he film begins with Rahul sitting with his friend, Jay, in the living room.
They are in a jovial
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mood. Suddenly Jay’s son, Sid, runs out of the bathroom covered entirely in soap. He shrieks.
id
S
“Papa! The pressure is gone,again!”
he tone of the entire film shifts. The scene turns into a tense situation. The lighting becomes
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dramatic and red lights start flashing all around them. Jay pulls out a walkie talkie and we see
reactions of his wife and his daughter at the situation. They pull out their walkies as well and
station themselves next to the kitchen and the handwash station. Dravid watches them closely.
ay (Intently)
J
“So, who is hogging the pressure?”
We then see Jay’s wife and her daughter in split screen exclaim.
ay’s wife & daughter (in split screen)
J
“Low pressure!”
e see Dravid looking out of the window. He nudges Jay. Jay ignores it at first. Dravid nudges
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him again. Now, Jay looks out of the window and gasps. Sid, still covered in soap, also looks in
that direction and so do his sister and mother. Jay clutches the walkie talkie and then shouts
into it.
ay
J
“Ramu kaka abort!”
e cut to Ramu kaka chilling out in the garden and watering the plants while the walkie talkie is
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attached to his waist and he has earphones plugged in listening to music.
We cut back to Jay and see him looking defeated. He tries one more time.
ay (breaking down)
J
“Ramu kaka, please! Sid ko nahana hai.”
id looks extremely sorrowful. We cut to the shot of a traditional pump working in full bent.
S
We cut back to Rahul. He puts his hand on Jay’s shoulder and says
Call back
e then cut to shots of Sid enjoying his bath. The camera pans and we see the walkie
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talkies in the dustbin