NATIONAL UNIVERSITY OF SAN ANTONIO ABAD OF CUSCO

FACULTY OF ARCHITECTURE AND CIVIL ENGINEERING

THEME:

ARCHITECTURAL PROGRAMMING - AESTHETICS CENTER

Design III
TEACHER: ARCH. GUTIERREZ VALER CRISTINA
STUDENTS:
Carmen
VILLA PUMA EDWIN

CUSCO–PERU
2016
 CONCEPTUALIZATION AND ARCHITECTURAL PROGRAMMING

DEDICATION

To our dear teachers who from the very beginning have shown great dedication to
our academic training; for being our constant support in our
achievement of our goals and projects.

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INDEX

1. INTRODUCTION
[Link]
2.1. CONCEPTUALIZATION
[Link] OR ARCHITECTURAL TYPOLOGIES...........................................................................................................................................4

2.3. THE INTENTIONS

2.3.1 Spatial Intentions
2.3.2 Functional Intentions
2.3.3 Formal Intentions
2.3.4 Technological Intentions
[Link]. Constructive Technological Intentions……………………………………………………………………………………………………………………………...9
[Link]. Environmental Technological Intentions............................................................................10

[Link]....................................................................................11

2.4. ARCHITECTURAL PROGRAM....................................................................................11

CONCLUSIONS …………………………………………………………………….…………………………………………………………………………………………………………..…17
BIBLIOGRAPHY…………………………………………………………………………………………………………………………………………………………………………………….…18

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1. INTRODUCTION
Architectural programming is part of a project process that holds great importance and
relevance at the time of being executed, in this document that is written and graphical will serve as a basis for us

essential in a project

Architectural programming will allow us to obtain concrete solutions both spatially and
functional and meet the customer's required needs

It also intends to organize operations, expand facilities, improve efficiency.

functional, to achieve a better work environment or to choose the location of the land with information.

Architectural programming conceptualizes the project from the architect's point of view,
it shows us the references or projects on which it has been based, whether they are international projects, or

national favoritism of the architect being able to recognize the most important aspect of each of them; and
finally we have the intentions whether formal, spatial, functional and technological in which the
the architect is based on the architectural theory they may have.

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2. CONTENT
2.1. CONCEPTUALIZATION
Architectural programming is a very important tool that allows us
It serves to recognize all the client's needs, where everything can be organized.
the information that serves as a basis for carrying out a project.
It is the essence and soul of design, it is everything we think, imagine and
we are sorry.
It is the theoretical basis on which the design process is founded.

2.2. REFERENCES OR ARCHITECTURAL TYPOLOGIES

Neurosurgery Institute Project, San Sebastián Cusco

White, Edward T. 'Introduction to Architectural Programming'. Ed, Trillas, Mexico, 1991.

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Flor Alejandra Jordán Beisaga, thesis for the Institute of Neurosurgery to obtain the degree of architect chapter 3, Cusco Peru,
2011

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2.3. THE INTENTIONS

This unit organizes, encompasses, assesses, and executes the following variables:

2.3.1. SPATIAL INTENTIONS

The spaces must be familiar and comfortable for him.
user, promoting their stay and coexistence in each of the spaces.
There must be the presence of dynamic and flexible spaces, the spaces of
interrelation must be free and comfortable for circulation, the spaces
social spaces must be ample, recreational areas should be presented
harmony with the context, all these characteristics must be designed
according to the variability of open, closed, semi-open, semi-
closed.
The presence of the human being in the architectural fact and its respective
frequency and intensity to social, intimate, and service areas. It will achieve that
design includes spaces and facilities proportional to the amount of
people.
Sizing of the spaces taking into account the necessary furniture
to carry out the functions of each space.
Examples:

GARCILASO STADIUM, semi-open CLOSING COLISEUM, enclosed space INKA MUSEUM CUSCO shows us open spaces (courtyard) and spaces
Unable to access external links. closed and the dynamic relationship that is generated between them.

Inca Museum, floor plans of the first and second levels and images of the place Open space
Closed space

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2.3.2. FUNCTIONAL INTENTIONS

The areas should be differentiated according to their proximity to theirs.

needs.
The types of zones such as service areas must be clearly differentiated.
intimate and social.

Access must be defined according to the user's needs and frequency of use.
use in the areas, taking into account the activities that are developed in the
certain areas
Differentiate user activities under privacy considerations that
require certain activities, grouping social, intimate, and
services.
Differentiate main circulation axes that relate important spaces, and
secondary circulation axes for secondary space uses.

Function of a single-family home zoned by areas

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Flor Alejandra Jordán Beisaga, thesis for the neurosurgery institute to obtain the degree of architect The picture shows the different functional relationships of various spaces.
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2.3.3. FORMAL INTENTIONS

Generate a formal proposal that does not alter and respects the context.

The formal generation of the facades will express the geometrization and
composition made from basic geometric figures.
The formal proposal must express the language of a cultural center.
Formally hierarchize each area according to the degree of importance achieved
unity and harmony in the whole responding to a geometric plot.
It is the morphological definition regarding volumes, planes, lines, points,
concrete and virtual that will limit the spaces.
The architect works on the creativity of formal composition.
Axial, reflective, spherical, helical, translational, fractal symmetry is used.
The project presents an intersection of forms, it employs subtraction and
rotation, divergent, extensive, forming sets, closed organizations
addiction of forms. It is a harmonious composition, it has organizing principles.
and open, simple or compound.

MUNICIPAL BOX CUSCO, this project was generated from the intersection of
parallelepipeds and addition of spaces
Addition
https ://[Link]/pxos_vfb2g5t/transfer-architectural
Intersection
Municipal box photos Cusco, Av. La Cultura
Subtraction

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2.3.4. TECHNOLOGICAL INTENTIONS

Buildings are becoming smart both on the outside to regulate
light and ventilation like inside to regulate temperatures, actions and
predict behaviors; security.
In this order, technological systems that define the form and the
sustainability of a building.
Sustainable ecological systems for treatment and recycling are established,
power and artificial lighting, for heating.
[Link]. Constructive Technological Intentions
It establishes the materiality: materials, colors, textures, shines,
quality, naturalness, transparency, consistency, weight, of each element
formal, according to what is established in the schedule.

Here the relationships of harmony and arrangement are established between the

finished.
The structural system is used employing concrete and steel as
Structural basis of the project. This will allow for good behavior.
technological-constructive to factors such as: seismic resistance, and factors

climatic.
It is based on the national building regulations (RNE)

Technological systems that define the different sustainability of the building

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[Link]. technological environmental intentions

The peaceful use of natural light capture is proposed for each of
the spaces and artificial light capture through panels and
solar cells. avoiding excessive use of electrical energy. this
will help maintain the architectural fact with energy reserve
lighting in case of natural disasters and absence of electricity
There will be water mirrors in indoor and outdoor spaces,
the purpose of acclimatizing the temperature of nature, in addition to this
it will produce a greenhouse effect in the immediate and adjacent context.
The spaces will ensure optimal ventilation according to the need of
the required airflow is considered, cross ventilation is proposed, courtyards
interiors, surface ventilation, this as a response to the study
climatic conditions of the place.
Spaces that guarantee a direct relationship with environmental systems

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[Link]. contextual technological intentions

The object of study will be located within an urban context.
describing the socio-economic environment, source generator of the
urban problems that will define the issue to be solved, the
objects, the scope and the area of study. That describe the
contextual factors that will define the project program
Description of the urban context where work will be done defining
issues, deficit of services and equipment.
It consists of the study of the most important factors that are
they are related in the environment, which is of an urban, natural character,

historical, vital, and significant of the environment.

Moneo building Murcia Spain (Arch. Rafael Moneo) is a clear example that it can be done.
contemporary architecture respecting the context.

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2.3.5. CIRCULATION INTENTIONS

The intercommunication of spaces it will be carried out in such a way that the

circulation should be as immediate as possible, alleys and corridors will be avoided

the lighting that will be presented in circulation spaces will be the recommended one

150 lux, this will enhance the lighting of the set and the interrelation with
the context
The circulation areas will be free, wide, and dynamic, this will respond
a study of intensity and frequency from one space to another
There will be vertical and horizontal circulation, this will be arranged according to axes of

circulation in plan and elevation.

Frequency from one space to another

The large number of users in this circulation space represents intensity.

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2.4. ARCHITECTURAL PROGRAM The provided text is a URL and cannot be translated.
The program is the announcement expressed in concepts, texts, and images of the
requirements to be met by a work or an architectural project. Example of architectural programs
these are the foundations or starting points for the study of architectural distribution.
The Architectural Program must indicate the spatial and
Infrastructure, but in no case will specific solutions be pointed out that
They pretend to address the proposed needs. It is up to the museum team.

Provide the precise documentation that specifies all those

Requirements and needs that projects must address.

Example:
Architectural program - contemporary architecture museum.

ZONE
SUB-ZONE
SPATIAL UNIT
USER (amount)
AREA
AMOUNT OF SPATIAL UNIT
SPATIAL QUALITIES
ENVIRONMENTAL QUALITIES

5. Flor Alejandra Jordán Beisaga, thesis for the neurosurgery institute to obtain the degree of
architect chapter 3, Cusco Peru, 2011
[Link]

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THE FOLLOWING ELEMENTS ARE ESTABLISHED:

ROOM FRAMES
Identification of environments
Access Zone
Number of rooms
Users by environments
Required furniture and its area of influence
Environmental area
Relationships between environments

Required facilities
FUNCTIONING ORGANIGRAMS
Organizational charts by zones

Organizational charts by sub-zones of each zone

Organizational charts by environments of each subzone

General Organization Chart

FLOWCHARTS
Flow grams by zones
Flow grams per subzones EDUCATIONAL ZONE
Flow grams by department

ADMINISTRATIVE ZONE

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THE TRANSFORMATION OF THE ARCHITECTURAL PROGRAM INTO AN ARCHITECTURAL PROJECT

We formally present it as an algorithm, which in the mathematical context

It is understood as a procedure that is followed step by step to reach a
result.
This is exactly what is intended in the transformation of a program into
a project; intertwining the characteristics or principles of the architectural
with the spaces that are projected.

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CONCLUSIONS

In conclusion, the architectural program is an analysis that must be conducted.

orderly and thoroughly because we believe that the approach and analysis
what is done throughout the programming process will be of great importance and
relevance since this one, once executed, will be the final product.

It is clearly understood what architectural programming is and that without a

good architectural programming is very difficult to finalize a good project that
can rise as a great architectural work.

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BIBLIOGRAPHY

1. White, Edward T. "Introduction to Architectural Programming". Ed, Trillas,

Mexico, 1991.
[Link] to access content from the provided URL.-architectural
[Link]://[Link]/Lenhart/architectural-analysis
[Link] content from the provided URL cannot be accessed or translated.
5. Flor Alejandra Jordán Beisaga, thesis from the neurosurgery institute to obtain the degree
of architect chapter 3, Cusco Peru, 2011

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