contrasts with the gravity of the crime and indicates that the investigators might deal with an unfamiliar environment for murder investigations .

Past events, notably the recent trauma involving Scott, significantly shape Flick Laine's character, making her cautious and emotionally burdened, which influences her investigatory approach. This past is hinted at as a hindrance to her current effectiveness, with Leo Cohn recognizing the importance of immersing her back into work for emotional recovery . The narrative portrays her as resilient yet vulnerable, suggesting that her personal loss imparts a deeper empathy and determination in solving the murder, contrasted against the professional decorum she maintains .

Flick Laine's prior knowledge of Pine Crest, having visited it on skiing trips, gives her an advantage in understanding the town's geography and social dynamics, potentially aiding in conducting the investigation more efficiently . Her familiarity with the area enables her to navigate the town with insider insight, providing an underlying advantage in assessing local behaviors and changes prompted by the murder, thereby streamlining her investigative process .

The narrative builds tension through the complex relationship between Flick Laine and Leo Cohn, which advances the plot by motivating Flick's actions and decisions. Leo's authoritative yet caring approach pressures Flick into taking the case despite her initial resistance, revealing underlying personal struggles and past traumas affecting her work . Furthermore, the mutual respect and history between them portray a dynamic where Leo’s push is not merely supervisory but also personal, meant to aid Flick’s return to normalcy post-tragedy, thus foreshadowing her emotional journey and commitment to solving the case .

Flick Laine faces the personal struggle of having recently dealt with a traumatic event involving Scott, as suggested by the hesitation in her dialogue when asked to take on the case . This emotional burden affects her readiness to re-engage with her work fully and may influence her approach to the current investigation, as Leo Cohn acknowledges that it is beneficial for her to take on this case to move forward from her recent past .

The involvement of a movie star enhances the narrative's complexity by introducing elements of fame and public attention, which could complicate the investigation due to potential media interference and pressures. This inclusion adds layers to the narrative, suggesting possible motives linked to envy, jealousy, or unwanted media spotlight, potentially affecting the social relations and perceived motives among characters involved . Such high-profile involvement raises stakes for the investigators to solve the case discreetly and swiftly, further entangling personal and professional challenges faced by the protagonist.

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