Sorrow

Words and Music by Tom De Longe and Travis Barker

A5 E/G# F#5
Intro 5fr 4fr
Moderately fast q = 150
Half-time feel

 
13 13 13
µ
Gtr. 1 (clean)

      
          
mf
let ring throughout

 5 4
5
7
5
5 4 5 4
5
7
5
5 4

*A E5 D5


Riff A

                       

4 5 4 7 5 4 5 4 7 5 4 5 4 7 5 4
5 5 5 5 5 5
*Chord symbols implied by bass.


A E5 D5

    
                       

4 4 4 5 4 7 5 4 5 4 7 5 4 5 4 7 5 4
5 5 5 5 5 5

Verse
Gtr. 1 tacet

 
**A Amaj7/G#

            
1. Be - cause I need you more
Gtr. 2 (clean)


Gtr. 1
End Riff A Rhy. Fig. 1

               
                 
f


7 7 7 7 7 7 7 7 6 6 6 6 6 6 6
4 4 4 X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 0

Gtr. 3 (clean)



Rhy. Fig. 1A

                
               
mf

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
**Chord symbols reflect implied harmony.

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
  
F#m Amaj7/G# A5

              
than you need me. Be - cause I want you


                        
                       

4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X
2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5


                        
                       

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Gtr. 1: w/ Riff A


Amaj7/G# F#m Amaj7/G# A

           
more. I know.


       
End Rhy. Fig. 1

                
                        

6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 7
X X X X X X X X X X X X X X X X X X X X X X X
4 4 4 4 4 4 4 0 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 5


        
End Rhy. Fig. 1A

                
                        

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

2
 Gtrs. 2 & 3 tacet

  E5 D5 A E5 D5

      
    

7
5


      
    

7
0

Verse
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A

 
A5 Amaj7/G# F#m

       

  
    
2. Be - cause we move too fuck - ing fast.


Amaj7/G# A5 Amaj7/G# F#m
  
              
      
I think I real - ly had to wish to make this last. I know.

Chorus
Amaj7 A5 E/G#

               
Rhy. Fig. 2A

Gtr. 5
(dist.)

     
f

  


I’m sor - ry,


Gtr. 4 (dist.) Rhy. Fig. 2

     
       
f

6 6 6 6
X X X X
4 0 0 0 0 4 4 4

3
 F#5 E/G# A5

                       

  
        


please for - give me. Be - lieve


       
              

6 6
X 6 6 6 6 7 X
4 0 0 0 0 X X X X 4 0 0 0 0
4 4 4 4 5

E/G# F#5 E/G#

                       
End Rhy. Fig. 2A


(cont. in notation)

    

    
me if you would.


     
End Rhy. Fig. 2

    
           

6 6 6 6
X X X X 6 6 6 6 6
4 4 4 4 0 0 0 0 X X X X X
4 4 4 4 4

Gtr. 1: w/ Riff A


Gtrs. 4 & 5
A E5 D5

  
 
 

   

7
7
5

Gtrs. 4 & 5 tacet


A E5 D5

        
3. Be - cause I
4
 Verse
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A

 
A5 Amaj7/G# F#m Amaj7/G#

             
    
cared way more. Be - cause I real - ly

A  Amaj7/G#
  F#m Amaj7/G#

       
         
felt that you felt so much more. I know.

 Chorus
Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A (2 times)

 
           
A E/G# F#5 E/G#
 
 
I’m sor - ry, please for - give me. Be -

A
E/G# F#5 E/G#

     

    
lieve me if you would.

 
  A           
E/G# F#5 E/G#
 
 
I’m sor - ry, please for - give me. Be -

T o Coda 


A E/G# F#5 E/G#

             

lieve me if you could.

   
Interlude
A5
Gtrs. 4 & 5


Gtr. 1

                         
      

2 2 2 2 2 2 2 2 3 2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0

5
 Gtrs. 4 & 5 tacet


A E5 D5

                         
      

2 2 2 2 2 2 2 2 3 2
2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0

D.S. al Coda


* C#5 D A E5

                               
   

 2 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 
 2
0
2 2
0
2 2
0
2 2
0
2 2

*Chord symbols implied by bass & piano.

 Coda
  E/G#
  
A5
            

Be - lieve me if you could.


    
Gtrs. 4 & 5

  
  

7
7
5


      


  
 
 

   

7
7
5


Begin fade Fade out


   
(Drums)


 

7
7
5

6
 I Feel So
Words and Music by Tom De Longe and Travis Barker

Intro
Moderate Rock q = 112 Gtr. 1 tacet


*G D7/F# Em D/F# ** E5 G5 E5 G5 E5 D5
Riff A End Riff A


(Piano)

    
Gtr. 1 (acous.) Gtr. 2 (elec.)

      
(19 sec.)

   
    


mp
mf
w/ dist. 1/2

 

 0
5
4
5 4
5
4
0
2
4
2 4
2
4 
3 3 3
*Chord symbols reflect implied harmony. **Chord symbols reflect overall harmony.

 
E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5

       

         


fdbk.
1/2 1/2 1/2 1/2

3 3 3 3 3 3
Pitches: D Eb D Eb D Eb D Eb D

  
E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
      
 
    

        


fdbk.
1/2 1/2
0
0
0
0
X
3 3 0 3 3 3 3 3 3
Pitches: D Eb D

 
  
E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5

         
    
        

  
fdbk.
1/2 1/2 1/2

7 7 7 7
X X X X
5 5 5 5
3 3 3 3 3 0
Pitches: Eb D Eb D Eb D

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
 
 
                    
fdbk.
1/2 1/2 1/2 1/2 1/2

0
0
0 0 3 3 3 3 3 3 3 3 3 3 3 3 3
Pitch: D

E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
                 

                 
fdbk.
1/2
1/2 1/2 1/2 1/2 1 1/2

(5) 3 3 3 3 3 3 3 3
Pitches: Eb D Eb D Eb D Eb D Eb D E D Eb

Gtr. 2 tacet


E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
    
Gtrs. 3 & 4 (elec.)
   
           
   
 P.S.
  
fdbk. f w/ dist.
1/2
0
0 0
0 7 7 7 X

5 5 5 5 5 X X X X
5 5 5 5 5 5 5 5 X
3 X 3 0 3 3 3 0 3 3 0
Pitch: D

E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
        
              
         
   
         
   

7 7 7 X 7 7 7 X
5 5 5 5 5 X X X X 5 5 5 5 5 X X X X
5 5 5 5 5 5 5 5 X 5 5 5 5 5 5 5 5 X
0 3 3 3 0 3 3 0 0 3 3 3 0 3 3 0

E5 G5 E5 G5 E5 B5 E5 G5 E5 G5 E5 D5
    
    
                 
  

            


5
5
5
5
5
5
5
5
5
5
X
X
X
4
X
2
 5
5
5
5
5
5
5
5
5
5
7
X
5
7
X
5
7
X
5
X
X
X
0 3 3 3 0 3 3 0 0 3 3 3 0 3 3 0

2
 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
       
                                
                      
7 7 7 X 7 7 7 X
5 5 5 5 5 X X X X 5 5 5 5 5 X X X X 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 X 5 5 5 5 5 5 5 5 X 5 5 5 5 5 2 2 2
0 3 3 3 0 3 3 0 0 3 3 3 0 3 3 0 0 3 3 3 0 3 3 0

Verse
Gtr. 1: w/ Riff A (4 times)
Gtrs. 3 & 4 tacet
G D7/F# Em D/F# G D7/F#
  
                      
1. Some - times I wish I was brave, I wish I was strong - er, wish I could
2. Some - times I wish I was smart, I wish I made cures for how

Em D/F# G D7/F# Em D/F#

 
               
       
feel no pain. Wish I was young, wish I was shy, I wish I was
peo - ple are. I wish I had pow - er, I wish I could lead, I wish I could


Gtrs. 3 & 4

       
       
 
mf
P.M. P.M.

3 3 2 2 0 0 2 2

Chorus

    
G D7/F# Em D/F# E5

                   



hon - est, wish I was you, not I.
change the world for you and me. ’Cause I feel so mad, I

  Rhy. Fig. 1

      
                  
 
P.M.  P.M.  f

2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2
3 3 2 2 0 0 2 2 0 0 0 0 0 0 0 0 0 0 0 0

3
                  
B/D# C#5 B/D#

        
feel so an - gry, feel so cal - loused, so lost, con - fused, a - gain.

 
End Rhy. Fig. 1

                                     
 
     

9 9 9 9 9 9 9 9 9 9 9 9 6 6 6 6 6 6 6 6 6 6 6 6 9 9 9 9 9 9 9 9 9 9 9 9
6 6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 6 6 6 6

Gtrs. 3 & 4: w/ Rhy. Fig. 1

      
                          
E5 B/D# C#5 B/D#

   
Feel so cheap, so used, un - faith - ful. Let’s start o - ver, let’s start o - ver.

Interlude Gtrs. 3 & 4 tacet

E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5

           
Gtr. 2


          
fdbk. 
1/2 1 1

3 3 3 3 3
Pitches: D Eb D E D E


Gtrs. 3 & 4

    
  
dim.

5
X
3

E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
                   
Gtr. 2


                          
fdbk.

1/2 1/2 1/2 1 1 1/2 1/2 1/2 1/2 1/2

0 3 0 3 3 3 3 (3) 3 3 3 3 3 3 3
Pitches: Eb D E D E D Eb D Eb D Eb D Eb D Eb

4
 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5



   
 

Gtr. 2

 

            

P.S. fdbk.
steady gliss.

  X 
3 0 3 0 3 X 0 0 0 3 3 0 3 3
Pitch: D


Gtr. 4

     
       
P.M.  P.M. 

5 5 5 5 5 5 5 5

E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5

 
  
  
 
 
        

P.S.
steady gliss.

0 0
0 0
0 0
 X 
0 0
0 0
3 X 0 0 3 3 0 3

     
   
                  
P.M.  P.M.   
P.M.
    
7 7 7 7
X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 3 3 3 0 3 3 0

E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
   
   


       
 
fdbk.
P.S.
fdbk. P.M. steady gliss.

3 3 3 3 0 0 0 0 X
 X  0

        
               
                    
P.M.  P.M.  P.M. 
7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 3 3 3 0 3 3 0 0 3 3 3 0 3 3 0 0 3 3 3 0 3 3 0

5
 Gtr. 2 tacet
B5


Gtrs. 3 & 4

                                       
                                   

 
 4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
 4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2

 
       
’Cause I

  
                              
                          

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
X X X X X X X X X X X X X X X X X X X X X X X X X
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

Chorus
Gtrs. 3 & 4: w/ Rhy. Fig. 1 (3 3/4 times)

                             
E5 B/D# C#5 B/D#

      
feel so mad, I feel so an - gry, feel so cal - loused, so lost, con - fused, a - gain.

1.

  E5
                              
 
B/D# C#5 B/D#

   
Feel so cheap, so used, un - faith - ful. Let’s start o - ver, let’s start o - ver. ’Cause I

2. Free time
   B/D#
   
E5
        
      
let’s start o - ver. Let’s start o - ver.

 
Gtrs. 3 & 4

                  
  
  

9 9 9 9 9 9 9 9 9 9 9 9 2
6 6 6 6 6 6 6 6 6 6 6 6 2
0

6
 All Systems Go
Words and Music by Tom De Longe and Travis Barker

Intro
Moderately fast Rock q = 156
*A5

 
Gtrs. 1 & 2 (slight dist.)

                               
Riff A End Riff A

                              
mp


7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
*Chord symbols reflect basic harmony.

Half-time feel 1., 2., 3. 4.

Gtrs. 1 & 2 tacet


A5 C#5 G#5 A5 G#5 E5 A5 G#5 E5

         

1. I
Rhy. Fig. 1 End Rhy. Fig. 1


Gtrs. 3 & 4 (dist.)

       
    
      
                     
 
f

 
 7
7
7
7
6
6
4
6
6
4
6
6
4
6
6
6
6
6
6
7
7
7
7
7
7
6
6
6
6
 6
6
7
7
7
7
7
7
6
6
6
6
5 5 0 4 4 4 4 4 4 5 5 5 4 4 0 0 4 5 5 5 4 4 0 0

 Verse
Gtrs. 3 & 4 tacet

A F#m
  
Eadd4/G#

         
left my fear be - hind me of those
2. When will this be o - ver, this

Riff B End Riff B


Gtr. 5 (slight dist.)

                                
                      
         
mp

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 711 11 11 11 11 11 11 4 4 4 4 4 6 6 6 6
5 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 9 9 9 9 9 0 2 2 2 2 2 4 4 4 4

Riff B1 End Riff B1


Gtr. 6 (slight dist.)

                                
                               
mp

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 Gtrs. 5 & 6: w/ Riffs B & B1 (3 times)


A F#m Eadd4/G#

          
lights out by the sta - tion.
cold and bit - ter sea - son? The


A
    
F#m

Eadd4/G#

    


 

Gov - ern - ment is ly - ing.
Gov - ern - ment is ly - ing. The

T o Coda 1  End half-time feel


A
      
F#m

Eadd4/G#

  
Youth, they won’t be - lieve them.
truth is found with rea - son.

 Chorus

C5
   
G/B
     
A5
   
F5

    
We can’t go wrong, can’t get fucked this time.

Rhy. Fig. 2
Gtrs. 3 & 4

                            

                       


5 5 5 5 5 5 5 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 3 3 3 3 3 3 3
3 3 3 3 3 3 3 2 2 2 2 2 2 2 0 0 0 0 0 0 0 3 3 3 3 3 3 3
0 0 0 1 1 1 1 1 1 1 0

T o Coda 2 


C5
    
G/B
    
A5
   
F5

   

Speak up now, lose or get left be - hind.


End Rhy. Fig. 2

                             


      
                

5 5 5 5 5 5 5 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 2 2 2 2 2 2 2 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
0 0 0 1 1 1 1 1 1 1 1

2
 Interlude 2nd time, D.S. al Coda 1
Gtrs. 3 & 4 tacet Gtrs. 1 & 2 tacet
A5 A5 C#m G#5 A5 G#5 E5

Gtrs. 1 & 2 Gtrs. 3 & 4

                  
 
          
  

                                
mf f

 
7
X
7
X
7
X
7
X
7
X
7
X
7
X
7
X
7
X
7
X
7
X
7
X
7
X
 7
7
7
7
6
6
4
6
6
4
6
6
4
6
6
6
6
6
6
7
7
7
7
7
7
6
6
6
6

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 4 4 4 4 4 4 5 5 5 4 4 0 0

 Coda 1
End half-time feel Chorus

  
Gtrs. 1 & 2: w/ Riff A Gtrs. 3 & 4: w/ Rhy. Fig. 2

  C5
 

Eadd4/G# A5
        

We can’t go

G/B
   
A5
    
F5 C5
   
     

wrong, can’t get fucked this time. Speak up now,

      

1. 2.

  
G/B A5 F5 F5
     
  
lose or get left be - hind.

Interlude 1.,3.

  A5   
Gtr. 5 E5

              
           
mf w/ dist.


 7
X
7
X
7
X
7
X
7
X
7
X
7
X
7
X
7
X
5 5 5 5 5 5 5 5 5


Gtrs. 3 & 4

   
                       
mf

P.M.


 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0

3
 
2. 4.

  
D.S.S. al Coda 2
      
* G5/E E5 G5/E E5 µ

              

 
              
    
fdbk.
1 1

  0
0
0
0
7 7
X
7
X
7
X
 7
X
7
X
7
X
7
X
 0
0
0
0
0
0
5 5 5 5 5 5 5 5 5 5 0 0
Pitch: B

 
          
                       
                    
P.M.  P.M.  P.M.

 
2 2 2 2
5
3
5
3
5
3
5
3
 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

0 0 0 0 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

 
           
                        
P.M.  P.M.  P.M.

 
2 2 2 2 2 2 2 2
 2 2 2 2 2 2 2 2
5 5 5 5 
2 2 2 2 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 0
*Bass plays E.

 Coda 2
Gtrs. 3 & 4: w/ Rhy. Fig. 2

    
C5 G/B A5
           
 
We are the un - der - rat - ed, all for - got - ten

   
F5 C5 G/B
           
  
kids who made it. Speak up now, lose or get

Outro

    
Gtr. 3: w/ Rhy. Fig. 1
A5 F5
 A5 C#5 G#5 A5 G#5 E5

    

left be - hind.

A5 C#5 G#5 A5 G#5 E5 A5 C#5 G#5 A5


Gtrs. 3 & 4 
              
 
       
                           
        

6 6 6 6 6 6
7 7 6 6 6 6 6 6 7 7 7 6 6 7 7 6 6 6 6 6 6 7 7
7 7 4 4 4 6 6 6 7 7 7 6 6 7 7 4 4 4 6 6 6 7 7
5 5 0 4 4 4 4 4 4 5 5 5 4 4 0 0 5 5 0 4 4 4 4 4 4 5 5

4
 And I
Words and Music by Tom De Longe and Travis Barker

D5 B5 G5
5fr 7fr

134 134 134

Intro
Moderate Rock q = 112 Play 4 times


F#5 D5 E5 D5 F#5 D5 E5
                                  
  
(Drums) Gtr. 1 (dist.)

               
mf

 

 11 11 11 11
X X X X
9 9 9 9
11 11 11 11 11 11 11 7
X X X X X X X X
9 9 9 9 9 9 9 5
7
X
5
7
X
5
9
X
7
9
X
7
9
X
7
9
X
7
9
X
7
7
X
5
7
X
5
7 11 11 11 11 11 7
X X X X X X X
5 9 9 9 9 9 5
7
X
5
7
X
5
9
X
7
9
X
7


D5 B5 G5 D5

Gtr. 3
(dist.)                               
f

                                             
Gtrs. 1 & 2 (dist.)

                                              

11 11 11 11 11 11 11 11 11 11 11 7 7 7 9 9 9 9 9 7 7 7 11 11 11 11 11 7 7 7 9 9 11 11 11 11 11 11 11 11 11 11 11 7 7 7 9 9
X X X X X X X X X X X X X X X X X XX X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 X 5 5 5 7 7 7 7 7 5 5 5 9 9 9 9 9 5 5 5 7 7 9 9 9 9 9 9 9 9 9 9 9 5 5 5 7 7

Gtr. 3 tacet
2nd time, Gtr. 2 tacet
B5 G5 D5

        
     
Gtrs. 1 & 2

                  
Gtrs. 1 & 2

  


9
X
7
9
X
7
9
X
7
7
X
5
7
X
5
7
X
5
11 11 11 11
X X X X
9 9 9 9
7
X
5
7
X
5
7
X
5
7
X
5
 7
X
5


Gtr. 4 (dist.) Riff A

                              
     
mf


 7
X
5
7 7 7 7 7
X X X X X
5 5 5 5 5
7 7 7 7 7 7 7 7
X X X X X X X X
5 5 5 5 5 5 5 5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 Gtrs. 1 & 2 tacet


End Riff A

                             
Gtr. 4

                          

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Verse

 
Gtr. 4: w/ Riff A (2 times)

 Bm 
Asus4
   
G5
   
 
*

      
1. I am lost in the crowd, I’m stand - ing in line.
2. I’m ti - red this game’s so dumb. She nev - er played,
*Chord symbols reflect overall harmony.

  
Bm Asus4
       
          

I’m feel - ing so down and I am full of doubt.
her rac - es won. I’m ti - red, can’t smile no more.


G5
     
   

  

  


She’s not the one. Take no - tice, hear me out.
I’ll sure cave in just like be - fore.

 Chorus
 D D/F#

B5

G5

     
*

    
I want her, need her and

        
Rhy. Fig. 1A

Gtr. 3 End Rhy. Fig. 1A

                             
      

7 7 7 7 7 7 7 9 9 9 9 X X
57
7 7 7 7 7 7 X X X X X X 9 9 9 9 9 9 5 5 5 5 5 X X
5 5 5 5 5 5 7 7 7 X X 9 9 9 9 9 9 5 5 5 5 5 X X
7 7 7 7 7 7 3 3 3 3 3 X X


Gtr. 1 Rhy. Fig. 1 End Rhy. Fig. 1

        
     


     
     
            
            

7 7 7 7 7 7 7 7 7 7 X X
X X X X X X X X X X X X 9 9 9 9 9 9 5 5 5 5 5 X X
5 5 5 5 5 5 5 5 5 5 X X 9 9 9 9 9 9 5 5 5 5 5 X X
7 7 7 7 7 7 3 3 3 3 3 X X
*Bass plays F#.
2
 Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A 1. 2.

 
D5

D/F#

B5
  
G5 B5
 
G5

   

        

you al - ways will pull me through. pull me through. And

1st time, Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (2 times)

2nd time, Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) T o Coda 


  
B5 G5
   
D D/F# B5 G5 D5 D/F#
        
       
I want her, need her and you al - ways will pull me through.

Interlude
Double-time feel
D5


Gtr. 5 (clean)

 
  
mp
w/ *tremolo effect & slight flanger

5 5 5
*Set for sixteenth-note regeneration.


   
Gtrs. 1 & 3

   
dim.

7
X
5

Gtrs. 1 & 3 tacet

 D5 Em B5 B(b6) B5 G5
Gtr. 5

     
     

7
7 7 7 7
5 5 5 5 5 5 5


Rhy. Fig. 2 End Rhy. Fig. 2


Gtr. 6 (dist.)


P.M.

     

mf P.M.

       
   
           
  
     

  

mf
Gtr. 7 (dist.) P.M.
divisi P.M.

5 5 5 5 5
5 5 5 5 5 5 7 7 7 7 7 9 10 10 10 9 9 9 5 5 5 5 5
7 7 7 7 7 7 7 3 3 3 3 3

3
 Gtrs. 6 & 7: w/ Rhy. Fig. 2 (2 times)


Gtr. 5 D5 Em B5 B(b6) B5 G5 D5 Em B5 B(b6) B5 G5

 
 





 



   

7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5

D.S. al Coda
(take 2nd ending)

D5 Em B5 B(b6) B5 G5
 
Gtr. 5

        

7
7 7 7 7
5 5 5 5 5

 
     
Gtrs. 6 & 7

 
P.M. P.M.

       
 

  


            


   
P.M.
P.M. 

5 5 5 5 5
5 5 5 5 5 5 7 7 7 7 7 9 10 10 10 9 9 9 5 5 5 5 5
7 7 7 7 7 7 7 3 3 3 3 3 0

 Coda
Outro
Gtr. 2 w/ Riff A (2 times)

   
B5 G5

D5
  
   
pull me through. And I


Gtrs. 1 & 3

             
                            


7 7 7 7 7 7 7 7 7 7 7 7 7 7
9 9 9 9 9 9 5 5 5 5 5 X X 7 7 7 7 7 7 7 7 7 7 7 7 7 7
9 9 9 9 9 9 5 5 5 5 5 X X 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 3 3 3 3 3 X X

4
   
     
D/F# G5

   

  


want her, need her and I want her, need her and


                                       
                           

7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 0

       
 
D5 D/F#

     
I want her, need her and I, and


                                       
            

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 2 2 2 2 2 2 2 2 2 2 2 2 2 2

   
Free time


G5 D5

    
 
I, and I.

  


Gtrs. 1, 2 & 3

             
 


7
7
5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 0

5
 Cat Like Thief
Words and Music by Tom De Longe, Travis Barker and Tim Armstrong

Intro
Moderately fast q = 152
**A A/C# D

 
Gtr. 2 (clean)

(Drums) Riff B
          
End Riff B

             
mp
5 5 5 5 5 5 5 5


X X X X X X X X
2 2 2 2 2 2 2 2

   End Riff A

                               
*Gtr. 1 (clean) Riff A

 
                               
mf


6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
*Doubled throughout **Chord symbols reflect basic harmony.

Gtr. 1: w/ Riff A

 A A/C# D
 
     




Go. 1. I

            
Gtr. 2 Riff B1 End Riff B1

            

5 5 5 5 5 5 5 5 5
X X X X X X X X
2 2 2 2 2 2 2 2 2

 Verse
Gtrs. 1 & 2: w/ Riffs A & B1 (4 times)

A A/C# D

               
          
 
feel down a - gain but I can’t com - plain. An - oth - er false step could drive me in - sane. On -
get up just to get knocked back down. I sit up just to get knocked all a - round. I

A
A/C# D

      
     
      
    
 
- ly got my - self here to blame, so I shake off the feet and I start a - gain.
wan - na say some - thing but you’re out of town. I don’t wan - na have an - oth - er short down. I say,

© 2002 EMI APRIL MUSIC INC., FUN WITH GOATS and TIM ARMSTRONG PUBLISHING
All Rights for FUN WITH GOATS Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 
A A/C# D

                      
   
Oh, no I said I wan - na go back, but I can’t when I should and I’m gon - na stay on track.
Stand up, hey, yo, let’s make it clear. Fol - low you home, no, you were not there. You

T o Coda 1 

 
A A/C# D

     
                  
  
Yeah, make a deal like that. I keep my head up but I nev - er re - act. I
saw me com - in’, jump, you dis - ap - pear. Home ’lone ev - ’ry night, seems so clear.

 Pre-Chorus
Gtrs. 1 & 2: w/ Riffs A & B1 (4 times)

  
A A/C# D

  

      

   
wrote it down, a list a month a - go.
Call me back when word is that she’s gone.

  A
A/C# D

 

       

    

Six - teen chap - ters of one thing you’ve blown. The
Cat - like thief, she stole air from my lungs.

  A
A/C# D

 

       

   
best thing yet to help you through and through.
Leave me stand - ing on this lone - ly grave. I

T o Coda 2 
  A D

 

  

    

   
That she was, I feel her more than you.
dug it out in case she turns a - way.

Chorus
Gtr. 2: w/ Riff B1

  A/C#
D A/E

     
Don’t leave.


Riff C End Riff C

               
Gtr. 1

                
                               

6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

2
 Gtr. 1 : w/ Riff C
A/C# D A/E E
  
  

  



  
Don’t leave her.

       
Riff D End Riff D

  
Gtr. 2

        

5 5 5 5 5 5 5
X X X X X X
2 2 2 2 2 2 2

Interlude
Gtr. 1: w/ Riff A (2 times)
Gtr. 2: w/ Riff B
A A/C# D

    

D.S. al Coda


Gtr. 2: w/ Riff B1
A A/C# D

        

Yeah. 2. I

 Coda 1
Gtrs. 1 & 2: w/ Riffs A & B1 (2 times)

A A/C# D

                   
   
You think you see me here all a - lone. Got my crew com - in’ now one by one,

D.S.S. al Coda 2

 A A/C# D

   
 
   
 
   
       
  
two by two, three by three, four by four. Let’s do some more.

 Coda 2
Outro-Chorus
Gtr. 1: w/ Riff C (2 times)
1st time, Gtr. 2: w/ Riff B1
2nd time, Gtr. 2: w/ Riff B

 
A/C# D A/E

   
   
  
                 
Don’t leave.
Don’t leave her, don’t leave her, don’t leave her. Don’t leave her, don’t leave her, don’t leave her.

Gtr. 2: w/ Riff D
A/C# D A/E E
     
       
                     
Don’t leave her.
Don’t leave her, don’t leave her, don’t leave her. Don’t leave her, don’t leave her, don’t leave her.

3
 Gtr. 1: w/ Riff C (4 times)

   

Gtr. 2: w/ Riff B

      

A/C# D A/E

                  
   
Don’t leave.
You think you see me all a - lone. Got my crew com - in’ one by one,

Gtr. 2: w/ Riff D
A/C# D A/E E
     
       
  
  
     
    
     
Don’t leave her.
two by two, three by three, four by four. Let’s do some more.

 
  
Gtr. 2: w/ Riff B

   

A/C# D A/E

                     
Don’t leave.
Don’t leave her, don’t leave her, don’t leave her. Don’t leave her, don’t leave her, don’t leave her.

Gtr. 2: w/ Riff D
A/C# D A/E
E 
     
       
                     
Don’t leave her.
Don’t leave her, don’t leave her, don’t leave her. Don’t leave her, don’t leave her, don’t leave her. (Yeah.)

Gtr. 1: w/ Riff C (2 times)

    

Gtr. 2: w/ Riff B

   
A/C# D A/E

Don’t leave.

                            EndRiffE

 
Gtr. 3 (clean) Riff E

  
mf

 14 14 14 17 17 17 17 17 17 14 14 14 14 17 17 17 17 17 17 14 14 14 14
 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14

Gtrs. 2 & 3: w/ Riffs D & E Repeat and fade

A/C# D A/E E
  
  

  

  
Don’t leave her.

4
 Elevator
Words and Music by Tom De Longe and Travis Barker

Intro Rhy. Fig. 1


Moderately fast q = 154
 G5 Gmaj7 G

     
(Drums) Gtr. 1 (slight dist.)

       
               
f let ring  let ring 


0
 0
X
0
X
0
X
0
X
0
4
X
5
X
5
X
5
X 0 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3

Verse
Gtr. 1: w/ Rhy. Fig. 1 (4 times)


C Cmaj7 G G5 Gmaj7 G

     


End Rhy. Fig. 1

     

 
              
let ring  let ring  let ring 
 
3 3
0
X
3 3 3 3
4
X
3 2 2 2
0
X
2 2 2 2
0
X
2
 
3 3

   
C
 
Cmaj7 G

        

     
Thomas: 1. The build - ing turned its back, ig - nored my call.
Mark: 2. I saw it all, I saw it all go down.

G5 Gmaj7 G
  
C
 
Cmaj7

         

The con - crete looks too thin to break
The shad - ow grew as he ap - proached

 G G5 Gmaj7 G
  
          
my fall. The sun - set
the ground. The sun - set
© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
  
C Cmaj7 G G5 Gmaj7 G

      

      
stretched a - cross this night - time scene.
stretched a - cross this night - time scene.

   
C
 
Cmaj7 G

             
I count - ed peo - ple as I neared the street be - low.
They turned a - way as he came near the street be - low.

1.
Gtr. 1: w/ Rhy. Fig. 1 (3 times)

 G5 Gmaj7 G
 
C

Cmaj7 G

            

Whoa. Be - low.


G5 Gmaj7 G
 C Cmaj7 
         

Whoa.

2.

 G 
 
Gmaj7 G5 C Cmaj7
       

Whoa.


Gtr. 1

 
Rhy. Fig. 2

          
                
let ring  let ring  let ring

0
0 0 4
4 5 5 X X
X X X 0 2 3 3 3 3 3 3 3 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtr. 1 : w/ Rhy. Fig. 2 (till fade)

 
G Gmaj7 G5

           

Be - low. Whoa.


End Rhy. Fig. 2

     
        
let ring 

5 0 5 0 5
2 2 2 2 2 2 2
3 3

2
 Chorus

 C Cmaj7 G G Gmaj7 G5

        
Be - low.


C Cmaj7 G Gmaj7 G5
   
       
Thomas: Let’s for - get this all. Move on.

 
    


C Cmaj7 G

    

   
      
Mark: Let’s for - get this all. Move on.

Play 3 times

Gmaj7 G5 C Cmaj7 G Gmaj7 G5
           

Let’s for - get this all. Move on.

   
   

Outro

 
C Cmaj7 G Gmaj7 G5

    

Begin fade Fade out

 C Cmaj7 G Gmaj7 G5 C Cmaj7 G Gmaj7 G5

         

3
 The End With You
Words and Music by Tom De Longe and Travis Barker

Intro
Moderately fast q = 152


*C#5

         
Spoken: What’s it for?


Gtr. 1 (dist.)

                                  
                               
mp


6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
*Chord symbols reflect basic harmony.

Half-time feel
Gtr. 1 tacet


F#5 G#5 A5 G#5 A5 C#5 F#5 G#5 A5 G#5 A5 C#5

           
**Gtr. 2 (dist.)

                    
               
f

6 6
6 6
4 4 4 6 7 7 7 7 7 7 7 7 6 7 4 4 4 4 6 7 7 7 7 7 7 7 7 6 7 4
2 2 2 4 5 5 5 5 5 5 5 5 4 5 2 2 2 4 5 5 5 5 5 5 5 5 4 5
**Doubled throughout

 
F#5 G#5 A5 G#5 A5 C#5 F#5 G#5 A5 G#5 A5 C#5

       
1. Our


Rhy. Fig. 1 End Rhy. Fig. 1

  
                                 

6 6
6 6
4 4 4 6 7 7 7 7 7 7 7 7 6 7 4 4 4 4 6 7 7 7 7 7 7 7 7 6 7 4
2 2 2 4 5 5 5 5 5 5 5 5 4 5 2 2 2 4 5 5 5 5 5 5 5 5 4 5

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 Verse

  F#5 G#5 A5

µ
 
        

         

days are run - ning thin. Our hopes will start to fall.
been up all night long count - ing days that all went wrong.


          
 
                  
P.M. 

 4 4 4 6 7 7 5 5
2 2 2 4 5 5 2 2 2 2 2 5 5 5 5 5 5 5 5


Gtr. 2: w/ Riff A (5 times)

    
         

  

    
I can feel the world col - lapse a - round me from with - in.
I o - pened my bed - room win - dow. I wish this pain was gone.


   
Riff A End Riff A

           
         
P.M.  P.M. 

5 5 5 5
2 2 2 2 2 5 5 5 5 5 5 5 5 2 2 2 2 2

  
    
    

 
   

       

The let - ters keep com - ing by to let us know when time will die.
There are no use - ful drugs to es - cape from feel - ing numb.

              
    

  

   
And please, God, will you for - give us and give us one more try.
I re - mem - ber an a - maz - ing birth - day. I re - mem - ber when I was young.

Chorus
Gtr. 1 tacet

 C#5 A5
    
      
 

 If you will, then we’ll


Gtr. 2
Gtr. 1

                
Rhy. Fig. 2

        
                       

6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 2 2 2 2 2 2 2 2
X X X X X X X X X X X X X X X X 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0

2
 Gtr. 2: w/ Rhy. Fig. 2

  Esus4
   
 F#5
A E5 Esus4 D5 A5

                
   
go as fast as we go far. May - be we’ll be for - got -


End Rhy. Fig. 2

 
                 
                      
     

2 2 2 2 X X 2 2 2 2 2 2 2 2 2 7 7
2 2 2 2 X X 2 2 2 2 2 2 2 2 2 4 4 4 4 4 7 7
0 0 0 0 X X 0 0 X X X X X X X 4 4 4 4 4 5 5
4 4 4 4 4 4 4 2 2 2 2 2 2 X

1. Gtr. 2: w/ Rhy. Fig. 1

  
A Esus4 E5 Esus4 F#5 D5 F#5 G#5 A5

    

          
- ten when the world is torn a - part.

2.


G#5 A5 C#5 F#5 G#5 A5 G#5 A5 C#5
  
F#5 D5

          
2. I’ve ’Cause the

Gtr. 2: w/ Rhy. Fig. 2

  A5  
A Esus4 E5 Esus4 F#5 D5

     



 

           
sun won’t be so blind - ing and the rains will fi - n’lly come. The


A5 A Esus4 E5 Esus4 F#5 D5

                     
 
ash - es will slow - ly pile up just to prove we’re fi - n’lly done.


Gtr. 2 Rhy. Fill 1 End Rhy. Fill 1

           
                      
                            

2 2 2 2 2 2 2 2 2 2 2 2 X X 2 2 2 2 2 2 2 2 2 7 7
2 2 2 2 2 2 2 2 2 2 2 2 X X 2 2 2 2 2 2 2 2 2 4 4 4 4 4 7 7
0 0 0 0 0 0 0 0 0 0 0 0 X X 0 0 X X X X X X X 4 4 4 4 4 5 5
4 4 4 4 4 4 4 2 2 2 2 2 2

3
 Interlude
Gtr. 2 tacet


Gtr. 1 F#5 G#5 A5 C#5 D5 B5

            
Play 6 times

   
          
w/ delay

 
 4
X
4
X
4
X
6 7
6
X
4
6
X
4
6
X
4
7
X
5
4
2

2 2 2 4 5 5

Chorus
Gtr. 2: w/ Rhy. Fig. 2 (3 3/4 times)

    
A5 A Esus4 E5 Esus4 F#5 D5

                    
   
If you will, then we’ll go as fast as we go far.

  A5   
A Esus4
     
E5 Esus4 F#5 D5

    

           
May - be we’ll be for - got - ten when the world is torn a - part. ’Cause the

  A5  
A Esus4 E5 Esus4 F#5 D5

     



 
            
sun won’t be so blind - ing and the rains will fi - n’lly come. The

Gtr. 2: w/ Rhy. Fill 1

  A5
A Esus4 E5 Esus4 F#5 D5

         
            

ax - is will slow - ly pile up just to prove we’re fi - n’lly done.

Outro

  C#5
       
Spoken: What’s it for?


Gtr. 1

                                 
                       

6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

4
 Instrumental
By Tom De Longe and Travis Barker

A
Moderately q = 74

                   
Gtr. 2: w/ Riff A (7 times)
µ
*Gtr. 1

   
p mf


14 14 14 14 14 14 14 14 14 14 14 14 14 13 13 13 14
14

*Bells arr. for gtr.

  
Gtr. 3 (dist.)
  
   
   
Gtr. 2 (dist.)

   
Fill 1 End Fill 1 Riff A End Riff A

  


mp
mp fdbk.

00
slight P.M.
1
w/ flanger


9
9 9 9
4 4 0 0 0 0 0 0 4 4 4 4
4 4 4 4 4 4
Pitch: C#

Gtr. 1 tacet

     
                  
*Gtr. 4

 
f
16 17 16
14 15 17 17
14 14 14 14 14 14 16 14 14 14 14 14 14 14 13 14 13 14

     
*Bells arr. for gtr.

    
      
fdbk. 
0
9
9 9

Pitch: G

                   

       
 3 3 3 3

17 16 17 16 16 17 16 17 16 17 16
17 15 17 15 14 14 15 17 17 17 15 17 15 14
14 14

 
   
fdbk.

9 9 9

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 B Gtr. 4 tacet

E5 B E5 Esus4 E5 A5

   
Gtr. 3

    
               
                       
f

9 9 9 9
9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7
6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 0 0 0 0 5 5 5 5

Gtr. 2: w/ Fill 1


E5 B E5

    
E E5 A5

    
             
                    

9 9 9 9
9 9 9 9 9 9 9 9 7
6 6 6 6 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 0 0 0 0 5

C
Gtr. 2: w/ Riff A (8 times)


Gtr. 1 µ
                
           

13 14 14 13 14 13 13 14 14 13 13 14 14 14 14 14 14
14

  

Gtr. 3

  
p
fdbk.

         
                
Gtr. 1 tacet



Gtr. 4

 
3 3

16 17 16 17 16 17 16
14 15 17 17 17 15 17 15 14
13 14 14 13 13 14 13 13 14 14

   
  
 
fdbk.   fdbk.

9
9 9 9
7
0

2
 D
         
      
 
Gtr. 4 tacet


E5 B E5

3 3

16 17 16 17 16 17 16
14 15 17 17 17 15 17 15 14
14 14

  

           
       
fdbk.         
f
9
9 9 9 9 9
9 9 9 9 9 9 9 9
6 6 6 6 7 7 7 7
0 0 0 0 0 0 0 0

Gtr. 2: w/ Fill 1


E E5 A5 E5 B E5 E E5 A5
    
Gtr. 3

      
       
   

9 9 9 9
7 7 7 7 9 9 9 9 9 9 9 9 7
7 7 7 7 7 7 7 7 6 6 6 6 7 7 7 7 7 7 7 7 7
0 0 0 0 4 4 4 4 0 0 0 0 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 0 0 0 0 5

E F
     
       
Gtr. 2: w/ Riff A (2 times) Gtr. 4 tacet

   
Gtr. 3 tacet
E5 B E5

   

Gtr. 4

     
Gtr. 3

   
       
3 3

14 15 17
16 17 16
17
17 16
17 15
17 16
17 15 14 
14 14
 9
6
9
6
9
6
9
6
9
9
7
9
9
7
9
9
7
9
9
7
0 0 0 0 0 0 0 0

1., 2., 3. 4.

 E E5 A5 E E5 A5

               
                            


7 7 7 7
7
7
7
7
7
7
7
7
 7 7 7 7
7
7
0 0 0 0 4 4 4 4 0 0 0 0 5 5 5 5 0 0 0 0 4 4 4 4 0 0 0 0 5

3
 Letters to God
Words and Music by Tom De Longe and Travis Barker

G5 Am7 G/B C5

134 314 14 14

Intro Verse
Moderately q = 112

 
Em F#5 G5 Esus4

            
1. Caught off guard,
2. I should -’ve asked,


Gtr. 1 (acous.)

                                  
Rhy. Fig. 1 End Rhy. Fig. 1

     
                         
                   
mp

  

 5
2
5
2
5
2
5 5
2 2
5
2
5
2
5
2
X
X
4
4
5
5
5
5
5
5
5 5
5 5
5
5
5 5
5 5
5
5
5 5
0 0
  2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
X
X
X
X
X
X
0 0 0 0 0 0 0 0 X 2 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 X X

 G5
Esus4 G5

                    

all worked up. The air is as dark and cold as night.
I could - ’ve helped at least a fuck - in’ thou - sand times be - fore.


                                    
                                   

2 2 2 2 2 2 2 2 2 X X
5 5 5 5 5 5 5 5 5 X X 2 2 2 2 2 2 2 2 2 X X 5 5 5 5 5 5 5 5 5 X X
5 5 5 5 5 5 5 5 5 X X 2 2 2 2 2 2 2 2 2 X X 5 5 5 5 5 5 5 5 5 X X
3 3 3 3 3 3 3 3 3 X X 0 0 0 0 0 0 0 0 0 X X 3 3 3 3 3 3 3 3 3 X X

Esus4 
G5
  
Esus4
   
        

   
Let me go, I’m not done. I swear I’ll take just
Will this of - fer get me in, or does this prove that


                                    
                                   

2 2 2 2 2 2 2 2 2 X X 2 2 2 2 2 2 2 2 2 X X
2 2 2 2 2 2 2 2 2 X X 5 5 5 5 5 5 5 5 5 X X 2 2 2 2 2 2 2 2 2 X X
2 2 2 2 2 2 2 2 2 X X 5 5 5 5 5 5 5 5 5 X X 2 2 2 2 2 2 2 2 2 X X
0 0 0 0 0 0 0 0 0 X X 3 3 3 3 3 3 3 3 3 X X 0 0 0 0 0 0 0 0 0 X X

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 Chorus
    
G5 * Em C5

             


one life - time.
And I, I won’t lie, I won’t
they gave more?


                         
Rhy. Fig. 2

            
                        
                         

5 5 5 5 5 5 5 5 5 5 X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 X X 5 5 5 5 5 5 5 5 5 5 X X
5 5 5 5 5 5 5 5 5 0 0 2 2 2 2 2 2 2 2 2 2 X X 3 3 3 3 3 3 3 3 3 3 X X
3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 X X 3 3 3 3 3 3 3 3 3 3 X X
*Chord symbols reflect basic harmony.

1.
Gtr. 1: w/ Rhy. Fig. 2

 G5 D5

Em

          
sin. May - be I don’t wan - na go.

End Rhy. Fig. 2

             
              
                         

7 7 7 7 7 7 7 7 7 7 X X
5 5 5 5 5 5 5 5 5 5 X X 7 7 7 7 7 7 7 7 7 7 X X
5 5 5 5 5 5 5 5 5 5 X X 5 5 5 5 5 5 5 5 5 5 X X
3 3 3 3 3 3 3 3 3 3 X X 5 5 5 5 5 5 5 5 5 5 X X

 C5

G5 D5

              
Can’t you wait? May - be I don’t wan - na go.

Interlude
Gtr. 1: w/ Rhy. Fig. 1 (2 times)

 Em
F#5 G5 Em F#5 G5

       

2
 2.
Gtr. 1: w/ Rhy. Fig. 2


 

Em C5 G5 D5

              
Can’t you wait? May - be I don’t wan - na go.


  
Gtr. 2 (elec.)


* mp
w/ dist.
Harm.

12 7

*Vol. swell

Interlude
G5 Am7 G/B Am7
Rhy. Fig. 3

Gtr. 1            

8v a

   

Harm.

Pitch: G

G5 Am7 G/B C5

           

End Rhy. Fig. 3

8v a

   


Harm.

Pitch: D

Gtr. 1: w/ Rhy. Fig. 3

G5 Am7 G/B Am7 G5 Am7 G/B C5

    
8v a

  

Harm. 

5
5 3 5

Pitches: G B D G
3
 Gtr. 2 tacet
Em F#5 G5

  
*Gtr. 3 (elec.)

         
    

  

 
 
             
       
f w/ dist.

 
 5
2
5
2
5
2
5
2
5
2
5
2
4
4
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5

0 0 0 0 0 0 0 2 3 3 3 3 3 3 3 3
*Doubled throughout

1. 2.



Em F#5 G5 G5

       


And

                               
 
                     

 
 5
2
5
2
5
2
5
2
5
2
5
2
4
4
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
 5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0 0 0 0 0 0 0 2 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 0

Outro-Chorus

              
Gtr. 3: w/ Rhy. Fig. 2 (3 3/4 times)

 Em
C5 G5 D5

             
 
I, I won’t lie, I won’t sin. May - be I don’t wan - na go.

  
1.

 
Em C5 G5 D5
      
          
Can’t you wait? May - be I don’t wan - na go. And

2. Free time


D5

Em

           
May - be I don’t wan - na go.

 
Gtr. 3

             
            
 
 

7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 5
5 5 5 5 5 5 5 5 5 5 2
5 5 5 5 5 5 5 5 5 5 0 0

4
 My First Punk Song
Words and Music by Tom De Longe and Travis Barker

Intro
Fast q = 200 Double-time feel
μ
 
A5
 
  
Gtr. 1 (dist.)

 
mf
fdbk.


0 0
0
Pitches: A G#

    
Gtr. 2 (dist.)

   
Rhy. Fig. 1

       
     
f


7 7 7 7 7 7
7 7 7 7 7 7
5 5 5 5 5 5


C#5 G#5 D5 A5 C#5 G#5 D5
 
     
    
 
 
  
 
fdbk.  P.S.


  X 
0
X
X  XX 
X   000
XX 

      
End Rhy. Fig. 1

 
   
  
       
  
         

6 7 6 7
7 6 6 7 7 7 7 7 7 7 7 6 6 7
7 4 6 5 7 7 7 7 7 7 7 4 6 5
5 4 5 5 5 5 5 5 5 4

Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times)

  A5 C#5 G#5 D5 A5

           

          
1. Twen - ty four to noth - ing and I’m on the in - ter - sec - tion wait - ing for the light that’s green.

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 
C#5 G#5 D5 A5 C#5 G#5 D5

   

       

     

   
Wait - ing for a rea - son. Take them all and stack them up, not in my col - lec - tion.

  A5 C#5 G#5 D5 E5

    

                  
Hit them all and watch them fly. Fuck them all and watch them drown. What is with these bands that keep com -

      
Gtrs. 1 & 2

      
Rhy. Fig. 2

              
            

6 7
7 7 7 7 7 7 7 6 6 7 2 2 2 2 2
7 7 7 7 7 7 7 4 6 5 2 2 2 2 2
5 5 5 5 5 5 5 4 0 0 0 0 0

 D5 A5 D5 E5 D5 A5 D5

                       
- ing with their pol - i - tics, they nev - er went to school to find out they were full of shit. I


End Rhy. Fig. 2

  
        
    
   






    

7 7 7 7
2 7 7 7 2 2 2 2 2 7 7 7
2 5 7 5 2 2 2 2 2 5 7 5
0 5 0 0 0 0 0 5


Gtrs. 1 & 2: w/ Rhy. Fig. 2
E5 D5 A5 D5 E5

     

                    
did - n’t real - ly ei - ther but, fuck, it real - ly does - n’t mat - ter. You took this time to lis - ten to me, huh.

Gtrs. 1 & 2: w/ Rhy. Fig. 1

 D5 A5 D5 A5 C#5 G#5 D5 A5 C#5 G#5 D5

            
I’ll say I fucked your broth - er.

2
        
E5


There’s one prob - lem. I got brown - ies


Gtrs. 1 & 2
           
                        
Rhy. Fig. 3

                     
                       

9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

          
G#5

   
from your moth - er. It gave me syph - i - lis. Spoken: I

        
                  
End Rhy. Fig. 3

        
                      

9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 9 9 9 6 6
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 4

Gtrs. 1 & 2: w/ Rhy. Fig. 3

        
Gtrs. 1 & 2: w/ Rhy. Fig. 1
A5 C#5 G#5 D5 A5 C#5 G#5 D5 E5
 
    
got no dick. There’s one prob - lem. I’ve got

       
G#5 A5
     
       
brown - ies from your moth - er. It gave me syph - i - lis. Spoken: I got no dick. Fuck, yeah.

 
       
Gtrs. 1 & 2

 
 

7
7
5

3
 There Is
Words and Music by Tom De Longe and Travis Barker

B E F# B5

1 34 1 34 134211 134

Intro
Moderately q = 108
** B F#sus4 E9

   
Gtr. 1 (acous.) (Drums) Rhy. Fig. 1

                                          
                           
f



 8
X
6
8 8
X X
6 6
8 8
X X
6 6
8 8
X X
6 6
8 8 8 8 8
X X X X X
6 6 6 6 6
6 6 6
X X X
4 4 4
6 6
X X
4 4
6
X
4
6 6 6 6 6
X X X X X
4 4 4 4 4
4 4 4
X X X
2 2 2
4 4
X X
2 2
4
X
2
4 4 4 4 4
X X X X X
2 2 2 2 2


*Gtr. 2 (acous.)

   
Rhy. Fig. 1A

                                       
                           
f



 4
4
2
4 4
4 4
2 2
4 4
4 4
2 2
4 4
4 4
2 2
4 4 4 4 4
4 4 4 4 4
2 2 2 2 2
4 4 4
4 4 4
X X X
4 4
4 4
X X
4
4
X
4 4 4 4 4
4 4 4 4 4
X X X X X
4 4 4
4 4 4
X X X
4 4
4 4
X X
4
4
X
4 4 4 4 4
4 4 4 4 4
X X X X X
2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
*Two gtrs. arr. for one. **Chord symbols reflect overall harmony.

1. 2. Verse


F#sus4 F# F#sus4 F# B5

               

1. This va - ca - tion’s use - less. These white


End Rhy. Fig. 1

                         
         


6
X
4
6
X
4
6
X
4
6
X
4
6
X
4
3
X
1
3
X
1
3
X
1
3
X
1
3
X
1
 6
X
4
6
X
4
6
X
4
6
X
4
6
X
4
3
X
1
3
X
1
3
X
1
3
X
1
3
X
1
4
X
2


                                           
End Rhy. Fig. 1A

          


4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
3
4
X
3
4
X
3
4
X
3
4
X
3
4
X
3
4
X
 4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
3
4
X
3
4
X
3
4
X
3
4
X
3
4
X
3
4
X
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 Gtr. 1 tacet

 
B7 G#m7 E5
     
       
      
     
pills aren’t kind. I’ve giv - en a lot of thought on this thir - teen hour drive. I’ve

 
Gtr. 2

                                         
                         

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 X X X X X X X X X X X X X X X X X X X X X X X X
4 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0

  B5 B7
      
G#m7

                   
missed the grind - ing con - crete where we sat past eight or nine and slow - ly fin - ished laugh - ing in the


                                         
                                  

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 X X X X X X X X X X X X
4 4 4 4 4 4 4 4 4 4 4 4

  E5 B5 F#sus4

      
                  
    
glow of our head - lights. I’ve giv - en a lot of thought to the nights we used to have. The


Rhy. Fig. 2

         
                                
             

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
X X X X X X X X X X X X 2 2 2 2 2 2 2 2 2 2 2 2 0 X X X X X X X X X X
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2

Gtr. 2: w/ Rhy. Fig. 2

  G#m7 E5 B5

          
        
        
days have come and gone. Our lives went by so fast. I faint - ly re - mem - ber breath - ing


End Rhy. Fig. 2

                             
                         

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2
X X X X X X X X X X X X X X X X X X X X X X X X
4 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0

2
  
F#sus4 G#m7 E5
    
                    
on your bed - room floor where I laid and told you but you sweared you loved me more. Do you

Chorus
Gtr. 2: w/ Rhy. Fig. 2

  B5
 
                         
F#sus4 G#m7 E5

   
 
 
 
care if I don’t know what to say? Will you sleep to - night? Will you think of me? Will I

  Riff A
Gtr. 3 (elec.)

                                  
mf
w/ clean tone

0 0 0 2 0 0 0 0 0 2 0 0 0 0 0 2 0 0 0 0 0 2 0 0

  B5 
F#sus4 G#m7

                       

shake this off, pre - tend it’s all O. - K. that there’s some - one out there who feels


Rhy. Fig. 3

          
Gtr. 2

                             
                                  
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 X X X X X X X X X X X X X X X X X X X X X X X X
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4


   
Gtr. 3

                      

0 0 0 2 0 0 0 0 0 2 0 0 0 0 0 2 0 0

Gtr. 1: w/ Rhy. Fig. 1

  
Gtr. 2: w/ Rhy. Fig. 1A
F#sus4 B F#sus4

      

      
just like me? There is.


               
End Rhy. Fig. 3

 
            
4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4
X X X X X X X X X X X X
2 2 2 2 2 2 2 2 2 2 2 2


                        
End Riff A

0 0 0 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0

3
 Verse
Gtr. 3 tacet Gtr. 2: w/ Rhy. Fig. 2 (2 times)

  E9 F#sus4 F# B5
  
      

     
2. Those notes you wrote me I’ve

 
F#sus4 G#m7 E5
    
                        
kept them all. I’ve giv - en a lot of thought of how to write you back this fall. With

 
B5 F#sus4 G#m7
     
              
         
ev - ’ry sin - gle let - ter in ev - ’ry sin - gle word there will be a hid - den mes - sage a - bout a

Chorus
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
Gtr. 3: w/ Riff A

  
E5 B5 F#sus4

                

      
  
boy that loves a girl. Do you care if I don’t know what to say? Will you

  G#m7
    
F#sus4 B5

           
          
sleep to - night or will you think of me? Will I shake this off, pre - tend it’s

    
F#sus4 G#m7 F#sus4

  
                    
 
all O. - K. that there’s some - one out there who feels just like me? There is.

Interlude
Gtr. 3 tacet
B E B

           

Gtr. 2


       

                                       
Gtr. 1
Gtr. 1

                                        
Gtr. 3
divisi
*
0
8 8 8 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9 9 9 9 9 8 8 8 8 8 8 8 8 8 8 8
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6 6 6
*Tab for Gtr. 3 in parentheses.
4
 E B E

                                 
                        
                                         
                                 

9 9 9 9 9 9 9 9 9 9 9 8 8 8 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0

Chorus
Gtr. 1 tacet
Gtr. 2: w/ Rhy. Fig. 3 (4 times)
B F# B5

        

       
       


Do you care if I don’t know

             
                             
                         

8 8 8 8 8 8 8 8 8 8 8
X X X X X X X X X X X 4 4 4 4 4 4 4 4 4 4 4
6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2

  
F#sus4 G#m7

      
          
what to say? Will you sleep to - night, or will you

   
F#sus4 B5

  
             
 
think of me? Will I shake this off, pre - tend it’s

  
F#sus4

G#m7

  
             

all O. - K. that there’s some - one out there who feels

5
 Gtr. 3: w/ Riff A

        
F#sus4 B F#sus4
 
  
      

    

  
just like me? Do you care if I don’t know what to say? Will you

 
Gtr. 1

                            
                         

8 8 8 8 8 8 8 8 8 8 8 6 6 6 6 6 6 6 6 6 6 6
X X X X X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4

  G#m7
 
F#sus4
 
          

  
sleep to - night or will you think of me? Will I

 
   
                        
                        

8 8 8 8 8 8 8 8 8 8 8 6 6 6 6 6 6 6 6 6 6 6
X X X X X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4

  B

F#sus4

                 

shake this off, pre - tend it’s all O. - K. that there’s

 
   
                        
                        

8 8 8 8 8 8 8 8 8 8 8 8 6 6 6 6 6 6 6 6 6 6 6
X X X X X X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4


G#m7 F#sus4 B5

   
  
 
Gtr. 2

              

some - one out there who feels just like me? There is.

 
Gtr. 1

                       
            
     
     
Gtr. 3
divisi
*
0
8 8 8 8 8 8 8 8 8 8 8 6 6 6 6 6 6 6 6 6 6 6 4
X X X X X X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 2
*Tab for Gtr. 3 in parentheses.
6
 Tiny Voices
Words and Music by Tom De Longe and Travis Barker

Intro
Moderately fast Rock q = 160
1., 2., 3. 4.
  ** A5 
   
Amaj7 D5 C#5 D5 C#5
      
1. I’ve
Rhy. Fig. 1 End Rhy. Fig. 1

   
*Gtr. 1 (slight dist.)

           
             

      
     
mf
P.M. 
 

9 9
 7
7
X
6
X
6 0
0
7
7
5
7
7
5
7
7
5
7
7
5
6
6
4
6
6
4
 0
0
7
7
5
7
7
5
7
7
5
7
7
5
6
6
4
6
6
4
5 5 5 5 5 5
*Doubled throughout
**Chord symbols reflect overall harmony.

Verse

  A5
Gtr. 1 tacet

 
D5 A/C# A5 D5 A/C#

                       

been all pinched up since Sat - ur - day, I’ve run my - self dry of ex - cel - lence.

Riff A End Riff A


Gtr. 2 (dist.)

                            
                           
mf

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Gtr. 2: w/ Riff A (3 times)

  A5
  
D5 A/C#

A5
 
D5 A/C#

 

     

     
Six - teen long years in - hale the bull - shit in. What -

 A5
 D5 A/C# A5
 D5 A/C#

             
           
ev - er I said on Sat - ur - day, what - ev - er I did, I’ll do it all a - gain.

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
   A5
  
D5 A/C#

A5
 
D5 A/C#

 

     

    
Nine - teen marks up walls, each year one short - fall.

 E5 Chorus

     
Emaj7
 E5
   
E/G# A5

  
Ti - ny voic - es

Rhy. Fig. 2 End Rhy. Fig. 2

        
Gtrs. 2 & 3 (dist.)

             
               
                      
          
f

4 4 4 4 4 4 8 8 4 4 4 4 4
X X X X X X X X X X X X X
2 2 2 2 2 2 6 6 2 2 2 2 2 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 0

Gtrs. 2 & 3: w/ Rhy. Fig. 2

          
E5 Emaj7 E5 E/G# A5

   
make things hard - er.

T o Coda 1 

 µ
                
        
Ev - ’ry - bod - y will be let down. Ev - ’ry - bod - y will be let down.

 

Gtrs. 2 & 3
Rhy. Fig. 3 End Rhy. Fig. 3

                                   
   

X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X

Interlude
Gtr. 1: w/ Rhy. Fig. 1 (2 times)

  A5
Gtrs. 2 & 3 tacet
Amaj7 D5 C#5 A5 Amaj7 D5 C#5

    

2
 Verse
Gtr. 2: w/ Riff A (2 times)

  
A5 D5 A/C# A5 D5 A/C#
        
       
      
[Link] is this for? Ex - park - ing lot. The dream - ers go buy, they nev - er stop.

D.S. al Coda 1

    
A5 D5 A/C# A5 D5 A/C#
   
 

     

    
Twen - ty plus five in, let the youth cave in.

 Coda 1
 Interlude
Gtrs. 2 & 3 tacet
E5 Esus2

  

Gtr. 5 (slight dist.)

mp

Riff B



Gtr. 4 (clean)

         
     
mp
let ring

2 2 4 4
2 2 2 2 2 2
0 0 0 0 0 0

 
E5 Esus2 A5/E

  

8 9


      
        
        
let ring

2 2 4 4 2 2
2 2 2 2 2 2 0 0 0
0 0 0 0 0 0 0 0 0

3
     
A6/E A5/E A6/E



9 9

 

End Riff B

     
                 
let ring 

4 4 2 2 4 4
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0

T o Coda 2 
Gtr. 4: w/ Riff B
E5 Esus2 E5 Esus2 A5/E A6/E A5/E A6/E

      
mp
     

 
*Gtr. 6

 
Gtr. 5

Gtr. 6
Gtr. 5 divisi
divisi

9 7 9
9 8 9 9
9

*Piano arr. for gtr.

Bridge
Freely


w/ Random talking
E5 G#5 A5

     
      
   
  
  
Use your voic - es. Use your voic - es. Use...

        
 
Gtr. 5

      
Gtr. 6 dim.
divisi

9
9



Gtr. 4

   
Riff C

 
End Riff C

       

6 7 7
X X X
0 4 5 5

Gtr. 4: w/ Riff C
Gtrs. 5 & 6 tacet


E5 G#5

    


  
 
 
  

Use your voic - es. Use your voic - es.
4
 D.S.S. al Coda 2

  A5

  
 
  
Use...

 Coda 2
Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 times)
Gtrs. 5 & 6 tacet

         
A5/E A6/E E5 Emaj7 E5 E/G#

     
Ti - ny voic - es

   
Gtr. 5

  
   
 
Gtr. 6
divisi


9
2
4


           
A5 E5 Emaj7 E5 E/G# A5

     
make things hard - er.

Gtrs. 2 & 3: w/ Rhy. Fig. 3

µ               
        
Ev - ’ry - bod - y will be let down. Ev - ’ry - bod - y will be let down.

                 
        
Ev - ’ry - bod - y will be let down. Ev - ’ry - bod - y will be let down.



Gtrs. 2 & 3

 
                              
                          

X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X

5
 Watch the World
Words and Music by Tom De Longe and Travis Barker

B/D# E5
6fr 7fr

14 14

Intro
Moderate Rock q = 110
** G#m F#sus4
     
Gtr. 2 (elec.)

            
Riff A

               
                         
mf
w/ dist.



  11 9 11
 X9 79
9 9 9 9 9 9 9 9 9 11 11 9 9 9 9 9 9 9 9 11 11
X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 9 9 7 7 7 7 7 7 7 7 9 9


 
*Gtr. 1 (elec.)

                          
Rhy. Fig. 1

        
             
mf
w/ dist.


 11X  11X


9 9
6 6 6 6 6 6 6 11 11 4 4 4 4 4 4 4 11 11
6 6 6 6 6 6 6 X X 4 4 4 4 4 4 4 X X
4 4 4 4 4 4 4 9 9 2 2 2 2 2 2 2 9 9
*Doubled throughout
**Chord symbols reflect combined harmony.

1. 2.

  E5
F#5 B5 A#5 B5 E5 µ

          
1. I watched the

                                          

End Riff A

   
                      


13X  13X
11 11
9 9 9 9 9 9 9 9 9 13 9 9 8 8 8 8 8 9 9 9 13 9 9 8 8 8 8 8 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 11 7 7 6 6 6 6 6 7 7 7 11 7 7 6 6 6 6 6 7 7 7


                                        
End Rhy. Fig. 1 Rhy. Fill 1 End Rhy. Fill 1

 
                                   


13X   13X
11 11
2 2 2 2 2 2 2 2 2 13 9 9 8 8 8 8 8 9 13 9 9 8 8 8 8 8 9 9 9
2 2 2 2 2 2 2 2 2 X X X X X X X X X X X X X X X X X X
0 0 0 0 0 0 0 0 0 11 7 7 6 6 6 6 6 7 0 0 11 7 7 6 6 6 6 6 7 7 7

© 2002 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 Verse
Gtrs. 1 & 2 tacet

  B5 B5/A# G#m E5

        

          

        
smoke as it grew dark - er and blew up through the roof. I watched the
man dis - pose of hun - ger and soap op - er - as too. I saw this

 
 
Riff B End Riff B

       
Gtr. 3 (elec.) mp w/ dist.

         
Gtr. 3

 
Gtrs. 1 & 2
divisi



* 11 11 11 11
9 9 9 9 9
X
7
*Gtrs. 1 & 2 to left of slash in tab.


Gtr. 4 (elec.)

        
Riff B1 End Riff B1

              
                   
mp
w/ slight dist.


 9
X
9
X
9
X
9
X
9
X
9
X
9
X
9
X
9
X
9
X
9
X
9
X
7 7 7 7 7 7 7 7 7 7 7 7


Gtr. 5 (elec.) Riff B2

                 
End Riff B2

     
                   
mp
w/ slight dist.


 9
X
9
X
9
X
8
X
8
X
8
X
6
X
6
X
6
X
2
X
2
X
2
X
7 7 7 6 6 6 4 4 4 0 0 0

Gtrs. 3, 4 & 5: w/ Riffs B, B1 & B2 (3 times)

  B5
B5/A# G#m E5

                         
Fed and saw them pan - ic as the fi - re grew. I saw Vir -
field that grew per - fec - tion fall of things you do. I saw this


B5 B5/A# G#m E5

        

                 
gin - ia get rid of Lang - ley and its se - crets too. I held your
box get rid of heart - ache and cure can - cer too. When I a -

2
 1.

  B5 B5/A# G#m E5

     

             
hand and sat there know - ing that we’d make it through.
woke, I sat there hop - ing

 
Gtr. 2

            
    

*

1 1 1/2

9 9 9
X X
7 7 7
*Vol. swell

Interlude
Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.)
Gtr. 2: w/ Riff A Gtr. 1: w/ Rhy. Fill 1

  G#m
F#sus4 E5 µ

           
2. I saw this

2.

 Chorus
 G#m E5 B5

                 


this is what we’ll do: If we can, we will

 

   

Gtr. 2 Riff C1

                
           
mp fdbk. f

9 9 9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7


Riff C

  
Gtr. 1

            
          
f

9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7

3
    
G#m F#sus4
   
            
leave a let - ter and this song for you. And we’ll

 
End Riff C1

                                 
                                

9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

 
        
End Riff C

                        
                                

6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

1st time, Gtrs. 1 & 2: w/ Riffs C & C1 (2 times)

T o Coda 
2nd time, Gtrs. 1 & 2: w/ Riffs C & C1 (3 times)


   
B5 G#m F#sus4

        

            

write once a day and put it through the sea to you. We’ll re -

  
B5 G#m F#sus4

          

       



gret all those things we thought of but did - n’t ev - er do.

Interlude
B/D# G#5 D#5 E5

                
Gtr. 2

           
Gtr. 1

            
mp
 
    
ff

9 9 9 9 9 X 13 8 8 9 9 9 9 9 X 13 8 8
6 6 6 6 6 X 11 6 6 6 6 6 6 6 X 11 6 6

Gtr. 1 tacet 1., 2., 3. 4.

 
B/D# E5 D.S. al Coda

                            (cont.
 in notation)


          


If we

    
Gtr. 6 (acous.)

                 
  

mp

 
let ring
2 2 2
 4
4
4 4
4
4
4
4 4
4  4
4
4 4
4

4
  Coda Gtr. 3: w/ Riff B (2 times)

  
B5 G#m F#sus4
       
     
   

       
gret all those things we thought of but did - n’t ev - er do. When the

  
B5 G#m F#sus4
          
     

 

  

sky seems to clear, who will then be left but of you? Me and

Outro
Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times)
Gtr. 2: w/ Riff A (1 3/4 times)

  G#m F#sus4 E5 µ G#m F#sus4 E5

         
you.

Free time

 
µ B5 E5

   
Gtr. 7 (elec.)

                
                
f w/ dist. let ring  let ring 

9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0


                 
Gtrs. 1 & 2

  
         

13X
11
13 9 9 8 8 8 8 8 9 9 9 9
X X X X X X X X X X X
11 7 7 6 6 6 6 6 7 7 7 7

  
Gtrs. 1 & 2 tacet

          
 
     
let ring  let ring 

9 9 9 9 9 9
X X X
0 7 7 0 0 0

 
       


9
7