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Coffee Scene from A Very Special Love

The document features a script from the movie 'A Very Special Love' (2008) starring Sarah Geronimo and John Lloyd Cruz, showcasing dialogues in both English and Arabic pronunciation. It includes two scenes set in an office where characters Jandy and Jobelle interact regarding coffee and job responsibilities. The exchange highlights a mix of humor and misunderstanding between the characters.

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0% found this document useful (0 votes)
1K views1 page

Coffee Scene from A Very Special Love

The document features a script from the movie 'A Very Special Love' (2008) starring Sarah Geronimo and John Lloyd Cruz, showcasing dialogues in both English and Arabic pronunciation. It includes two scenes set in an office where characters Jandy and Jobelle interact regarding coffee and job responsibilities. The exchange highlights a mix of humor and misunderstanding between the characters.

Uploaded by

jandy6734
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Cabalce, Jandy Cabanero, Jobelle IS3A Foreign Language

A VERY SPECIAL LOVE (2008)


Starring Sarah Geronimo and John Loyd Cruz

English Pronunciation Arabic Pronunciation


Scene 1: Office Jandy: AY-na al-ja-HEEM qah-wa-
Jandy: Where’s my coffee? tee? AY-na al-ja-HEEM qah-wa-tee?
where the hell is my coffee ? Jobelle: AY! QAH-wa!
Jobelle: AY COFFEE ! Jandy: wa MAN an-ti?
Jandy: and who are you? Jobelle: LAY-da mag-ta-LAS, ta-ta-
Jobelle: laida magtalas, DHAK-kar? a-ta-qad-dam bi-TAL-ab
remember? nagaapply po li-man-SAB mu-SA-id tah-REE-ree
akong editorial assistant Jobelle: say-YI-dee... qah-WA?
Jobelle: sir… coffee? Jandy: an-ti mu-wath-tha-FA.
Jandy: you’re hired.

Scene 2: Office
Scene 2: Office Jandy: Laida, madha taf'aleena
huna bi-haqq al-jaheem?
(Both were shocked)

Jandy: Laida, what the hell are Jandy: Aghliqi al-baab.


you still doing here?
Jobelle: Sayyidi?
(passby) Jandy: Faqat aghliqi al-baab.
Jandy: Lock the door. Jobelle: Sayyidi, la min fadlik.

(Jobelle stopped.)
Jandy: Aghliqi al-baab 'indama
Jobelle: Sir? tughadirin.
Jandy: Just lock the door.

Jobelle: Sir, huwag po. Jobelle: Zanannt annaka taqsid


shay'an aakhar, sayyidi.
Jandy: Lock the door when you
leave.

Jobelle: I thought you meant


something else, sir.

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The scene relies on non-verbal communication through gestures, tone of voice, and facial expressions, which significantly contribute to the audience's understanding of the characters' relationship. Jandy's authoritative tone and the command to lock the door convey power dynamics and urgency without explicit verbal elaboration. Jobelle's hesitation and expression of surprise and reluctance highlight her initial fear and confusion, which help the audience gauge the subordinate nature of her position and her cautious respect towards Jandy. Such non-verbal cues enhance the narrative by providing additional layers of meaning complementing the verbal exchange .

The script elements, such as dialogue and situational humor, reveal facets of Laida's character including her adaptability, vulnerability, and professional demeanor. Her reaction to Jandy's command shows vulnerability and naivety, indicating her novice status in the workplace. The mix-up and her response add a comedic yet truthful layer to her persona, highlighting her earnestness and humility. Furthermore, her use of Arabic demonstrates adaptability, willingness to engage with Jandy's expectations, and respect for workplace hierarchy, contributing to a nuanced portrayal that resonates beyond the immediate humor .

The dialogue reflects workplace power dynamics through hierarchical interactions and commands. Jandy's authoritative requests, such as 'Lock the door,' and his decisive 'you're hired' display his higher rank and control. Jobelle's adherence to these demands, despite the initial misunderstanding, underscores her subservient position. The exchange is indicative of a top-down communication style often found in traditional workplace hierarchies, where the superior's commands are to be followed without question, thereby reinforcing their authority and the reinforcement of power structures .

The office setting informs the tone and interactions by providing a formal and hierarchical backdrop, influencing how characters communicate and perceive each other. The setting implies a professional atmosphere where commands and tasks are expected to be completed efficiently, reflected in Jandy's authoritative language and Jobelle's following of instructions. This setting aligns with the tension and comedy derived from workplace misunderstandings, where standard office dynamics and expectations exacerbate the humor and inherent power structures present in their dialogue .

Code-switching in the dialogue serves to portray cultural identity and relational dynamics, affecting the narrative by contextualizing their interactions within a multicultural framework. Jandy's transition between English and Arabic illustrates his command over both languages, suggesting his position of influence and his effort to establish rapport. For Jobelle, responding in Arabic reflects her deference and ability to adapt, symbols of respect and cultural awareness. This bilingualism enriches the narrative by adding authenticity and depth to character interactions, bridging cultural gaps, and appealing to diverse audiences .

The exchange explores themes of language as a marker of identity and professional dynamics. Jandy's use of Arabic conveys authority and cultural heritage, shaping his identity within the workplace. Similarly, Jobelle's adaptation to responding in Arabic signifies her professional identity shaped by environment and hierarchy. The interplay of bilingual communication reflects individual backgrounds while reinforcing their roles and identities in the workplace, illustrating how language can both unite and differentiate cultural and professional identities .

The humor in Jandy and Jobelle's interaction stems from language misunderstandings, evident when Jobelle misinterprets Jandy's instruction to lock the door as a potentially inappropriate request. This misunderstanding is amplified by the abrupt change of tone and context that characterizes their communication. The humor arises from Jobelle's overreaction and the audience's awareness of her mistake, which is a common comedic device that relies on the discrepancy between intention and interpretation .

Bilingual dialogue in films can effectively enhance character development by revealing cultural backgrounds and personality traits. In Jandy and Jobelle's exchange, the use of both English and Arabic provides insight into their identities and work environment. Jandy's switch to Arabic exhibits authority and a formal tone, highlighting cultural diversity and his multilingual capabilities. Jobelle's responses in Arabic signify adaptability and respect for hierarchy. This approach allows audiences to relate to the characters' cultural and linguistic nuances, enriching the story's depth .

When translating dialogue from English to Arabic in a film setting, cultural considerations include understanding the nuances of language, such as formality, tone, and context. In the given text, phrases like 'Where’s my coffee?' and 'you're hired' are translated to maintain politeness and respect, which are significant in Arabic culture. The misunderstanding about locking the door highlights the need to consider cultural sensitivities around privacy and respect. This is shown by Jobelle's reaction, demonstrating that direct translations must account for cultural interpretations .

The screenplay creates conflict by juxtaposing literal and implied meanings within the dialogue. Jandy's instruction to lock the door presents a literal directive with potentially foreseeable implications, which Jobelle perceives negatively. Her assumption of an inappropriate advance generates tension between what is spoken and how it is understood. This conflict highlights misunderstandings arising from omitted context or tone, crafting humor and drama, and engaging the audience through their anticipation of the characters' realization and resolution of the misunderstanding .

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