Analysis of "Routine" by Keki N Daruwalla
Analysis of "Routine" by Keki N Daruwalla
The irony in the conclusion of Daruwalla's poem is encapsulated by the statement 'we are marching forward,' presumably uttered by a political leader. This statement is ironic because it superficially suggests progress, yet is starkly juxtaposed against the brutal reality of the violent events and the lack of genuine advancement for the society. It underscores the manipulation and exploitation of student protesters by political figures who promise progress but contribute to ongoing societal stagnation and unrest .
The contrast between the speaker and Karam Singh illustrates differing perspectives on violence through their attitudes towards the protesters. While the speaker is indifferent and ultimately commits a calculated act of violence, Karam Singh shows personal empathy by comparing the young rioters to his own children, indicating an ability to see them as individuals rather than adversaries. This contrast emphasizes the multifaceted nature of human response to conflict - one rooted in humanity and understanding, the other in desensitization and brute force .
Keki N Daruwalla critiques modern policing practices by highlighting the colonial legacy evident in the police uniform, including putties, crack-helmet, and boots, which is impractical for India's climate. This colonial hangover symbolizes how independent countries often perpetuate outdated systems, leading to systemic issues such as the dehumanization and aggression observed in police forces. The poem reveals that these colonial remnants contribute to a detachment and aggression in police officers, making them less sympathetic to their own people .
Daruwalla critiques the concept of 'progress' through the poem's closing ironic statement, suggesting that political leaders often tout advancement while maintaining regressive practices. The disparity between the leader's claim and the poem's depiction of systemic violence and unrest highlights the empty rhetoric often employed to disguise inaction or detrimental policies, questioning the sincerity and effectiveness of proclaimed progress in addressing real social issues .
In 'Routine,' the uniform symbolizes the lingering influence of colonial power and the alienation it causes among the police officers from the society they are meant to protect. It represents an inherited legacy of oppression and illustrates how structural remnants of a colonial past affect current power dynamics, creating a barrier between the police and the public. The uncomfortable fit of the uniform in India's climate also metaphorically denotes a disconnect and emotional detachment from the people, fueling aggression and contributing to systemic violence .
'Routine' addresses the failure of post-colonial societies to reorganize colonial systems by portraying how such societies have maintained oppressive structures, exemplified by the police force who still wear colonial-era uniforms. This maintenance of the colonial order highlights a stagnation in socio-political development, reflecting a societal reluctance or inability to dismantle and reform the remnants of colonial bureaucracy, leading to persistent systemic issues and social discord .
'Routine' reflects on the societal impacts of violence by demonstrating how authoritative forces, such as the police, can sustain cycles of violence and distrust within communities. The poem critiques how the police's routine of using force to manage protests creates an environment of hostility and fear, propagating the very unrest it seeks to quell. It presents a grim reflection on the psychological and societal ramifications of such routine violence, further alienating public institutions from the society they serve .
The phrase 'well rehearsed murder' implies a systemic nature of institutional violence, showing it as a premeditated and repetitive action ingrained within the enforcement apparatus. This depiction in 'Routine' suggests that violence by police is not an anomaly but a practiced, almost procedural response to dissent, highlighting deeply entrenched behavioral patterns and the normalization of brutality in institutional roles .
The speaker justifies violent actions by framing the aggressiveness of the protesters, who burn tramcars and outnumber the police, as a necessary threat to control. However, this justification is superficial as it ignores deeper systemic issues and personal accountability. The complexity of violence is revealed through this duality, where the speaker's pretext of control masks a rehearsed, premeditated murder, exposing the deep-seated violence intrinsic to such power structures. It emphasizes the inadequacy of mere situational justifications for cold-blooded actions .
'Routine' captures the theme of identity conflict through its depiction of police officers caught between colonial heritage and their cultural identity. The police uniform serves as a metaphor for this conflict, signifying a remnant of British colonialism that separates them from their native society. This division is further exacerbated by their role in suppressing local unrest, aligning their actions with oppressive practices rather than public service, thus creating internal and external identity conflicts for officers like Karam Singh, who personally relates to the young protesters .