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The Allure of Death in Frost's Poem

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4 views4 pages

The Allure of Death in Frost's Poem

Uploaded by

Chandrajit Rudra
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd

Interpretive Response #3

The Sweetness of Death

Viscous and overwhelming, the cycle of life takes a strong hold on every individual. Its

grasp is tight and its burden heavy. Life is not an easy walk in the park, but rather a vigorous trek

up a steep mountain. For most, the journey is inevitable. For others, however, there is a simpler

route. When life becomes too difficult, too overwhelming, too challenging, they find death to be

a more desirable course. In his poem “Stopping by Woods on a Snowy Evening,” Robert Frost

elaborates on the sweet appeal of death through his incredible use of imagery.

A successful man is a man who takes action. He is not lazy, nor does he put aside his re-

sponsibilities. However, success comes with a heavy price. Rest often becomes a foreign concept

to this man. Workloads never cease and to-do lists only grow longer, but his mind longs for

respite. His soul and spirit grow tired and weary. It is a man like this who would take his horse

for a ride on “the darkest evening of the year” (8). Frost uses the word “darkest” to explain that

the speaker has reached the lowest point of exhaustion. Darkness, often associated with death,

appeals to him and beckons him into the woods.

These woods are the perfect place for a weary soul to wander off to, for they create isola-

tion. So far away are they, that even the man’s “little horse must think it queer / to stop without a

farmhouse near” (5-6). Woods, in comparison to a “farmhouse,” lack one thing – humans. Al-

though both might contain animals, woods lack the everyday presence of people. Besides his

horse, the speaker is encompassed by nature. There is no other living being to disturb him. Even

the owner of the woods is nowhere near since “his house is in the village though” (2). The word

“village” instantly creates an image of busy folk running around trying to get their work done be-

fore the sun falls. You can hear people yelling, children screaming, horses trotting, dogs barking.
A unique smell travels from every open door you pass. Even the nights are not perfectly silent.

These characteristics are not entirely negative, but they can become slightly chaotic and be too

much to bear. There are rules of the society, responsibilities of everyday life. The woods, how-

ever, offer perfect solitude. There are no unnecessary sounds or noises, no weird smells, and no

judgmental glances. The woods’ lack of structure becomes more appealing than the chaos of the

village. They are wild, yet they are inviting.

Allowing the woods to draw him out of the village, the speaker finds himself standing

“between the woods and the frozen lake” (7). This man is entirely surrounded by death. Winter is

the season in which nature puts everything on hold. Trees stand naked, honoring their fallen

leaves. Animals hide in their burrows, caught up in their dreams. There is a lack of growth, a

lack of newness. Woods become still and almost silent. They become covered in white snow,

like a white sheet laid over a dead body. Water becomes “frozen” and it no longer moves or runs,

as if it’s reached its death. Frost could have also used the word “frozen” to indicate that when a

person freezes to death, it feels as though they are merely falling asleep. That death is gentle.

A gentle death is alluring to the speaker. In the woods, “the only other sound’s the

sweep / of easy wind and downy flake” (11-12). Although wind cannot be seen, it can be felt and

heard. Its chill can go straight to the bones, and its sound can calm the weariest of souls. The

“easy wind” sends a call to this man. It is gentle, almost like a lullaby luring him to eternal sleep.

Sleep is “easy” while life is strenuous; this appeals to the speaker. The “downy flake” falls lightly

on and around him. It covers the woods, his saddle, and his coat. The flakes fall on his lashes,

making them heavier, tempting him to close his eyes and give into the invitation of the woods.

They are soft and welcoming like a warm, thick blanket made from the finest “down.”
The urge to sleep envelops his mind. Death seems sweet and gentle. It is an escape from

all worries and problems- an enticing remedy for his fatigued soul. But he must not give in to the

coaxing of the woods. He must keep going, keep persevering. His work is not yet over; his time

has not yet come.


Works Cited

Frost, Robert. “Stopping by Woods on a Snowy Evening.” The Seagull Reader: Poems. Ed.

Joseph Kelly. 2nd ed. New York: W.W. Norton, 2008. 129-130. Print.

Common questions

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The setting of a winter evening enhances the poem's meditation on life and death by providing a backdrop of dormancy and rest that mirrors death. Winter, as a season, signifies a pause in nature's cycle, where "trees stand naked" and "water becomes frozen," emphasizing stillness and absence of life . The "darkest evening of the year" further intensifies this mood by suggesting the speaker's deepest point of exhaustion and vulnerability, drawing a parallel between life's burdens and the peacefulness of death . The serene environment of the woods, blanketed by "downy flake" and accompanied by the "easy wind," accentuates the appeal of death as a tranquil escape from life's strife .

Frost establishes a sharp contrast between society and nature to relate to the theme of death. The village represents society, bustling with activity, human interaction, and noise, symbolizing life's chaotic and demanding aspects . In contrast, the woods offer solitude, silence, and peace, symbolic of death's restful nature. This contrast highlights the woods' appeal as a respite from social obligations and life's responsibilities, making the notion of death a more desirable alternative . The imagery of the woods being far from the village underscores this separation, with the village's chaos juxtaposed against the inviting solitude of the woods where death seems gentle and welcoming .

The theme of rest plays a central role in the poem, correlating with the broader concepts of life and death by contrasting the speaker's fatigue with the restful allure of death. Life is depicted as a "strenuous" journey, filled with "to-do lists" and "heavy" responsibilities, whereas death is likened to gentle sleep, characterized by "easy wind" and "downy flake" . This contrast between life’s demands and the tranquil rest offered by death underscores the poem's existential meditation wherein rest becomes a metaphor for dying as a peaceful solution to life’s struggles. Thus, the theme of rest is intrinsically linked to the poem’s exploration of mortality, suggesting death as the ultimate release and rest from life’s perpetual burdens .

The speaker's interaction with the horse serves as a poignant symbol of human responsibilities and the temptation of death. The horse, embodying practicality and routine, finds it "queer" to stop "without a farmhouse near," symbolizing societal expectations and the speaker's daily duties . This interaction highlights the tension between the allure of death, represented by the inviting, undisturbed woods, and the obligations the speaker must fulfill. The horse's presence is a grounding reminder of life's unfinished business and responsibilities, contrasting with the speaker's fatigue and desire for the peacefulness of the woods . This dynamic deepens the exploration of the poem's central theme—choosing life despite the lure of death's gentle rest.

In Robert Frost's poem "Stopping by Woods on a Snowy Evening," imagery plays a crucial role in conveying the allure of death. The woods symbolize isolation and a place away from the noise of the village, offering peace and solitude. The "darkest evening of the year" depicts exhaustion and the appeal of darkness often associated with death, suggesting a point of overwhelming fatigue . The imagery of winter, with trees stripped bare and water frozen, further conveys a sense of stillness and death. The use of "frozen lake" represents life at a standstill, reinforcing the theme of death as a gentle, inviting rest . Finally, the "easy wind and downy flake" contributes to this atmosphere, likening the experience of death to a soothing lullaby or a comforting blanket, enticing the speaker to embrace it .

Frost uses elements of nature to symbolize themes of life and death by embedding winter imagery throughout the poem. Trees "stand naked, honoring their fallen leaves," portraying a state of inactivity and death, as life temporarily ceases . The "frozen lake" symbolizes stagnation and the stillness associated with death, as water that once flowed is now motionless . Additionally, the serene "easy wind" and the silent fall of "downy flake" suggest a lull into eternal rest, further embodying the gentle nature of death . On the other hand, elements such as the active "village" and the horse symbolize vitality and the responsibilities of life, creating a thematic tension against the tranquility represented by the woods. These symbols work together to depict the cyclical nature of life and death and the yearning for peace amid life's demands.

The concept of "darkness" is crucial in understanding the speaker's contemplation of mortality as it underscores the depth of his fatigue and the seductive nature of death. The description of "the darkest evening of the year" symbolizes the speaker's lowest point, both physically and emotionally, highlighting his weariness and vulnerability . Darkness is often metaphorically tied to death, representing the unknown, a place of rest and tranquility away from the harsh realities of life. It contrasts sharply with the obligations represented by societal daylight, enhancing the appeal of abandoning life’s burdens for the comforting embrace of death’s darkness . Thus, darkness serves as both a literal and metaphorical veil inviting the speaker to consider mortality as an escape from his exhaustive existence.

The ending of the poem resolves the thematic exploration of death's allure and responsibilities by reaffirming the speaker's commitment to life despite its burdens. Although the allure of the woods and the comfort of death tempt the speaker, he ultimately acknowledges "promises to keep" and "miles to go before I sleep," symbolizing duties and responsibilities that remain unfulfilled . This resolution emphasizes perseverance and the choice to embrace life, affirming the speaker’s resolve to continue his journey despite the appealing notion of rest through death. This decision highlights a profound internal realization that life's obligations and relationships hold more significance than the immediate comfort and finality offered by death .

The depiction of the woods as a solitary space contributes to the speaker's internal conflict regarding life and death by offering an inviting refuge from societal duties and life's chaos. This solitude, characterized by the absence of "farmhouse" and human presence, allows the speaker to retreat into his thoughts, contemplating the stresses of life versus the peaceful allure of death . The isolation of the woods symbolizes a world free from pressures and responsibilities, accentuating the speaker's fatigue and desire for respite . This environment amplifies the internal struggle between continuing work and responsibilities and succumbing to the temptation of death, ultimately highlighting the existential choice between embracing life with its challenges and relinquishing oneself to the lure of eternal rest.

The line "the only other sound's the sweep / of easy wind and downy flake" plays a significant role in contemplating mortality by underscoring the serene and gentle aspects of death. It follows a description of the quiet woods, emphasizing a peaceful, almost hypnotic environment conducive to deep reflection on life and death . The "easy wind" is a soothing natural sound akin to a whisper or lullaby, offering calmness and suggesting the gentle ease with which one might succumb to eternal rest. Meanwhile, the "downy flake" conveys softness and gentleness, portraying death as inviting, comforting, and unthreatening . Together, these elements frame death not as something to be feared but rather a tranquil escape from the burdens of living, enhancing the meditation on mortality that permeates the poem.

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