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Classical Mythology Exam Review

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Classical Mythology Exam Review

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Classical Mythology: Exam 3

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1. Agamemnon Greek king, commander in the Trojan War, and brother of Menelaus; murdered
upon his return by his wife Clytemnestra. His story serves as a warning to Odysseus.

2. Alcinous and King and queen of the Phaeacians; they host Odysseus and help him return home.
Arete

3. Calypso Nymph who keeps Odysseus on her island, Ogygia, for seven years out of desire.

4. Circe Sorceress who turns Odysseus's men into pigs; later hosts and helps Odysseus.

5. Nausicaa Phaeacian princess who finds Odysseus shipwrecked and brings him to her par-
ents.

6. Odysseus Hero of The Odyssey; king of Ithaca, known for his intelligence and long journey
home from Troy.

7. Penelope Wife of Odysseus; loyal and clever, she delays remarriage by weaving a shroud.

8. Polyphemus Cyclops and son of Poseidon; blinded by Odysseus, leading to Poseidon's wrath.

9. Telemachus Son of Odysseus and Penelope; matures during the story and searches for news
of his father.

10. Athena (Pallas) Goddess of wisdom and war; Odysseus's protector and helper.

11. Hermes Messenger god; helps Odysseus by giving him protection against Circe and tells
Calypso to release him.

12. Poseidon God of the sea; angry at Odysseus for blinding his son Polyphemus, delays his
return.

13. Zeus King of the gods; oversees fate and enforces justice among mortals and immortals.

14. Aeneas Trojan prince and hero of The Aeneid; escapes burning Troy because he is destined
to go to Italy. His descendants will found Rome.
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15. Dido Queen of Carthage, originally from Tyre; falls in love with Aeneas and commits
suicide when he leaves.

16. Turnus Leader of the Rutulians and Aeneas's main Italian rival. Killed by Aeneas at the end
of The Aeneid.

17. Ascanius Aeneas's son; also known as Iulus, ancestor of the Roman people.

18. Anchises Aeneas's father; dies during the journey but guides Aeneas from the underworld.

19. Creusa Aeneas's first wife; dies during Troy's fall.

20. Lavinia Italian princess; Aeneas's future wife and symbol of alliance between Trojans and
Latins.

21. Juno Queen of the gods; opposes Aeneas due to her love for Carthage and resentments
towards Trojans.

22. Venus Goddess of love and Aeneas's mother; protects and guides him.

23. Jupiter King of the gods; enforces fate and ensures Aeneas fulfills his destiny.

24. Neptune God of the sea; calms the waters to allow Aeneas safe passage.

25. Mercury Messenger god; reminds Aeneas of his duty to leave Dido.

26. Cupid God of love; makes Dido fall for Aeneas under Venus's plan.

27. Minerva Goddess of wisdom and war; supports the Greeks, associated with Athena.

28. Homeric ques- Scholarly debate over whether Homer actually existed and whether he wrote The
tion Iliad and The Odyssey. The main problems of Homeric question include: •How did
Homeric poems (as we have them) emerge from oral tradition? Who was Homer?
Did one author write The Iliad and The Odyssey, or several authors? When and how

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these poems were written down? Can we distinguish earlier and later parts of the
poems?To what extent poems reflect historical events?

29. Katabasis A descent into the underworld, often for wisdom or prophecy (Odysseus and
Aeneas both do this).

30. Omen A sign from the gods interpreted as predicting future events. In Often transmitted
through birds.

31. Oral poetry Poetry composed and transmitted by word of mouth, using formulas and repetition
(like Homeric epics).

32. Pietas Roman virtue of duty to family, gods, and country; a key trait of Aeneas.

33. Penates Household gods of the Roman family; Aeneas carries them from Troy to Italy.

34. Prophecy Divine revelation of the future, often guiding or warning heroes.

35. Simile A poetic comparison using "like" or "as," often extended in epic poetry (epic
similes). These similes typically link emotionally intense or dramatic scenes to
images from nature, the animal world, or everyday life, and sometimes work in
reverse.

36. Supplication A humble request or prayer to a higher power or ruler, often with a physical
gesture.

37. Trojan War Legendary war between Troy and the Greeks, backdrop for Homeric epos and The
Aeneid.

38. Xenia Ancient Greek concept of hospitality and guest-friendship, central to The Odyssey.

39. Trojan Horse A deceptive wooden horse used by the Greeks to enter the city of Troy. Greek
soldiers hid inside, and once the Trojans brought it into the city, the Greeks
emerged at night and captured Troy.

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40. Alba Longa An ancient city in central Italy, said to be founded by Ascanius, the son of Aeneas.
It was the legendary birthplace of Romulus and Remus, the founders of Rome.

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Common questions

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In "The Odyssey," familial relationships, such as Odysseus’s bond with Penelope and Telemachus, emphasize personal loyalty and intelligence in overcoming adversity. In contrast, "The Aeneid" prioritizes duty to future generations over current relationships, as seen in Aeneas’s responsibility to establish a new homeland for his people, even at the cost of personal sacrifices like leaving Dido. These portrayals reflect Greek values of personal honor and cleverness, while Roman ideals emphasize duty, legacy, and societal obligations .

Prophecy serves as a narrative driving force in both "The Odyssey" and "The Aeneid," guiding characters’ actions and foreshadowing events. In "The Odyssey," prophecies from Tiresias inform Odysseus of the trials he must face, emphasizing the predetermined nature of his journey. In "The Aeneid," prophecies about Aeneas's destiny to found Rome guide his decisions, underscoring a theme of fate as inescapable. This ensures that characters align their actions with divine will, impacting the plot's progression .

Odysseus's journey in "The Odyssey" reflects the Greek values of cunning (metis) and individual heroism. His cleverness is exemplified in incidents such as his escape from the Cyclops Polyphemus, showcasing the Greek admiration for wit and intelligence. Conversely, Aeneas’s journey in "The Aeneid" epitomizes Roman values such as pietas, which is the duty to one's family, gods, and destiny. Aeneas consistently prioritizes duty over personal desires, as illustrated by his commitment to founding Rome despite his love for Dido .

In "The Odyssey," divine intervention is frequent and significantly influences Odysseus’s fate. Athena consistently aids him, while Poseidon obstructs his journey due to the blinding of Polyphemus. In "The Aeneid," the gods also play crucial roles; Jupiter ensures Aeneas fulfills his destiny, while Juno opposes him due to her grudge against the Trojans. This reflects the belief in the power of divine will over human endeavors in both Greek and Roman cultures .

The concept of xenia, or hospitality, is central to "The Odyssey" and dictates much of Odysseus’s interactions. Positive examples include the warm reception he receives from King Alcinous and Queen Arete, who aid his journey home. In contrast, breaches of xenia, such as the Cyclops Polyphemus's savage behavior towards Odysseus and his men, lead to disaster and divine retribution. This illustrates the importance of xenia as a divine and social obligation in Greek culture .

Katabasis, or the descent into the underworld, serves as a crucial narrative device in classical epics, symbolizing a hero's confrontation with mortality and the unknown. In "The Odyssey," Odysseus learns vital information from the dead, including advice from Tiresias on how to return home. Similarly, in "The Aeneid," Aeneas's journey to the underworld provides prophetic insight into Rome's future, reinforcing his mission's inevitability and importance .

In "The Odyssey," Hermes functions as a guide and protector, notably providing Odysseus with the means to resist Circe’s magic and securing his release from Calypso. In "The Aeneid," Mercury acts as Jupiter’s agent, reminding Aeneas of his obligation to destiny over personal desires, thus catalyzing pivotal plot developments. Both serve as divine intermediaries ensuring the protagonists adhere to their preordained paths and fulfill their heroic duties .

Oral poetry traditions significantly shape the structure and themes of Homeric epics. The use of formulaic expressions and repetition aids memorization and transmission, contributing to the rhythmic and lyrical quality of the narrative. Themes such as honor, heroism, and the interplay between fate and free will are emphasized through repeated episodes and speeches. This oral tradition ensures cohesion in storytelling and allows multiple generations to engage with these cultural narratives .

In "The Odyssey," Athena serves as a constant supporter of Odysseus, aiding him with wisdom and strategic guidance, underscoring her role as protector. Conversely, in "The Aeneid," Juno actively seeks to hinder Aeneas, motivated by her animosity towards the Trojans. Her interventions complicate Aeneas’s journey but ultimately cannot prevent his predestined success. These roles highlight different perspectives on divine influence—supportive versus adversarial—reflecting the gods' complex interactions with human affairs in mythological narratives .

Odysseus’s heroism in "The Odyssey" is characterized by his cunning and resourcefulness, evident in the Trojan Horse episode and his escape from Polyphemus, reflecting the Greek admiration for metis. In contrast, Aeneas’s heroism in "The Aeneid" is defined by pietas, manifesting in his sense of duty to his people and destiny. These differing leadership styles highlight cultural contrasts: Greek individual ingenuity versus Roman collective responsibility and duty. These perspectives shape their narratives and contribute to their enduring legacies as cultural icons .

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