DRAIKO DYNAMICS.

TO THE BETWEEN, BETWEEN.

TO THE ENTER, ENTER. (EVERYONE RESPONDS) LET IT ENTER. TO THE ENTER, ENTER. (EVERYONE
LET HIM IN) LET HIM IN. MY FRIEND... LET HIM IN. LET HIM IN ALREADY BECAUSE THE AUDIENCE IS LEAVING
PEOPLE GETS EMOTIONAL AND STARTS SCREAMING, SCREAMING, WEEE.

AND IF NOT, CHEQUEPERENPENPENPENPENPERE (WE JUMP AND MOVE OUR HANDS OF A

SIDE), CHEQUEPERENPENPENPENPENPERA (WE JUMP AND MOVE EACH OTHER'S HANDS
SIDE) CHECKYPERENPENPENPENPENPERE (WE JUMPED TO THE FRONT AND MOVED OUR HANDS)
CHEQUEPERE (LET'S TAKE A SMALL JUMP) RACATAPUNCHECHE (WE MAKE A TRIANGLE)
PLAYING)
AND YES, YES. SAMBACUTIRICUTAMBA LABATIBACUMBACUMBA CUTIRICUTA. HEY. (TWICE)
ACHU, HEALTH. ACHU. ACHU HOW TASTY, ACHU HOW TASTY. ACHU HEALTH, HOW TASTY.

WITH THE MARACAS UP, CHACUCHA. WITH THE MARACAS DOWN, CHACUCHA. WITH THE MARACAS
IN FRONT, CHACUCHA. WITH THE MARACA BEHIND, CHACUCHA. THROW SEED TO THE MARAPA
FOR IT TO SOUND, CHACUCHA, CURUCUCHACUCHA. THROW SOME SEEDS IN THE MARACAS FOR IT TO
It sounds Chacucha, Curucuchacucha.

ATTENTION.
ATTENTION (THREE CLAPS) CONCENTRATION (THREE CLAPS) CALL
FOR (THREE CLAPS) THE PHONE (TWO CLAPS) CARMEN CALLS (SE
THREE CLAPS) TO SO-AND-SO (TWO CLAPS) SO-AND-SO CALLS (TWO CLAPS)
(CLAPS) TO MENGANO (TWO CLAPS ARE GIVEN) (REPEATS UNTIL EVERYONE IS
CALL THEM).
THE ROOSTER AND THE HEN.
THE ROOSTER AND THE HEN WENT FOR A WALK, THE ROOSTER AND THE HEN WENT FOR A WALK,
Pooping from the front, pooping from the back.

GRAB A PARTNER AND TAKE THEM DANCING. (EVERYONE IN A CIRCLE AND THE ROOSTER SPINS INSIDE)
CIRCLE, THE PERSON WHO IS IN FRONT OF THE ROOSTER HAS TO DO THE
Cackling movements and follow it. Until everyone comes out to dance and it forms
A GREAT TRAIN
THE TIME HAS COME.

EPO-ETAITA-YE, EPO-ETAITA-YE EPO-ETAITA-EPO, TUQUI TUQUI EPO TUQUI TUQUI YE, TUQUI
YES.
LEGS
CONGA, CONGA.
CONGA CONGA I LIKE THE MILONGA. I WANT TO SEE CARMEN DANCING THE CONGA.
HAND ON THE HEAD, THE OTHER ON THE WAIST. TURN AROUND AND SHAKE THE TAIL, THE
THE LITTLE TAIL, THE LITTLE TAIL.

A MOLER COFFEE.
WHY DO WE LIKE ADRENALINE?
(RESPONDENT) I DON'T KNOW WHY, I DON'T KNOW WHY (2)
A MOLER CAFÉ, A MOLER CAFÉ
A MOLER, A MOLER, A MOLER COFFEE (2 TIMES)
EXPLANATION
EVERYONE IN A CIRCLE, FIRST HOLDING HANDS, THEN SHOULDERS, WAIST,
Knees and Ankles.
THE PARTICIPANTS MOVE FROM LEFT TO RIGHT WHEN I SAY: TO GRIND COFFEE,
A MOLER CAFÉ, A MOLER, A MOLER, A MOLER CAFÉ

THE TIC.
I HAVE A TIC (REPEAT) TIC TIC (REPEAT) I HAVE VISITED THE DOCTOR (REPEAT) AND HE TOLD ME TO MOVE
THE ARMS (BIS)
(BODY PARTS ARE ADDED)
I visited the doctor (BIS) and he told me that I am already cured (BIS)

A DAY NOE.
One day Noah went through the forest. And many animals went with him. God
VERY ANGRY A FLOOD I SENT AND WITHOUT HAVING THE GUILT NOBODY WAS SAVED, NOBODY
SAVED. TO THE SOUND OF THE CROCODILE AND THE ORANGUTAN. THE SLY SERPENT AND THE GOLDEN EAGLE.

THE CAT, THE MOLE, THE ELEPHANT SAID NOTHING. THEY ONLY SIGHTED THE
RHINOCEROS. NOE LOOKED UP AT THE SKY AND SAW A BIG CLOUD. AND DROP, DROP, DROP A
A FLOOD WAS FORMED. AND WITHOUT ANYONE BEING TO BLAME, NO ONE WAS SAVED. TO THE SOUND OF THE CROCODILE AND THE
ORANGUTAN. THE SLY SNAKE AND THE GOLDEN EAGLE. THE CAT, THE MOLE, THE ELEPHANT NO
THEY SAID NOTHING. THEY ONLY SIGHTED THE RHINO. (MORE ANIMALS ARE ADDED)
THE CHARACTERS (HEY SUPERMAN)
HEY, HEY SUPERMAN (REPEAT) AND HOW DOES HE (REPEAT) HE DOES LIKE THIS (REPEAT) UCHA, ACHA, ACHA, UCHA
GOOD, FINE, GOOD, GOOD AGAIN (REPEAT)
(MORE CHARACTERS ARE IMPROVISED)
IGUANA OIL.
Oh, this little foot that won't move for me. I'm going to rub it with iguana oil to make it move.
HERE TO THERE.
DYNAMICS OF ANIMALS.
A person is pointed out and called an animal, the two that are next to them.
They will need to help him form the animal.

EXAMPLE. GIRAFFE HERE. THE DESIGNATED PERSON WILL STAND UP AND RAISE BOTH.
HANDS, THE TWO THAT REMAIN BY YOUR SIDE WILL BEND DOWN.

DAN DAN HELLO.

DAN DAN HELLO. DAN DAN HELLO. (2 TIMES) DAN DAN HELLO, HELLO, DAN DAN HELLO. AND US
WE GREET BECAUSE WE HAVE ARRIVED HELLO, HELLO, HELLO.

WHEN I WAKE UP IN THE MORNING.

WHEN I WAKE UP IN THE MORNING. I THINK OF YOU, OF ME, AND OF OUR GREAT LOVE.
BECAUSE TODAY IS A GOOD DAY TO GIVE THANKS, A GOOD DAY TO GREET EACH OTHER, A
Good day to have fun, a good day, good morning.

THE LIZARD AND THE LIZARD

THE LIZARD AND THE LIZARD WENT OUT TO SUNBATHE (2 TIMES), IN WINTER BECAUSE
IT'S COLD AND IN SUMMER BECAUSE IT'S HOT. (2 TIMES) STOP THE MUSIC (REPEAT) THAT
STOP THE MUSIC FOR ME, OH MAN, STOP THE MUSIC FOR ME. AND WHY. AND FOR
WHY DO THE LIZARD AND THE LIZARD WANT GROUPS OF 5.
KING KONG
KING KONG, KING KONG, IT'S A TROPICAL DANCE KING KONG, KING KONG. IT'S A DANCE
TROPICAL. And everyone who dances it, dances it like this,

A LITTLE STEP FORWARD,

A STEP BACK,
THE PARTICIPANTS FORM A KIND OF TRAIN AND WHO DIRECTS THE DYNAMICS INDICATES TO THEM
THE MOVEMENTS TO BE MADE.
I have an ant.
I have a little ant in my belly that tickles me, it doesn't let me.
SLEEP.
THE LETTER CHANGES BY ADDING VOWELS.
I have a little house.
I have a little house that is like this and that, and when the smoke comes out, it comes out like this and that. When
SOMEONE COMES KNOCKING LIKE THIS, LIKE THIS AND LIKE THIS. I CLEAN MY SHOES LIKE THIS, LIKE THIS AND LIKE THIS.

THE BOAT SAILS.

THE BOAT SAILS AND SAILS (2 TIMES) AND HITS THE WAVE AND HITS THE SAND. (TWO)
SOMETIMES) TO PREVENT THIS SHIP FROM SINKING, GROUPS OF...

MARUJA.
Maruja, Maruja the old woman with the big feet. Maruja wants, (they respond) what does she want
MARUJA. MARUJA WANTS, (RESPOND) WHAT DOES MARUJA WANT. THAT THEY FORM GROUPS OF...

THE KING OF THE NOISE.

STOP THERE
WHY? (THEY ANSWER)
BECAUSE THE KING OF COMMOTION ORDERS
WHAT DO YOU ORDER? (RESPONSES)

ORDER...
CALLS FOR ATTENTION.
COVER, SMALL COVER (RESPOND) PLUG.
CHONCHORORONCHO (RESPONDING) CHONCHON.
OKAY (RESPONDENT) YES.
CHANCHARARANCHA (RESPONDENT) CHANCHAN.
WHERE ARE WE GOING.

WHERE ARE WE GOING (THEY ANSWER) FOR A WALK AND HOW ARE WE GOING (THEY ANSWER) FOR A WALK

Above in a plane. Below in a truck. On one side eating ice cream and
BY THE OTHER ON A MOTORCYCLE. IN FRONT ON A BICYCLE AND BEHIND ON A SCOOTER. BY THE
WATER ON A BOAT AND IF IT SINKS IN A RAFT. IF THERE IS A CROCODILE IN A SUBMARINE AND IF
I CAN'T FIND A BETTER WAY. AND IF IT RAINS, I HAVE AN UMBRELLA, AND IF IT DOESN'T CLEAR UP
I go for a walk in all ways.
THE TREE OF THE MOUNTAIN.
THE TREE OF THE MOUNTAIN IA, IA OH. THE TREE OF THE MOUNTAIN IA, IA OH
AND ON THE TREE... THERE WAS A BRANCH... AAAAAAAY, WHAT A BRANCH. AAAAAAAY, WHAT A LOVE OF
RAMA. THE BRANCH, THE TREE, THE TREE, THE TREE...
THE TREE OF THE MOUNTAIN... THIS SEQUENCE REPEATS ITSELF AND CONTINUES.

THE BRANCH
GOD.
COFFEE WITH MILK, COFFEE.

COFFEE, COFFEE. COFFEE WITH MILK, COFFEE.

CHOCOLATE WITH EMPANADA, YOGURT WITH WHAT DO YOU LIKE?

NOW THAT WE'RE ALONE, NOW THAT NO ONE SEES US. UP WITH THE COFFEE POT WITH THE COFFEE,
WITH THE COFFEE.

LET'S CHANGE THE LYRICS AND PUTTING IN THE DIFFERENT VOWELS.

APPLE, PEAR, BANANA.
APPLE, PEAR, BANANA. BANANA, BANANA, BANANA.
APPLE, PEAR, APPLE, PEAR. APPLE, PEAR, BANANA.
WE MOVE THE HIP. APPLE=TO ONE SIDE. PEAR=TO THE OTHER. BANANA=IN FRONT.
SAMINA, SAMINA.
SAMINA, SAMINA. EH, EH. WAKA, WAKA. EH, EH
SAMINA, SAMINA. INGA, INGA. AO, AO.
YAMBORE, YAMBORE
SAMINA, SAMINA. INGA, INGA. AO, AO
It is danced like the Macarena.

PETER PANDA.
WHEN YOU ARE SUNKEN (THEY BEND DOWN)
DOWN HERE YOU ARE (MORE BOWED)
AND YOU DON'T SEE A WAY OUT OF THE PLACE

BOM, BOM, BOM

YOU MUST NOT MOVE FROM WHERE YOU ARE (LET'S TAKE A SMALL JUMP)
AND LIKE PETER PAN DO (TWO APPLAUSES)
LIKE A KANGAROO YOU MAKE THREE JUMPS
Two-sided like a crab
THREE IN FRONT AND ONE BEHIND
AND THE TURTLE MUST BE TURNED OVER (WE FALL TO THE FLOOR ON OUR BACKS)
TURN A TRUNK UNTIL YOU CAN'T ANYMORE (WE TURN)
RUN OR THE FLOOR WILL RUN OUT
WITHOUT BREATHING (WE COVER OUR NOSE)
LEFT JUMP
AND THIS WAS PETER
THE DANCE OF PETER
Dance Peter Panda like this.

PRESENTATION OF PATROLS.
THIS IS PATROL 1, PATROL 1, PATROL 1. THIS IS PATROL 1. WHERE IS 2...
THE NUMBERS OF EACH PATROL ARE MENTIONED AND THE FINAL PATROL SAYS
THIS IS PATROL 1, PATROL 1, PATROL 1. THIS IS PATROL 1. WHERE IS EVERYONE...
ALL PATROLS RESPOND TOGETHER UNDER THE NAME OF PATROL ALL. AND FOR
TO FINISH...
THIS IS THE PATROL EVERYONE, PATROL EVERYONE, PATROL EVERYONE. THIS IS THE PATROL EVERYONE.
THIS IS OVER.
TO THE SOUND OF THE PIPER.

AT THE SOUND OF THE WHISTLE, EVERYONE MAKE THEIR MOVE, AND THOSE WHO DON'T WILL PAY A FEE
GARMENT.
EACH PARTICIPANT MAKES A MOVEMENT OF THEIR CHOICE AND OTHERS IMITATE THEM.
THE LITTLE ONE.

HOLD ME LITTLE ONE, LITTLE ONE, LITTLE ONE. HOLD ME LITTLE ONE, LITTLE ONE, LITTLE ONE. DON'T HOLD ME ANYMORE.

WALKING THROUGH THE FOREST.

WALKING THROUGH THE FOREST

I found a cow
AS IT HAD NO NAME (NAME) I WILL GIVE IT ONE
OH! (NAME) YOU ARE THE COW
IF YOU CATCH IT BY THE TAIL
What name do you say?

TO TAKE OFF THE CAP.

Take it off, take it off, take the cap off the bottle.

PUT IT ON, PUT IT ON, PUT THE CAP ON THE BOTTLE.

MOVEMENTS AND EXPRESSIONS ARE BEING ADDED BY TEAM.

TO THE CATUNGA.
TO THE CATUNGA, TUNGA, TUNGA. TO THE CATUNGATUNGA TUNGA TUNGA.

THE SONG IS SUNG BY CHANGING THE VOWELS.

DAD DRAGON.
DAD DRAGON (AH)
SHE HAD CHILDREN (AH)
DADDY DRAGON HAD MANY CHILDREN (AH)
WHEN THEY SANG, AND WHEN THEY LAUGHED
TOWARDS THINGS LIKE YOU.
A person is pointed out and where it says 'AH', the action that the person does is imitated.
PROPOSED PERSONA.
IN SANTO DOMINGO YOU DANCE WITH...
In Santo Domingo, we dance with the finger (repeat)

WITH THE FINGER. FINGER, FINGER. WITH THE FINGER. FINGER, FINGER. WITH THE FINGER. FINGER,
DAD. HERE WE DANCE LIKE THIS HE.

IT KEEPS CHANGING AND TAKING DIFFERENT PARTS OF THE BODY. AND THEY GO
MENTIONING THE PARTS FROM LAST TO FIRST
MENTIONED.
WITH THE FEET, FEET, FEET. WITH THE KNEE, KNEE, KNEE. WITH THE
CODOS, CODOS, CODOS. WITH THE FINGER, FINGER, FINGER. HERE WE DANCE LIKE THIS, HEH.

COLON PUT A EGG.

COLUMBUS WAS A MAN OF GREAT RENOWN

THAT DISCOVERED A NEW WORLD,
AND THAT HE WAS THE FIRST MAN
WHAT LAID AN EGG, (WE RESPOND) STANDING
AS HE PUT IT, (WE RESPOND) STANDING
IN WHAT WAY, (WE RESPOND) STANDING
AND WHO PUT IT THERE, (WE ANSWER) COLUMBUS

HANDS ARE RAISED IN EVERY RESPONSE EXCEPT WHEN MENTIONING THE NAME OF
COLON. WHOEVER RAISES IT HERE LOSES.

THE STORY OF THE COYOTE.

I'M GOING TO TELL YOU A FUNNY STORY. ABOUT A COYOTE WHO RUINED HIS LIFE

THIS WAS A DAY WITHOUT FOOD. WHEN SUDDENLY. A CHAYOTE IN SIGHT

AND WHAT DOES IT SAY? POOR COYOTE HAHA (4 TIMES)

WHAT BAD LUCK THE COYOTE HAD. IF ONLY IT HAD COME ACROSS THAT HUGE CHAYOTE.

THE MOUTH TURNED OUT SO WATERY. LIKE A CHILD EATING EMPANADA

AND HOW DOES HE SAY? POOR COYOTE HA (4 TIMES)