35 Horror Subgenres Explained
35 Horror Subgenres Explained
The horror genre is the only genre that proves to be a success in cinema and the
television time and again due to its ability to adapt and attract tastes
specific audiences. While some horror fans may prefer
the blood, the guts, and the gore, other fans of the genre may prefer horror
slow-burning psychological that doesn't show much blood.
The subgenres of horror are numerous, and it makes sense since the genre exists.
since someone can hold a movie camera and make a film.
Let's analyze why the horror genre remains dominant in culture.
cinema and television, and what subgenres were born from horror.
What is terror?
Not all horror movies look the same. The horror genre is one
one of the most liberating genres of cinema, as it allows filmmakers to play with
uncommon tropes and techniques that are not often seen in mainstream media
of communication.
The horror genre is a general term for all types of horror movies.
that exist. There are different types of horror, from psychological to gore, that the
filmmakers use to create great horror movies. The genre also
it overlaps with many other genres such as mystery, science fiction, fantasy
and the drama to attract the audience with a familiar feeling before frightening them.
The first horror movie was a 3-minute short film called The Manor
The Devil (1896), known in English as The Haunted Castle or The Devil's Castle.
It was thought that the movie had been lost, but it was discovered in 1988 in the
New Zealand Film Archive. You can watch the short film below.
The movie tells the story of an encounter with the devil and various ghosts.
assistants in a castle. The first short was not meant to scare or surprise.
to the viewers like modern horror movies, but their goal was
entertaining the audience. The cinematography to create impactful images established the
genre as a free genre to explore new visual languages.
The horror genre would not be defined until the masterpiece of German expressionism.
by director Robert Wiene, The Cabinet of Dr. Caligari. The silent film caught the
attention of a global audience on terror and plot twists, which led to
the movie to have a massive impact on cinema and the horror genre.
The setting of Francis's nightmare (Friedrich Fehér) distinguishes the movie, already
that immerses the viewer in the chaos and horrors of history. The lines
rough, the twisted backgrounds and painted shadows created an atmosphere
surreal and terrifying that still endures in the genre, influencing the works of
Tim Burton and David Lynch.
Although horror has a long history in cinema, the genre did not become mainstream.
principal until the 1970s.
Before that, Universal Pictures set out to establish its own style of horror in
Hollywood that would introduce the genre to the American public. Through
Universal Monsters, which included movies like Dracula, Frankenstein, The Mummy,
The Wolfman and Creature from the Black Lagoon, the studio made room for it
terror in the mainstream.
Although The Exorcist was a horror success, the genre did not become the mainstream.
mainly until the late 70s with Halloween, The Amityville Horror, Friday
the 13th y Alien. The audience was impressed by the special effects, the blood
without censorship and the unconventional structure of the stories.
While many horror movies can incorporate physical violence and terror
psychological, there are horror movies that do not show any acts of violence. Each
The subgenre of horror has its unique characteristics, but horror has some
distinct characteristics that define the genre. The AMC site defines horror as
something that contains "dark, primitive, and repugnant traits that simultaneously
they attract us and repel us.
Some common elements that can be found throughout the horror genre
son
Psychological
1. Phobia: as the name suggests, the phobia/the horror of isolation focuses on the
horrors of survival. Generally, there is a district phobia present in
these movies are like claustrophobia. If the characters manage to escape alive,
they usually have to pay a high price to survive.
• The Descent
• Gerald's Game
• Frozen
2. Madness and Phobia: this subgenre focuses less on the death of the characters,
but in the madness that drives them in the story. The terror is whether they have lost their heads
due to circumstances, mental illnesses, or simply tendencies
psychopaths. This subgenre overlaps with the slasher genre, but focuses on
less in killing and more in the force that drives the character to kill.
• The Shining
• Jacob's ladder
• In the mouth of madness
• The Strangers
• The purge
• Funny Games
4. Art and Essay: Also known as elevated horror, authorial horror and
the essay focuses on psychological themes and atmosphere. Often, films
Author terror has a distinctive cinematic style that can deepen
in philosophical ideas that challenge the beliefs of the spectators.
The story can be simple or complex, but the core of the movie tends to be the
cinematography. The experience of the film is more important than sticking to the
traditional cinematic structure. Sometimes, horror films can feel
empty and without substance, but it is undeniably impressive.
• Halloween
• Child’s Play
• Candyman
• Freaky
• Happy Death Day
• Saw
• Hostel
• The Devil's Rejects
9. Body Horror: In its most basic form, body horror films show
grotesque or disturbing violations of the human body. The most popular forms
of bodily horror involved mutations due to disease or infection,
uncontrolled transformations and representations of bodily movements
unnatural.
• The fly
• Videodrome
• District 9
• Tusk
• Final Destination
• Tag
• Terrifier 2
11. Cannibal: this subgenre uses cannibalism as an impactful element.
graphic and realistic violence and genuine cruelty towards animals are difficult to
to digest, what serves as the main advertising attraction of cannibal movies.
The reputation of the subgenre is often viewed negatively, which leads to the
Cannibal horror movies are a taboo. It is difficult to become mainstream.
with these movies, but Green Inferno by Eli Roth and Raw by Julia Ducournau
they brought cannibalism back to the mainstream.
• Cannibal Holocaust
• The green hell
• Raw
12. Extreme: Exploitation horror presents the most extreme examples of gore,
mutilation and cannibalism in films. The graphic nature of these films
it is difficult to digest, as it shows all the brutality. Due to its taboo nature
and its plotless nature, many of these movies have been banned in several
countries.
Virus: there is a lot of mixing between zombies and viruses, but it is important to remember that
Not all zombies are based on viruses and not all viruses lead to zombies.
In movies that are not about zombie viruses, the infected often retain
the control until the virus takes over completely.
• The Crazies
• Pontypool
• Mayhem
[Link]: Vampires have been a staple in the horror genre.
long before any other movie monster. All the movies of
vampires have different sets of rules for their vampires, but always
they keep one thing the same: they need blood to live.
17. Classic and Mythological: this horror genre has its roots in the myths of a
culture. These movies are based on the legends we hear while
we grew up and were scared. Whether the villain is a masked killer,
a disturbed lunatic or a supernatural creature, the classic and mythological horror it
speak to the inner child who believes that something might be lurking beyond the light.
• The ritual
• The Weeping Woman
• Krampus
• A Quiet Place
• Pumpkinhead
• Stranger Things
19. Animals and Nature: this subgenre of horror presents natural forces in
game in the shape of an animal or plant. Generally, these animals or the foliage are the
antagonists in movies and threaten the lives of human characters.
• The Happening
• Shark
• Creepshow
20. Giant Creatures: just like animals and nature, the creatures
Giants are usually the villains in these horror movies. Mutated by radiation.
or by a strain of altered DNA, these creatures terrorize the characters and, to
tripe, serve as a metaphor for Mother Nature's revenge.
• Godzilla
• King Kong
• Crawl
• Ghoulies
• Gremlins
• Munchies
22. Science Fiction and Extraterrestrials: science fiction horror combines terror
from the unknown with science. With futuristic threats or species that have been
disturbed unknowingly by humans, the science fiction horror promises that the
horror will exist regardless of the time or place, and that includes space. Where the
the genre of monsters can offer a loose or fluid explanation for the
animal attacks, there is often a lot of research about where
Did the aliens come or why?
• Alien
• Nope
• Prey
23. Ghosts and Spirits: This subgenre is another that needs no introduction.
in horror movies, ghosts and spirits are usually the souls of the dead that
they have unfinished business or seek revenge.
• Ghost Ship
• Poltergeist
• Thirteen Ghosts
24. Haunted House: Could you have a ghost movie without a house?
haunted? The simple answer is yes, so this subgenre focuses more on
the location that in the ghost itself. The plot usually revolves around a group of
intrepid newcomers who venture into a haunted house.
• Christine
• Oculus
• Possession
26. Devils, Demons and Hell: Very rarely in possession movies, the
the devil really possesses, but when it inhabits a human body, the bets
they are always much taller. Demons and lesser imps often
they do most of the devil's heavy work, but they don't always have to
to possess a body to create a living hell for the characters of the movie.
On the contrary, they can simply be entities that leave a trail of death and
destruction.
• The omen
• Devil
• To the Devil a Daughter
[Link] and Occultism: movies that feature witches or cults tend to play
with the tropes that have been given to the characters a long time ago in the
history. Some movies portray a hierarchy with other magical beings
minors, but the objective of the cults and the witches tends to be the same: to serve
a superior being.
• The Craft
• The Witch
• Silent Hill
• Firestarter
• Carrie
• Seconds Apart
• The Mist
• The Void
• Annihilation
32. Gothic Horror: Gothic horror takes much of its tone and aesthetics from the
gothic literature. There is a delicate blend of romance and melancholy mixed with
elements of horror.
• Sleepy Hollow
• Crimson Peak
• Interview with the Vampire
• Deadstream
• Cloverfield
• [REC]
Popular horror often delves into old ideas or folklore and focuses on
themes of isolation and a character's relationship with themselves and with the land.
• Midsummer
• Lamb
• The Wicker Man
Post-Apocalyptic: post-apocalyptic movies feature characters in
an empty place. In a world destroyed by various causes, such as a war
nuclear or a medical pandemic, these movies often focus on the end of
world and the struggle for survival.
• Doomsday
• Bird Box
• Daybreak
All these subgenres showcase the fantastically unique quality of the genre of
Terror. There is a little something for everyone. Each subgenre dives deeper into niches.
that can be further broken down. The possibilities are endless, and it is about the
What do you think suits your taste and story best?
Don't be afraid to play within the subgenres of horror when writing your
next project, and do not feel that you have to adhere to any subgenre. Create
a horror project that you want to see, but it is useful to turn to movies
specific and borrow some features from them.