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Badal Sircar Theatre Seminar 2025

The document outlines the program for a multi-lingual national seminar on Badal Sircar and post-colonial theatres in India, scheduled for February 12-13, 2025. It includes details on registration, inaugural and plenary sessions, various technical sessions, performance sessions, and a valedictory session. The event features prominent speakers, theatre performances, and discussions on the impact of Badal Sircar's work in contemporary Indian theatre.

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0% found this document useful (0 votes)
10 views5 pages

Badal Sircar Theatre Seminar 2025

The document outlines the program for a multi-lingual national seminar on Badal Sircar and post-colonial theatres in India, scheduled for February 12-13, 2025. It includes details on registration, inaugural and plenary sessions, various technical sessions, performance sessions, and a valedictory session. The event features prominent speakers, theatre performances, and discussions on the impact of Badal Sircar's work in contemporary Indian theatre.

Uploaded by

PALLABI SAHA
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Multi lingual National Seminar on

Badal Sircar and Post Colonial Theatres in India:


Society, Politics and Performance
February 12-13, 2025

Programme

Date: 12-02-2025
Venue: Bipin Chandra Paul Seminar Hall

1. Registration: 10-30 AM onwards

2. Inaugural Session: 11:00 AM – 12:30 PM


11 AM : Dignitaries take their seat on the Dias
11-07 AM: Lightening of Lamp
11-08 AM: Opening Song
11-15 AM: Welcome Address : Head, Department of Bengali
11-22 AM: Inaugural Speech: Prof. Rajive Mohan Pant, Chief Guest & Vice Chancellor, AUS
11-32 AM: Speech of Guest of Honour: Prof. Manabendra Dutta Choudhury, Vice Chancellor,
Rabindranath Tagore University
11-38 AM : Speech of Guest of Honour: Prof. Tapoddhir Bhattacharjee, Former Vice
Chancellor, AUS
11-44 AM : Speech of Guest of Honour: Prof. Samik Bandyopadhyay, Vateran Theatre & Film
Critique & Former Editor, Oxford University Press
11-50AM: Key Note Address: [Link] Sarkar, Vateran Theatre Critique, Linguist &
Former Vice Chancellor, Rabindra Bharati University.
12-20 PM: Remarks from the President of the Session: Prof. Ajit Kumar Baishya, Dean, RTSIL
& CS, Assam University, Silchar
12- 25 PM: Vote of Thanks : Dr Pabitra Roy, Department of Bengali, Rabindranath Tagore
University
Rapporteur : Suman Hasan, Anil Sarkar
Modarator: Dr Rahul Das

3. Plenary Session : 12:40 PM- 2:20 PM


12-40 PM : Dignitaries take their seat.
12- 45 PM : Introductory Remarks from the Chair: Prof. Tapodhir Bhattacharjee
12-50 PM: Chief Speaker: Prof. Samik Bandyopadhyay.
1-20 PM: Invited Speaker: Prof. Ananda Lal, Former Faculty, Jadavpur University, Kolkata
(online)
1-40 PM: Invited Speaker: [Link] Rakshit, Department of Bengali, University of Burdwan.
2-05 PM: Concluding Remarks from the Chair
Rapporteur : Priyanka Dhar, Jayatri Dutta Choudhury, Surajit Pramanik
Moderator: Prof. Santanu Sarkar

LUNCH BREAK: 2:30 PM- 3:15 PM.

4. Performance Session-I: 3: 15 PM- 3:45 PM


Theatre Performance near Bhasha Udyan
By Badal Sarkar Natya Charcha Kendra, Kolkata
Moderator: Prof. Debasish Bhattacharya

5. Symposium on Theatre, Badal Sircar and Contemporary Approaches.


3:45 PM- 5:30 PM
On the Dias:
1. Debasish Chakraborty, Badal Sarkar Natya Charcha Kendra
2. Biswajit Das, Theatre Director, Silchar
3. Rupak Rakshit Theatre Director and Playwright, Badarpur
4. Chitrabhanu Bhaumik, Theatre Director and Playwright, Silchar
5. Sekhar Debroy, Theatre Director and Playwright, Silchar
6. Dr. Indranil Dey, Theatre Director and Playwright, Silchar
7. Shantanu Paul, Theatre Director , Silchar
8. Subrata Roy, Theatre Director , Silchar
9. Sayan Biswas, Theatre Director , Silchar
Moderator: Prof. Santanu Sarkar
Rapporteur : Debapriya Das, Puja Barman

Date: 13-02-2025

6. Technical Session I: 11:00 AM- 12:40 PM


Venue: Upendranath Brahma Seminar Hall
Chair: Prof. Bela Das, Dept of Bengali, AUS
Speaker:
1. Prof. Nanikumar Singh, Dept of Manipuri, Assam University
( Badal Sircar and Manipuri Theatre)
2. Dr. Murali Basa, Assistant Professor, Dept of Performing Arts, AUS
(Exploring the Egalitarian Impact of Badal Sircar in Contemporary Indian
Theatre)
3. Dr. Hemlata Kerketta, Dept of Bengali, Assam University (বাদল সরকােরর নাটেক লাক
আি েকর ব বহার: একিট পযােলাচনা)
4. Dr. Madhumita Ghosh, Dept of Bengali, DDU Model College, Barkhala (উ র
ঔপিনেবিশকতা ও ভারতীয় নাট চচা: বাদল সরকার)
5. Prof. Santanu Sarkar, Dept of Bengali, Assam University (বাদল সরকার ও তার নাটেকর
হেয় ওঠা : িকছু মতাদশগত উপাদান)
Rapporteur : Susmita Banerjee , Subir Goswami
Moderator: Prof. Rintu Das

7. Technical Session II (Online): 11:00 AM – 12:30 PM

Venue: PMG Hall, Administrative Building, AUS.


Chair: Prof. Arjundeb Sensarma, Dept of Bengali, AUS.
Speaker:
1. Prof. Irom Gomvir Singh, Department of English, Manipur University
(Languages in Heisnam Kanhailal’s ‘Keibu Keioiba’ and ‘Dakghar’)
2. Dr. Tapu Biswas, Associate Professor in English & Vice- Principal Bhasha
Bhavana Visva- Bharati, Santiniketan
(Badal Sircar’sSukhopathya Bharater Itihas (Indian History Made Easy): A
post- colonial reading.)
3. Anirban Roy, Independent Researcher
(Re-configuring the Language of Theatre in Post colonial Era: Existential
Crisis, Social Realism and Harmony with the contemporary landscape)
4. Neeraj Chhiber, Freelancer based in Delhi
(Theatre Beyond Stage)
5. Kazi Abu Zumman, Research Scholart, Visva Bharati & Secretary, Research
Institute for Non-Proscenium Theatre, Kolkata
(Indian Third Theatre: A Dramatic Observation )
6. Raima Karmakar, Independent Researcher
(Journey of Theatre in Bengal in the light of Protest and Politics with special
reference to Badal Sircar.)
7. Sujan Das.

Rapporteur : Surajit Pramanik, Shanku Bhushan Laskar


Moderator: Dr. Barunjyoti Choudhury

8. Performance Session-II: 12: 30 PM- 1:15 PM


Theatre Performance near History & Education Department
By Badal Sarkar Natya Charcha Kendra, Kolkata
Moderator: Prof. Debasish Bhattacharya

9. Technical Session III (Online): 12:30 PM – 2:00 PM


Venue: PMG Hall, Administrative Building, AUS.
Chair: Prof. Priya Kanta Nath, Dept of Bengali
Paper Presenters:
1. Pallabi Saha, independent Researcher (উ র ঔপিনেবিশক সমেয় নেয়র দশেকর বাংলা
নাটেক মহাভারেতর িবিনমাণ)
2. Dr. Bodhisattva Bhattacharyya, Independent Researcher ("আ জীবনীর পিরসের বাদল
সরকার")
3. Ananya Shankar Debabhuti, Assistant Professor, Dept of Bengali, Jogamaya Devi
College, (অথ নয় কীিত নয় চাই ধু িকছু শরীর, অিভেনতার শরীর: তৃতীয় িথেয়টার এবং বাদল
সরকার)
4. Bakul Karmakar, Independent Researcher, (বাদল সরকােরর নাটেক জাদু -বা বতা)
5. Papiya Samanta, Guest Lecturer, Dept of Bengali, PN Das College (বাদল সরকােরর
িনবািচত নাটেক নারী মেনর সংঘাত)
6. Jayanta Kumar Roy, Assistant Professor in Bengali, Dhubri Girls’ College (বাদল
সরকােরর এবং ই িজৎ : একিট পযােলাচনা)
7. Dr. Sharmila Ghosh, Associate Professor, Shri Shikshayatan College (রবী নােথর
র করবী নাটক এবং ব পীর র করবী অিভনয় : িবশ শতেকর নাটেক ভারতীয় ঐিতেহ র
পুনরািব ার)
8. Anusheela Sahoo, Research Scholar, Vidyasagar University
9. Pradip Kumar Sarkar, DCB Girls College, Jorhat
Rapporteur : Bishakha Adhikari, Shubhajit Chakraborty
Moderator: Dr. Barunjyoti Choudhury

10. Technical Session IV : 12:50 PM- 2:00 PM


Venue: Upendranath Brahma Seminar Hall
Chair: Prof. Prof. Suman Gun, Dept of Bengali, AUS
Paper Presenters:
1. Debanjan Mukhopadhyay, Research Scholar, AUS (ভারতীয় িথেয়টাের বাদল সরকােরর
নতুন নাট ধারার অবদান ও তার ভাব)
2. Somdipto Chakraborty, Independent Researcher, (The Significance of Pioneer
dramatist Badal Sircar and Post Colonial Third Theatre)
3. Sonatan Barman, Research Scholar, AUS (বাদল সরকার: ‘কচটতপ' নাটেকর পযােলাচনা)
4. Sanjoy Mondal, Research Scholar, AUS (বু েদব বসু র 'অনা ী অ না': অেগাচেরর উ ান)
5. Biswajit Mondal, Research Scholar, AUS (ওিটিট াটফেম নাট কািহিন : স বাদল
সরকােরর ব ভপুেরর পকথা)
6. Suvo Kumar Patra, Research Scholar, AUS (জীবন-মরেণর ে বাদল সরকােরর 'পাগলা
ঘাড়া': একিট িবে ষণা ক পাঠ)
7. Uttam Biswas, Research Scholar. AUS (বাদল সরকােরর পথনাটক : একিট অবেলাকন)
Rapporteur : Pankaj Sarkar, Ipsita Deb
Moderator: Dr Bubul Sarma

11. Performance Session-III: 2 PM- 2-30 PM


Theatre Performance near Upendranath Brahma Seminar Hall
By Badal Sarkar Natya Charcha Kendra, Kolkata

LUNCH BREAK: 2:30 PM- 3:15 PM

12. Valedictory Session: 3:15 PM- 4:15 PM


President: Prof. Biswatosh Choudhury
Remarks of the Coordinator:
Remarks of Participants:
Remarks of Head, Dept of Bengali, RTU:
Valedictory Address: Prof. Ajit Kumar Baishya, Dean, RTSIL&CS.
President’s Speech: Prof. Biswatosh Choudhury
Distribution of Certificates:
Vote of Thanks: Dr. Rahul Das
Moderator: Prof. Rintu Das

******

Common questions

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Badal Sircar's approach to post-colonial Indian theatre was significant due to his development of 'Third Theatre,' which sought to break away from traditional and proscenium forms of theatre. He emphasized a more intimate, people-focused, and egalitarian form of performance that challenged societal norms and colonial legacies. The seminar highlighted this through discussions on his dramatic contributions and critiques of post-colonialism in Indian theatre .

The seminar explored the intersection of politics and theatre in Badal Sircar's work by examining his plays as reflections and critiques of social and political issues. Discussions included how Sircar's theatre highlighted the struggles of the marginalized and questioned societal injustices, thus positioning theatre as a medium for political discourse and change .

Badal Sircar's 'Third Theatre' movement had a profound impact on contemporary playwrights by encouraging a shift towards more intimate and direct forms of theatrical expression. The seminar's technical sessions highlighted how Sircar's critique of established norms in playwriting and performance inspired new generations of dramatists to explore social realism, audience engagement, and political themes without the constraints of traditional staging .

The invited speakers profoundly shaped the seminar's discourse on post-colonial theatres in India. Speakers like Prof. Samik Bandyopadhyay and Prof. Ananda Lal brought academic rigor and critical insight into Sircar's influence on modern theatre. Their contributions included analyses of theatrical forms, cultural narratives, and the political role of theatre in post-colonial contexts, thereby enriching the discussions and providing a comprehensive understanding of the topics .

The seminar's performance sessions integrated Badal Sircar's theatrical philosophies by staging plays that reflected his commitment to accessibility and social engagement. These sessions provided practical demonstrations of his concepts, emphasizing minimalist staging, breaking the fourth wall, and encouraging audience interaction, thus reinforcing Sircar's legacy in fostering an engaging theatrical experience .

Egalitarian principles were central to Badal Sircar's theatre practice as highlighted in the seminar. Sircar's performances emphasized equality, accessibility, and participation, moving away from hierarchical structures typical of traditional theatre. This approach was discussed as a way to democratize theatre and make it a tool for social change, thus having a significant impact on contemporary Indian theatre .

Dr. Tapu Biswas provided insights on Badal Sircar's work, 'Sukhopathya Bharater Itihas,' through a post-colonial lens, analyzing how Sircar reinterpreted Indian history to challenge colonial narratives and highlight indigenous perspectives. This analysis during the online technical sessions emphasized the necessity of revisiting historical narratives to address inherent biases and promote a decolonized understanding of history .

The symposium on Badal Sircar focused on key themes such as the relevance of his theater techniques in contemporary settings, the socio-political impact of his productions, and the ongoing evolution of his concepts in modern theatre practices. Discussions also touched upon themes of inclusion, community engagement, and the balance between artistic expression and social critique .

The seminar assessed Badal Sircar's influence on Manipuri theatre through a combination of theoretical analysis and practical case studies presented by Prof. Nanikumar Singh. Singh emphasized the adaptation of Sircar's principles of non-proscenium and egalitarian theatre within the context of Manipuri cultural expressions, detailing how these have been employed in local performances to address specific socio-cultural issues .

Prof. Ananda Lal and Prof. Moloy Rakshit contributed to the seminar by bringing in insights from their extensive backgrounds in theatre studies. Prof. Lal participated as an invited speaker, providing academic perspectives online from Jadavpur University, while Prof. Rakshit offered a detailed analysis from the University of Burdwan. They helped frame discussions on how Sircar's work continues to influence modern theatre practices and debates .

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