0% found this document useful (0 votes)
290 views2 pages

UNEB Art Paper 2 Guidelines 2025

Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
290 views2 pages

UNEB Art Paper 2 Guidelines 2025

Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd

612/2

Art and Design


Paper 2
July 2025
4 hours

PRE- MOCK EXAMINATION 2025

Uganda Certificate of Education

ART AND DESIGN

Paper 2

Practical

Time: 4 hours

INSTRUCTIONS TO CANDIDATES

This paper has one compulsory examination item

This paper will be done in two sessions

I. Planning session (1hour – morning)


II. Production session (3hours- afternoon)

Bulky materials such as cement, clay, stone, hard wood or materials which may
lose the intended shapes and forms should be avoided.

Avoid using materials which may easily decompose in the process of


transportation from the school UNEB stores.
Read the scenario provided and then answer accordingly using the appropriate
materials and tools to generate suitable art work / form.
Note

Your product / work may be generated from any discipline of Art and Design
for as long as it is in direction of the scenario given.

Art Making (practical)

Item 1,

A school in the neighboring District is cerebrating silver jubilee (25years of


existence). To the institution and the community, this is a great achievement.
The school management is planning to use this achievement to raise funds that
can boost the infrastructural development of the institution and therefore the
organizing committee of the event has been tasked to get an Art work that can
be sold on that day to raise funds.

Task

As a student of art and design, create an Art work that can be used to serve the
purpose.

END

Common questions

Powered by AI

To ensure cultural and emotional resonance, a student can engage in research to understand the school's ethos, student and staff demographics, and past achievements. Incorporating traditional or school-specific symbols, colors, and motifs known to the community can also enhance connection. Gathering input from school representatives during the planning phase can ensure the artwork accurately represents community sentiments, thus increasing its sentimental and monetary value at the fundraiser .

A method could involve organizing a brief workshop or consultation session during the planning phase with key stakeholders such as teachers, alumni, and students. The artist could present initial concepts and sketches, inviting feedback and suggestions. This input can be documented and synthesized to refine the artwork concept. This approach not only aligns the artwork with stakeholder expectations but also strengthens community engagement, potentially enhancing the artwork's success as a fundraising tool .

The art piece could incorporate elements symbolic of the school's journey and heritage, designed in an aesthetically pleasing way to encourage purchase. Functionality for fundraising could be enhanced by ensuring the piece is unique, easily recognizable, and carries a narrative that resonates with the school's community, enhancing its value. Additionally, using cost-effective materials that maximize artistic expression without exceeding budget could ensure feasibility for multiple creations, potentially increasing fundraising revenues .

The marketable fundraising requirement challenges students to balance creativity with commercial appeal. While this might constrain the exploration of avant-garde or highly personal concepts, it can also drive innovation within the boundaries of broader appeal. Students must strategically employ originality to differentiate their piece in a competitive market, which can foster unique and thoughtful design solutions. This emphasis on marketability encourages a pragmatic approach to artistry, blending creative expression with entrepreneurial thinking .

When selecting materials for creating an art piece for a fundraising event, one should avoid using bulky materials such as cement, clay, stone, hard wood, or materials that may lose shape and form. It is important to also avoid materials that might decompose easily during transportation. These considerations ensure the durability and transportability of the art piece .

An art student should approach the creation of a piece for a school's silver jubilee by first understanding the significance of the milestone for both the institution and the community. The artwork should reflect the achievement and contribute to the day's fundraising goal. It should also consider the school’s identity, history, and future aspirations, potentially using symbols and images that resonate with these themes while ensuring the piece is appealing and marketable to potential buyers .

The potential challenges include limitations on material use, as bulky and decomposable materials are discouraged, which could restrict creativity and material choice. Additionally, ensuring the artwork aligns with the school's 25th-anniversary theme while being creative and visually appealing enough to attract purchase for fundraising purposes might pose a challenge. The student must also manage time effectively between the planning and production sessions to meet the examination’s requirement without compromising the quality .

Avoiding bulky or decomposable materials may limit the scope of techniques and forms available to the artist, potentially stifling innovation and creativity in material experimentation. However, it could also prompt a conceptual shift, encouraging students to explore alternative, sustainable materials and creative problem-solving to convey their artistic vision within these constraints. This can lead to ingenious solutions that might not only meet the project briefs but also reflect contemporary trends in sustainable art practices .

The dual session structure of planning and production allows for a comprehensive creative process. The planning session provides a dedicated time for ideation and conceptual development, which is crucial for high-quality outcomes. It encourages a thoughtful approach, ensuring the final piece is well-conceived before the production session. However, the separation might pose a challenge in maintaining creative momentum, necessitating students to effectively document their ideas and plans to seamlessly transition into production without quality loss .

Community and institutional heritage play a crucial role in creating a fundraising art piece as they provide the narrative context and emotional connection that can enhance the artwork's appeal and value. The art piece should encapsulate the institution's history, achievements, and aspirations, making it a treasured keepsake for alumni and stakeholders. Recognizing the shared history and values can create a compelling story that underscores the significance of the school's milestone, thus motivating higher engagement and bids during the fundraiser .

You might also like