Stranger Things: Chapter One - MADMAX
Stranger Things: Chapter One - MADMAX
EPISODE 2.01
DIRECTED BY:
The Duffer Brothers
ORIGINAL BROADCAST:
October 27, 2017
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Pittsburgh, Pennsylvania
October 28, 1984
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00:00:30 --> 00:00:34
[alarm ringing]
2
00:00:34 --> 00:00:35
[Axel] Go! Go! Go! Go! Go!
3
00:00:36 --> 00:00:38
-Move it.
-[Dottie] Let's get out of here!
4
00:00:38 --> 00:00:40
[police siren wailing]
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Headed down Poplar, toward Main.
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[grunts and pants]
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00:01:07 --> 00:01:10
-Get 'em off of us, Mick!
-I'm working on it!
8
00:01:12 --> 00:01:15
-The alley. To your right.
-Okay.
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00:01:18 --> 00:01:20
[horns honking]
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00:01:20 --> 00:01:21
Shit!
11
00:01:22 --> 00:01:23
Shit! Shit! Shit!
12
00:01:24 --> 00:01:25
Shit!
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00:01:27 --> 00:01:28
[cackles]
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[exhales] Okay. Okay.
15
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[police sirens wailing]
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-Son of a bitch! We got more!
-[Mick] Oh, shit!
17
00:01:52 --> 00:01:53
They're headed down 7th.
18
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Do something, Kali. Do something!
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Next right. There's a tunnel. Take it.
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We got these bastards now!
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Boom.
22
00:02:26 --> 00:02:28
[crashing]
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00:02:28 --> 00:02:29
Holy shit!
24
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[tires screeching]
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Shit! Whoa! Whoa! Whoa!
26
00:02:37 --> 00:02:40
What the hell is wrong with you, Adams?
The hell are you doing?
27
00:02:40 --> 00:02:43
[distorted] Adams! Come on.
What the hell? Why'd you stop?
28
00:02:43 --> 00:02:46
Adams! Adams!
29
00:02:46 --> 00:02:47
-Adams, I'm talkin' to you!
-[pants]
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[grunts]
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Adams! Adams!
32
00:03:09 --> 00:03:11
-[whoops]
-[laughs]
33
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Son of a bitch! Son of a bitch!
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A police chase rocked downtown Pittsburgh
earlier this evening...
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-Another stupid penny!
-Dusty, watch it! You almost hit Mews.
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00:04:44 --> 00:04:46
-Can I please check under your cushions?
-Dusty.
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-Mom, please? It's an emergency!
-[moans]
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00:04:49 --> 00:04:50
[moans]
40
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Who's your buddy? Who's your buddy?
41
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Love you, Mom.
42
00:04:56 --> 00:04:59
Lucas, you copy? I've got four quarters.
What's your haul?
43
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Take your puny haul
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-How?
-While you were scrounging around
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like a homeless bum,
I mowed Old Man Humphrey's lawn.
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Old Man Humphrey's got that kinda cash?
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-Just call Mike already.
-You call Mike.
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I have to go take a shower
from doing real work, like a man.
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Over and out.
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[Dustin over walkie-talkie]
Mike, do you copy? Mike, do you copy?
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Yeah. Yeah, I copy.
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-What are you doing on this channel?
-Nothing.
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Lucas and I have six bucks total.
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-What's your haul?
-Shit! I don't know yet.
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-What do you mean you don't know yet?
-Hold on. Call Will.
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What the hell are you doing?
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I'll pay you back!
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-[Mike] Bye!
-[Nancy] Mike!
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-Mike! Get back here!
-Hey. No running in the house.
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What is going on?
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[Nancy] Mike! Mike!
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Asshole!
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-Hey!
-Okay. So, I'll pick you up in two hours.
64
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If anything happens,
if you need to come home,
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just ask them to use their phone
and call home. Okay?
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-Don't--
-Don't walk or bike home. I know.
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-Okay, but, sweetie--
-Mom, I have to go.
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Have fun.
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To slay the dragon, use the magic sword.
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[Dustin] Oh, Jesus!
I'm in unchartered territory here, guys.
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-Down! Down! Down!
-[Dustin] I'm going! I'm going!
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[exclaims]
74
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-[all clamoring]
-Okay. Shut up. Shut up. Shut up!
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No. No. No!
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No! No! No!
I hate this overpriced bullshit!
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00:07:16 --> 00:07:18
Son of a bitch! Piece of shit!
79
00:07:19 --> 00:07:21
You're not nimble enough.
But you'll get there one day.
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00:07:21 --> 00:07:24
But until then,
Princess Daphne is still mine.
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00:07:24 --> 00:07:28
Whatever. I'm still tops
on Centipede and Dig Dug.
82
00:07:28 --> 00:07:29
[Keith] You sure about that?
83
00:07:30 --> 00:07:31
Sure about what?
84
00:07:35 --> 00:07:36
You're kidding me. No, no, no.
85
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Move! Move! No, no, no, no, no.
Hey, no! No! No!
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[video game chimes]
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-751,300 points!
-[Mike] That's impossible.
88
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-Who is Mad Max?
-Better than you.
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-Is it you?
-[scoffs] You know I despise Dig Dug.
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-Then who is it?
-Yeah, spill it, Keith.
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00:07:53 --> 00:07:57
You want information,
then I need something in return.
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00:07:59 --> 00:08:03
No, no, no. No way.
You're not getting a date with her.
93
00:08:03 --> 00:08:05
Mike, come on. Just get him the date.
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I'm not prostituting my sister!
95
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-But it's for a good cause.
-No, don't get him the date. Know what?
96
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He's gonna spread his nasty-ass rash
to your whole family.
97
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Acne isn't a rash and it isn't contagious,
you prepubescent wastoid.
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Oh, I'm a wastoid?
She wouldn't go on a date with you.
99
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You make, like, what? $2.50 an hour?
100
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-[Keith] Nice perm.
-Gonna make fun of my hair?
101
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[rumbling]
102
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Hey. Hey, guys, do you see the...
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-[crashing]
-[gasps]
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-[thunder crashing]
-[electricity crackling]
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-Will! Are you okay?
-[gasps]
106
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Yeah. I just...
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-I needed some air.
-Come on. You're up on Dig Dug.
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Let's take that top score back, huh?
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[Murray] Good morning, Jim.
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-Jim. Hold on a second. We need to talk.
-Get away from me.
111
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Okay, no... I think you really
wanna hear this.
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-Get away from me.
-Trust me. I only want five minutes!
113
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Yeah, I want a date with Bo Derek.
We all want things.
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This isn't a laughing matter, Jim.
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-This is serious, okay?
-[groans]
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I really got something here.
I'm telling you!
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-Hey. Mornin', Chief.
-Morning.
118
00:10:15 --> 00:10:16
Morning, Murray.
119
00:10:16 --> 00:10:19
Got any proof
on your butt-probin' aliens yet, Murray?
120
00:10:19 --> 00:10:22
-[Powell laughs]
-I believe there was, and may still be,
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a Russian spy presence in Hawkins.
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Russian spies!
123
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Are the spies in cahoots with the aliens?
Or how do they fit in here? I'm confused.
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I'm talking multiple reports now.
Multiple reports, okay?
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Of a Russian child in Hawkins.
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00:10:36 --> 00:10:40
-A child? What are you talking about?
-A girl who may have psionic abilities.
127
00:10:40 --> 00:10:42
-"Psionic"?
-Psychic.
128
00:10:42 --> 00:10:44
What about that girl
that made that kid pee himself?
129
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-A prank.
-What girl?
130
00:10:45 --> 00:10:46
-Wasn't a prank.
-[Hopper mocks]
131
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You got five minutes. Not a second more.
132
00:10:49 --> 00:10:51
[Murray]
I talked to a Big Buy ex-employee
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00:10:51 --> 00:10:55
who said some little girl
shattered the door with her mind.
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00:10:55 --> 00:10:56
I heard that story.
135
00:10:56 --> 00:10:59
Did you hear the one about the fat man
with the beard who climbs down chimneys?
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00:10:59 --> 00:11:02
[Murray] Then last month,
a co-worker of Ted Wheeler's claims
137
00:11:02 --> 00:11:05
some Russian girl with a shaved head
was hiding in his basement.
138
00:11:05 --> 00:11:07
Ted now denies this.
139
00:11:07 --> 00:11:09
-Oh, wow. That's a surprise.
-But it connects.
140
00:11:09 --> 00:11:11
-Enlighten me.
-This girl,
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00:11:11 --> 00:11:14
she's some kind
of a Russian weapon, right?
142
00:11:14 --> 00:11:16
Barbara sees this girl,
tries to help her, perhaps.
143
00:11:16 --> 00:11:19
But before she can,
the Russians find them, take them--
144
00:11:19 --> 00:11:23
Wait. You're telling me Barbara Holland
145
00:11:23 --> 00:11:25
-Kidnapped. Killed.
-Killed?
146
00:11:25 --> 00:11:27
-Don't you get it, Jim?
-No.
147
00:11:27 --> 00:11:30
This has potentially
international implications.
148
00:11:30 --> 00:11:34
I'm talking a full-on Russian invasion
right here in Hawkins.
149
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[whirring]
150
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Do you have any proof of this girl?
I mean, has anybody seen her recently?
151
00:11:40 --> 00:11:41
-These are separate--
-[phone rings]
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Excuse me. Sorry.
153
00:11:42 --> 00:11:44
-Okay.
-Hello?
154
00:11:44 --> 00:11:46
Merrill called,
wants you to check out his pumpkins.
155
00:11:46 --> 00:11:49
-Says they've been contaminated...
-All right.
156
00:11:49 --> 00:11:53
...by his vengeful neighbor, Eugene.
You're welcome.
157
00:11:54 --> 00:11:56
I'm sorry. I really hate to do this,
but I gotta run.
158
00:11:56 --> 00:11:58
-It's an emergency.
-You gave me five minutes.
159
00:11:58 --> 00:12:01
Yeah, listen, you know what?
I liked your alien theory a lot better.
160
00:12:01 --> 00:12:02
And you want my advice?
161
00:12:03 --> 00:12:06
Why don't you stop bleeding
those people dry and go home? All right?
162
00:12:06 --> 00:12:09
-I am not bleeding anyone... dry.
-Listen to me. Go home.
163
00:12:19 --> 00:12:20
It's crap, I know.
164
165
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-It's not good.
-It's going to be.
166
00:12:27 --> 00:12:31
-Just... It needs some reorganizing.
-[sighs]
167
00:12:31 --> 00:12:33
-Can I mark on it?
-Yeah, I guess.
168
00:12:33 --> 00:12:34
So, in the first paragraph,
169
00:12:34 --> 00:12:37
you used the basketball game
versus Northern
170
00:12:38 --> 00:12:40
as a metaphor for your life,
which is great.
171
00:12:40 --> 00:12:43
But then, around here,
172
00:12:43 --> 00:12:46
you start talking about your granddad's
experiences in the war.
173
00:12:47 --> 00:12:50
And I... [stammers]
I don't see how they're connected.
174
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00:12:53 --> 00:12:54
because, you know, we both won.
176
00:12:58 --> 00:13:01
-Do you think I should start from scratch?
-No. I mean...
177
00:13:02 --> 00:13:03
When's the deadline?
178
00:13:04 --> 00:13:05
It's tomorrow for early application.
179
00:13:05 --> 00:13:08
Can you come and help me tonight?
180
00:13:08 --> 00:13:10
We have our dinner tonight, remember?
181
00:13:10 --> 00:13:13
-Oh, my God!
-We already canceled last week.
182
00:13:14 --> 00:13:18
-You don't have to go. Just work on this.
-No, no, no. What's the point?
183
00:13:19 --> 00:13:21
-Hey, calm down.
-I'm calm. I'm calm.
184
00:13:22 --> 00:13:23
I'm just being honest. You know, I mean...
185
00:13:24 --> 00:13:27
-I'll end up working for my dad anyway.
-That's not true.
186
00:13:27 --> 00:13:29
I don't know, Nance.
Is that such a bad thing?
187
00:13:29 --> 00:13:33
There's insurance and benefits
and all that adult stuff.
188
00:13:35 --> 00:13:39
And if I took it, you know,
I could be around for your senior year.
189
00:13:39 --> 00:13:41
-Steve...
-Just to look after you a little bit.
190
00:13:41 --> 00:13:43
Make sure you don't forget
about this pretty face.
191
00:13:43 --> 00:13:45
[chuckles]
192
00:13:45 --> 00:13:46
Nance, I'm serious.
193
00:13:52 --> 00:13:55
-I love you.
-I love you, too.
194
00:13:55 --> 00:13:58
[car engine revving]
195
00:13:58 --> 00:14:00
[tires screeching]
196
00:14:36 --> 00:14:38
Who is that?
197
00:14:38 --> 00:14:40
I have no idea.
198
00:14:41 --> 00:14:43
But would you check out that ass?
199
00:14:43 --> 00:14:45
Just look at it go.
200
00:14:46 --> 00:14:48
[giggles]
201
00:15:05 --> 00:15:07
[bell ringing]
202
00:15:09 --> 00:15:11
Meet the human brain.
203
00:15:11 --> 00:15:13
I know. I know, it doesn't look like much.
204
00:15:13 --> 00:15:16
A little gross even, right?
But consider this.
205
00:15:16 --> 00:15:21
There are a hundred billion cells
inside of this miracle of evolution.
206
207
00:15:22 --> 00:15:26
No, no, I did not misspeak.
I did not stutter.
208
00:15:26 --> 00:15:28
A hundred billion.
209
00:15:29 --> 00:15:32
-[door closes]
-Ah, this must be our new student.
210
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[principal] Indeed. All yours.
211
00:15:33 --> 00:15:36
All right. Hold up.
You don't get away that easy.
212
00:15:36 --> 00:15:37
Come on up. Don't be shy.
213
00:15:37 --> 00:15:39
Dustin, drum roll.
214
00:15:41 --> 00:15:45
Class, please welcome,
all the way from sunny California,
215
00:15:45 --> 00:15:50
the latest passenger to join us
on our curiosity voyage, Maxine.
216
00:15:50 --> 00:15:52
-It's Max.
217
00:15:52 --> 00:15:55
Nobody calls me Maxine. It's Max.
218
00:15:55 --> 00:15:57
-[whispers] Mad Max.
-Well, all aboard, Max.
219
00:16:18 --> 00:16:20
-Hey, there.
-Hey.
220
00:16:20 --> 00:16:23
Do you have these in any other colors?
I'm not a big fan of orange.
221
00:16:23 --> 00:16:25
Hmm...
222
00:16:25 --> 00:16:26
I'll have to check in back.
223
00:16:33 --> 00:16:34
Oh, shit!
224
00:16:35 --> 00:16:38
-You're gonna get me fired.
-That's my master plan.
225
00:16:38 --> 00:16:40
Get you fired so I can hire you
and we won't have to hide back here.
226
00:16:42 --> 00:16:45
Bob? Bob, I have to get back to work.
227
00:16:46 --> 00:16:48
I know. I'm sorry.
I can't stop thinking about you.
228
00:16:48 --> 00:16:51
-It's crazy. I feel like a teenager.
-Me, too.
229
00:16:51 --> 00:16:53
You know, in high school,
you didn't know who I was.
230
00:16:54 --> 00:16:55
Come on. [chuckles]
231
00:16:55 --> 00:16:58
Bob, I have to get back to work.
232
00:16:58 --> 00:17:00
Okay.
233
00:17:00 --> 00:17:05
Go sell your electronic thingamajiggies,
and I'll see you tonight for movie night.
234
00:17:05 --> 00:17:06
Jonathan's night to pick?
235
00:17:07 --> 00:17:08
-Yes.
-Okay.
236
00:17:17 --> 00:17:20
-Okay. Okay.
-Okay.
237
238
00:17:23 --> 00:17:27
Tell Jonathan not to pick anything scary.
I hate scary movies.
239
00:17:45 --> 00:17:47
[Hopper] You're saying
this was fine yesterday?
240
00:17:47 --> 00:17:48
[Merrill] Fine?
241
00:17:48 --> 00:17:51
These were prize winners, Chief.
You should've seen 'em.
242
00:17:51 --> 00:17:53
For the life of me,
I couldn't figure out what happened.
243
00:17:53 --> 00:17:56
And then I remembered... Eugene.
244
00:17:57 --> 00:17:58
What about him?
245
00:17:58 --> 00:18:00
He's been complaining about me
to just about anyone who'll listen.
246
00:18:00 --> 00:18:02
Why's that?
247
00:18:02 --> 00:18:05
Well, he started this
248
00:18:05 --> 00:18:07
Acted like it was trademarked.
249
00:18:07 --> 00:18:10
I said, "Hire yourself a damn lawyer.
See how far that gets you."
250
00:18:10 --> 00:18:13
You're telling me that nice old Eugene
251
00:18:14 --> 00:18:18
came out here after dark
and doused your field with poison?
252
00:18:18 --> 00:18:19
Not Eugene himself.
253
00:18:19 --> 00:18:22
-I'm thinking one of his field hands.
-Uh-huh.
254
00:18:22 --> 00:18:27
Listen, Chief, I don't go throwing around
accusations lightly. You know me.
255
00:18:27 --> 00:18:30
This happening the day before Halloween,
when sales are peaking?
256
00:18:30 --> 00:18:32
That's a hell of a coincidence.
257
00:18:32 --> 00:18:34
-Hell of a coincidence.
-[flies buzzing]
258
00:18:36 --> 00:18:38
You got somebody working on that field?
259
00:18:59 --> 00:19:00
[rustling]
260
00:19:07 --> 00:19:09
[rustling continues]
261
00:19:16 --> 00:19:18
-[screeching]
-[yells]
262
00:19:18 --> 00:19:20
-[panting]
-[caws]
263
00:19:23 --> 00:19:24
Yeah, screw you, too.
264
00:19:25 --> 00:19:28
[Tina] Hey. Be there.
265
00:19:30 --> 00:19:32
-Hey, Nancy.
-Hey! Thanks.
266
00:19:32 --> 00:19:34
-Oh, could I get one more?
-Yeah, sure.
267
00:19:37 --> 00:19:39
You're coming to this.
268
00:19:40 --> 00:19:42
269
00:19:43 --> 00:19:44
No, I'm not.
270
00:19:44 --> 00:19:49
I can't let you sit all alone Halloween.
That's just not acceptable.
271
00:19:49 --> 00:19:52
Well, you can relax.
I'm not gonna be alone.
272
00:19:52 --> 00:19:54
I'm going trick-or-treating with Will.
273
00:19:54 --> 00:19:56
-All night?
-Yeah.
274
00:19:57 --> 00:20:00
No, no way. You're gonna be home by 8:00,
275
00:20:01 --> 00:20:06
listening to the Talking Heads
and reading Vonnegut or something.
276
00:20:07 --> 00:20:08
Sounds like a nice night.
277
00:20:08 --> 00:20:13
Jonathan, just come. I mean, who knows,
you might even, like, meet someone.
278
00:20:13 --> 00:20:15
-[shrieks]
-[chuckles]
279
00:20:15 --> 00:20:20
-Oh, my God! Take those stupid things off.
-I missed you.
280
00:20:20 --> 00:20:22
-It's been like an hour.
-Tell me about it.
281
00:20:26 --> 00:20:29
Okay. Okay, okay. God.
282
00:20:30 --> 00:20:31
[Steve] Sorry.
283
00:20:40 --> 00:20:43
-[Mike] There's no way that's Mad Max.
-Yeah. Girls don't play video games.
284
00:20:44 --> 00:20:47
And even if they did,
you can't get 750,000 points on Dig Dug.
285
00:20:47 --> 00:20:49
-It's impossible.
-[Lucas] But her name is Max.
286
00:20:49 --> 00:20:52
-So what?
-So, how many Maxes do you know?
287
00:20:52 --> 00:20:54
-I don't know.
-[Lucas] Zero. That's how many.
288
00:20:55 --> 00:20:56
She shows up at school
289
00:20:56 --> 00:20:59
the day after someone with her same name
breaks our top score.
290
00:20:59 --> 00:21:03
-I mean, you kidding me?
-Exactly. So she's gotta be Mad Max.
291
00:21:03 --> 00:21:05
And plus she skateboards,
so she's pretty awesome.
292
00:21:05 --> 00:21:08
Awesome?
You haven't even spoken a word to her.
293
00:21:08 --> 00:21:12
I don't have to. I mean, look at her.
Shit, I've lost the target.
294
00:21:12 --> 00:21:13
Oh! There.
295
00:21:30 --> 00:21:32
Got it. There we go.
296
00:21:34 --> 00:21:37
[all] "Stop spying on me, creeps."
297
00:21:37 --> 00:21:38
Well, shit.
298
00:21:39 --> 00:21:40
[principal] William Byers.
299
300
00:22:06 --> 00:22:08
[Dustin] You guys think he's okay?
301
00:22:08 --> 00:22:10
[Lucas] He's always weird
when he has to go in.
302
00:22:10 --> 00:22:13
I don't know. He's quiet today.
303
00:22:13 --> 00:22:15
He's always quiet.
304
00:22:34 --> 00:22:35
You feeling any better?
305
00:22:37 --> 00:22:38
Will?
306
00:22:38 --> 00:22:40
Huh? [mumbles]
307
00:22:40 --> 00:22:43
Yeah. Yeah, sorry.
308
00:22:43 --> 00:22:47
Hey. What did we talk about, huh?
You've got to stop it with the sorries.
309
00:22:48 --> 00:22:52
Sorry. I mean, yeah, I know.
310
00:22:53 --> 00:22:58
311
00:22:58 --> 00:23:01
Just tell 'em what you felt last night
and what you saw.
312
00:23:02 --> 00:23:07
Hey, I'm gonna be there the whole time.
So it's gonna be okay. Okay?
313
00:23:09 --> 00:23:10
Okay.
314
00:23:30 --> 00:23:32
-Hey, buddy.
-Hey.
315
00:23:33 --> 00:23:34
Hey.
316
00:23:47 --> 00:23:48
[clatters]
317
00:24:15 --> 00:24:17
[whirring]
318
00:24:20 --> 00:24:22
Sir Will, how are you?
319
00:24:22 --> 00:24:23
Mom. Pop.
320
00:24:23 --> 00:24:26
Let's take a look,
see what's going on here.
321
00:24:26 --> 00:24:30
I see you shaved off a pound
since we saw you last.
322
00:24:30 --> 00:24:33
Must be making room
for all that Halloween candy.
323
00:24:33 --> 00:24:34
What's your favorite candy?
324
00:24:34 --> 00:24:36
Desert island candy,
if you had to pick one?
325
00:24:36 --> 00:24:38
-I don't know.
-Come on.
326
00:24:38 --> 00:24:40
Life or death situation,
what would you pick?
327
00:24:40 --> 00:24:42
-I guess... Reese's Pieces.
-[mouthing] Reese's Pieces.
328
00:24:43 --> 00:24:45
Good call. Good call.
329
00:24:45 --> 00:24:47
I'm more of a Mounds guy,
330
00:24:47 --> 00:24:51
but I gotta say, peanut butter
and chocolate, come on, hard to beat that.
331
00:24:51 --> 00:24:53
All right, tell me
what's going on with you.
332
00:24:53 --> 00:24:55
Tell me about this episode you had.
333
00:24:56 --> 00:25:01
[Will] Well, my friends were there
and then they just weren't,
334
00:25:01 --> 00:25:03
and I was back there again.
335
00:25:04 --> 00:25:05
In the Upside Down?
336
00:25:06 --> 00:25:08
All right, so what happened next?
337
00:25:08 --> 00:25:15
I heard this noise, and so I went outside,
and it was worse.
338
00:25:15 --> 00:25:16
How was it worse?
339
00:25:17 --> 00:25:18
There was this storm.
340
00:25:18 --> 00:25:19
[thunder crashing]
341
00:25:22 --> 00:25:25
Okay. So how did you feel
when you saw the storm?
342
00:25:25 --> 00:25:26
I felt...
343
00:25:27 --> 00:25:28
frozen.
344
00:25:31 --> 00:25:34
-Heart racing?
-Just frozen.
345
00:25:34 --> 00:25:37
Frozen, cold frozen? Frozen to the touch?
346
00:25:37 --> 00:25:40
No. Like how you feel when you're scared,
347
00:25:40 --> 00:25:44
and you can't breathe or talk
or do anything.
348
00:25:45 --> 00:25:49
I felt... felt this evil,
like it was looking at me.
349
00:25:50 --> 00:25:52
It was evil?
350
00:25:52 --> 00:25:56
Well... [clears throat]
What do you think the evil wanted?
351
00:25:56 --> 00:25:57
To kill.
352
00:25:57 --> 00:25:59
[whirring rapidly]
353
00:25:59 --> 00:26:00
To kill you?
354
00:26:01 --> 00:26:02
Not me.
355
00:26:05 --> 00:26:06
Everyone else.
356
00:26:19 --> 00:26:21
[Owens] All right,
I'm gonna be honest with you.
357
00:26:21 --> 00:26:24
It's probably gonna get worse
before it gets better.
358
00:26:24 --> 00:26:28
Worse? He's already had
two episodes this month.
359
00:26:28 --> 00:26:30
He'll likely have more
before the month is out.
360
00:26:30 --> 00:26:34
It's called the Anniversary Effect.
And we've seen this with soldiers.
361
00:26:34 --> 00:26:38
The anniversary of an event brings back
traumatic memories.
362
00:26:38 --> 00:26:40
Sort of opens up
363
00:26:40 --> 00:26:42
So what does this mean for the kid?
364
00:26:42 --> 00:26:44
He's gonna have more episodes, nightmares?
365
00:26:44 --> 00:26:47
Yeah, that.
Maybe some personality changes.
366
00:26:47 --> 00:26:50
He might get irritable. He might lash out.
367
00:26:50 --> 00:26:51
What do we do when that happens?
368
00:26:51 --> 00:26:56
Okay. Well, from what we know
about post-traumatic stress...
369
00:26:56 --> 00:26:59
And we're still learning, okay?
Just treat him normally.
370
00:26:59 --> 00:27:03
Be patient with him.
Don't pressure him to talk.
371
00:27:03 --> 00:27:04
Just let him lead the way.
372
00:27:05 --> 00:27:08
I'm sorry, what you're saying
is it's gonna get worse and worse
373
00:27:08 --> 00:27:10
and we're just supposed to pretend
it's not happening?
374
00:27:10 --> 00:27:12
It sounds counterintuitive, I know.
375
00:27:12 --> 00:27:15
But I assure you that is really
the best thing you can do for him.
376
00:27:19 --> 00:27:23
Listen. I understand what you went through
last year. I get it.
377
00:27:23 --> 00:27:27
But those people are gone.
They're gone. Okay?
378
00:27:27 --> 00:27:29
So if we're gonna get through this,
379
00:27:30 --> 00:27:33
I just... I need you to realize
I'm on your side.
380
00:27:36 --> 00:27:37
I need you to trust me.
381
00:27:40 --> 00:27:41
[Joyce] "Trust me"?
382
00:27:41 --> 00:27:43
-Are you kidding me?
-[Hopper] Yeah, I know.
383
384
00:27:47 --> 00:27:51
And look, that post-traumatic stuff
he's talking about, that stuff is real.
385
00:27:52 --> 00:27:54
He's gonna be okay. All right?
386
00:27:56 --> 00:27:58
How's Bob the Brain?
387
00:27:58 --> 00:28:00
Don't call him that.
388
00:28:00 --> 00:28:01
Sorry. Old habit.
389
00:28:02 --> 00:28:04
He's good. We're good.
390
00:28:04 --> 00:28:06
Good. I'm happy for you.
391
00:28:06 --> 00:28:08
Really. Hey...
392
00:28:09 --> 00:28:11
Things get worse, you call me first.
393
00:28:13 --> 00:28:14
You call me.
394
00:28:15 --> 00:28:16
Okay.
395
00:28:38 --> 00:28:40
They're ready for you, sir.
396
00:28:55 --> 00:28:57
-Patty.
-Sam.
397
00:28:58 --> 00:28:59
Afternoon, sir.
398
00:28:59 --> 00:29:03
-Looks like another hot one today, huh?
-Never gets old, sir.
399
00:29:39 --> 00:29:42
[screeching]
400
00:29:50 --> 00:29:52
[Dustin] Still no sign?
401
00:29:52 --> 00:29:53
[Lucas] Jack shit.
402
00:29:53 --> 00:29:58
-Oh! Damn it. My mom's gonna murder me.
-So go home. I'll radio if she comes.
403
00:29:58 --> 00:30:01
Oh, yeah, nice try. You just want me
out of here so you can make your move.
404
00:30:01 --> 00:30:03
-Oh, 'cause you're such a threat.
-That's right.
405
00:30:03 --> 00:30:06
She will not be able to resist
these pearls.
406
00:30:06 --> 00:30:07
[purrs]
407
00:30:08 --> 00:30:10
-Ten o'clock. Ten o'clock.
-What?
408
00:30:16 --> 00:30:18
[indistinct arguing]
409
00:30:18 --> 00:30:20
-They're arguing. They're arguing.
-Oh, my God.
410
00:30:20 --> 00:30:23
I see that. I don't even know
why you need those.
411
00:30:23 --> 00:30:24
God. You're so stupid.
412
00:30:31 --> 00:30:34
[video game chiming]
413
00:30:41 --> 00:30:42
She's incredible.
414
00:30:44 --> 00:30:45
She's...
415
00:30:46 --> 00:30:47
[both] Mad Max.
416
00:30:51 --> 00:30:55
After dinner, I want you to pick out
your toys for the yard sale.
417
00:30:55 --> 00:30:57
-Fine.
-Two boxes' worth.
418
00:30:57 --> 00:30:59
-Two boxes?
-You heard me.
419
00:30:59 --> 00:31:00
I'm fine with you giving away a couple,
420
00:31:00 --> 00:31:03
but the other ones have
way too much emotional value.
421
00:31:03 --> 00:31:05
-Emotional value?
-They're hunks of plastic, Michael.
422
00:31:05 --> 00:31:07
You already took away my Atari.
423
00:31:07 --> 00:31:09
Didn't wanna lose more toys,
you shouldn't have stolen from Nancy.
424
00:31:09 --> 00:31:11
I didn't steal. I borrowed.
425
00:31:11 --> 00:31:13
Oh, and you didn't curse out Mr. Kowalski
last week either, right?
426
00:31:13 --> 00:31:16
Or plagiarize that essay?
Or graffiti the bathroom stall?
427
00:31:16 --> 00:31:18
Everyone graffitis the bathroom stall.
428
00:31:18 --> 00:31:22
So if your friend jumps off a cliff,
you're gonna jump, too?
429
00:31:22 --> 00:31:25
We know you've had a hard year, Michael.
But we've been patient.
430
00:31:25 --> 00:31:28
This isn't strike one.
This isn't even strike three.
431
00:31:28 --> 00:31:31
It's strike 20. You're on the bench, son.
432
00:31:31 --> 00:31:35
And if it'd been my coach,
you'd be lucky to still be on the team.
433
00:31:35 --> 00:31:38
Two boxes. Two.
434
00:31:45 --> 00:31:47
[Steve] Okay. Ready?
435
00:31:48 --> 00:31:49
Yeah.
436
437
00:31:52 --> 00:31:54
[doorbell rings]
438
00:31:58 --> 00:32:00
[Marsha] I'm so sorry
I didn't get to cook.
439
00:32:00 --> 00:32:03
I was gonna make that baked ziti
you guys like so much,
440
00:32:03 --> 00:32:06
but I just forgot about the time,
and before you know it,
441
00:32:06 --> 00:32:07
"Oh, my God, it's five o'clock."
442
00:32:07 --> 00:32:10
-It's fine. It's great.
-Right. I love KFC.
443
00:32:12 --> 00:32:16
So, I noticed a "For Sale" sign
out in your yard.
444
00:32:16 --> 00:32:19
Is that the neighbors', or...
445
00:32:19 --> 00:32:21
-You wanna tell them?
-Go ahead.
446
00:32:24 --> 00:32:27
447
00:32:29 --> 00:32:31
-No.
-No, I don't think so.
448
00:32:31 --> 00:32:34
He was an investigative journalist
for the Chicago Sun-Times.
449
00:32:34 --> 00:32:36
He's pretty well known.
450
00:32:36 --> 00:32:40
Anyway, he's freelance now,
and he agreed to take the case.
451
00:32:41 --> 00:32:43
That's... That's great.
452
00:32:44 --> 00:32:46
No, that's really... That's great, right?
453
00:32:46 --> 00:32:50
Um, what exactly does that mean?
454
00:32:50 --> 00:32:53
Means he's gonna do
what that lazy son of a bitch Jim Hop--
455
00:32:55 --> 00:32:56
Sorry.
456
00:32:57 --> 00:32:58
[exhales]
457
00:32:59 --> 00:33:01
What the Hawkins police haven't been
capable of doing.
458
00:33:02 --> 00:33:05
Means we have a real detective
on the case.
459
00:33:05 --> 00:33:06
It means...
460
00:33:07 --> 00:33:09
we're going to find our Barb.
461
00:33:10 --> 00:33:13
If anyone can find her, it's this man.
462
00:33:14 --> 00:33:18
He already has leads.
By God, he's worth every last penny.
463
00:33:19 --> 00:33:21
Is that why you're selling the house?
464
00:33:22 --> 00:33:24
Don't worry about us, sweetie. We're fine.
465
00:33:25 --> 00:33:26
More than fine.
466
00:33:26 --> 00:33:30
For the first time in a long time,
we're hopeful.
467
00:33:33 --> 00:33:36
[stammers] Excuse me. I'll be right back.
468
00:33:46 --> 00:33:49
-It's finger-lickin' good.
-Mmm.
469
00:33:50 --> 00:33:53
[breathing heavily]
470
00:34:16 --> 00:34:17
[crying]
471
00:34:43 --> 00:34:45
[toy screeches]
472
00:35:16 --> 00:35:19
El, are you there? El?
473
00:35:20 --> 00:35:21
[static crackling]
474
00:35:22 --> 00:35:24
It's me. It's Mike.
475
00:35:25 --> 00:35:29
It's day 352, 7:40 p.m.
476
00:35:31 --> 00:35:32
I'm still here.
477
00:35:36 --> 00:35:39
If you're out there, say something.
Or give me a sign.
478
00:35:39 --> 00:35:43
I won't even say anything.
Just... I wanna know if you're okay.
479
00:35:44 --> 00:35:45
[static crackling]
480
00:35:48 --> 00:35:49
I'm so stupid.
481
00:35:52 --> 00:35:53
[distorted voice] Mike.
482
00:35:55 --> 00:35:58
-[Dustin over walkie-talkie] Mike?
-Hello, is that you?
483
00:35:58 --> 00:36:01
Yeah, it's me, Dustin.
What're you doing on this channel again?
484
00:36:01 --> 00:36:04
I've been trying to reach you all day.
We were right. Max is Mad Max.
485
00:36:04 --> 00:36:06
-Yeah, I'm busy.
-But--
486
00:36:08 --> 00:36:10
-[Lucas] What do we do now?
-We stick to the plan.
487
00:36:10 --> 00:36:11
Mike's not gonna like it.
488
00:36:11 --> 00:36:14
Last time I checked,
our party is not a dictatorship.
489
00:36:14 --> 00:36:16
-It's a democracy.
-What if Max says no?
490
00:36:16 --> 00:36:19
How can Max say no to these? [purrs]
491
00:36:19 --> 00:36:20
I told you to stop that.
492
00:36:20 --> 00:36:22
-I'll see you tomorrow.
-Later.
493
00:36:35 --> 00:36:37
[chirping]
494
00:36:41 --> 00:36:42
Mews!
495
00:36:48 --> 00:36:49
Mews.
496
00:37:01 --> 00:37:02
[crashing]
497
00:37:04 --> 00:37:06
-Stop. Stop!
-[Bob] What?
498
00:37:06 --> 00:37:09
Come on, you gotta get used to it.
This is the future.
499
00:37:09 --> 00:37:11
Well, put the future down
500
00:37:15 --> 00:37:16
[knocking on door]
501
00:37:18 --> 00:37:22
Hey, bud. I didn't know
what you'd like, so I got a variety.
502
00:37:23 --> 00:37:25
-Take your pick.
-Whatever you want.
503
00:37:26 --> 00:37:27
All right.
504
00:37:30 --> 00:37:31
What are you working on?
505
00:37:33 --> 00:37:36
Zombie Boy? Who's Zombie Boy?
506
00:37:37 --> 00:37:40
-Me.
-Did someone call you that?
507
00:37:41 --> 00:37:45
Hey. You can talk to me.
You know that, right?
508
00:37:45 --> 00:37:48
Whatever happened.
Will, come on, talk to me.
509
00:37:48 --> 00:37:50
-Stop treating me like that.
-What? Like what?
510
00:37:50 --> 00:37:53
Like everyone else.
Like there's something wrong with me.
511
00:37:53 --> 00:37:54
What are you talking about?
512
00:37:55 --> 00:37:57
Mom, Dustin, Lucas. Everyone.
513
00:37:57 --> 00:37:59
They all treat me like I'm gonna break.
514
00:37:59 --> 00:38:02
Like I'm a baby.
Like I can't handle things on my own.
515
00:38:03 --> 00:38:06
It doesn't help. It just makes me feel
like more of a freak.
516
00:38:06 --> 00:38:09
-You're not a freak.
-Yeah, I am.
517
00:38:10 --> 00:38:11
I am.
518
00:38:14 --> 00:38:17
You know what? You're right.
519
00:38:19 --> 00:38:20
You are a freak.
520
00:38:21 --> 00:38:23
-What?
-No, I'm serious. You're a freak.
521
00:38:23 --> 00:38:28
But what? Do you wanna be normal?
Do you wanna be just like everyone else?
522
00:38:28 --> 00:38:30
Being a freak is the best. I'm a freak.
523
00:38:30 --> 00:38:33
Is that why you don't have any friends?
524
00:38:33 --> 00:38:36
[chuckles] I have friends, Will.
525
00:38:36 --> 00:38:38
Then why are you
always hanging out with me?
526
00:38:39 --> 00:38:42
Because you're my best friend, all right?
527
00:38:42 --> 00:38:46
And I would rather be best friends
with Zombie Boy than with a boring nobody.
528
00:38:46 --> 00:38:47
You know what I mean?
529
00:38:48 --> 00:38:49
Okay, look...
530
00:38:50 --> 00:38:54
Who would you rather be friends with?
Bowie or Kenny Rogers?
531
00:38:54 --> 00:38:55
Ugh.
532
00:38:55 --> 00:38:57
Exactly. It's no contest.
533
00:38:58 --> 00:39:01
The thing is, nobody normal
534
00:39:01 --> 00:39:03
ever accomplished anything meaningful
in this world.
535
00:39:04 --> 00:39:06
-You got it?
-Well...
536
00:39:07 --> 00:39:10
-some people like Kenny Rogers.
-Kenny Rogers.
537
00:39:10 --> 00:39:12
I love Kenny Rogers. [chuckles]
538
00:39:13 --> 00:39:15
-What's so funny?
-Nothing.
539
00:39:16 --> 00:39:19
Mr. Mom. [whoops] Perfect!
540
00:39:19 --> 00:39:21
[both chuckle]
541
00:39:24 --> 00:39:26
Where's Mommy keep the extra diapers?
542
00:39:26 --> 00:39:27
[Bob and Joyce laugh]
543
00:39:31 --> 00:39:34
[Jack] Hey! Cowards.
544
00:39:34 --> 00:39:36
[both laugh]
545
00:39:38 --> 00:39:41
[phone ringing]
546
00:39:42 --> 00:39:43
Hey.
547
00:39:44 --> 00:39:47
-It's okay. Let it go.
-[phone continues ringing]
548
00:39:47 --> 00:39:48
Probably just a crank call.
549
00:39:50 --> 00:39:51
-Okay.
-[Jack] Holy mackerel!
550
00:39:51 --> 00:39:53
-Let it go.
-[Jack] Aw, man!
551
00:39:54 --> 00:39:56
[Bob laughs]
552
00:39:58 --> 00:40:01
[phone continues ringing]
553
00:40:05 --> 00:40:08
[thudding]
554
00:40:09 --> 00:40:12
[upbeat music playing]
555
00:40:15 --> 00:40:19
[machine beeping]
556
00:40:20 --> 00:40:21
[alarm blaring]
557
00:41:01 --> 00:41:03
[urinating]
558
00:41:08 --> 00:41:10
[rumbling in distance]
559
00:41:19 --> 00:41:22
[rumbling intensifies]
560
00:41:30 --> 00:41:32
[thunder crashing]
561
00:41:38 --> 00:41:41
[door creaking]
562
00:41:45 --> 00:41:47
[breathing shakily]
563
00:42:00 --> 00:42:02
[lightning crackling]
564
00:43:06 --> 00:43:09
[rhythmic knocking]
565
00:43:10 --> 00:43:11
[door unlocks]
566
00:43:14 --> 00:43:16
[indistinct conversation over TV]
567
00:43:55 --> 00:43:58
Hey, what'd we talk about?
568
00:44:00 --> 00:44:01
[female voice] No signal.
569
00:44:04 --> 00:44:06
-What?
-[female voice] No signal.
570
00:44:07 --> 00:44:09
It's 8-1-5. You're late.
571
00:44:10 --> 00:44:13
Yeah, I lost track of time.
I'll signal next time, all right?
572
00:44:14 --> 00:44:18
Uh, and it's 8:15. It's not 8-1-5.
573
00:44:21 --> 00:44:22
Eight-fifteen.
574
00:44:23 --> 00:44:24
Now, what did we talk about?
575
00:44:26 --> 00:44:29
Dinner first, then dessert. Always.
576
00:44:30 --> 00:44:31
That's a rule.
577
00:44:33 --> 00:44:34
Yeah?
578
00:44:36 --> 00:44:37
Yes.
579
00:45:07 --> 00:45:09
[theme music playing]
Eleven's backstory, which involves being kidnapped and raised in Hawkins National Laboratory where she was experimented on for her psychokinetic abilities, adds a significant layer of mystery and intrigue to the narrative of Stranger Things . Her traumatic past and unique capabilities make her a central figure in the fight against the supernatural elements in Hawkins, driving much of the series' suspense and drama. Her adoption by Jim Hopper adds emotional depth and explores themes of family and belonging.
Billy Hargrove, portrayed by Dacre Montgomery, serves a multi-dimensional role in Hawkins. He is depicted as a primary rival to Steve Harrington and displays aggressive behavior influenced by physical and emotional abuse from his father, which he echoes toward his stepsister, Max, and her friends . His interactions often escalate tensions and add complexity to the social dynamics within the town and among the group of friends.
The competitive dynamic between Steve Harrington and Billy Hargrove adds tension to the storyline as they vie for social dominance at Hawkins High School . This rivalry not only affects their personal interactions and development but also influences the social circles around them, impacting characters like Nancy Wheeler and Max Mayfield indirectly. Steve's character development is partly shaped by this rivalry, pushing him towards responsible and protective roles.
Joyce Byers, portrayed by Winona Ryder, demonstrates resilience through her unwavering determination to protect her children, particularly in the face of financial struggles and supernatural threats . Her proactive approach to solving the mysterious occurrences in Hawkins, despite being initially dismissed by authorities, highlights her strength and resourcefulness. Joyce's perseverance in searching for her missing son, Will, in the first season establishes her as a central figure of resilience.
The inclusion of Max Mayfield introduces new dynamics within the main group of friends, as she brings an outsider perspective which initially causes tension, particularly with Mike who is wary of her joining their group . Over time, her skills and shared experiences with the group, along with her connection to her abusive stepbrother Billy, help her integrate and influence group decisions and dynamics, ultimately expanding the group's perspectives and contributing to their collective growth.
Nostalgia plays a significant role in the appeal of Stranger Things by connecting viewers with the cultural and aesthetic elements of the 1980s. The series incorporates iconic references, such as arcade games and music, which evoke a sense of familiarity for audiences who lived through the era . This nostalgic lens not only enriches the visual storytelling but also deepens the thematic exploration of innocence and adventure, appealing to both new viewers and those seeking a recollection of a bygone decade.
Stranger Things portrays family relationships as complex and multifaceted, often serving as both sources of support and tension. Joyce Byers' relationship with her sons, characterized by intense protectiveness and resilience, contrasts with the dysfunction in the Hargrove-Mayfield household, where Billy's abuse impacts Max profoundly . The Wheeler family represents a typical suburban dynamic, often highlighting contrasts between parental expectations and the children's secretive adventures. These diverse portrayals underscore themes of protection, conflict, and the longing for understanding within family units.
Hawkins, Indiana, serves as the quintessential small-town setting for Stranger Things, enhancing themes of isolation, secrecy, and community. The town's relatively closed-off environment amplifies the impact of supernatural events and heightens the contrasts between ordinary life and extraordinary occurrences . This setting allows the story to explore universal themes of suspicion and the disconnect between appearance and reality, as well as providing a nostalgic backdrop that reinforces the series' 1980s homage.
Eleven and Mike Wheeler's character arcs complement each other by evolving from an initial bond formed out of necessity into a deep and supportive relationship. Mike's leadership and empathy help Eleven integrate into a semblance of normal life after her escape from the laboratory . Meanwhile, Eleven's unique abilities and experiences broaden Mike's understanding of the world, challenging him to grow beyond his childhood perspectives. Their mutual growth enriches their characters and adds layers to the central narrative of friendship and love.
The Duffer Brothers maintain suspense in Stranger Things through a combination of pacing, character development, and supernatural elements. They use cliffhangers, such as the unresolved mysteries around the Hawkins National Laboratory and Eleven’s abilities, to keep the audience engaged . The interplay of different storylines, such as those involving the Upside Down and character backstories, weaves a complex narrative that keeps viewers invested in the unfolding drama. Visual and auditory elements, including eerie music and lighting, further enhance the suspense.