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Penguin Readers Answer Key: Advanced

The document is an answer key for the Penguin Readers edition of 'The Edge,' providing answers to activities and questions related to chapters 6-26. It includes character dialogues, plot summaries, and thematic discussions, as well as open-ended responses for students. The content is structured to assist educators in evaluating comprehension and engagement with the text.

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0% found this document useful (0 votes)
45 views2 pages

Penguin Readers Answer Key: Advanced

The document is an answer key for the Penguin Readers edition of 'The Edge,' providing answers to activities and questions related to chapters 6-26. It includes character dialogues, plot summaries, and thematic discussions, as well as open-ended responses for students. The content is structured to assist educators in evaluating comprehension and engagement with the text.

Uploaded by

alexmccash1
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Penguin Readers Answer Key level

The Edge ADVANCED 6

20 Open answers Chapters 6–8


Answers to Book activities
21 c an animal doctor 1 (e), (b), (c), (a), (d), (g), (f)
22 page 69 2 (a) Xanthe to Tor to try to stop him giving
1 d an adventure story
23 a Mercer Lorrimore says this to Tor Kelsey. alcohol to Sheridan.
2 a sulky
b Tor Kelsey says this to the doctor. (b) Mercer Lorrimore to Tor to try to make up
b glacier
c Bill Baudelaire says this to Julius Filmer. for his son’s rudeness.
c brochure
24 He didn’t want to weaken the case against (c) Tor to Nell because he’d like to kiss her
d compartment
Julius Filmer by giving him a cause for but does not dare to in his waiter’s
e bedridden
complaint. uniform.
f groom
25 To invite Nell Richmond for a two–week (d) Daffodil to Filmer because he confuses
g blackmail
holiday in Hawaii. Vancouver and Winnipeg.
h persecute
26–31 Open answers (e) ‘Thin-face’to Filmer. They’re having an
i champagne
j transcontinental argument though we don’t know what
k waistcoat about.
Answers to Factsheet activities
3 a Julius Filmer Chapters 9–10
b Mercer Lorrimore ■ Communicative activities (a) Carrie collects two packages from Tor to
c Nell Richmond give to Bill Baudelaire.
d Xanthe Lorrimore Open answers except:
(b) The Unwin’s horse, Upper Gumtree, wins
e Daffodil Quentin Activities before reading the book
the race at Winnipeg.
f Bill Baudelaire The actual arrangement of the train is given on (c) Tor photographs Thin-face at the race
4 a the luggage, the horses and the grooms pages 5 and 6 of the book. track.
b between the sleeping compartments for (d) Filmer doesn’t come to breakfast the day
■ Student’ s activities
the staff and the first–class dining–car after leaving Winnipeg.
c Mercer Lorrimore’s private rail car Activities before reading the book (e) Daffodil Quentin leaves the train at
d Two (at Winnipeg and a hotel in the 1 Open answers Calgary.
mountains) 2 The train will go from Toronto to Vancouver. (f) Lenny Higgs looks after Laurentide Ice.
5 a By telephoning Mrs Baudelaire, Bill’ s It will not pass through Ottawa. Chapter 11
mother. From Toronto, the train will go to Winnipeg, 1 (a) Tor thinks she is miserable but there is
b It only works when close to big towns or Calgary, through the Rocky Mountains, then nothing seriously wrong with her, just
cities. to Vancouver. teenage moods.
6 Open answers
Activities while reading the book (b) He thinks Sheridan has ‘real problems’,
7 a unhitched
which means that there is something
b briefcase Chapters 1–2
seriously wrong with him.
c sabotage 1 (a) (ii), (b) (iii), (c) (i) 2 Open answers
d expelled 2 (a) Because it means that their investigation
8 a true Chapter 12
has to start again from the beginning.
b false (Winnipeg and Vancouver) (b) Using blackmail and threats to make (a)Papers about the Race train including: the
c false (Cambridge University) people sell him their horses. Planning the brochure; Filmer’s ticket; his passport; a
d true death of the young groom. Using newspaper cutting about Lorrimore’s gift of
9 Filmer is threatening to accuse Daffodil of blackmail and threats to frighten money for a new library at Cambridge; a
poisoning some of her race horses in order witnesses so that he was not found guilty report about the cruel killing of seven cats at
to get the insurance money. He wants her to of the murder of the young groom. a College.
give him ownership of Laurentide Ice in (c) The groom was heard to say in a pub (b) We know that Sheridan has been expelled
exchange for keeping quiet. that he knew some bad things about from a Cambridge college and that he has
10 a It is the combination number of one of Julius Filmer. done something bad enough to go to prison.
the locks on Filmer ’s briefcase. (d) Because all the witnesses changed their So it seems likely that Sheridan was
b Tor needs another set of numbers to stories or left the country on the day of responsible.
unlock the second lock on the briefcase. the trial. (c) Possibly that the gift of money was to
He gets these numbers from Brigadier (e) Making one of the witnesses in the persuade the College not to take Sheridan to
Catto. murder trial change his story. court for the acts of cruelty to the cats.
11 Open answers (f) To try to prove that he was working for (d) We know that Filmer blackmails people. It
12 page 48 Filmer. seems likely that he will somehow use the
13 b in a car (g) Because he has a half share in a horse, information in the cutting and the report to
14 The opening of the tap on the heating oil Laurentide Ice, with Daffodil Quentin. But blackmail Mr Lorrimore.
tank. he is probably going to do something bad Chapters 13–15
the ‘hot box’(overheated axle) on the train. 1 (i) the Lorrimores, (ii) Tor, (iii) Nell,
The coffee poured over the train’s radio. (h) She may have killed three of her horses (iv) Xanthe, (v) Filmer, (iv) the Lorrimores’,
15 a He pretends to be a sleeping–car in order to claim insurance money for (vii) Voting Right, (viii) Thin-face,
attendant, turning down the beds. them – ‘insurance fraud’. (ix) Johnson
b Because it takes half a mile for the (i) He’s going to disguise himself as a waiter 2 Suggested answers:
Canadian to come to a complete stop. and spy on Filmer and Daffodil Quentin. (a) someone was shouting for George.
c He is attacked by Johnson and badly (b) the axle has overheated.
Chapters 3–5
hurt. (c) someone has poured coffee over it.
1 (a) True, (b) True, (c) False, (d) True,
16 Open answers (d) they were not near a city/were in the
(e) False, (f) True, (g) False, (h) False,
17 b a valley with steep sides middle of the country.
(i) True
18 c George is tied up and has a cloth pushed (e) neither the radio nor the radio phone can
2 First, Sheridan has clearly done something
into his mouth so that he can’t cry out. be used.
bad enough to be sent to prison. Second,
a The conductor of the Canadian says he (f) he wants revenge on the railway
Xanthe suggests that it is only because he
will radio ahead to Kamloops. company.
belongs to the Lorrimore family that Sheridan
b Lorrimore wanted the train stopped so he (g) he knows someone will come to stop the
has escaped punishment. As we know, the
can go back and try to find his son. train.
Lorrimores are rich, so perhaps they were
19 Because she is dead. Bill answers instead of (h) the Canadian stops in time.
somehow able to use their money to prevent
his mother.
Sheridan from being sent to prison.

© Pearson Education 2001


Penguin Readers Answer Key
The Edge
Chapters 16–17 1 There are a number of possibilities
1 (a) He hears the flare when it hits the here.
train and he stands up in time to see (i) In Chapter 25, which is called ‘A
one of the other flares. Two-Horse Race’, Filmer is
(b) The oil in the box has leaked away. described as ‘on the edge’on page
(c) Tor realizes that, as Johnson is 76, meaning he is about to lose
responsible for the sabotage, he control. The chapter title suggests a
must have done something to race, or struggle, between two
George. If Johnson wanted to tie people, but as Brigadier Catto
George up, he probably left George remarks, ‘our runner had the edge’.
hidden in his room. To ‘have the edge’here means to be
2 Open answers the better competitor.
(ii) Sheridan had some sort of mental
Chapters 18–20
illness. When people are mentally ill,
1 (a) He kills himself. He goes to the
we sometimes say they are ‘on the
balcony on the back of the train and
edge’of madness. Also, he threw
closes the door. Then he jumps from
himself over the edge of the canyon.
the balcony into the river at the
2 Open answers
bottom of the canyon, probably
hitting rocks as he goes down. If he
wasn’t already dead from the fall, he
would drown in the river, which is
very cold.
(b) Suggested answer: He had become
so strange and difficult that she
could not have a normal relationship
with him.
(c) Nell thinks people will be so upset
that the trip will be spoiled for them.
Tor doesn’t think that the trip will be
spoiled for the passengers. They will
be sorry for a short time and then
only pretend to be upset.
(d) Suggested answer: The writer
seems to think that people are really
too selfish to be very upset over the
death of someone they hardly know.
2 Suggested answer: ‘I regret to have to
inform you that the body of your son
has been found.’
Chapter 21–23
1 (a) On page 66, Mercer explains that
his son heard Filmer ’s remark about
cats and that Sheridan felt very bad
about the trouble he had caused his
father.
(b) On page 71 Mercer refers to
Sheridan’s ‘mental illness’.
2 On page 72, Bill Baudelaire says that
Filmer has a ‘desire to crush people’.
3 By chance. A vet mistakenly sent a copy
of his report on the cats to Filmer. Then
Filmer saw the newspaper report and
put two and two together.
Chapters 24–26
1 (a) and (b) Bill Baudelaire (pages 75
and 76). These statements are not
completely correct. The first act of
sabotage was a mistake caused by
Filmer confusing Winnipeg and
Vancouver, and
McLachlan/Johnson/Thin-face acts by
himself in the third act of sabotage.
(c) Filmer (page 76). Correct.
(d) Brigadier Val Catto (page 78).
Correct.
2 Probably because he can’t quite believe
that Nell has accepted his invitation to
go with him to Hawaii.
Activities after reading the book

© Pearson Education 2001

Common questions

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Characters grapple with moral complexities such as ethical integrity versus personal gain. Mercer Lorrimore's struggle with his responsibilities towards Sheridan and the societal facade he maintains reflects on familial duty versus truth . Filmer's manipulation of this ethical dilemma through blackmail and deceit further complicates moral boundaries for the involved characters . By the story’s conclusion, these complexities are partially resolved through Tor’s disruption of Filmer’s plans, pointing towards justice, albeit incompletely due to deep-seated character limitations and societal constraints, leaving some questions on morality lingering .

Disguise and deception are critical in advancing the plot and developing themes, particularly through Tor Kelsey's actions. Disguising himself as a waiter exemplifies strategic deception, allowing him to investigate Filmer undercover and gather crucial information without detection . This tactic highlights themes of identity and perception, emphasizing how appearances can be manipulated to uncover hidden truths. Moreover, Filmer’s deception through manipulation and threat illustrates power dynamics exploited through deceit, advancing the plot as Tor seeks to counter these machinations. These elements collectively underscore a narrative exploration of truth versus appearance .

Tor Kelsey and Nell Richmond are depicted with contrasting attitudes towards crisis. Tor often displays bravery and strategic thinking in critical situations, as seen when he disguises himself as a waiter to spy on Filmer . Nell, on the other hand, is depicted as more emotionally driven and worried about the impact of events on others, such as her fear that a death would ruin the trip for everyone . This contrast underscores Tor's pragmatic and determined nature against Nell's sensitive and empathetic disposition, highlighting their differing developments throughout the story.

The transcontinental train journey serves as an enclosed setting that intensifies suspense and facilitates narrative tension. The physical constraints of the train provide a microcosm where character interactions are unavoidable and conflict is heightened. This isolation is exploited during key plot moments, such as the sabotage attempts where actions are magnified by the confined space, increasing danger and urgency . Additionally, the train's path provides an evolving backdrop that mirrors the escalating plot, with each stop and subsequent disaster propelling the characters into deeper suspenseful circumstances.

Blackmail is a central mechanism for character motivation, primarily through Julius Filmer, who uses it to manipulate Daffodil Quentin by threatening to accuse her of poisoning horses for insurance money unless she cedes ownership of Laurentide Ice to him . This control tactic extends further as Filmer plans to leverage incriminating information about Sheridan's animal cruelty to blackmail Mr. Lorrimore . Filmer's use of blackmail highlights themes of power, manipulation, and coercion driving the narrative.

Sheridan's mental health issues play a pivotal role in both character development and plot advancement. His instability is central to his tragic end and impacts significantly on Mercer Lorrimore, who perceives it as a son’s downfall precipitated by familial and societal pressures . Sheridan’s psychological state raises themes of familial responsibility and societal judgement, reflecting on the Lorrimore family's dynamics and their moral complications . Moreover, his expulsion from Cambridge and its consequences drive the plot, linking back to Filmer's blackmail and underpinning the wider narrative tension .

Social status and power dynamics significantly dictate character interactions, notably through the Lorrimore family using wealth to avoid legal consequences for Sheridan . Filmer, leveraging his own knowledge as power, manipulates those like Daffodil Quentin and Mr. Lorrimore, indicating a world where societal rank can sway justice and truth . The influence of these dynamics is especially poignant in Sheridan’s narrative, illustrating how inherited status can shield from repercussions, shaping both inter-character relations and plot trajectory as Filmer exploits these dynamics for gain .

Julius Filmer’s portrayal as an antagonist is achieved through several narrative techniques such as dialogue, actions, and character descriptions. His use of threats and blackmail against Daffodil Quentin demonstrates morally corrupt behavior, while the references to his desire to "crush people" explicitly define his malicious intent . Furthermore, the narrative reveals his machinations in the storyline through strategic deceit and manipulation, effectively positioning him as a central source of conflict and decreasing sympathy from the audience . These techniques reinforce his antagonistic role by consistently associating him with treacherous and self-serving motives.

The motif of the journey functions metaphorically as a microcosm of the characters' personal and moral voyages. As the train travels from Toronto to Vancouver, it embodies progress and transition, symbolizing the unfolding and intensification of character arcs and conflicts . The enclosed train setting forces confrontations and revelations among characters, serving as a catalyst for development and resolution. This journey motif underscores the themes of discovery, conflict, and personal transformation, paralleling the physical movement with emotional and ethical explorations by the characters .

The theme of justice versus manipulation is intricately woven through the narrative, predominantly through Filmer’s acts of manipulation such as blackmailing Daffodil Quentin for financial gain, and strategizing around the trial of the groom’s murder by influencing witnesses . These actions display a stark contrast between rightful justice and the deceitful circumvention of it. Resolutions are scattered, often incomplete due to the moral ambiguities presented; however, Tor's intervention suggests a return to ethical equilibrium despite the manipulative environment, striving to expose Filmer's malfeasance .

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