Stranger Things: Chapter Nine Transcript
Stranger Things: Chapter Nine Transcript
EPISODE 2.09
DIRECTED BY:
The Duffer Brothers
ORIGINAL BROADCAST:
October 27, 2017
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1
00:00:09 --> 00:00:10
Eleven.
2
00:00:10 --> 00:00:12
Mike. [gasps]
3
00:00:16 --> 00:00:17
Is that...
4
00:00:22 --> 00:00:24
I never gave up on you.
5
00:00:25 --> 00:00:28
I called you every night.
Every night for--
6
00:00:28 --> 00:00:29
353 days.
7
00:00:31 --> 00:00:32
I heard.
8
00:00:33 --> 00:00:35
Why didn't you tell me you were there?
9
00:00:35 --> 00:00:37
-That you were okay?
-[Hopper] Because I wouldn't let her.
10
00:00:41 --> 00:00:43
-The hell is this? Where you been?
-Where have you been?
11
00:00:45 --> 00:00:46
You've been hiding her.
12
00:00:48 --> 00:00:50
-You've been hiding her this whole time!
-Hey!
13
00:00:51 --> 00:00:52
Let's talk.
14
00:00:53 --> 00:00:54
Alone.
15
00:00:59 --> 00:01:03
-Protecting her! Protecting her?
-Listen. Listen to me.
16
00:01:03 --> 00:01:05
The more people know about her,
the more danger she's in.
17
00:01:05 --> 00:01:07
And the more danger
you and your family are in--
18
00:01:08 --> 00:01:09
So I should be thanking you?
19
00:01:09 --> 00:01:13
I'm not asking you to thank me!
I'm asking you to try to understand.
20
00:01:13 --> 00:01:14
I don't! I don't understand!
21
00:01:14 --> 00:01:17
That's fine. That's fine!
Just do not blame her!
22
23
00:01:19 --> 00:01:21
I don't blame her! I blame you!
I blame you!
24
00:01:21 --> 00:01:24
That's okay, kid. That's okay.
25
00:01:24 --> 00:01:26
No! Nothing about this is okay!
26
00:01:26 --> 00:01:28
-Nothing about this is okay!
-Oh, jeez--
27
00:01:29 --> 00:01:30
You're a stupid, disgusting,
28
00:01:30 --> 00:01:32
-lying piece of shit!
-Okay. All right! Stop it.
29
00:01:32 --> 00:01:34
-Liar! Liar! Liar!
-Stop it. It's okay.
30
00:01:34 --> 00:01:37
-Stop it! Stop it!
-[crying] Liar! Liar!
31
00:01:41 --> 00:01:45
You're okay, kid. You're okay.
32
00:01:47 --> 00:01:49
I'm sorry, kid.
33
00:01:52 --> 00:01:54
-[Lucas] We missed you.
-I missed you, too.
34
00:01:54 --> 00:01:56
[Dustin] We talked about you
pretty much every day.
35
00:02:02 --> 00:02:03
Teeth.
36
00:02:03 --> 00:02:05
-What?
-You have teeth.
37
00:02:06 --> 00:02:09
Oh. You like these pearls? [purrs]
38
00:02:10 --> 00:02:11
[Max] Eleven?
39
00:02:13 --> 00:02:16
Hey. Um, I'm Max.
40
00:02:16 --> 00:02:17
I've heard a lot about you.
41
00:02:22 --> 00:02:25
-[sighs] Hey. Hey, sweetheart.
-[cries]
42
00:02:26 --> 00:02:28
[sniffles] Hey.
43
00:02:30 --> 00:02:32
44
00:02:34 --> 00:02:35
[sighs]
45
00:02:46 --> 00:02:48
He's not doing well.
46
00:02:51 --> 00:02:53
I know.
47
00:02:55 --> 00:02:56
I saw.
48
00:02:57 --> 00:02:58
What else did you see?
49
00:03:11 --> 00:03:13
You opened this gate before, right?
50
00:03:16 --> 00:03:18
Yes.
51
00:03:20 --> 00:03:24
Do you think if we got you back there,
that you could close it?
52
00:03:43 --> 00:03:45
[roars and screeches]
53
00:03:48 --> 00:03:50
[theme music playing]
54
00:04:55 --> 00:04:59
♪ Memories ♪
55
00:04:59 --> 00:05:05
♪ Light the corners of my mind ♪
56
00:05:06 --> 00:05:07
[doorbell rings]
57
00:05:08 --> 00:05:13
♪ Misty water-colored memories ♪
58
00:05:13 --> 00:05:16
-[doorbell rings]
-♪ Of the way we were ♪
59
00:05:16 --> 00:05:18
Ted! Would you please get that?
60
00:05:19 --> 00:05:20
[snoring]
61
00:05:20 --> 00:05:22
[doorbell continues ringing]
62
00:05:27 --> 00:05:30
-[doorbell continues ringing]
-Ted!
63
00:05:30 --> 00:05:32
♪ Of the smiles we left behind ♪
64
00:05:32 --> 00:05:34
[doorbell ringing rapidly]
65
00:05:38 --> 00:05:39
Hold on, please.
66
67
00:05:47 --> 00:05:50
I, uh, didn't realize Nancy had a sister.
68
00:05:50 --> 00:05:51
[chuckles]
69
00:05:52 --> 00:05:53
What's so funny?
70
00:05:54 --> 00:05:55
I'm Nancy's mother.
71
00:05:56 --> 00:05:57
-No.
-Yes. [chuckles]
72
00:05:57 --> 00:05:59
Mrs. Wheeler.
73
00:05:59 --> 00:06:01
[stammers] Um, I'm sorry, and you are?
74
00:06:02 --> 00:06:04
Billy. Billy Hargrove.
75
00:06:06 --> 00:06:07
You must be here for Nancy.
76
00:06:07 --> 00:06:10
Nancy? No, no, no. Not my type. Uh...
77
00:06:10 --> 00:06:14
No, actually,
I am looking for my little sister Max.
78
00:06:14 --> 00:06:16
Goes by Maxine.
79
00:06:16 --> 00:06:19
She's been missing all day,
and, uh, to be honest with you,
80
00:06:19 --> 00:06:22
-I've been worried sick, you know, so...
-Oh.
81
00:06:22 --> 00:06:26
I thought she was at Lucas', but
Mrs. Sinclair said your house is the...
82
00:06:27 --> 00:06:30
the designated hangout, so, you know...
83
00:06:32 --> 00:06:34
Here I am.
84
00:06:36 --> 00:06:39
Their driveway is pretty dark
this time of night.
85
00:06:40 --> 00:06:42
So drive slowly.
86
00:06:44 --> 00:06:45
Always.
87
00:06:45 --> 00:06:47
And when you see Mike,
tell him to come home already, okay?
88
00:06:48 --> 00:06:49
You're a real lifesaver, you know that?
89
00:06:51 --> 00:06:52
Anytime.
90
00:06:53 --> 00:06:55
-♪ Do believe it ♪
-I'll see you later.
91
00:06:57 --> 00:07:01
♪ Do believe that I'm falling in love ♪
92
00:07:01 --> 00:07:02
-Hmm.
-♪ Do believe it ♪
93
00:07:05 --> 00:07:09
♪ Do believe that I'm falling in love ♪
94
00:07:09 --> 00:07:10
♪ Do believe it ♪
95
00:07:13 --> 00:07:16
♪ Do believe that I'm falling in love ♪
96
00:07:20 --> 00:07:22
[Hopper sighs]
It's not like it was before. It's grown.
97
00:07:23 --> 00:07:26
A lot. And, I mean,
that's considering we can get in there.
98
00:07:26 --> 00:07:28
99
00:07:28 --> 00:07:29
Demo-dogs.
100
00:07:29 --> 00:07:34
-[sighs] I'm sorry, what?
-I said, uh, Demo-dogs.
101
00:07:34 --> 00:07:35
Like Demogorgon and dogs.
102
00:07:35 --> 00:07:37
You put them together,
it sounds pretty badass--
103
00:07:37 --> 00:07:38
How is this important right now?
104
00:07:39 --> 00:07:40
It's not. I'm sorry.
105
00:07:40 --> 00:07:41
I can do it.
106
00:07:42 --> 00:07:43
You're not hearing me.
107
00:07:43 --> 00:07:45
I'm hearing you. I can do it.
108
00:07:46 --> 00:07:48
Even if El can,
there's still another problem.
109
00:07:48 --> 00:07:51
110
00:07:51 --> 00:07:54
It is,
but if we're really right about this...
111
00:07:54 --> 00:07:57
I mean, if El closes the gate
and kills the mind flayer's army...
112
00:07:57 --> 00:07:58
Will's a part of that army.
113
00:07:58 --> 00:08:00
Closing the gate will kill him.
114
00:08:13 --> 00:08:16
-[Joyce] He likes it cold.
-[Hopper] What?
115
00:08:17 --> 00:08:19
It's what Will kept saying to me.
116
00:08:20 --> 00:08:21
He likes it cold.
117
00:08:24 --> 00:08:26
We keep giving it what it wants.
118
00:08:26 --> 00:08:30
If this is a virus,
and Will's the host, then...
119
00:08:30 --> 00:08:32
Then we need
to make the host uninhabitable.
120
00:08:33 --> 00:08:35
[Nancy] So if he likes it cold...
121
00:08:35 --> 00:08:36
We need to burn it out of him.
122
00:08:37 --> 00:08:39
We have to do it somewhere
he doesn't know this time.
123
00:08:39 --> 00:08:40
Yeah, somewhere far away.
124
00:08:43 --> 00:08:47
Take Denfield,
then you'll see a large oak tree.
125
00:08:47 --> 00:08:50
You're gonna swing a right.
That road is gonna dead-end.
126
00:08:50 --> 00:08:53
And it's about a five-minute walk
from there.
127
00:08:53 --> 00:08:56
[panting] Okay. Denfield to oak tree.
Swing a right.
128
00:08:57 --> 00:08:59
That's it. But it's channel ten, right?
129
00:08:59 --> 00:09:00
It's channel ten. Listen...
130
131
00:09:14 --> 00:09:15
You should go with him.
132
00:09:17 --> 00:09:19
-What?
-With Jonathan.
133
00:09:19 --> 00:09:22
No, I'm...
[scoffs] I'm not just gonna leave Mike.
134
00:09:24 --> 00:09:25
No one's leaving anyone.
135
00:09:27 --> 00:09:32
I may be a pretty shitty boyfriend,
but...
136
00:09:34 --> 00:09:36
turns out I'm actually
a pretty damn good babysitter.
137
00:09:45 --> 00:09:46
Steve...
138
00:09:46 --> 00:09:48
It's okay, Nance.
139
00:09:50 --> 00:09:51
It's okay.
140
00:09:52 --> 00:09:53
I...
141
00:10:05 --> 00:10:08
Just be careful, okay?
I can't lose you again.
142
00:10:09 --> 00:10:11
You won't lose me.
143
00:10:12 --> 00:10:13
Do you promise?
144
00:10:14 --> 00:10:15
Promise.
145
00:10:20 --> 00:10:23
El... Come on, let's go. It's time.
146
00:10:25 --> 00:10:26
[sighs deeply]
147
00:10:27 --> 00:10:28
Okay.
148
00:10:32 --> 00:10:34
[engine starts]
149
00:11:18 --> 00:11:20
So, what, we're just
not gonna talk about it, huh?
150
00:11:22 --> 00:11:23
About what?
151
00:11:23 --> 00:11:25
Oh, I don't know.
I'm just curious, you know,
152
00:11:25 --> 00:11:28
why all of a sudden
you look like some kind of MTV punk.
153
00:11:31 --> 00:11:34
I'm not mad, kid. I just want to know
where you've been.
154
00:11:36 --> 00:11:37
That's all.
155
00:11:40 --> 00:11:42
To see Mama.
156
00:11:44 --> 00:11:46
Okay.
157
00:11:48 --> 00:11:50
-How'd you get there?
-A truck.
158
00:11:50 --> 00:11:51
A truck?
159
00:11:52 --> 00:11:53
A big truck.
160
00:11:54 --> 00:11:57
A big truck? Whose truck was it?
161
00:11:57 --> 00:11:58
-A man's.
-A man's?
162
00:11:59 --> 00:12:00
A nice man.
163
00:12:02 --> 00:12:05
Okay. So let me just
get this straight in my head.
164
00:12:05 --> 00:12:08
So a nice man in a big truck,
165
00:12:08 --> 00:12:10
he drove you to your mama's,
and then what?
166
00:12:10 --> 00:12:13
Your Aunt Becky gave you
those clothes and that makeup?
167
00:12:13 --> 00:12:14
I...
168
00:12:16 --> 00:12:17
I shouldn't have left.
169
00:12:20 --> 00:12:22
Mmm-mmm.
170
00:12:22 --> 00:12:23
No.
171
00:12:25 --> 00:12:27
No, this isn't on you, kid.
I should've been there.
172
00:12:30 --> 00:12:33
I should never have lied to you
about your mom.
173
00:12:34 --> 00:12:35
Or about when you could leave.
174
00:12:36 --> 00:12:38
A lot of things I shouldn't have done.
175
00:12:41 --> 00:12:43
Sometimes I feel like I'm...
176
00:12:46 --> 00:12:48
[inhales sharply]
177
00:12:48 --> 00:12:51
Like I'm just some kind of black hole
or something. [sighs]
178
00:12:51 --> 00:12:52
A black hole?
179
00:12:53 --> 00:12:56
Yeah, it's a...
You know, it's this thing in outer space.
180
00:12:56 --> 00:13:00
It's like, it sucks everything towards it
and destroys it.
181
00:13:01 --> 00:13:04
Sarah had a picture book
about outer space. She loved it.
182
00:13:05 --> 00:13:06
Who's Sarah?
183
00:13:07 --> 00:13:08
Sarah?
184
00:13:12 --> 00:13:14
Sarah's my girl.
185
00:13:17 --> 00:13:18
She's my little girl.
186
00:13:21 --> 00:13:22
Where is she?
187
00:13:23 --> 00:13:27
Well, that's kind of the thing, kid.
She, uh...
188
00:13:29 --> 00:13:31
She left us.
189
00:13:34 --> 00:13:35
-Gone.
-Yeah.
190
00:13:36 --> 00:13:39
The black hole. It got her.
191
00:13:43 --> 00:13:44
And somehow...
192
00:13:46 --> 00:13:48
I've just been scared, you know?
193
00:13:49 --> 00:13:52
I've just been scared
that it would take you, too.
194
00:13:53 --> 00:13:54
I think that's why I get...
195
00:13:56 --> 00:13:57
so mad.
196
00:14:00 --> 00:14:02
I'm so sorry.
197
00:14:03 --> 00:14:04
For everything.
198
00:14:07 --> 00:14:10
I could be so... so...
199
00:14:10 --> 00:14:12
Stupid?
200
00:14:12 --> 00:14:15
[chuckling] Yeah. Stupid.
201
00:14:15 --> 00:14:18
-[chuckles]
-Just really stupid.
202
00:14:28 --> 00:14:30
I've been stupid, too.
203
00:14:30 --> 00:14:32
I guess we broke our rule.
204
00:14:32 --> 00:14:33
[chuckles softly]
205
00:14:35 --> 00:14:37
I don't hate it, by the way.
206
207
00:14:39 --> 00:14:40
look.
208
00:14:43 --> 00:14:44
It's kinda cool.
209
00:14:46 --> 00:14:47
Bitchin'.
210
00:14:49 --> 00:14:51
Okay. Sure.
211
00:14:55 --> 00:14:58
-Bitchin'.
-[chuckles and sniffles]
212
00:15:13 --> 00:15:15
[monster roaring in distance]
213
00:15:26 --> 00:15:27
All right.
214
00:15:28 --> 00:15:29
[sighs] It should fit now.
215
00:15:30 --> 00:15:31
Is this really necessary?
216
00:15:31 --> 00:15:34
Yes, it is, okay? This is
a ground-breaking scientific discovery.
217
00:15:35 --> 00:15:38
218
00:15:38 --> 00:15:40
All right, all right, all right.
219
00:15:40 --> 00:15:43
But you're explaining this to Mrs. Byers,
all right?
220
00:15:44 --> 00:15:46
Christ. Help me out.
221
00:15:46 --> 00:15:48
-What am I supposed to do?
-Get the door, man.
222
00:15:48 --> 00:15:49
All right, I got the door.
223
00:15:50 --> 00:15:52
-Ew. Jesus--
-God--
224
00:15:54 --> 00:15:55
[panting]
225
00:15:55 --> 00:15:56
Phew!
226
00:16:08 --> 00:16:09
Mike, would you just stop already?
227
00:16:09 --> 00:16:11
You weren't in there, okay, Lucas?
228
229
00:16:13 --> 00:16:15
-Demo-dogs!
-[Lucas] The chief will take care of her.
230
00:16:15 --> 00:16:17
Like she needs protection.
231
00:16:17 --> 00:16:19
Listen, dude,
a coach calls a play in a game,
232
00:16:19 --> 00:16:20
bottom line, you execute it. All right?
233
00:16:20 --> 00:16:22
Okay, first of all,
this isn't some stupid sports game.
234
00:16:23 --> 00:16:25
And second, we're not even in the game.
We're on the bench.
235
00:16:25 --> 00:16:28
[stammers] So my point is...
236
00:16:30 --> 00:16:33
Right, yeah, we're on the bench,
so, uh, there's nothing we can do.
237
00:16:33 --> 00:16:36
That's not entirely true.
238
00:16:36 --> 00:16:39
239
00:16:39 --> 00:16:41
When they ran away from the bus,
they were called away.
240
00:16:41 --> 00:16:44
-If we get their attention...
-Maybe we can draw them from the lab.
241
00:16:44 --> 00:16:45
Clear a path to the gate.
242
00:16:45 --> 00:16:47
Yeah, and then we all die.
243
00:16:47 --> 00:16:48
That's one point of view.
244
00:16:48 --> 00:16:50
No, that's not a point of view, man.
That's a fact.
245
00:16:50 --> 00:16:51
I got it!
246
00:16:52 --> 00:16:56
This is where the chief dug his hole.
This is our way into the tunnel. So...
247
00:16:56 --> 00:16:58
Here, right here. This is like a hub.
248
00:16:58 --> 00:17:00
So you got all the tunnels
feeding in here.
249
00:17:00 --> 00:17:02
Maybe if we set this on fire...
250
00:17:02 --> 00:17:03
Oh, yeah? That's a no.
251
00:17:03 --> 00:17:05
-The mind flayer would call away his army.
-They'd all come to stop us.
252
00:17:06 --> 00:17:07
-We circle back to the exit.
-Guys.
253
00:17:07 --> 00:17:09
-By the time they realize we're gone--
-El would be at the gate.
254
00:17:09 --> 00:17:12
Hey. Hey! Hey! This is not happening.
255
00:17:12 --> 00:17:13
-But--
-No, no, no, no, no.
256
00:17:13 --> 00:17:15
No buts. I promised
I'd keep you shitheads safe,
257
00:17:15 --> 00:17:17
and that's exactly what I plan on.
258
00:17:17 --> 00:17:19
We're staying here. On the bench.
259
260
00:17:21 --> 00:17:22
Does everybody understand?
261
00:17:22 --> 00:17:24
This isn't a stupid sports game.
262
00:17:24 --> 00:17:26
I said does everybody understand that?
263
00:17:27 --> 00:17:28
I need a yes.
264
00:17:30 --> 00:17:31
[engine revving]
265
00:17:34 --> 00:17:36
[rock music playing on car radio]
266
00:17:37 --> 00:17:38
[Max] It's my brother.
267
00:17:38 --> 00:17:41
He can't know I'm here.
He'll kill me. He'll kill us.
268
00:17:46 --> 00:17:47
[tires screech]
269
00:17:50 --> 00:17:51
[music stops playing]
270
00:17:57 --> 00:18:00
271
00:18:00 --> 00:18:01
Yeah, it's me. Don't cream your pants.
272
00:18:03 --> 00:18:05
-[car door slams]
-What are you doing here, amigo?
273
00:18:06 --> 00:18:08
I could ask you the same thing.
274
00:18:08 --> 00:18:09
Amigo.
275
00:18:10 --> 00:18:14
Looking for my stepsister.
A little birdie told me she was here.
276
00:18:14 --> 00:18:16
Huh, that's weird. I don't know her.
277
00:18:16 --> 00:18:19
Small? Redhead? Bit of a bitch.
278
00:18:19 --> 00:18:20
Doesn't ring a bell. Sorry, buddy.
279
00:18:23 --> 00:18:25
[sighs] You know, I don't know, this...
280
00:18:26 --> 00:18:28
[clicks tongue] This whole situation,
Harrington, I don't know.
281
00:18:29 --> 00:18:30
282
00:18:30 --> 00:18:31
Oh, yeah? Why's that?
283
00:18:33 --> 00:18:36
My 13-year-old sister goes missing
all day.
284
00:18:36 --> 00:18:40
And then I find her with you
in a stranger's house.
285
00:18:42 --> 00:18:43
And you lie to me about it.
286
00:18:43 --> 00:18:44
[chuckles]
287
00:18:46 --> 00:18:48
Man, were you dropped too much
as a child, or what?
288
00:18:49 --> 00:18:52
I don't know what you don't understand
about what I just said.
289
00:18:54 --> 00:18:55
She's not here.
290
00:18:56 --> 00:18:57
Then who is that?
291
00:18:59 --> 00:19:01
[exclaims] Shit! Did he see us?
292
293
00:19:05 --> 00:19:08
-I told you to plant your feet.
-[groans]
294
00:19:11 --> 00:19:13
Well, well, well.
295
00:19:14 --> 00:19:17
Lucas Sinclair. What a surprise.
296
00:19:18 --> 00:19:20
I thought I told you
to stay away from him, Max.
297
00:19:20 --> 00:19:22
-Billy, go away.
-You disobeyed me.
298
00:19:23 --> 00:19:25
And you know what happens
when you disobey me.
299
00:19:25 --> 00:19:27
-Billy...
-I break things. [grunts]
300
00:19:27 --> 00:19:31
-[indistinct yelling]
-Billy! Stop! Billy! Stop!
301
00:19:33 --> 00:19:34
Get off of me, you--
302
00:19:34 --> 00:19:36
303
00:19:37 --> 00:19:38
You stay away from her.
304
00:19:38 --> 00:19:42
Stay away from her! You hear me?
305
00:19:43 --> 00:19:44
-I said get off me!
-[groans]
306
00:19:46 --> 00:19:49
So dead, Sinclair! You're dead.
307
00:19:50 --> 00:19:52
No. You are.
308
00:19:52 --> 00:19:53
-[groans]
-[chuckles]
309
00:19:53 --> 00:19:54
Steve!
310
00:19:54 --> 00:19:56
[laughing]
311
00:19:57 --> 00:20:00
Looks like you got some fire in you
after all, huh?
312
00:20:00 --> 00:20:02
I've been waiting to meet this King Steve
313
314
00:20:06 --> 00:20:07
Get out.
315
00:20:13 --> 00:20:15
-Yes! Kick his ass, Steve!
-[Mike] Get him!
316
00:20:15 --> 00:20:17
[Dustin] Murder the son of a bitch!
317
00:20:17 --> 00:20:19
-[Dustin] Now! Now!
-[Mike] Get that shithead!
318
00:20:19 --> 00:20:21
-[laughs]
-[Dustin] Kill the son of a bitch!
319
00:20:21 --> 00:20:22
-[Lucas] Steve!
-[Max] Billy!
320
00:20:23 --> 00:20:24
[Mike] Holy shit!
321
00:20:25 --> 00:20:27
-Shit!
-[Steve groans]
322
00:20:31 --> 00:20:34
-No one tells me what to do! [grunts]
-[groans]
323
00:20:35 --> 00:20:36
324
00:20:36 --> 00:20:38
-[kids yelling]
-[Dustin] You're gonna kill him.
325
00:20:39 --> 00:20:41
[inaudible]
326
00:21:02 --> 00:21:04
[Billy grunts]
327
00:21:04 --> 00:21:05
[gasping]
328
00:21:17 --> 00:21:18
The hell is this?
329
00:21:18 --> 00:21:20
[echoing] You little shit,
what did you do?
330
00:21:22 --> 00:21:23
What did you do?
331
00:21:25 --> 00:21:26
[Mike] Shit.
332
00:21:26 --> 00:21:28
[laughing]
333
00:21:33 --> 00:21:37
From here on out, you leave me
and my friends alone. Do you understand?
334
00:21:37 --> 00:21:38
Screw you.
335
00:21:42 --> 00:21:47
Say you understand! Say it! Say it!
336
00:21:47 --> 00:21:48
I understand.
337
00:21:49 --> 00:21:51
-What?
-I understand.
338
00:21:56 --> 00:21:58
[bat clatters]
339
00:22:05 --> 00:22:06
Let's get out of here.
340
00:22:39 --> 00:22:42
It's actually kinda nice.
341
00:22:49 --> 00:22:51
We'll do it here.
342
00:23:11 --> 00:23:13
Are you sure this is a good idea?
343
00:23:13 --> 00:23:16
This thing has had Will long enough.
344
00:23:17 --> 00:23:19
Let's kill the son of a bitch.
345
00:23:41 --> 00:23:42
[Hopper grunts]
346
00:23:51 --> 00:23:53
[monsters growling]
347
00:24:03 --> 00:24:05
-[snarls]
-Papa!
348
00:24:07 --> 00:24:08
[screams]
349
00:24:13 --> 00:24:16
All right. You let me do the heavy lifting
up front, all right?
350
00:24:16 --> 00:24:19
You save your strength till we're below.
351
00:24:21 --> 00:24:22
You okay?
352
00:24:36 --> 00:24:39
-[tires screeching]
-[engine revving]
353
00:24:47 --> 00:24:48
[liquid sloshing]
354
00:24:55 --> 00:24:56
Nancy?
355
00:25:00 --> 00:25:02
-[groaning]
-[Dustin] No, don't touch it.
356
00:25:04 --> 00:25:06
Hey, buddy... [shushing]
357
00:25:07 --> 00:25:09
It's okay. You put up a good fight.
358
00:25:09 --> 00:25:11
He kicked your ass,
but you put up a fight.
359
00:25:11 --> 00:25:12
-You're okay.
-[groans]
360
00:25:12 --> 00:25:15
[Lucas] Okay, you're gonna keep straight
for a half a mile,
361
00:25:15 --> 00:25:17
then make a left on Mount Sinai.
362
00:25:18 --> 00:25:19
[Steve] What's going on?
363
00:25:21 --> 00:25:22
Oh, my God!
364
00:25:22 --> 00:25:23
Just relax. She's driven before.
365
00:25:23 --> 00:25:25
-Yeah, in a parking lot.
-That counts.
366
00:25:25 --> 00:25:26
They were gonna leave you behind.
367
00:25:26 --> 00:25:27
Oh, my God.
368
00:25:27 --> 00:25:29
I promised that you'd be cool, okay?
369
00:25:29 --> 00:25:31
[Steve] Whoa, whoa, whoa, whoa.
What's going on?
370
00:25:32 --> 00:25:37
Oh, my God. No! Whoa!
Stop the car. Slow down.
371
00:25:37 --> 00:25:39
-I told you he'd freak out.
-Stop the car!
372
00:25:39 --> 00:25:41
Everybody shut up! I'm trying to focus!
373
00:25:41 --> 00:25:43
Oh, wait, that's Mount Sinai. Make a left.
374
00:25:43 --> 00:25:45
-What?
-Make a left.
375
00:25:45 --> 00:25:47
-[tires screeching]
-[all screaming]
376
00:25:56 --> 00:25:57
[gasps]
377
00:26:02 --> 00:26:03
[breathing heavily]
378
00:26:04 --> 00:26:05
What's happening?
379
00:26:05 --> 00:26:07
[grunts] It hurts.
380
00:26:07 --> 00:26:13
[groaning and screaming]
It hurts! It hurts! It hurts! It hurts!
381
00:26:14 --> 00:26:17
Let me go! Let me go! It hurts!
382
00:26:19 --> 00:26:23
It hurts! Let me go! Let me go! It hurts!
383
00:26:25 --> 00:26:27
-Mom.
-No!
384
00:26:28 --> 00:26:30
[screaming]
385
00:26:33 --> 00:26:36
Let me go! Let me go! Let me go!
386
00:26:37 --> 00:26:38
[engine revving]
387
00:26:44 --> 00:26:45
[yells] Hello!
388
00:26:45 --> 00:26:47
-[Dustin] Whoa!
-Incredible.
389
00:26:47 --> 00:26:49
I told you. Zoomer.
390
00:26:55 --> 00:26:56
[Steve groans]
391
00:26:57 --> 00:26:58
Guys.
392
00:27:02 --> 00:27:04
Oh, no. Guys.
393
00:27:05 --> 00:27:07
Hey, where do you think you're going?
394
00:27:07 --> 00:27:10
What are you, deaf? Hello?
395
00:27:10 --> 00:27:13
We are not going down there right now.
I made myself clear.
396
00:27:13 --> 00:27:16
Hey, there's no chance
we're going to that hole, all right?
397
00:27:16 --> 00:27:18
This ends right now!
398
00:27:18 --> 00:27:20
[Dustin] Steve, you're upset, I get it.
399
00:27:20 --> 00:27:23
But the bottom line is,
a party member requires assistance,
400
00:27:24 --> 00:27:26
and it is our duty
to provide that assistance.
401
00:27:27 --> 00:27:29
Now, I know you promised Nance
that you would keep us safe.
402
00:27:30 --> 00:27:32
So, keep us safe.
403
00:27:33 --> 00:27:34
[sighs]
404
00:27:36 --> 00:27:38
[Steve grunts]
405
00:27:40 --> 00:27:42
Holy shit.
406
00:27:46 --> 00:27:48
[Mike] Yeah,
I'm pretty sure it's this way.
407
00:27:48 --> 00:27:50
[Dustin] You're pretty sure,
or you're certain?
408
00:27:50 --> 00:27:53
[Mike] I'm 100% sure.
Just follow me and you'll know.
409
00:27:53 --> 00:27:56
[Steve] Whoa, whoa, whoa.
Hey, hey, hey, hey. I don't think so.
410
411
00:27:57 --> 00:28:01
Any of you little shits die down here,
I'm getting the blame. Got it, dipshit?
412
00:28:01 --> 00:28:04
From here on out, I'm leading the way.
Come on, let's go.
413
00:28:06 --> 00:28:07
Come on.
414
00:28:08 --> 00:28:09
Hey, a little hustle.
415
00:28:16 --> 00:28:18
[alarm blaring]
416
00:28:23 --> 00:28:25
[Hopper panting]
417
00:28:34 --> 00:28:35
Stay here.
418
00:28:43 --> 00:28:44
Oh, shit.
419
00:28:53 --> 00:28:54
Hey, Doc.
420
00:28:54 --> 00:28:56
[Owens sighs]
421
00:28:56 --> 00:28:59
422
00:28:59 --> 00:29:00
It's okay, don't talk.
423
00:29:01 --> 00:29:04
Don't talk. I got you.
I got you. I got you.
424
00:29:06 --> 00:29:07
[grunts]
425
00:29:08 --> 00:29:11
Oh, yeah, I've been meaning to tell you.
426
00:29:12 --> 00:29:16
This is Eleven. Eleven, Doc Owens.
Doc Owens, Eleven.
427
00:29:17 --> 00:29:20
She's been staying with me
for about a year
428
00:29:21 --> 00:29:23
and she's about to save our asses.
429
00:29:24 --> 00:29:26
Maybe when this is all said and done,
430
00:29:26 --> 00:29:28
maybe you could help her out, too,
you know?
431
00:29:29 --> 00:29:32
Maybe you could help her lead,
like, a normal life.
432
00:29:33 --> 00:29:35
One where she's not poked
and prodded and...
433
00:29:36 --> 00:29:38
treated like some kind of lab rat,
you know?
434
00:29:39 --> 00:29:40
I don't know, just a thought.
435
00:29:40 --> 00:29:42
[groans]
436
00:29:42 --> 00:29:45
But, uh... think about it.
437
00:29:52 --> 00:29:53
Don't go anywhere.
438
00:29:53 --> 00:29:54
[chuckles softly]
439
00:30:09 --> 00:30:10
[Lucas] God.
440
00:30:11 --> 00:30:13
[Max] What is this place?
441
00:30:13 --> 00:30:15
[Steve] Guys, come on. Keep moving.
442
00:30:22 --> 00:30:23
What the hell?
443
00:30:28 --> 00:30:30
[screaming] Shit!
444
00:30:33 --> 00:30:35
-Help! Help! Help!
-[Mike] Dustin.
445
00:30:35 --> 00:30:36
[Dustin] Shit!
446
00:30:36 --> 00:30:38
-[Lucas] Dustin!
-[Max] Dustin!
447
00:30:38 --> 00:30:39
[Steve] What happened?
448
00:30:39 --> 00:30:42
[whimpers] It's in my mouth!
Some got on my mouth! Shit!
449
00:30:43 --> 00:30:44
[coughing]
450
00:30:53 --> 00:30:54
I'm okay.
451
00:30:54 --> 00:30:57
-You serious?
-Very funny, man.
452
00:30:57 --> 00:30:59
-Nice. Very nice.
-Jesus, what an idiot.
453
00:31:00 --> 00:31:02
454
00:31:10 --> 00:31:12
[Steve] All right, Wheeler.
455
00:31:13 --> 00:31:15
I think we found your hub.
456
00:31:29 --> 00:31:29
[Mike] Drench it.
457
00:31:41 --> 00:31:43
[screaming]
458
00:31:52 --> 00:31:56
It's not working. It's not working.
Mom, are you listening to me?
459
00:31:56 --> 00:31:58
-Just wait!
-How much longer?
460
00:31:58 --> 00:31:59
Look... look at him!
461
00:31:59 --> 00:32:00
-Jonathan, wait!
-You're killing him!
462
00:32:00 --> 00:32:02
[Joyce] Just wait!
463
00:32:03 --> 00:32:04
-No!
-No, leave it!
464
465
00:32:05 --> 00:32:09
Wait, Jonathan, Jonathan!
His neck! His neck!
466
00:32:10 --> 00:32:11
[choking]
467
00:32:19 --> 00:32:21
No, no, no, no.
468
00:32:41 --> 00:32:43
[monster roaring]
469
00:32:46 --> 00:32:47
Stay here.
470
00:32:51 --> 00:32:53
[breathing heavily]
471
00:32:57 --> 00:32:59
[growling]
472
00:33:39 --> 00:33:40
-[Steve] You ready?
-[Mike] Yeah.
473
00:33:40 --> 00:33:42
-[Lucas] Ready.
-[Max] Ready.
474
00:33:43 --> 00:33:45
[Dustin] Light her up.
475
00:33:46 --> 00:33:49
[Steve panting] I am in such deep shit.
476
00:33:50 --> 00:33:54
-[Will grunting]
-[Joyce choking]
477
00:34:05 --> 00:34:07
-[yelps]
-[gasping]
478
00:34:11 --> 00:34:12
All right.
479
00:34:21 --> 00:34:23
Get the hell out of my son!
480
00:34:31 --> 00:34:32
[screaming]
481
00:34:34 --> 00:34:35
[monsters shrieking]
482
00:34:40 --> 00:34:43
-[Steve] Go, go, go!
-[Dustin yelling]
483
00:34:44 --> 00:34:46
[shrieking]
484
00:34:49 --> 00:34:51
Let's go, let's go!
485
00:34:51 --> 00:34:52
Oh, my God. Oh, my God.
486
00:34:52 --> 00:34:54
[all growling]
487
00:34:57 --> 00:34:59
[Will screaming]
488
00:35:23 --> 00:35:25
[Joyce crying] Will, baby.
489
00:35:26 --> 00:35:28
Will. Will.
490
00:35:28 --> 00:35:31
-Please, Will. Will.
-Come on, buddy.
491
00:35:31 --> 00:35:33
-Please. Can you hear me?
-Come on.
492
00:35:33 --> 00:35:35
-Come on.
-Please. Will.
493
00:35:35 --> 00:35:37
[Joyce gasps]
494
00:35:40 --> 00:35:41
Mom?
495
00:35:41 --> 00:35:44
-[gasps]
-Oh, honey. Oh, God.
496
00:36:05 --> 00:36:08
[Jonathan] Chief, are you there?
497
00:36:08 --> 00:36:09
Yeah, I copy.
498
00:36:09 --> 00:36:12
[panting] Close it.
499
00:36:50 --> 00:36:52
[Steve] Oh, my God! Oh, my God!
Oh, my God! Oh, my God!
500
00:36:56 --> 00:36:57
Hey, this way!
501
00:36:59 --> 00:37:00
[Mike grunts]
502
00:37:01 --> 00:37:04
Help! Help! Help! Help!
503
00:37:56 --> 00:37:58
[Mike] Help! Help!
504
00:37:58 --> 00:38:00
-[Steve] Hold on!
-[Dustin] Steve, pull him out.
505
00:38:00 --> 00:38:02
[Lucas] Everybody back! Back!
506
00:38:02 --> 00:38:04
[Steve grunting]
507
00:38:08 --> 00:38:10
-[Lucas] You good?
508
00:38:10 --> 00:38:12
-[Steve] Guys, we gotta go!
-[Dart growling]
509
00:38:18 --> 00:38:19
[Dustin] Dart.
510
00:38:21 --> 00:38:22
[indistinct chatter]
511
00:38:22 --> 00:38:23
[Dustin] Shh. Stop.
512
00:38:23 --> 00:38:26
-[Max] Dustin, get back.
-[Dustin] Trust me, please.
513
00:38:30 --> 00:38:35
Hey. It's me, it's me.
It's just your friend, it's Dustin.
514
00:38:35 --> 00:38:37
It's Dustin, all right?
515
00:38:37 --> 00:38:39
You remember me?
516
00:38:41 --> 00:38:43
-Will you let us pass?
-[snarls]
517
00:38:44 --> 00:38:49
Okay, okay, I'm sorry.
I'm sorry about the storm cellar.
518
00:38:49 --> 00:38:51
That was a pretty douchey thing to do.
519
00:38:52 --> 00:38:55
You hungry? Yeah?
520
00:38:55 --> 00:38:57
-[Lucas] He's insane.
-[Mike] Don't.
521
00:38:57 --> 00:38:58
[Steve] Shut up.
522
00:38:58 --> 00:39:02
I've got our favorite. See? Nougat.
523
00:39:02 --> 00:39:03
[grunts]
524
00:39:06 --> 00:39:10
Look at that. Yummy. Here, all right?
525
00:39:10 --> 00:39:13
Eat up, buddy. Come on. Come on.
526
00:39:14 --> 00:39:15
[whispering] Let's go.
527
00:39:17 --> 00:39:19
There's plenty. I've got more.
528
00:39:22 --> 00:39:24
[Dart chomping and slurping]
529
00:39:33 --> 00:39:34
Goodbye, buddy.
530
00:39:35 --> 00:39:36
Let's go, let's go!
531
00:39:56 --> 00:39:58
[Kali] I want you to find something
from your past,
532
00:39:58 --> 00:40:00
something that angers you.
533
00:40:00 --> 00:40:01
Now channel it.
534
00:40:02 --> 00:40:03
[screams] Papa!
535
00:40:18 --> 00:40:19
[rumbling]
536
00:40:19 --> 00:40:20
Jesus!
537
00:40:21 --> 00:40:22
[monster roaring]
538
00:40:22 --> 00:40:23
[Max] What was that?
539
00:40:24 --> 00:40:25
[monster roaring]
540
00:40:26 --> 00:40:28
[Mike] They're coming.
541
00:40:28 --> 00:40:29
[Mike] Run! Run!
542
00:40:29 --> 00:40:30
Let's go! Let's go!
543
00:40:30 --> 00:40:32
Come on, Mike!
Move, Mike!
544
00:40:33 --> 00:40:35
-[Lucas] There, there!
-[Mike] Come on! Let's go.
545
00:40:36 --> 00:40:38
Go, go, go! Let's go!
Come on! Come on!
546
00:40:38 --> 00:40:39
-[Max grunts]
-Come on!
547
00:40:39 --> 00:40:41
Come on, hurry up! Come on!
548
00:40:41 --> 00:40:42
[panting]
549
00:40:44 --> 00:40:46
Come on, come on, come on!
550
00:40:46 --> 00:40:48
[Max] Lucas, come on.
Reach for my hand.
551
00:40:50 --> 00:40:52
552
00:40:52 --> 00:40:53
[monsters shriek]
553
00:40:53 --> 00:40:54
Oh, shit.
554
00:40:54 --> 00:40:55
[Steve] Here.
555
00:40:59 --> 00:41:01
Dustin! Come on!
556
00:41:02 --> 00:41:03
[Dustin] No!
557
00:41:03 --> 00:41:05
[gasps]
558
00:41:05 --> 00:41:06
[monsters growling]
559
00:41:10 --> 00:41:11
[Dustin] This is...
560
00:41:18 --> 00:41:19
Eleven.
561
00:41:38 --> 00:41:40
-[clanging]
-[gunfire]
562
00:41:49 --> 00:41:50
Oh, shit!
563
00:41:56 --> 00:41:57
[rifle clicks]
564
00:42:13 --> 00:42:15
You have a wound, Eleven.
565
00:42:17 --> 00:42:18
A terrible wound.
566
00:42:19 --> 00:42:21
The gate, I opened it.
567
00:42:22 --> 00:42:25
-[Dr. Brenner] And it's festering.
-[Eleven] I'm the monster.
568
00:42:26 --> 00:42:27
And it will grow.
569
00:42:31 --> 00:42:32
-Spread.
-[screams]
570
00:42:32 --> 00:42:33
Papa!
571
00:42:33 --> 00:42:34
[screaming]
572
00:42:36 --> 00:42:39
And eventually, it will kill you.
573
00:42:41 --> 00:42:43
-[screaming]
-Jane!
574
00:42:44 --> 00:42:47
[screaming]
575
00:43:07 --> 00:43:09
[continues screaming]
576
00:44:04 --> 00:44:06
[sniffles and cries]
577
00:44:06 --> 00:44:08
You did good, kid. [sighs]
578
00:44:09 --> 00:44:11
You did so good.
579
00:44:14 --> 00:44:16
[Hopper panting]
580
00:44:44 --> 00:44:46
[police radio chatter]
581
00:44:51 --> 00:44:53
[police radio chatter]
582
00:45:04 --> 00:45:06
[reporter] Since the release
of the incendiary tape,
583
00:45:06 --> 00:45:09
the once quiet town of Hawkins, Indiana,
584
00:45:09 --> 00:45:11
has spent time in a place
it never expected.
585
586
00:45:13 --> 00:45:14
[chuckles]
587
00:45:14 --> 00:45:17
[reporter] Under mounting pressure,
several high-ranking members
588
00:45:17 --> 00:45:19
from the U.S. Department of Energy
589
00:45:19 --> 00:45:22
have admitted involvement
in the death and cover-up
590
00:45:22 --> 00:45:25
of Hawkins resident Barbara Holland
who died due to exposure
591
00:45:25 --> 00:45:28
to an experimental chemical asphyxiant,
592
00:45:28 --> 00:45:31
which had leaked
from the grounds of the lab.
593
00:45:31 --> 00:45:34
We sent our own April Kline to Hawkins
to speak to residents,
594
00:45:35 --> 00:45:38
residents who told us
they thought they lived in a safe town.
595
00:45:38 --> 00:45:42
596
00:45:55 --> 00:45:56
Chief-o.
597
00:45:56 --> 00:45:58
-How's the leg?
-Better.
598
00:45:58 --> 00:46:00
Pretty sure my football career is over.
599
00:46:00 --> 00:46:02
[both chuckle lightly]
600
00:46:02 --> 00:46:04
Want some? No way I'm gonna finish it.
601
00:46:04 --> 00:46:06
No. I'm, uh... on a diet.
602
00:46:06 --> 00:46:08
Well, you're a better man than me.
603
00:46:08 --> 00:46:11
-Hey, got a little something for you.
-[Hopper sighs]
604
00:46:21 --> 00:46:22
I thought--
605
00:46:22 --> 00:46:24
Sometimes I impress even myself.
606
00:46:24 --> 00:46:27
607
00:46:27 --> 00:46:29
How long is a while? [sniffles]
608
00:46:30 --> 00:46:31
Want to be safe? I give it a year.
609
00:46:31 --> 00:46:32
A year?
610
00:46:38 --> 00:46:39
What about one night out?
611
00:46:39 --> 00:46:40
One night?
612
00:46:40 --> 00:46:42
Yeah. How risky would that be?
613
00:46:43 --> 00:46:44
What's so important about one night?
614
00:46:52 --> 00:46:56
♪ Jingle bell, jingle bell
Jingle bell rock ♪
615
00:46:56 --> 00:47:00
♪ Jingle bells chime in jingle bell time ♪
616
00:47:00 --> 00:47:04
[Joyce] Yeah, you got it. See?
617
00:47:04 --> 00:47:05
[Will] Mom!
618
00:47:06 --> 00:47:08
[Joyce laughs] Wow!
619
00:47:08 --> 00:47:11
♪ Jingle bell, jingle bell
Jingle bell rock ♪
620
00:47:11 --> 00:47:14
♪ Jingle bells chime in jingle bell time ♪
621
00:47:15 --> 00:47:17
Do you always
have to be filming everything?
622
00:47:17 --> 00:47:20
No, no. Just the good stuff. [chuckles]
623
00:47:20 --> 00:47:22
Are you sure people still dance like this?
624
00:47:22 --> 00:47:24
Yeah. It's just what's happening.
625
00:47:24 --> 00:47:25
Is it what's happening?
626
00:47:25 --> 00:47:27
Yeah, yeah, it's what's happening.
627
00:47:30 --> 00:47:31
[camera shutter clicks]
628
00:47:33 --> 00:47:33
Oh, wait.
629
00:47:34 --> 00:47:35
All right, that's enough.
630
00:47:35 --> 00:47:37
-One more, okay? Just one more.
-Why?
631
00:47:37 --> 00:47:39
-You look so handsome.
-Mom!
632
00:47:39 --> 00:47:40
Mike.
633
00:47:42 --> 00:47:44
-♪ Jingle around the clock ♪
-Hey... wanna dance?
634
00:47:45 --> 00:47:47
-♪ Mix and a-mingle... ♪
-No.
635
00:47:47 --> 00:47:52
We should, you know, get out there,
like, do our thing... Stop.
636
00:47:52 --> 00:47:56
♪ Jingle bell, jingle bell
Jingle bell rock ♪
637
00:47:56 --> 00:47:58
-♪ Jingle bells chime ♪
-I love this song.
638
00:47:58 --> 00:47:59
-♪ In jingle bell time ♪
-You?
639
00:48:00 --> 00:48:04
Yeah, I love it.
But not as much as I love you, Lukey.
640
00:48:04 --> 00:48:06
-Get out of my room!
-[door slams]
641
00:48:06 --> 00:48:08
-Ow, ow. That hurts.
-[song continues]
642
00:48:09 --> 00:48:10
It's gonna be worth it. Promise.
643
00:48:10 --> 00:48:13
-♪ To rock the night away ♪
-[Susan sighs]
644
00:48:14 --> 00:48:18
♪ Jingle bell time is a swell time ♪
645
00:48:18 --> 00:48:21
-♪ To go gliding in a one-horse sleigh ♪
-See? Pretty.
646
00:48:21 --> 00:48:25
-Son of a bitch! Son of a bitch!
-♪ Giddy-up jingle horse... ♪
647
00:48:25 --> 00:48:27
Where did you see it last?
648
00:48:27 --> 00:48:28
Right here, where I put it.
649
00:48:28 --> 00:48:30
What's in there
that's so important anyway?
650
00:48:31 --> 00:48:33
You look fabulous, baby.
651
00:48:34 --> 00:48:35
-♪ That's the jingle bell ♪
-Got it.
652
00:48:35 --> 00:48:37
♪ That's the jingle bell.. ♪
653
00:48:37 --> 00:48:40
-[doorbell rings]
-That's your ride. Dusty!
654
00:48:42 --> 00:48:43
[song ends]
655
00:48:46 --> 00:48:48
[exhales] Okay.
656
00:49:01 --> 00:49:03
All right, buddy, here we are.
657
00:49:04 --> 00:49:05
So, remember, once you get in there...
658
00:49:07 --> 00:49:08
Pretend like I don't care.
659
00:49:08 --> 00:49:09
-You don't care.
-I don't care.
660
00:49:09 --> 00:49:12
There you go. You're learning, my friend.
You're learning.
661
00:49:13 --> 00:49:14
-Hey.
-What?
662
00:49:14 --> 00:49:18
Come on. You look great, okay?
You look... You look great.
663
00:49:18 --> 00:49:20
-Okay? Now you're gonna go in there...
-Yeah.
664
00:49:21 --> 00:49:22
-Look like a million bucks.
-Yeah.
665
00:49:22 --> 00:49:24
And you're gonna slay 'em dead.
666
00:49:24 --> 00:49:25
Like a lion.
667
00:49:25 --> 00:49:27
[purrs]
668
00:49:28 --> 00:49:29
Don't do that, okay?
669
00:49:30 --> 00:49:31
Okay.
670
671
00:49:39 --> 00:49:41
[dance music playing]
672
00:49:41 --> 00:49:43
[exhales]
673
00:49:47 --> 00:49:50
-Looking very snazzy tonight, sir.
-Thank you, my lord.
674
00:50:33 --> 00:50:36
-Hey, Nance.
-Hey.
675
00:50:37 --> 00:50:40
-What's in this?
-Pure fuel.
676
00:50:53 --> 00:50:55
Holy shit. What happened to you?
677
00:50:56 --> 00:50:58
-What do you mean, "What happened"?
-What?
678
00:50:58 --> 00:50:59
-Dude.
-Your hair.
679
00:50:59 --> 00:51:01
Is there a bird nesting in there?
680
00:51:01 --> 00:51:02
What do you mean, "What's wrong"?
681
00:51:02 --> 00:51:05
There's no bird nesting in here, asshole.
Okay?
682
00:51:05 --> 00:51:06
I worked hard.
683
00:51:06 --> 00:51:08
[slow romantic song playing]
684
00:51:12 --> 00:51:14
[exhales]
685
00:51:14 --> 00:51:15
Max...
686
00:51:16 --> 00:51:18
Hey.
687
00:51:18 --> 00:51:20
Um, it's nice, right?
688
00:51:20 --> 00:51:21
You want to, um...
689
00:51:22 --> 00:51:23
You want to, like... You know?
690
00:51:23 --> 00:51:26
Like, just you and me?
691
00:51:27 --> 00:51:29
Are you trying
to ask me to dance, stalker?
692
00:51:30 --> 00:51:32
No, of course not.
693
00:51:32 --> 00:51:34
-Unless you want to.
-[chuckles]
694
00:51:34 --> 00:51:36
So smooth. Come on.
695
00:51:48 --> 00:51:49
[girl] Hey, Zombie Boy.
696
00:51:50 --> 00:51:51
Do you want to dance?
697
00:51:51 --> 00:51:53
[stammering] Um... I don't...
698
00:51:54 --> 00:51:57
-I mean... I mean, yeah. Sure.
-Cool.
699
00:52:20 --> 00:52:24
[exhales] Wish me luck, Mike.
I'm going in.
700
00:52:24 --> 00:52:25
[clicks tongue]
701
00:52:30 --> 00:52:31
[indistinct chatter]
702
00:52:31 --> 00:52:34
-[clears throat] Stacy.
-He just broke up with Jennifer.
703
00:52:34 --> 00:52:37
-Plus he's, like, not my type.
-[clears throat] Stacy.
704
00:52:39 --> 00:52:40
Yeah?
705
00:52:40 --> 00:52:42
[clears throat]
706
00:52:43 --> 00:52:44
Shall we?
707
00:52:46 --> 00:52:48
-Um, no, thanks. [chuckles]
-[girls laugh]
708
00:52:58 --> 00:53:00
[exhales]
709
00:53:01 --> 00:53:02
Oh, my God.
710
00:53:40 --> 00:53:43
-Hey.
-Hey.
711
00:53:45 --> 00:53:47
-Wanna dance?
-What?
712
00:53:47 --> 00:53:49
Come on. Let's go.
713
00:53:58 --> 00:54:00
Here. Mmm-hmm.
714
00:54:02 --> 00:54:03
Closer.
715
00:54:04 --> 00:54:07
A little closer. Okay.
716
00:54:08 --> 00:54:10
Now feel the music.
717
00:54:10 --> 00:54:12
The rhythm.
718
00:54:12 --> 00:54:15
Start to move to it.
719
00:54:15 --> 00:54:17
Yeah. There.
720
00:54:17 --> 00:54:18
-Good?
-That's good. Yeah.
721
00:54:18 --> 00:54:19
Okay.
722
00:54:19 --> 00:54:23
You know,
out of all of my brother's friends,
723
00:54:23 --> 00:54:24
you're my favorite.
724
00:54:26 --> 00:54:28
-You've always been my favorite.
-Really?
725
00:54:28 --> 00:54:29
Yeah. [chuckles]
726
00:54:32 --> 00:54:34
[girls murmuring]
727
00:54:34 --> 00:54:37
Girls this age are dumb.
728
00:54:37 --> 00:54:41
But give them a few years,
and they'll wise up.
729
00:54:42 --> 00:54:45
And, uh, you're gonna drive them nuts.
730
00:54:45 --> 00:54:48
-You think so?
-Oh, I know so. [chuckles]
731
00:55:03 --> 00:55:05
-Hey.
-Hey.
732
00:55:06 --> 00:55:08
Thought I might find you out here.
733
00:55:09 --> 00:55:12
Will wanted me to give him
some space, so...
734
00:55:13 --> 00:55:15
I'm giving him a few feet. [chuckles]
735
736
00:55:19 --> 00:55:24
I'm pretty sure that Mr. Cooper retired
in the '70s, so...
737
00:55:26 --> 00:55:28
we might be okay.
738
00:55:32 --> 00:55:34
[inhales sharply]
739
00:55:40 --> 00:55:41
[coughs]
740
00:55:44 --> 00:55:45
How are you holding up?
741
00:55:46 --> 00:55:48
-You know.
-Yeah.
742
00:55:48 --> 00:55:50
That feeling never goes away.
743
00:55:52 --> 00:55:54
It is true what they say, you know.
744
00:55:55 --> 00:55:57
Every day it does get a little easier.
745
00:56:21 --> 00:56:24
♪ Every breath you take ♪
746
00:56:25 --> 00:56:28
747
00:56:29 --> 00:56:33
♪ Every bond you break
Every step you take ♪
748
00:56:33 --> 00:56:36
♪ I'll be watching you ♪
749
00:56:37 --> 00:56:41
♪ Every single day ♪
750
00:56:41 --> 00:56:44
♪ Every word you say ♪
751
00:56:46 --> 00:56:47
You look beautiful.
752
00:56:50 --> 00:56:52
Do you wanna dance?
753
00:56:54 --> 00:56:56
I don't know how.
754
00:56:56 --> 00:56:58
I don't either.
755
00:56:58 --> 00:56:59
Do you want to figure it out?
756
00:57:02 --> 00:57:05
♪ My poor heart aches ♪
757
00:57:06 --> 00:57:09
♪ With every step you take ♪
758
00:57:09 --> 00:57:10
Like this.
759
00:57:11 --> 00:57:12
Yeah, like that.
760
00:57:14 --> 00:57:17
♪ Every vow you break ♪
761
00:57:18 --> 00:57:22
♪ Every smile you fake
Every claim you stake ♪
762
00:57:22 --> 00:57:24
♪ I'll be watching you ♪
763
00:57:28 --> 00:57:32
♪ Since you've gone
I been lost without a trace ♪
764
00:57:32 --> 00:57:36
♪ I dream at night
I can only see your face ♪
765
00:57:37 --> 00:57:41
♪ I look around
But it's you I can't replace ♪
766
00:57:41 --> 00:57:45
♪ I feel so cold
And I long for your embrace ♪
767
00:57:45 --> 00:57:51
♪ I keep crying baby, baby, please ♪
768
00:58:08 --> 00:58:11
[song fading]
769
00:58:44 --> 00:58:46
[theme music playing]
Familial relationships in 'Stranger Things' are crucial in shaping characters' motivations and actions across the series. For example, Joyce Byers' determination to find and protect Will underscores her role as a devoted mother willing to challenge all odds for the sake of her child's safety . Her emotional resilience becomes a catalyst for many of the series' pivotal events. Similarly, the bond between Jim Hopper and Eleven evolves from protector and ward to a father-daughter relationship, becoming a source of strength and emotional growth for both characters . These familial bonds are portrayed as a foundation of support and motivation, driving characters to brave supernatural threats and personal struggles. This emphasis on family underscores themes of love, sacrifice, and the enduring power of human connections in overcoming adversity .
In 'Stranger Things,' trust and betrayal are pivotal themes that shape character interactions and drive plot development. Trust is often hard-won, such as when the kids must rely on each other and certain adults, like Hopper and Joyce, to navigate the extraordinary events in Hawkins. Meanwhile, betrayal surfaces when characters face deception, notably when Eleven feels betrayed by Hopper for keeping her hidden from Mike, impacting their father-daughter dynamic and her perception of safety . Additionally, the duplicity of certain organizations and characters, like the Hawkins Laboratory staff, amplifies the sense of danger and mistrust in the narrative. These elements contribute to the tension and suspense that propel the storyline, underscoring the fragile nature of relationships when faced with external and internal threats .
Eleven's powers are central to the storyline of 'Stranger Things,' influencing both character dynamics and plot progression. Her psychokinetic abilities symbolize immense power, which comes with significant responsibility. The series often explores this duality, examining how Eleven navigates her powers to protect those she cares about while grappling with the consequences of using them. For instance, her role in closing the gate to the Upside Down highlights her pivotal position in the fight against supernatural entities . The struggle to balance her emotional development with the demands of her powers is a recurring theme, reflecting on broader concepts of control and the weight of responsibility that accompany such extraordinary abilities .
The Duffer Brothers effectively utilize a combination of suspenseful storytelling elements in 'Stranger Things' to captivate audiences. One key technique is the integration of multiple character arcs that converge during climactic moments, maintaining a constant tension throughout the series. This is complemented by strategic pacing, which intersperses moments of calm with sudden action and revelation, keeping viewers engaged . Additionally, the show employs a nostalgic setting rooted in 1980s pop culture, creating a sense of familiarity while juxtaposing it with the eerie, unexplained phenomena occurring in Hawkins. Moreover, cliffhangers at the end of episodes or key scenes enhance suspense, compelling the audience to continue watching. These techniques collectively maintain a gripping narrative flow that fuels audience anticipation and emotional investment .
Will Byers' storyline in 'Stranger Things' is a poignant reflection of vulnerability and resilience. As one of the central figures ensnared by the dangers of the Upside Down, Will's repeated experiences of being possessed or entrapped symbolize the theme of vulnerability to external forces beyond human control . His character's journey, however, is also marked by resilience, as he and those around him persist in the face of repeated trauma and attempts to reclaim his agency. This resilience is highlighted through his family's unwavering support and determination to protect him at all costs, illustrating the strength found in unity and love amidst chaos and fear . The blend of these themes underscores the narrative's exploration of human endurance in overcoming profound challenges.
The supernatural motif in 'Stranger Things' serves as an allegory for real-world fears and anxieties, particularly those surrounding the unknown and loss of control. The presence of the Upside Down and its creatures signifies the intrusion of chaos into the perceived safety of everyday life, echoing existential fears of vulnerability and the limits of human understanding . The series comments on the fear of institutional power through the depiction of secretive government experiments at Hawkins Laboratory, reflecting societal anxieties about authority and surveillance. Furthermore, the characters' battles against these supernatural entities symbolize resilience and the human spirit's capacity to confront fear through solidarity and knowledge. This duality between fear and agency offers commentary on overcoming adversity and the importance of confronting the unknown .
Friendship is a core theme in 'Stranger Things,' acting as the backbone for narrative development and character growth. The bonds between characters like Mike, Dustin, Lucas, and Will are depicted as vital in overcoming both mundane and supernatural challenges. Their friendship provides emotional support and a collaborative spirit necessary to face adversities, such as fighting demogorgons and discovering the truth behind the mysterious occurrences in Hawkins . The introduction of characters like Max and Eleven into the group highlights inclusivity and the evolving dynamics of childhood friendships. These relationships are portrayed as having the power to transcend fear and uncertainty, driving the series' narrative forward through a deep sense of loyalty and courage in the face of the unknown .
The relationship between Mike Wheeler and Eleven is central to 'Stranger Things.' Initially, Mike is emotionally attached to Eleven and is determined to support and protect her. However, their relationship faces multiple challenges, primarily stemming from external forces and lack of communication. For instance, during the period when Eleven is hidden by Hopper for her safety, Mike's frustrations arise because he was kept in the dark about her whereabouts . Additionally, Eleven's own struggles with identity and control over her powers, as well as the threat from the sinister forces in Hawkins, further strain their relationship. Despite these obstacles, their connection remains strong as they both demonstrate unwavering commitment to each other's well-being .
Jim Hopper assumes a fatherly role for Eleven, providing her with protection and fostering a sense of normalcy in her life. This is evident through his efforts to keep her hidden from those who might exploit her abilities, ensuring her safety from the Hawkins Laboratory . Hopper's protective instincts are contextualized within the broader narrative as he formally adopts Eleven, reflecting his deep personal growth and his transition from a solitary police chief to a caring and responsible figure . This relationship symbolizes a second chance for Hopper at family life, highlighting themes of redemption and the power of new familial bonds within the series.
Joyce Byers exhibits remarkable resilience and resourcefulness throughout 'Stranger Things.' Despite being a single mother in financial straits, she persistently searches for answers and fights to protect her sons from the supernatural threats plaguing Hawkins. Joyce's intuition drives her to connect with Will even when others doubt her sanity, as seen when she employs unconventional methods such as communicating via Christmas lights to find him . Her resolve is further demonstrated in her leadership role during tense situations, such as when she collaborates with Hopper and others to close the portal to the Upside Down, underscoring her bravery and determination to restore normalcy to her family's life .