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Every Pantomime in 15 Minutes

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0% found this document useful (0 votes)
26 views3 pages

Every Pantomime in 15 Minutes

Uploaded by

bassel.kamal.sk
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Every Pantomime That Ever Was

(In Under Fifteen Minutes)


by Tony Domaille

Characters
Narrator
Hero
Heroine
Baddie
Dame
Five random characters

Narrator: Longer versions of this story are available. So that’s


eighteen pantomimes we’ve covered – Aladdin, Ali Baba, Babes in
the Wood, Cinderella, Dick Whittington, The Frog Prince, Goldilocks,
Hansel and Gretel, Jack and the Beanstalk, Little Red Riding Hood,
Mother Goose, Peter Pan, Puss in Boots, Rapunzel, Robin Hood,
Sleeping Beauty, Snow White… but we may have missed one or two
because you can have a pantomime out of just about any story you
like, so to finish we present the pantomime that has everything.
(Hero, Heroine, Baddie and Dame enter on their first lines)
Hero: Hello. I’m a hero, slapping my thigh and pretending to be a
bloke.
Heroine: And I’m a girl, dressed as a girl, and pretty as a picture.
Baddie: But I’m a baddie (Manic laughter) and I’ll make sure these
two are miserable forever.
Hero: (Encouraging audience to agree) Oh no you won’t.
Baddie: (Encouraging audience to agree) Oh yes I will.
Dame: I’m the Dame… another bloke, dressed as a woman… but
don’t worry about that. I’ll be a friend to the heroine, helper to the
hero, bake the cakes, sing happy birthday and wear outrageous
bloomers.
Baddie: Ha! I’ll cast a spell on the pretty one, for no other reason
than I’m just plain evil. (Manic laughter)
(SFX: Casting a spell)
Hero: Oh no! The girl I love is under a spell. I must go on a quest
(slaps thigh) meeting random characters along the way.
(Five random characters rush across stage, shaking the Hero’s hand)
Hero: And then I’ll take on the baddie in the final scene.
(Starts a sword fight with the Baddie, who eventually dies,
theatrically)
Hero: Serves him right.
Heroine: My hero.
Hero: Wanna get married?
Dame: Ooooh, yes please.
Hero: Not you.
Heroine: I love you.
Dame: What a happy ending.
(Whole cast enters and sings a finale song: I’m a Believer)
Narrator: And there you have it. Every pantomime that ever there
was in under fifteen minutes.
Whole Cast: (Together to audience) Thank you! (All take a bow)
(Curtain)

Common questions

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The interplay between the Hero and the Baddie in a pantomime engages the audience through direct interactions inviting audience participation. The Hero encourages audience support with phrases like "Oh no you won’t," while the Baddie counters with "Oh yes I will," prompting the audience to choose sides and verbally respond. This call-and-response dynamic creates an interactive experience and deepens audience involvement in the performance .

The final scene of the pantomime encapsulates the thematic essence of traditional pantomimes by concluding with the defeat of the Baddie, who theatrically dies, and the union of the Hero and Heroine, symbolizing the triumph of good over evil and love conquering adversity. This highlights the moral resolution typical in pantomimes, where order is restored, and happiness is reaffirmed, often completed with a celebratory finale song like "I’m a Believer" that involves all characters in a harmonious ending .

Character interactions with the audience in Domaille's pantomime enhance the experience by actively engaging them as participants in the narrative. This is achieved through call-and-response exchanges, where characters like the Hero and Baddie seek verbal affirmation of their intentions from the audience, breaking the fourth wall and fostering a communal sense of play. This tradition not only boosts enjoyment but also encourages a dynamic theatrical experience, blurring spectator-performer boundaries .

The resolution conforms to traditional narratives by ensuring a happy ending: the Hero defeats the Baddie, restoring order, and proposes to the Heroine, promising future happiness. However, it subverts expectations through its comedic twist with the Dame humorously interjecting a proposal to the Hero, and the casual manner in which absurd elements, like the Dame's unexpected marriage bid, are integrated into the conclusion. This maintains the humorous tone and the subversive edge typical of pantomimes, playing on audience expectations with light-hearted mockery .

Music in the pantomime finale functions as a unifying force, bringing all characters together in a collective expression of joy and resolution. Songs like "I’m a Believer" create an upbeat, celebratory atmosphere that signifies a harmonious conclusion and reinforces the themes of victory over adversity and communal joy. The choice of a familiar, catchy tune ensures the audience leaves with a sense of shared participation in the pantomime's emotional triumph and its festive, inclusive spirit .

By explicitly acknowledging its theatricality, the pantomime blurs the line between performance and reality, creating a metatheatrical experience that enhances engagement and humor. Characters directly address the audience to invite participation, such as the Narrator's remark about longer versions of the story, and the Dame's aside of "another bloke, dressed as a woman..." This self-awareness allows the audience to appreciate the artifice and encourages a suspension of disbelief that amplifies the comedic effect and reinforces the pantomime tradition of playful spectacle .

The Dame in pantomime serves a dual narrative and comedic role. Narratively, the Dame provides support to the Hero and Heroine, facilitating plot development through actions like baking cakes and offering friendship. Comedically, the Dame, often a male actor in exaggerated female attire, utilizes humor through physical comedy, witty asides, and outrageous costumes such as bloomers, adding levity and engaging the audience with humor that contrasts the serious actions of the other characters .

In Tony Domaille's work, the fundamental archetypical roles in traditional pantomimes include: the Hero, who represents bravery and the archetype of the male protagonist; the Heroine, embodying beauty and charm as the female lead; the Baddie, symbolizing evil and providing conflict; and the Dame, who is a comedic role, typically a man dressed as a woman to offer humor and support to the main characters. These roles help convey the story's themes of good versus evil, romance, and comedic relief .

The "random characters" encounter the Hero during his quest, symbolizing the unpredictable nature of adventures and introducing variety into the narrative. These brief interactions often serve to contrast the Hero's journey with humor or to briefly assist or distract him, thereby highlighting the Hero's resolve and ingenuity. This interaction showcases the chaos and charm of the pantomime world by engaging the audience through rapid, exaggerated introductions that break the main narrative rhythm .

The pantomime employs a range of comedic techniques to engage diverse audiences, including slapstick humor, exaggerated characters like the Dame with flamboyant costumes, and verbal wit through interactive dialogues. The use of universally familiar narratives ensures accessibility, while irony and playful manipulation of traditional gender roles add layers for adult audiences. This multifaceted comedy appeals across generations, as children are amused by physical antics and direct humor, while adults appreciate the layered subtext and theatrical conventions being subverted .

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