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Danza Kuduro Sheet Music Arrangement

The document appears to be a musical score for the song 'Danza Kuduro' by Don Omar, arranged for various instruments including flutes, clarinets, saxophones, trumpets, trombones, and percussion. It includes detailed notations for each instrument, indicating their respective parts and timing. The score is structured to facilitate performance by a band or ensemble.

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0% found this document useful (0 votes)
60 views28 pages

Danza Kuduro Sheet Music Arrangement

The document appears to be a musical score for the song 'Danza Kuduro' by Don Omar, arranged for various instruments including flutes, clarinets, saxophones, trumpets, trombones, and percussion. It includes detailed notations for each instrument, indicating their respective parts and timing. The score is structured to facilitate performance by a band or ensemble.

Uploaded by

omsx30
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Danza Kuduro Ronnel Angelo M.

Broqueza(BEAN)

     
Don Omar
 
 = 135


Flute

     
                       

          
  
Clarinet 1

        
  
     
 

        

      
   
                  
Clarinet 2

               
Alto Sax         

     
 
   
Tenor Sax

  
Trumpet 1  
 
Trumpet 2       

     
Horn in F  

     
Trombone 

     
Trombone
 

     
Baritone 

             


Sousaphone

                 
     

Bass Drums

Cymbals
         
   
 
5


Fl.

    
                      

          

  
Cl. 1

                        
        
        
                 
Cl. 2

          
A. Sax.  
           
    

  
T. Sax.

Tpt. 1    


Tpt. 2      

    
F Hn. 

Tbn.
    

    
Tbn.

Btn.
    

Sphn.
            

                 
    
B.D.

Cym.
     

2
     

9

Fl.


Cl. 1       

     

  
Cl. 2

A. Sax.     

     

         
T. Sax.

                            

  
Tpt. 1

                                 
   
 
Tpt. 2

                                
    
                   
F Hn.

                
          
Tbn.

                    


Tbn.
  
     
Btn.              

         
          
Sphn.

                    
        
B.D.

Cym.
  

3
        
   
14

Fl.


          
  


Cl. 1

         

 
        
Cl. 2

  
   


A. Sax.

 

        

      
T. Sax.

                         


Tpt. 1

                       
    

 
Tpt. 2

                    
     
    
               
F Hn.

           
        
Tbn.

                  
Tbn.
 
                   
Btn.
  
       
       
Sphn.

                 
    
B.D.

Cym.
     

4
                  

           
18


Fl.

    
                       
       
   

  
Cl. 1

              


      
 

     

  
                 
Cl. 2

        
      
  


    
        
A. Sax.

    
                 
 
        
T. Sax.

                       

   
Tpt. 1

                      
   

 
Tpt. 2

                    
          
                
F Hn.

            
        
Tbn.

                   
Tbn.
 
                   
Btn.
   
       
        
Sphn.

                
     
B.D.

Cym.
  

5
             
       
22


Fl.

     
         
  
     
    
 
Cl. 1

               
      
     
         
Cl. 2

            
      
    
A. Sax.

   
               
 
      
T. Sax.

                
Tpt. 1   
             
       

 
Tpt. 2

  
  
                 
            
F Hn.

       
      
Tbn.

            
Tbn.
 
           
Btn.
     
     
     
Sphn.

             
  
B.D.

Cym.
    

6
                   
    
25


Fl.

    
                    
         
  
Cl. 1

       
             
       
       
             
Cl. 2

                     
      
 
A. Sax.

    
                      
  
                 
T. Sax.

      
Tpt. 1 
                      
  
 
Tpt. 2

      
           

  

       
F Hn.

Tbn.
            

                
Tbn.
    
                    
Btn.   
       
        
Sphn.

                
     
B.D.

Cym.
  

7
                
     
29


Fl.

     
                      
         

  
Cl. 1

                     

        
 
    
           
     
Cl. 2

                
        

A. Sax.

      
                
  
                        
T. Sax.

Tpt. 1     

                     
     

 
Tpt. 2

      
           
  
       
F Hn.

Tbn.
          

               
Tbn.
   
                 
Btn.      
      
         
Sphn.

                 
    
B.D.

Cym.
     

8
              
    

33

Fl.

              
Cl. 1      

     
        
   
                
Cl. 2

A. Sax.     

                
  

  
T. Sax.

               
 
Tpt. 1

      
            
 
Tpt. 2

   
               
         
F Hn.

        

      
Tbn.

         
Tbn.
  
             
Btn.        
           
            
Sphn.

                        
          
B.D.

Cym.
 

9
     
         
 
39

Fl.

         
Cl. 1         

    
      
     
       
Cl. 2

         

 
A. Sax.

      
                      

  
T. Sax.

        

 
Tpt. 1

             
Tpt. 2          

             
      
 
        
F Hn.

            
   
Tbn.

             
Tbn.
  
            
Btn.        
         
         
Sphn.

                    
        
B.D.

Cym.
  

10
         
    

44

Fl.


Cl. 1       

     

  
Cl. 2

    

   
A. Sax.

    
                         
 
  
T. Sax.

          
  

Tpt. 1

                               


   

Tpt. 2

                                 



                     
F Hn.

            
           
Tbn.

                      
Tbn.

Btn.
    
                     

         
          
Sphn.

                    
      
B.D.

Cym.
  

11
              
 
          
49


Fl.

    
               
  
  
  
 
Cl. 1

              

  
      
 

            
Cl. 2

  
           
    
 
     
A. Sax.


                        
 
         
T. Sax.

                  
  
Tpt. 1

                           
   

Tpt. 2

               
   
    
 
    

               
F Hn.

              
         
Tbn.

                   
Tbn.
  
                   
Btn.
  
       
       
Sphn.

                 
    
B.D.

Cym.
     

12
                 
         
53


Fl.

    
                      
  
       
  
Cl. 1

                       
      
      
               
Cl. 2

           
A. Sax.        
     
    
                      
 
        
T. Sax.

                  
Tpt. 1

                        
Tpt. 2    
                          

                
F Hn.

         
       
Tbn.

                  
Tbn.

                    
Btn.
  
       
        
Sphn.

                
     
B.D.

Cym.
  

13
    
 
   
57


Fl.

 
Cl. 1         

        
 
 
Cl. 2

       
 

A. Sax.

 
       

      
T. Sax.

Tpt. 1     

    
Tpt. 2     

    
     
    
F Hn.

    


Tbn.

       
Tbn.
 
       
Btn.  
   
    

Sphn.

         
  
B.D.

Cym.
     

14
Danza Kuduro
    
            
Flute

 
Don Omar Ronnel Angelo M. Broqueza(BEAN)

     
 
 = 135

                      

         

19

                             
      

24

                   
 
       

29

                   
   
   

35

               
          
       

47

             


         

53

 

58
Danza Kuduro


B♭ Clarinet 1
 = 135 
Don Omar Ronnel Angelo M. Broqueza(BEAN)

                          
 
         
  
                       
         
5

   
             
     

      
9

  
                        
         
20

 
                           
      
   
24

 
                          
      
   
28

   
         
 
   
   
32

     
                 
    
39

  
                     
          
52

      
   
  
        
56
Danza Kuduro

 = 135   
B♭ Clarinet 2 Ronnel Angelo M. Broqueza(BEAN)


Don Omar

                              
      
   
                               
      
5

    
                       
    
9

   
                                
      
20

    
                             
    
  
24

    
                            
    
  
28

 
                
   
32

  
                  
     
39

   
    
                      
      
52

 
                   
 
56
Danza Kuduro

  = 135                  


Alto Saxophone


Don Omar Ronnel Angelo M. Broqueza(BEAN)

  
      
           
   
              
           
5

                
   
  
9

    
           
  
              
    

20

       


 
         
         
  
24

       



    
      
    
     
   
28

                  


      
   
32

                      
     
     
39

               



       
    
  
   
52

         
           
 
56
Danza Kuduro

 = 135    


Tenor Saxophone
          
Ronnel Angelo M. Broqueza(BEAN)

 
Don Omar

            


 

                                            
        
  
22

         
    
                                
 
29

 
  
  
                                 
  
39

                           


        

   
46


                                  
      
52

 
 
58
Danza Kuduro
                  
B♭ Trumpet 1
 
Ronnel Angelo M. Broqueza(BEAN)

 
Don Omar

            



 = 135

                                        
    

14

                  


                  
  
19

                                             

25

                
                  
 
31

                  
               
 
41

                                         
 

53
Danza Kuduro

 = 135            


B♭ Trumpet 2 Ronnel Angelo M. Broqueza(BEAN)

              
Don Omar

       
 


                                           
   

14

                                   


    
 
20

                             


   
26

                                
  
 
31

              
                     
 
41


                                               
 

47

                               


      
53
Danza Kuduro

Horn in F

     
Don Omar Ronnel Angelo M. Broqueza(BEAN)

   
                          
  
 = 135

  
                                
  
14

   
                                   
 
19

     
                                        
     
24

                         
      
  
31

    
                                        
 
42

  
                                  
 
48

                
                         
53
Danza Kuduro
               
Trombone 1

 
Ronnel Angelo M. Broqueza(BEAN)

 
Don Omar

          
  
 = 135

                         
        
14

                      
          
19

              


                    
24


                 
         
 
31

                     
   
         

42

                      
           
 
47

                      
          
52

    
    
57
Danza Kuduro
    
Trombone 2

                
Don Omar Ronnel Angelo M. Broqueza(BEAN)

              
  
 = 135

    
             
        
       
 
 
14

                                        
  
20

                                        
      
26

                            
       
  
35


                          
       
 
45


                                        
 

51

 
      
57
Danza Kuduro

Baritone Ronnel Angelo M. Broqueza(BEAN)

             


Don Omar

  
          
 = 135

                         
          
16

                  


           
24

                        
           
32

                   


              
40

                      


          
48

             
 
56
Danza Kuduro
Sousaphone Don Omar Ronnel Angelo M. Broqueza(BEAN)

              



 = 135

     

                 
                   
12

                  
             
22

     

              
                   
32

                 
                 
41

               

    
51

         
Bass Drums Danza Kuduro

                             
Don Omar Ronnel Angelo M. Broqueza(BEAN)

 = 135

                             
8

                             
15

                             
22

                             
29

                           
36

                             
43

                            
50

         
57
Cymbals Danza Kuduro

          
Don Omar Ronnel Angelo M. Broqueza(BEAN)

          
 = 135

         
          
18

                    
33

     
           
49

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