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Philippine National Artists Overview

The document provides an overview of notable Filipino artists and filmmakers, detailing their birth and death dates, significant contributions, and awards received. It highlights figures such as Fernando Amorsolo, Carlos V. Francisco, Victorio C. Edades, Vicente S. Manansala, and others, showcasing their impact on Philippine art and cinema. Each artist's achievements and notable works are summarized, emphasizing their roles in shaping the cultural landscape of the Philippines.
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0% found this document useful (0 votes)
16 views5 pages

Philippine National Artists Overview

The document provides an overview of notable Filipino artists and filmmakers, detailing their birth and death dates, significant contributions, and awards received. It highlights figures such as Fernando Amorsolo, Carlos V. Francisco, Victorio C. Edades, Vicente S. Manansala, and others, showcasing their impact on Philippine art and cinema. Each artist's achievements and notable works are summarized, emphasizing their roles in shaping the cultural landscape of the Philippines.
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

FERNANDO AMORSOLO a.k.

a “Grand old man of Philippine Art” (++)

(PAINTER/VISUAL ARTIST)
 He was born in May 30, 1892 and died in April 24, 1972 at the age of 79
 He was the first-ever to be recognized as a National Artist of the Philippines
 President Ferdinand Marcos was the one who granted Fernando Amorsolo the National
Artist of the Philippines for Visual Arts at the year 1972, four days after his death
 After his father's death, the family moved back to Manila, where they stayed with one of
his uncles, Don Fabián de la Rosa, his mother's cousin, who was also a Filipino painter.
At the age of 13, Amorsolo became an apprentice to De la Rosa, who would eventually
become the advocate and guide to Amorsolo's painting career. During this time,
Amorsolo's mother did embroidery to earn money, while Amorsolo helped by selling
water color postcards to a local bookstore.
 His most known works are “The Dalagang Filipina and The Making of the Philippine flag”

AWARDS RECEIVED
 Amorsolo's first success as a young painter came in 1908, when his painting Leyendo el
periódico took second place at the Bazar Escolta, a contest organized by the Asociacion
Internacional de Artistas.
 1922 – 1st Prize, Commercial and Industrial Fair in the Manila Carnival, 1929 – 1st Prize, New
York’s World Fair, for Afternoon Meal of Rice Workers (also known as Noonday Meal of the Rice
Workers) etc.

CARLOS V. FRANCISCO a.k.a. “Botong” (++)

(PAINTER/MURAL PAINTER/PRODUCTION DESIGNER)


 He was born in November 4, 1912 and died in March 31, 1969 at the age of 56
 Carlos “Botong” Francisco, the poet of Angono, single-handedly revived the forgotten art of mural
and remained its most distinguished practitioner for nearly three decades. In panels such as those
that grace the City Hall of Manila, Francisco turned fragments of the historic past into vivid records of
the legendary courage of the ancestors of his race.
 Francisco passed away in 1969 at the age of 56 and was posthumously declared National Artist for
Visual Arts in 1973.
 His most known arts are “First Mass at Limasawa” and “The Progress of Medicine in the Philippines”
 Francisco was a most distinguished practitioner of mural painting for many decades and best known
for his historical pieces.
AWARDS RECEIVED:
 He was the second Filipino who received the title of National Artist in Painting in 1973 after Fernando
Amorsolo. Among of his awards are first prize for his work "Kaingin" at the annual Art Association of
the Philippines, "Most Outstanding Alumnus" in 1959, and Republic Cultural Heritage Award in 1964.

VICTORIO C. EDADES (+)

a.k.a. “The father” of Modern Philippine Art


(PAINTER)
 He was born in December 23, 1985 on Dagupan, Pangasinan and died at Davao city in March 7, 1985
at the age of 89
 He was named a National Artist in the year 1976.
 His artistic ability surfaced during his early years. By seventh grade, his teachers were so impressed
with him that he was dubbed "apprentice teacher" in his art class. He was also an achiever from the
very beginning, having won awards in school debates and writing competitions.
 His most notable works are “The sketch, The Builders, Interaction, etc.”

AWARDS RECEIVED:
 His awards and distinctions include: First Prize, English Composition Contest, Dagupan, 1915; Gold
Medal, Oratorical Contest, 1919; Free tuition for High Scholastic Standing, University of Washington,
1921-1928; Second Prize, “The Sketch,” Seattle Fine Arts Competition, 1928; Chairman of the Jury, Art
Competition among Filipino Painters conducted by the occupying Japanese Forces, 1942, etc.

VICENTE S. MANANSALA (++)

(PAINTER/ILLUSTRATOR)
 He was born in January 22, 1910 and died at the age of 71 on August 22, 1981
 In 1981 Vicente Manansala was chosen as the National Artist of the Philippine to commemorate his
lifetime dedication and distinguished contribution to the art and culture of his country
 Manansala was born in San Roque, Macabebe, Pampanga. From 1926 to 1930, he studied at
the U.P. School of Fine Arts. In 1949, Manansala received a six-month grant by UNESCO to study at
the École des Beaux-Arts in Banff and Montreal, Quebec, Canada.
 His most known works are “Madonna of the, Madonna of the Slumsoil, etc.”

AWARDS RECEIVED:
 Manansala has received several awards for his art throughout his career, including the Republic
Cultural Heritage Award and the Patnubay ng Sining at Kalinangan Award, and was posthumously
awarded the National Artist in Painting.
ELIZALDE NAVARRO (++)

(PAINTER/SCULPTOR)
 He was born in May 22, 1924 and died at the age of 75 in the 10th of June 1999
 Navarro passed away on June 10, 1999 and was posthumously proclaimed National Artist for Visual
Arts on December 1, 1999 for his significant contributions to our rich artistic heritage.
 As a young artist, Navarro was very passionate in creating new ways of art. He experimented with
different kinds of art media such as oil, acrylic, and watercolor. He also tried making sculpture and
mixed media. He uses the "incision painting" this method is applied on the stop surface by carving out
the artist’s desired pattern on the stone materials and layering paint or plaster on the stone surface.
 His most known work is his painted steel sculpture “Echo”.

AWARDS RECEIVED:
 1967 – represented the Philippines in Sculpture Category, São Paulo Beinnale Brazil
1970 – represented the Philippines in Sculpture Category, São Paulo Beinnale, Brazil
1972 – represented the Philippines at the Biennale de art Graphiques, Brno, Czechoslovakia
Etc.

GERARDO DE LEON

(ACTOR, FILM DIRECTOR, FILM PRODUCER, SCREENWRITER, PIANIST)


 He was born in September 12, 1913 in Bulacan Philippines
 He began making films after finishing med school and after becoming a licensed physician. He
dedicated half of his life in making and directing movies. He created movies in almost all genres;
musical, action-fantasy, romance etc.
 Some of his best works are El filibusterismo and Noli me Tangere the musicals.
 He collaborated with known directors and artists and produced hit films like Sanda Wong and Pedro
Penduko.

AWARDS RECEIVED
 He received 8 FAMAS award for best director and screenplay and was nominated 8
times as well. He also won a Lifetime Achievement award in 1978 and the Maria Clara
Award in 1952.

LINO BROCKA

(FILM DIRECTOR, SCREENWRITER, ACTOR)


 He was born on April 7, 1939 in Sorsogon Philippines. He grew up in San Jose Nueva Ecija.
 He is one of the most influential filmmakers in the history of Philippine Cinema. He was known
internationally in the film community for his films about Marcos Dictatorship. His works focuses on
boldly addressing issues in the country. He even made an organization, the “Concerned Artist of the
Philippines” or known as (CAP).
 Some of his famous works are “Bayan ko: kapit sa patalim” and “Maynila sa mga kuko ng Liwanag”.
 His famous quote “They may gag and blindolf ou, silence and imprison you, but they will never be
able to destroy what made you an artist in the first place- your brave and continuing dedication to
the human race.”

AWARDS RECEIVED

 Member of the jury at the Canned Film Festival in 1986


 FAMAS Award for Best Director and Sutherland Trophy

ISHMAEL BERNAL

(FILM DIRECTOR, SCREENWRITER, FILM MAKER)


 He was born on September 30, 1938 in Manila Philippines
 He was a Bachelor of Arts in English student in the University of the Philippines. He was a member in
UP Dramatic Club, where he developed his passion and love for literature. The screenwriter moved
to France and joined the University of Aix-en-Provence, where he earned his Licentiate in French
Literature & Philosophy. In 1970, he earned his Diploma in Film Directing at the reputable Film
Institute of India through the Colombo plan scholarship.
 He was popular for actively participating in the struggle for artists' rights & welfare. He was also a
board member of the Directors Guild of the Philippines Incorporation (DGPI.)
 Some of his famous works are: Pagdating sa dulo, The Sleeping Dragon and Till death do us part.

AWARDS RECEIVED

 He won the bronze hugo at the Chicago International Film Festival.


 He was nominated as Best Director at FAMAS Awards 9 times and won Best screen play at 1971.
 He was also nominated 9 times at the Gawad Urain Awards and won 8 times.
 He also won the MMFF Award at the Metro Manila Film Festival, and Star Awards for Movies.

EDDIE ROMERO

(FILM DIRECTOR, FILM PRODUCER, SCREEN WRITER)


 He was born on July 7, 1924 at Dumaguete City.
 He was majorly influenced by a japanese director named Yasujiro Ozu and a well-known Filipino
director Gerardo de Leon. He observed production trends, film techniques and the work of noted
directors in the United States and Europe. He was first involved in film when he wrote the script of
Gerardo de Leon Ang maestra (1941), which starred Rogelio de la Rosa, Rosa Del Rosario and Sylvia
La Torre. One of his greatest achievements was that he co-produced one of the earliest horror
movie in the Philippines, Terror Is a Man.
 The National Artist citation stated that Romero’s films “are delivered in an utterly simple style-
minimalist, but never empty, always calculated, precise and functional, but never predictable.”

AWARDS RECEIVED
 He won best director and best screenplay at the maria clara awards in 1951 and 1952.
 He won 16 FAMAS Awards in his lifetime. 4 best directors awards in Manila Film Festival and won 5
Grand Urian Awards both in best director and best screenplay.

FERNANDO POE JR.

(ACTOR, FILM DIRECTOR, FILM PRODUCER, POLITICIAN, SCREENWRITER)


 He was born on August 20, 1939 in Manila Philippines.
 He is often referred to as FPJ and was a very famous actor and director. He earned the title of “Da
King”because of his successful career as an action star.
 He was first a stuntman and debuted as an actor in the film Anak in Palaris. He most;y was known
for his acting skills and little gave attention to his works as director.
 He used moniker D’Lanor as his directorial name and then changed it into the name Ronwaldo
Reyes. Reyes was taken from his idol and his mentor, Efren Reyes, while Waldo was the masculine
word for Wolda. FPJ was quoted as saying that Wolda was lifted from Ethelwolda Ramos, the
veteran showbiz writer and de facto Dean of Showbiz Press.
 One of his most famous and most influential film is The Ravagers.

AWARDS RECEIVED
 Poe's accolades include five FAMAS Awards for Best Actor—a joint record that inducted him into the
FAMAS Hall of Fame in 1988. He also won Best Director for his films Ang Padrino (1984) and Kahit
Butas ng Karayom, Papasukin Ko (1995). In 2004, FAMAS posthumously granted him the
Natatanging Alagad ng Sining Award.

Common questions

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Fernando Amorsolo was recognized as the first National Artist of the Philippines due to his pioneering role and contributions to Filipino art. He was a pivotal figure in portraying rural Filipino life through his paintings, with works like 'The Dalagang Filipina' and 'The Making of the Philippine Flag.' His paintings are celebrated for their traditional techniques and vivid depictions of the beauty of the Philippines. Amorsolo's influence stemmed from his ability to capture the culture and landscape of his country in a manner that resonated widely with the Filipino people. His apprenticeship under his uncle, Don Fabián de la Rosa, and his distinctive use of chiaroscuro further established him as a leading artist of his time .

Lino Brocka's films deeply reflected his socio-political activism by addressing critical issues during the Marcos dictatorship in the Philippines. Films like 'Bayan Ko: Kapit sa Patalim' and 'Maynila sa mga Kuko ng Liwanag' showcased the struggles of ordinary Filipinos against oppressive systems and highlighted themes of social injustice, freedom, and human rights. His commitment to activism, along with his formation of the 'Concerned Artists of the Philippines,' significantly impacted Philippine cinema by challenging censorship, promoting artistic freedom, and inspiring a new wave of socially aware filmmakers .

Elizalde Navarro enhanced his reputation in the Philippine art scene by his diverse exploration of art media and techniques. By experimenting with oil, acrylic, watercolor, sculpture, and mixed media, and pioneering methods such as 'incision painting,' Navarro showcased a versatile and innovative spirit. This variety in mediums and methods allowed him to create distinctive pieces, such as his painted steel sculpture 'Echo,' contributing significantly to his recognition as a boundary-pushing artist within the country. His willingness to experiment and push artistic boundaries broadened the perceptions of Philippine art .

Victorio Edades, known as 'The Father of Modern Philippine Art,' challenged traditional artistic norms by introducing modernist techniques and themes that diverged from the classical styles predominant in the Philippines. His works, such as 'The Sketch', 'The Builders', and 'Interaction', often portrayed more realistic and gritty themes, focusing on the struggles of everyday people. Edades' modern approach was instrumental in moving away from the idyllic depictions of rural life that dominated Filipino art, helping to foster a new generation of artists willing to explore and innovate in their work .

Eddie Romero's minimalist style contributed to the development of Philippine cinema by emphasizing simplicity and clarity in storytelling, allowing the human experience to take center stage without the distraction of unnecessary embellishments. This approach is characterized by precise and functional cinematography, narrative economy, and a focus on essential elements that keep the viewer engaged in the story's core themes. Romero's style offered a contrast to more traditional, elaborate filmmaking, influencing future filmmakers to explore minimalist approaches and resulting in films that were both artistically and commercially successful .

Gerardo de León's background in medicine may have influenced his filmmaking career by providing him with a disciplined approach to storytelling and a nuanced understanding of human behavior. His medical training likely enhanced his ability to depict complex characters and narratives, contributing to the depth and realism in his films. This background, combined with his artistic talents, enabled him to create powerful cinematic works across various genres, most notably in films like 'El filibusterismo' and 'Noli me Tangere' which adapted complex literary works into successful musicals .

Vicente S. Manansala's artistic style is distinguished by his unique approach to cubism, where he skillfully blended transparent and layered geometric forms to portray the Filipino experience. His works are noted for their dynamic interplay of shapes and colors that capture the essence of Philippine life. Manansala's educational background, including his studies at the U.P. School of Fine Arts and a UNESCO grant to study at the École des Beaux-Arts in Canada, exposed him to various artistic styles and techniques. This education enriched his perspective and allowed him to develop a style that was distinctive and reflective of his cultural heritage .

Ishmael Bernal played a crucial role in advocating for artists' rights in the Philippines through his active participation in organizations like the Directors Guild of the Philippines Incorporation (DGPI). His advocacy for artists' welfare intersected with his career in film by influencing the themes of social consciousness and human rights depicted in his works, such as 'Pagdating sa Dulo' and 'Till Death Do Us Part.' Bernal's dedication to these causes reinforced his reputation as a filmmaker committed not just to art, but also to using film as a medium for social change and activism .

Carlos V. Francisco, also known as 'Botong,' single-handedly revived the art of mural painting in the Philippines. He was renowned for transforming historical fragments into visually compelling murals that captured the courage and essence of the Filipino spirit. His works such as 'First Mass at Limasawa' and 'The Progress of Medicine in the Philippines' are notable examples of his contribution to mural art. These murals not only preserved and celebrated Philippine history but also served as a source of national pride and identity .

Fernando Poe Jr.'s multi-faceted career as an actor, director, and producer led to his title 'Da King' due to his immense popularity and influence in Philippine cinema. Known for his action roles and skillful storytelling, Poe's works resonated deeply with audiences, portraying themes of justice, resilience, and the common man's struggle. His films left a lasting impact on Philippine culture, solidifying his status as a cultural icon and fostering a deep connection with the masses. This influence extended beyond cinema, where he became a symbol of integrity and heroism, impacting both the film industry and the broader cultural landscape .

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