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Hotel Rwanda Discussion Questions

The document consists of a series of questions related to the film 'Hotel Rwanda,' focusing on key events, character motivations, and themes of the story. It covers topics such as propaganda, the safety of characters, and the impact of the genocide. The questions aim to provoke critical thinking about the film's portrayal of the Rwandan genocide and its effects on individuals and society.

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0% found this document useful (0 votes)
31 views5 pages

Hotel Rwanda Discussion Questions

The document consists of a series of questions related to the film 'Hotel Rwanda,' focusing on key events, character motivations, and themes of the story. It covers topics such as propaganda, the safety of characters, and the impact of the genocide. The questions aim to provoke critical thinking about the film's portrayal of the Rwandan genocide and its effects on individuals and society.

Uploaded by

yahir.idkk
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd

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Hotel Rwanda Questions

1. What type of bug does the voice say the Tutsi are?

2. What is in the shipping container that breaks?

3. Why is Paul’s driver scared when they pull over to let the parade pass?

4. When Paul is in the car listening to the radio, what kind of propaganda does he hear?

5. What does Paul see when he opens the gate after his son tells him there are soldiers out there?

6. What is all that matters to Paul?

7. Who created the difference between Hutus and Tutsis?

8. Why will Paul be safe?

9. Why did the neighbors hide in Paul’s home?

10. What does “we must cut the tall trees” mean/refer to?

11. What do they see when they start driving in the van?

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12. What does Paul sneakily put in his pocket?

13. How does Paul save his wife and kid’s lives and that of his neighbors?

14. How does Gregoire feel about Tutsis?

15. Who are the kids that come out of the van?

16. What is the UN response to the reporter’s question about intervening to stop the bloodshed?

17. What is on the tape that the reporter with the beard puts in the tv?

18. What does the reporter think will happen when people see the footage of the massacres?

19. Do the UN forces shoot at the Hutu?

20. Why are the Hutu so focused on killing kids?

21. Why are all the white people being rounded up and leaving the hotel?

22. What do the soldiers say to Paul when they wake him up?

23. Why do you think the soldiers ask for a guest list of the hotel?

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24. What does Paul tell the people at the hotel?

25. We must them into sending help.

26. Does the woman on the radio call what is happening in Rwanda a genocide or an act of genocide?

27. What is George’s response when Paul says, “you can not actually believe you can kill them all?”

28. What do Paul and Gregoire see when they get out of the car, they thought they drove off the rode but
really what was the situation?

29. What does Paul’s wife say to him after they kiss on the roof?

30. Why did Paul have his wife transferred to Kigali?

31. What does Paul tell his wife to do with the children if he is killed?

32. Why does he tell her to do that?

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33. Does Paul go with his family when they are evacuated?

34. What happens to the convoy that Paul’s family is in?

35. What does Paul tell the General about how the Americans see him (the General)?

36. What is Paul afraid of when he gets on the roof?

37. Where does he find her?

38. Who do they find when they get to the refugee camp (besides Constance and Madam Archer)?

39. How many people did Paul keep safe in his hotel?

40. Where do Paul and his family live now?

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Common questions

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'Hotel Rwanda' depicts the psychological effects of genocide through characters' trauma, fear, and desperation. The pervasive threat of violence leads to constant anxiety and helplessness, shaping individual and community behavior under extreme stress.

Paul Rusesabagina's decision to shelter Tutsi refugees exemplifies an extraordinary act of civil courage and moral fortitude. Despite personal risk, he prioritizes human life over self-preservation, demonstrating an ethical duty to protect others amidst societal collapse and moral chaos.

Paul's advice to his wife reflects both psychological foresight and strategic survival instincts. Understanding the immediate threat and chaos, hiding the children would increase their chances of survival by keeping them out of sight from potential attackers, indicating his protective instincts amidst uncertainty.

The prioritization of foreign nationals' evacuation over Rwandans reflects an ethical bias, raising questions about the value placed on different human lives based on nationality. It exposes a moral double standard and perceived inequity in international crisis responses.

The international community's response, or lack thereof, reflects poorly on global intervention ethics. The film portrays the UN's inaction and reluctance to label the situation as genocide, indicating a failure to intervene on humanitarian grounds. This highlights the ethical dilemma faced by international bodies when deciding whether or not to intervene in sovereign nations' conflicts.

The film emphasizes media footage as a crucial tool for stirring international awareness and outrage. The reporter's hopeful belief that footage of massacres could prompt international intervention underscores the power of visual media to galvanize public opinion and pressure governments to act.

The statement "we must cut the tall trees" symbolizes the violence against the Tutsi, with 'tall trees' being a code word used in the genocide planning. This euphemism disguises the brutality of the action, highlighting how language can be manipulated to normalize and facilitate ethnic cleansing.

Paul's interaction with the General reveals the precarious balance of power in conflict zones, where negotiation and persuasion become tools for survival. Paul's leverage stems from the General's desire for international approval and his dependency on Western perception, reflecting the complex interplay of influence and authority.

The reluctance to label events as genocide in 'Hotel Rwanda' is significant because such a designation mandates intervention under international law. Avoiding the term can thus prevent legal and humanitarian obligations, reflecting political motivations and the complexities in mobilizing international action.

The propaganda dehumanizes the Tutsi by referring to them as 'cockroaches,' which is a metaphor used to incite hatred and violence by reducing them to pests that must be eradicated.

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