Patol Babu's Dignity in Acting
Patol Babu's Dignity in Acting
-Satyajit Ray 5
Introduction
20o00O0000oo0o
upatol Babu, Film Star' is a story of Patol Babu who, once, had been in great demand for stage shows. But
now hewas hard up due to nowork. He had been struggling much to make a living. An offer for a little role
in afilm emboldened him. But he found it demeaning for his calibre. He disappeared from the shooting site
without accepting his remuneration after performing this role almost flawlessly.
THEME
Satyajit Ray, a very great playwright and film maker has written this story, that focuses on two very
important aspects of human nature - "Dignity of Labour" and Work is Worship". He also conveys to the
reader the fact that satisfaction of the mind cannot be bartered with or replaced by currency.
Summary
Sitalakanto Ray, known as Patol Babu, had been hopping from one job to another, as he had
been withoutajob for the past ten years. He used to work as aclerk with Hudson and Kimberley
nCalcuta. Due tothe cost-cuting measures during the war, he was out. He tried his hand at
unning a store, became an insurance agent, but could not settle down and was in dire need
of money.
One day he was introduced to Naresh Dutt by Nishikanto Babu. Naresh Dutt was in the
oroduction department of a new movie and he wanted Patol Babu to play a small role in
he movie. This offer made Patol Babu remember his heydays, when he had a settled job at
Kanchrapara. Those were the days, when he used to act in jatras, amateur theatre plays, put
p by the club in his neighbourhood. His talent made him popular, and his name which often
Ppeared in the handbills, boosted the sale of tickets. In the recent years however, he was too
Pusy trying to make the two ends meet, so he could not continue with his love for the stage.
he day of the film shooting arrived. When Patol Babu reached the venue of shooting outside
araday House, he saw all the activities on the set. He was anxious about his role and his
lalogue, what his lines would be. After waiting for some time, Naresh Dutt told him that he
Oh!'. In
vas supposed to walk to a fixed place, bump into the hero Chanchal Kumar and say
he beginning Patol Babu was disappointed, he even thought of leaving everything and going
ome. But then he was reminded of Mr. Pakrashi his mento, a wonderful actor himself. His
dvice, a valuable one, had been that it was not the size of the role that matters, it is what you
ve to the role, how much you yourself can put into it, and what you make of it that matters.
oW he started practising different ways of utterng the wOrd Oh!', ryng to mix the right
mount of irritaion with the right amount of surprise to make it as much etfective as possible.
Yes, Patol Babu is really a practical man who comes to terms with whatever life has to
ofler: He has taken the ups and downs of his life in his stride. In his heydays he used
Ans.
be a
theatre artist. He was a popular actor and was in great demand. In fact he
to
would appear in advertising handbills of theatre clubs and people would buy tickets
justto see him perform. He enjoyed so much popularity and fan following, yet he
overboard. He continued to be the man he was - simple, humble and
did not go
respectable. Then the demands of life took him away from theatre and he got busy
with his job at the railway factory. He switched his job for a higher salary. He joined
Hudsonand Kimberley where he had worked for nine years. But then World War
keout and he lost his job due to retrenchment. The long struggle for survival
began. He tried everything he could, opened up a variety store, did odd jobs in
nanies, sold insurance policies, but success eluded him everywhere. He kept
ing like every practical man would do. When the film role was offered to him, he
ws trving totake up a job with a scrap iron dealer. In performing the film role to0,
though there was an initial emotional glitch, he motivates himself to view things in a
practical manner. He puts in immense efforts to perform well. Perhaps it would not
be wrong in saying that he displayed a trace of impracticality only on one occasion,
when his emotions did not let him accept a remuneration for his role. On the whole,
Patol Babu was a practical man who comes toterms with whatever life has to offer.
e Why does Patol Babu walk away before he can be paid for his role? What does this
reveal about his character?
Ans. Patol Babu walks away before he could be paid. This role was small, but he put
all his imagination, heart and soul into it and gave a wonderful shot. A very good
performance by a great actor. However, he refrains from collecting his remuneration.
It was probably the idealist in him that was responsible for this gesture. He was so
disappointed with the happenings of the day, and regretted the callousness of the film
crew. He felt saddened that the efforts he had put in was not appreciated by anyone.
He therefore, feels that the money that he would get was nothing as compared to
the satisfaction he experienced after doing his work so well, abiding by his mentor's
principles.
Ihe authorreveals that Patol Babu was aman ofgreat principles,who was not afraid of
laking up challenges, and one who believed in the adage, "Work is worship", Money
Sransient in nature whereas principles possess the rare quality of permanence.
() Do you think making a movie is an easy job? Discuss with reference to the story.
Ans. Making a movie is not at all an easy job. Film making is avery long, tedious and
tiring job. For making a film different units are required such as make-up men,
ACmnen, Iight men. Much talentand hard work is required into the production.
Afilm producer creates the conditions for film-making. The producer is involved
() It is true that he needed money very badly, but what was twenty rupees when
measured against the intense satisfaction of a small job done with perfection and
dedication?
Ans. (a) That an offer to act in a film could come to a 52-year-old nonentity like him Na
unassuming; modes
beyond his wildest dreams.
(b) Indeed, there was a time when people bought tickets especially to see n -talented
day.
(c) 'I was with Hudson and Kimberley for nine years and wasn't late for asingle
punctualiy
it. he hadto
(d) It didn't matter if the part was small, but if he had to make the most of presenceol
the
learn his lines beforehand. How small he would feel if he muffed in -diligenl
so many people. variousways.
(e) Patol Babu cleared his throat and started enunciating the syllable in the
collison
when
Along with that he worked out how he would react physically wouldflingout
thesehe
took place - how his features would be twisted in pain, how he - all meticulons
his arms, how his body would crouch to surprise
express pain and when
performed in various ways in front ofa large glass windoW. rupees
and
) It is true that he but what was twentypassionate
peerfection
needed money very badly, ador
measured against the intense satisfaction of a Small job done with
dedication.
faint memory
was stirred up in Patol Babu's mind. to surrender or
|A
(0) relinquish
first he opened a
variety store which he had to wind up
|At staged
(c) after five years.
/alras,in amateur theatricals, in plays put up by the club to gain control over
(d) In neighbourhood, Patol Babu was always in demand. one's actions
in his
about to step forward when he was pulled up shut down
Patol Babu was 'Silence'!
(e)
short by a voice shouting
(Patol Babu pulled himselftogether stopped
Ans.
lo)Then he had a job in a Bengali firm which he gave up in to surrender or
disgust when his boss began to treat him in too high-handed relinquish
a fashion.
6. After Patol Babu returns home he recounts his experience in front of the camera to
his wife. In pairs write out the exchange in the form of a dialogue and enact it before
the class. You
may start like this...
Patol Babu's wife: So what happened at the shooting today? Did you get to do vour
role?
Patol Babu: Oh, Yes, I had the time of my life
Aas. (Constructed Response Question)
Patol
role? Babu's Wife: So what happened at the shootingtoday? Did you get to do vour
Patol Babu: Oh, Yes, I had thetme of ny life.
Babu'
Patol s Wife: WelOhl really?
Babu: Tell before
I Teached me all. 8.30 a.m. There was already abig crowd at Faraday
House.
Literature Textbook 255
Babu's wife: What were they doing?
Patol Babu: Most of them had come to see the shooting and
rest
light men, clapper boy, etc. mainly from the film production unit. were all
Babu's Wife: What were they for?
Patol Babu: Baren Mullick was the director, he was
who puta moustache on my face. Naresh Dutt
was in the guiproduction
ding them section.
all.
cameraMe,
Babu's youngest brother-in-law, Soranko and Jyoti were also there. Make-up mo
Babu's Wife: Tell me about yourself now.
Patol Babu: Alright, my role was avery small one and I had just to
Nisikan
to play the role of a short-tempered, absent-minded
pedestrian, exclaim ..
who
hero. First, I was completely disappointed and thought that they had
stock of me. Ifelt like leaving that place at once but then Mr. made wilh
a thecollhdes
like lightning in my mind. "No role is big and small, it is the Pakrashi'
way you
s wordslaughing
laitsththaed
makes it memorable." I did just that and put my heart and soul into it. It
performance that earned everyone spraise. I was immnensely satisfied ton was a
pertorm
super
Babu's Wife: I am happy to hear it all, but what about the money? They mustt have pad
you.
Patol Babu: They wanted to but ...er ...
Babu's Wife : But what? I hope you did not refuse.
Patol Babu: What is money when compared to the satisfaction I derived? It's true d
money was much needed. But look Iam so satisfied. Idid that small role with perfertion
and dedication.
Writing Task
7. Patol Babu writes a letter to Nishikanto Ghosh tothank him for being instrumentala
his getting a role in a film. He also shares his experience at the film shoot including
the excitement and deep satisfaction that he derived from the same. Write the letter in
about 200 words. (Constructed Response Question)
Ans. A-4, Nepal Bhattacharjee Lane
Calcutta
I wish him all the best in life! As per his directions, I had reached
there. Itn
next morning before 8.30. already
instruction
It was the first time I got to see a film-shooting. A big crowd was giving roleofan
a Baren Mullick film, the famous director. He was actually there, the hant
supposed to play I didnot Collisin
all because I remembered the words of my guru Mr. Pakrashí, who used to
This was can put himself into his role and leave a mark, it did not matter whether
the
sayan actor
role was big or small. So, I put my heart and soul into it, and gave a wonderful
performance. L did not bother to wait for the money after I had experienced a strange
fulfilment! This realisation gave me immense satisfaction.
Thank youagain.
Yours affectionately
Patol
Additional Questions
Extract-based Questions
Readthe following extracts carefully and answer the questions that follow in one or two lines.
.Naresh Dutt cast an appraising look at Patol Babu and gave a nod. Oh yes", he said.
«There is no doubt about that. By the way, the shooting takes place tomorrow morning."
(i) Who is Naresh Babu?
(i) For what did he give a nod? What do you mean by 'appraising look'?
(i) Where did the shooting take place?
(iv) Who says he does not have a doubt? Why did he say so?
Ans. ) Naresh Babu is the brother-in-law of Nishikant Ghosh, the neighbour of Patol Babu.
He is a member of a film production team.
(ü) He gave a nod ofapproval for casting Patol babu for the said role. 'Appraising look'
means to take a close look, scrutinise or assess carefully for gauging somebody or
something.
(2i) The shooting took place near Faraday House.
(0) Naresh Dutt says he does not have any doubt about casting Patol babu. He says this
nrole.
response to the question made by Patol with regard to him being right for the
* Iatol Babu cleared his throgt and started enunciating the syllable in variouS ways.
Along
h a t he worked out how he would react physicaly when the collision took place - how
his features would be in pain, how he would fling out his arms, how his body would
crouch to express paintwisted
and surprise - all these he performed in various ways in front of a
large glass window.
(i) Which word in the passage means the same as "articulating'?
(ii)
(iii) Describe the character of Patol Babu, as you understand fromthe given passage.
What is the tone of the author in the given extract?'
(iu) How did
Patol Babu plan to convey to his viewers his plan after the collision?
e
(ü) Patol word 'enunciating' meansthe sane as 'articulatung
Babu
person, who can
be described as a hard-working, meticulous, and conscientious
gave his all, to do atask with perfection.
he'?
Whois
() a thingof remote past?
What is recall at times with a sign?
(iî) What does he
(i) made him recall his
past?
What PatolBabu.
(i) refersto
He' which he used to do long long ago, in the remote past.
Ans.
Heis
referring to acting
(ü)
Patol recalls the
past events and experiences of acting and feels nostalgic about it.
(n) offered a role in afilm which makes him recall his past.
Patol Babu was
(w)
"This is onlythe,first step on the ladder,fortune
my dear better half Yes-the first stepthat would-
of your beloved husband'".
7. willing-mark the rise to fame and
God speaker? Whom is he speaking to?
) Who is the expectations of Patol Babu>
i) What are the
step on the ladder?
i) What is referred as first
Babu pray for?
lin) What does Patol
Patol Babu is the speaker. He is speaking
to his wife.
Ans. () If God is willing. he will be able to
(') He expects to rise to fame and acquire fortune.
make a mark in the film industry.
i) The role in a film that has been offered to him is what Patol
Babu considers to be the
first step on the ladder.
fortune.
(iu) He prays to climb up the ladder of fame and
8. "Patol Babu was called in exactBy half an hour. Now he had completely got over his apathy.
All he felt now was a keen anticiþation and supþressed excitement. It was the feeling he
used to feel twenty years ago just before he stepped on to the stage.
(i) Who is 'he'? What did he do twenty years ago?
(1) Infer the attitude of Patol Babu at the point of time, corresponding to the extract.
(iti) What was he excited about?
(iv) How did Patol Babu get over his apathy:
0) He refers to Patol Babu, He was a stage and theatre artist twentv vears ago.
atol Babu felt at the time referred to in the extract was anuc1pation and
Ppressed excitement that he used to feel just before getting on to he stage twenty
years ago.
(üü) He was excited about the offer he had received to act in afilm.
(iu) The words of his guru Pakrashi made him feel that no role was too small to be
turned down. single word. Patol
An actor could make his mark even by uttering a his apathv and
Babu was noW thoroughly prepared for the scene, and got
over
indifference.
9, "The hero 's head had banged against his forehead, and an exeruciating þain had robbed
him of his
(0)
What senses
is
for a few seconds".
(iü) What didbeing referred to in the lines above?
(iii) the scene require of the two characters?
Who is the
(iu) What hero of the film?
role did Patol Babu have to play?
Literature Textbook 259
the scene that was
Ans. ) Thelines above are revealingresult of his act. enacted by Patol
severe pain he suffered as a
characters, Patol Babu and
(i) The scene required the two pavement. the hero, to Babu, and Hhe
other while walking along the
of the film.
bang
(ü)) Chanchal Kumar is the hero
pedestrian.
(iv) Patol Babu had to play the role of the
All these years of struggle hadn't
He had done his job really well.
10. Gogon Pakrashi would have been pleased with his performance. blunted his sensibility
(i) Who is 'he'?
(i1) Which job has he performed well?
(iii) Who is Gogon Pakrashi?
(iv) What do you mean by the phrase blunted his sensibility'?
Ans. (i) 'He' is Patol Babu.
() He has performed his role of an absent minded pedestrian well.
(iü) He is Patol Babu's mentor or guru.
(iv) 'Blunted his sensibility' means, reduce his ability to perform. Time had not
away from him his talent. taken
11. Counting your chickens again before they are hatched, are you ?No wonder you cun mee
make a go of it." [CBSE (F) 2017)
(i) Who is the speaker ?
(ii) What does it tell us about the speaker?
(iii) What is the antonym of 'never'?
(iv) Explain, 'counting your chickens again before they were hatched'.
Ans. () These lines were spoken by Patol Babu's wife.
(ii) These words of the speaker give us an understanding of her pessimism. Besides
she comes across as a very sarcastic woman, who is in the habit of discouraging her
husband and doubing his abilities as an actor, who, she feels is a daydreamer:.
(ii) 'Always' is the antonym of 'never'.
(iv) It means making plans or getting one's hopes up based on assumptions.
Marks each)
(30-40 Words: 2
Short Answer Questions
1. How does Patol Babu reconcile to the dialogue given to him? shattered
Ans. Patol Babu reported for the shooting However he was Bettr
with alot of anticipation.
that was offered to him. an
with the insignificance of the role and the monologue guided by
sense prevailed and he puts aside his initial response to quit, as he is qualiyof
on the
inner voice, the words of his mentor, which directed him to focus
performance rather that the quantity to be performed.
howerer
2. What was the advice of Patol Babu's mentor and guru Pakrashi? Patol, an
Ans. The priceless advice of Gogon Pakrashi was" remember one thing accept it. As
thelastdryp
small a part you're offered, never consider it beneath your dignity to
combined
artist your aim should be to make the most of your opportunity and squeeze
it isthespoken in
and
of meaning out of your lines. Aplay involves the work of many "each word
you
eftort of many that makes asuccess of the play".He also says that,accessto it. But
a play is like a fruit in a tree. Not every one in the audience has
Ans. Patol Babu was guided by his Mentor Gogan Pakrashi's wisdom. He
when he was informed about his role and dialogue. But his was
inner
his mentor's advice, told him that it was not the quantity but the voice, that shattered
mattered. Patol Babu, therefore, decided to prepare meticulously, quality of reelletha
cted
to executeworkskl
at hand with perfection. He moved away to a quiet place,
and looking at his rele
on ahuge glass window, practised with
cOmmitment, to arrive at the best Combinari
of mind, body and soul, to potray his character. He tried out various facial evnrert
voice modulations and the appropriate body movements to strike the right style. Healse
suggested some improvisationsto make the scene authentic, which was readily accented
by the director. Patol Babu, eventually, "squeezed the last drop of
meaning from his
monologue, Oh!" and put on a magnificent performance.
14. What was Gogon Pakrashi's advice to Patol Babu on how to become a successful actor?
JCBSE Delhi 20171
Ans. Gogon Pakrashi, Patol Babu's mentor had told him, not to consider it undignified to
accept any role given to him, whether big or small. The aim of an artist should be to
make the most of an opportunity and squeeze the last drop of meaning out of the lines.
He also compares the words in a play to fruits that are accessible only to the actor. He
should pluck them and serve the essence for the audience to cherish.
[CBSE (A) 2017]
15. How did Patol Babu initially react to the role allotted to him?
excited. He
Ans. After hearing the offer made by Nishikanta Ghosh, Patol Babu was very
his wildest
had never expected to get an opportunity to act in a film. It was beyond
imaginations. He felt very important and started building castles in the ai: (4)2017)
16. What changed Patol Babu's mind about the small role allotted to him?[CBSE
was nothing
Ans. Patol Babu was selected to doa role in afilm. Sadly, his dialogueein the Scenebelitledand
but, to exclaim, "Oh!" When he was told of this, a disheartened Patol, felt guruGogon
thought that he was being teased. But later, remembering the words of his maybe,
insignificantitaccuracy.
Pakrashi who advised him to accept any small role, however, and
precision
[CBSE()20171
Patol accepted the role and got ready to do his role with great
17. Why didn't Patol Babu wait to collect his payment? wasan
ilmmaker. It
acceptinghis
Ans. Patol Babu was given a small role in a film by Naresh Dutt a the
insignificant role, which he executes with excellence. He left without well witlh
job done
remuneration because he believed that no payment can equate a
dedication it deserves.
Calcutta
May 22,19XX
DearMadhabi
you? Hope you, your family and parents are in good health. It has been quite
Howare have communicated with each other. I was missing your
company a lot.
whilesince we
a from bad to worse. Life is getting very difficult because
condition seems to be going
My been able to secure a stable job. The war has been very tough on us. He
Patol hasnot
jobs but to no avail.
ried his hand at various
All of a sudden,
yesterday, our neighbour had come over to offer Patol a role in a film.
building
knowhis passion tor acting. Hewas very exCited, and as is his nature,began
castles in the air, despite my cautioning him against doing so. He seemed hopeful of
troubles.
seeing the end of our
He narrated
In the evening, he came back with a very different perspective of life. after he was
o me the details of the numerous emotions he experienced before and with
acquainted with his role. Itwas a very insignificant role, he said, which he executed
perfection, after meticulous preparation. The best part of the whole incident was that
satisfaction
Patol left the set without accepting the remuneration due to him. He said the
he experienced could not be appropriated with any currency. I was really proud to be
the wife of a man with such high ideals. I had to share this with you because you have
always told me that Patol is a man of very high principles. I am convinced now. Ialways
misunderstood his ways because of the lack of financial security. No longer!
Waiting to hear from you.
Yours affectionately
2. Tapeshwari
That night, after the incident, when Patol Babu is about to retire for his sleep, he
decides to makea diary Write it.
entry.
(Constructed Response Question)
Ans. May 20,
20XX
Thursday 9.00 p.m.
Dear Diary
IIhadey depressing day, But I did nÍt succunb to my lesser emotons.
had the tilm assignment,
offered goneto me Faraday
to house, with alot of anticipationto take up
by Nishikanto. I was overwhelmed to receive arole in atilm at my age.
lThough
aturally Tapeshwari dissuaded me,
follow ilmstar.
a
I began fantasising about
the rosy future,that would
The theme is embodied in Patol Babu's meticulous preparation for a minor opportunity, demonstrating how dedication can elevate small chances into moments of personal achievement. His past experiences and the advice of his mentor highlight the importance of being ready to seize even modest chances with thorough preparation .
Patol Babu's theatrical background equips him with the skills and mindset to approach his film role with seriousness and creativity. His ability to interpret a minor role with depth reflects his past training and passion for acting, allowing him to deliver a significant performance despite the brevity of his dialogue .
Patol Babu's past, marked by varied unsuccessful career ventures and his love for theatre, shapes a cautious optimism towards the film opportunity. His expectancy for recognition and slight disbelief upon receiving the role is rooted in years of unfulfilled artistic ambition and fluctuating fortune .
Patol Babu's choice to leave without his payment reflects his deep sense of satisfaction and self-worth derived from artistic fulfillment rather than monetary gain. This decision highlights his intrinsic value system, where personal achievement and dedication to craft overshadow financial considerations .
Patol Babu’s interaction with Naresh Dutt exposes his internal conflict between humility and ambition. Although initially hesitant about his suitability for the role, the encounter rekindles his eagerness and highlights his latent desire for artistic success, underscoring his enduring passion for acting despite life's setbacks .
Gogon Pakrashi's advice deeply impacts Patol Babu's approach to acting. Pakrashi emphasized that no role is small and it's the actor's responsibility to extract full meaning from any dialogue, however trivial it may seem. This perspective helps Patol Babu to embrace his small role in the film with enthusiasm and professionalism, ultimately delivering an impeccable performance despite initial disappointment .
The author employs irony to highlight the disparity between Patol Babu's significant passion for acting and the triviality of his assigned role. This juxtaposition accentuates the theme of finding meaning in seemingly insignificant tasks and underscores the dignity of earnest effort, regardless of external recognition .
Rhetorical questions in Patol Babu's narrative engage readers by prompting introspection and understanding of his internal conflicts and aspirations. These questions emphasize his doubt and yearning for validation and success, allowing readers to connect emotionally with his journey .
The setting of Calcutta, amid its cultural richness and economic challenges, mirrors Patol Babu's struggles and aspirations. The city's film industry provides a platform for realizing his latent ambitions, highlighting the juxtaposition between his current mundane life and past dreams, thereby fostering his growth through a singular opportunity to act .
Patol Babu demonstrates meticulousness by thoroughly rehearsing his single-word dialogue 'Oh'. He considers various intonations and physical reactions to enhance the delivery, such as the expression of pain and surprise. Additionally, he practices in private to perfect the emotive gestures accompanying his line .