Falfasa-e-Awadh

thE EXPERIENTIAL HERITAGE CENTRE

LUCKNOW,UTTAR PRADESH
THESIS 2025

Name : Aditi Kaushal - A/3369/2020

Guides : Prof. Dr. Jyoti Sharma & Ar. Raman Vig
School of Planning and Architecture, New Delhi
 PART 01 : DESIGN INVESTIGATION

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 01
INTRODUCTION
An experience center , in the context of my design, is
not just a place to observe but a space to immerse,
engage, and create—a living environment where
people don’t just see history but become a part of
it. It is a bridge between generations, allowing the
cultural heritage of Lucknow to blend seamlessly
with contemporary experiences, ensuring that
traditional crafts, performing arts, and literature
are not just preserved but actively lived and
evolved.

This project is vital for Lucknow as it reimagines the

city’s rich legacy in a dynamic, interactive form,
making its artistic traditions relevant for the
present and future. Lucknow has long been a hub of
refined craftsmanship, poetry, and performing arts,
and this center will act as a catalyst in reviving and
sustaining these traditions, reinforcing the city’s
identity as a cultural landmark.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 Lucknow as Heritage city
‘Lucknow’, is linked with the architectural beauties of ‘Lakhauri’
bricks, the aroma of ‘itra’, melodic notes, the sound of dancers’
trinklets, the sweetness of ‘dussheri’ mangoes,’malai’ and ‘gulab
revadis,’ and, of course, ‘Mehman Nawazi.’ Lucknow, also known
as the ‘City of Adab,’ is known for its refinement in speech,
entertainment, clothing, and manners. In fact, it is here that one
may truly experience hospitality in its purest form. Various
cultural elements have added to the richness of this one-of-a-
kind metropolis. The Urdu language must be mentioned. Gazals,
Shairi, expressive dance styles, and vibrant festivals are just a
few examples (Craft and Culture of Lucknow, no date) .

With the transfer of the capital from Faizabad to Lucknow in

1776, Lucknow became the focal point of a cultural renaissance.
It is under royal patronage. Kathak, Thumri, Khayal, Dadra,
Gazals, Qawalies, and Sher-o-Shairi were at their peak. Lucknow,
being a hub of Islamic study, saw the birth of the Lucknow
school of poetry, led by notable poets like as Anes, Dabeer,
Imam-Buksh ‘Nasika,’ and Mirza Mohd. Raza Khan Burq, Atish,
Mirza Shauq Asar, Josh, and others. Kathak is one of the most
well-known Indian dance traditions, and it is closely linked with
Lucknow. Under the patronage of the Nawabs of Awadh, this
pre-Mughal devotional dance technique evolved into a very
diversified dance genre. The Lucknow Gharana of Kathak is
reported to have been founded by Pandit Iswari Prasad Mishra
of Handia. When it comes to the festivities that make Lucknow
special, the Moharrum festival and Bada Mangal must be
mentioned (Craft and Culture of Lucknow, no date).

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 1.1 World View on the issue
Across the world, cities have found ways to keep their heritage Additionally, research should focus on the long-term impact of
alive—not just in museums or monuments, but in spaces where such spaces—how they can sustain local economies by
people can truly experience their culture. Places like Kyoto, providing platforms for artisans and performers, and how they
Florence, and Istanbul have embraced this idea, creating contribute to social cohesion by fostering a shared cultural
centers where traditions are not just preserved but practiced, identity. Another crucial area of study is user engagement:
shared, and evolved. In India, while we celebrate our history, What kinds of spatial experiences truly resonate with people
we often lack spaces where people can actively engage with it and encourage them to connect with heritage on a deeper
— where artisans can teach, performers can inspire, and level? By addressing these gaps, we can develop more
traditions can find new meaning in a changing world.

meaningful and sustainable models for preserving cultural

heritage in the contemporary world.

1.2 Need for further research

The question

“ How can experiential design help heritage stay relevant, not

just as something to admire but as something to live?”

How can such spaces support local artists and craftsmen,

making tradition a thriving part of everyday life?

There is a pressing need for further research on how

experiential design can serve as a bridge between heritage
and modern engagement. While various heritage conservation
efforts exist, little has been explored about how spatial design
can actively involve people in cultural practices rather than
just showcasing them. More studies are needed to understand
how architectural interventions can create interactive,
evolving spaces where traditions are not merely displayed but
continuously adapted and reinterpreted.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 1.3 Thesis Proposition 1.3a Scope of Research
This thesis proposes the design of an Experiential Heritage The research will focus on experiential design as a tool for cultural
Center in Lucknow, a space where culture is not just preserved sustainability, exploring how architecture can transform heritage
but actively experienced, practiced, and evolved. Moving spaces into interactive and evolving environments. Key areas of
beyond traditional museums and static heritage conservation, investigation include
the project envisions an interactive environment where visitors, Spatial Strategies for Engagement: How architectural design can
artisans, and performers engage in a continuous exchange of facilitate hands- on cultural experiences, learning spaces, and
knowledge and creativity. The center will serve as a bridge participatory interactions rather than passive observation
between Lucknow’s rich artistic legacy—such as chikankari, Economic and Social Impact: Understanding how experiential
zardozi, Urdu poetry, and Kathak— and its contemporary spaces can support local artisans, generate employment, and
audience, ensuring that these traditions remain a dynamic part contribute to Lucknow’s cultural economy
of the city's future.
Heritage Adaptation in Contemporary Contexts: Studying
Through thoughtful spatial design, the project will create an successful global models of experiential heritage centers and
immersive environment where heritage is not only displayed but their relevance to Lucknow’s unique cultural fabric
lived, allowing visitors to learn through participation, User Behavior & Experience: Analyzing how people engage with
storytelling, and hands- on workshops. The aim is to redefine cultural spaces and what design elements make heritage
cultural preservation, making it more accessible, engaging, and experiences more immersive and memorable
economically sustainable for artisans and performers while Sustainability & Longevity: Exploring how heritage spaces can be
fostering a deeper connection between people and their designed for long-term cultural relevance while allowing
heritage. traditions to evolve organically over time.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 1.4 Core Areas of Exploration 1.5 Review of Previous Thesis
Supporting and Reviving the Dying Arts and Crafts of Romila Raj’s Heritage Museum thesis (2022) presents a well-
Lucknow – Creating an interactive platform where researched and structured approach to cultural preservation in
traditional crafts like chikankari, zardozi, and ittar-making, Lucknow. T he pro j ect primarily focuses on documenting and
along with performing arts like Kathak and Urdu poetry, exhibiting the city's rich heritage, integrating museum galleries
can be practiced, taught, and adapted for contemporary as the central element alongside retail, a food court, and an
relevance auditorium as secondary revenue-generating components. T he
Enhancing Heritage Awareness in Lucknow – Designing an spatial design emphasizes a linear axis, drawing from
immersive space that educates visitors about the city's rich traditional architectural elements such as charbagh gardens
history through experiential storytelling, workshops, and and courtyard planning, while maintaining a strong visual and
live demonstrations, fostering a deeper cultural connection physical connection to historical monuments like the Ghanta
Reimagining Heritage Spaces as Catalysts for Cultural Ghar and Kudiya Ghat.

Economy – Investigating how an experiential heritage

center can go beyond preservation to become a self- W hile the thesis e ff ectively responds to Lucknow ’ s historical
sustaining cultural hub, providing economic opportunities identity, its approach remains largely observational rather than
for artisans, performers, and local businesses while interactive. Museums, by nature, tend to preserve history in a
positioning Lucknow as a key destination for cultural curated and static format, with visitors primarily engaging
tourism. through visual displays and guided narratives. A lthough the
pro j ect includes some commercial and recreational elements,
Revitalizing the emphasis is still on exhibiting the past rather than
Lucknow's integrating it into contemporary life. T his raises an important
Cultural q uestion : how can heritage spaces go beyond preservation to

Heritage become active, evolving cultural ecosystems?

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 1.5 A Departure from the Heritage
Museum Thesis: The Experiential
Heritage Center 1.6 Lesson learnt
My thesis takes a fundamentally different approach by shifting Heritage Spaces Must Go Beyond Static Preservatio
the focus from a museum as a repository to an experience center
as a living, participatory space. This departure is defined by Economic Sustainability is Key to Cultural Reviva
three key aspects
From Observation to Immersio Spatial Design Must Adapt to Contemporary Engagemen
Instead of passive museum galleries, my project proposes
hands-on engagement with Lucknow’s dying arts and Bridging Generational Gaps Through Interactive Design

crafts, such as chikankari, zardozi, and ittar-making,

through live workshops, maker spaces, and interactive
exhibits
Rather than presenting history through curated artifacts, 1.7 Way forward
the space will offer living heritage experiences, where
traditional knowledge is not just displayed but actively To translate these insights into a tangible design, the Experiential
practiced and passed on to future generations Heritage Center will adopt a m u l t i - l a ye re d s p a t i a l a p p ro a c h t h a t
s e a m l e s s l y i nte g ra te s l e a r n i n g , m a k i n g , a n d p e r fo r m i n g . Dedicated

Beyond Conservation: A Cultural and Economic Catalys craft studios and live demonstration areas will allow artisans to
While the museum thesis preserves cultural artifacts, my practice and teach traditional skills, ensuring active cultural
project aims to revive heritage through economic transmission. Flexible performance spaces will be incorporated for
integration. By creating artist residencies, performance live storytelling, music, and dance, fostering an immersive
spaces, and collaborative studios, the center will serve as engagement with Lucknow’s artistic heritage. To ensure economic
a hub for artisans, performers, and entrepreneurs, sustainability, the project will include a c u l t u ra l m a r ke t p l a c e , w h e re
a r t i s a n s c a n s e l l h a n d c ra f te d p ro d u c t s , a n d a re s i d e n c y p ro g ra m
ensuring that heritage remains a sustainable livelihood
t h a t p rov i d e s wo r k s h o p s a n d t ra i n i n g , c re a t i n g a s e l f- s u s ta i n i n g
The project envisions a cultural marketplace , where
traditional crafts are not just showcased but produced and Additionally, technology will be leveraged through
e c o s y s te m .

sold, bridging the gap between artisans and contemporary interactive digital exhibits and augmented reality storytelling,
audiences. making heritage more engaging for younger generations.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 1.5 A Departure from the Heritage
Museum Thesis: The Experiential
Heritage Center 1.6 Lesson learnt
My thesis takes a fundamentally different approach by shifting Heritage Spaces Must Go Beyond Static Preservatio
the focus from a museum as a repository to an experience center
as a living, participatory space. This departure is defined by Economic Sustainability is Key to Cultural Reviva
three key aspects
From Observation to Immersio Spatial Design Must Adapt to Contemporary Engagemen
Instead of passive museum galleries, my project proposes
hands-on engagement with Lucknow’s dying arts and Bridging Generational Gaps Through Interactive Design

crafts, such as chikankari, zardozi, and ittar-making,

through live workshops, maker spaces, and interactive
exhibits
1.7 Way forward
Rather than presenting history through curated artifacts, To translate these insights into a tangible design, the
the space will offer living heritage experiences, where Experiential Heritage Center will adopt a m u l t i - l a ye re d s p a t i a l
traditional knowledge is not just displayed but actively a p p ro a c h t h a t s e a m l e s s l y i nte g ra te s l e a r n i n g , m a k i n g , a n d
practiced and passed on to future generations Dedicated craft studios and live demonstration
p e r fo r m i n g .
areas will allow artisans to practice and teach traditional
Beyond Conservation: A Cultural and Economic Catalys skills, ensuring active cultural transmission. Flexible
While the museum thesis preserves cultural artifacts, my performance spaces will be incorporated for live storytelling,
project aims to revive heritage through economic music, and dance, fostering an immersive engagement with
integration. By creating artist residencies, performance Lucknow’s artistic heritage. To ensure economic sustainability,
spaces, and collaborative studios, the center will serve as the project will include a c u l t u ra l m a r ke t p l a c e , w h e re a r t i s a n s
a hub for artisans, performers, and entrepreneurs, c a n s e l l h a n d c ra f te d p ro d u c t s , a n d a re s i d e n c y p ro g ra m t h a t
ensuring that heritage remains a sustainable livelihood p rov i d e s wo r k s h o p s a n d t ra i n i n g , c re a t i n g a s e l f- s u s ta i n i n g
The project envisions a cultural marketplace , where Additionally, technology will be leveraged through
e c o s y s te m .
traditional crafts are not just showcased but produced and interactive digital exhibits and augmented reality storytelling,
sold, bridging the gap between artisans and contemporary making heritage more engaging for younger generations.
audiences.
THESIS 2025 The Experiential Hertiage Centre, Lucknow
 02
Triveni kala Sangam
Triveni Kala Sangam is located in the heart of New
Triveni Kala Sangam

Delhi at 205, Tansen Marg, near Mandi House, a

TANSEN MARG
prominent cultural hub of the city. The institution
enjoys excellent connectivity via public and private
transport. It is easily accessible through the Delhi
Metro, with Mandi House station (Blue and Violet
Lines) located just a short walk away. The area is
well-served by DTC buses and cabs, ensuring
convenient access from different parts of the city.

Its close proximity to other cultural institutions like Krishna kumar Birla Auditorium
Sangeet

Bharati
Shri Ram Centre for Performing

the adjoining Sangeet Bharti and Sriram centre, arts

nearby Ravindra Bhavan , Sapru House , Sriram

Bhartiya kala kendra, FICCI Auditorium lies Inference
across the road.
Connectivity Triveni Kala Sangam is strategically located on Tansen Marg, near
Mandi House, which is known as the cultural hub of New Delhi
Nearest Metro Station : MANDI HOUSE (350M)
Its placement amidst institutions of similar functions, such as the
National School of Drama, Shri Ram Centre, and Lalit Kala Akademi,
Nearest Metro Station : MANDI HOUSE (350M)
creates a vibrant cultural ecosystem that attracts artists, performers,
and art enthusiasts.
Bengali Market : (230m) This contextual placement enhances the relevance of Triveni Kala
Sangam, as it benefits from the artistic synergy of its surroundings.

Connaught Place : (1.3km)

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 Programmatic Relationship (Zoning)
The complex has a
The complex was constructed in two phases - the complex clear vertical zoning
initially comprised of the amphitheatre with the ground
,galleries,classrooms,offices and some residences which later floor having most
expanded to incorporate the auditorium along with another the public functions,
gallery and some more classrooms and apartments. which thereafter
became private in
AMPHITHEATRE
RECEPTION

AND OFFICE
nature as one
moves to upper
floors.
PUBLIC

SEMI-PUBLIC

PRIVATE

CIRCULATION
SERVICE ENTRY MAIN ENTRY

Movement Pattern
PEDESTRIAN

SERVICE
No Vehicular movement of Parking

space is available at the

Elements Triveni Kala Sangam .

SERVICE

AREA
Dance Studios Entrance Court
The studio is about 5x5.5m, with wooden floors The entrance court comprises of rectangular front lawns intersected by pedestrian pathways.
The rooms are not soundproof, the sound even reaches the ground floo It serves as a bu er between the heavily traffic ed road and the complex.
ff k

The dance studios are 6 in number in 2 floors A curved water body outside the curved exhibition gallery wall o sets the building from the
ff

Around 85 decibel was recorded, when a class was taking place. lawn.
THESIS 2025 The Experiential Hertiage Centre, Lucknow
 Bharat Bhawan Design Vision :
Location : Bhopal,Madhya Pradesh

Designed by Indian architectural luminary Charles Correa, this multi-arts center first
opened its doors in 1982. More than thirty years later, it continues to house a variety of
Architect : Charles Correa

cultural facilities and play host to multitude of arts events. The design of the complex is a
product of Correa’s mission to establish a modern architectural style specific to India and
Building Type : Multi Arts Complex and Museum

distinct from European Modernism. Drawing on the plentiful source material provided by
the rich architectural heritage of his home country, at Bharat Bhavan Correa produced a
Site Area : 2.46 Acres (9955.267 sq m)

building for the modern era which manages to also remain firmly rooted in the vernacular
traditions of India’s past.
Built Up Area : 9755.9 sq m

Built Programme
Client/Owner : State Govt. Of Madhya Pradesh

The natural contours of the site have been

Year of completion: 1982 used to create a series of terraced gardens and
sunken courtyard-off which are located a
number of cultural facilities,including a
museum of Tribal Art, a library of Indian poetry
(in all the 17 major languages),galleries for
contemporary art, workshops for lithography
and sculpture,and a studio for an artist-in-
residence. Bharat Bhavan also houses a full-
fledged theatrical repertoire company and
facilities for the performing arts,including the
Antarang (indoor Auditorium),and the
Bhairang (Open air amphitheatre),
Project Components : overlooking the lake
Art Gallery

Workshops

Theatre

Amphitheatre

Museum

Library

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 Bharat Bhawan

The sketch is an interpretation of how the play of light takes place in the museums
through the skylights. Lighting and ventilation are provided by these top lights ( from the
concrete shells and from along the terrace parapets.)

The stairs are reminiscent of ghats; steps

found in Indian cities which lead down to
a body of holy water, just as Correa’s steps
guide the pedestrian to the lakeside.

Indeed, Correa cited the bathing ghats on the bank of the River
Ganges at Varanasi as a stylistic influence. At Bharat Bhavan the
steps guide the pedestrian to the lakeside; the religious
connotations emphasizing the sacred nature of this pathway.

The sunken courtyards at Bharat Bhavan provide shade from the

scorching midday sun, while the raised terraces offer refreshing air
and space at cooler times of day. This climate-control solution was
lifted directly from India’s architectural history, inspired by the
courtyards and terraces of the Red Fort at Agra.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 Bharat Bhawan Design Vision :
Location : New Delhi

The design vision of the National Crafts Museum, New Delhi, by Charles Correa, is
to create an immersive and culturally resonant space that celebrates India’s rich
Architect : Charles Correa

craft heritage. Inspired by traditional Indian villages, the museum integrates

vernacular elements such as courtyards, shaded walkways, and open-air exhibit
Building Type : Museum

spaces, fostering a seamless blend of built and open environments. The design
promotes sustainability through passive cooling techniques and the use of
Site Area : 6 Acres

indigenous materials like brick and stone. With a focus on human scale and
accessibility, the museum offers an engaging experience where visitors can
Built Up Area : 6800 sq m

interact with artisans and witness live craft demonstrations, making it a living and
dynamic cultural hub.
Client/Owner : Ministry of Textiles

Zoning
Year of completion: 1990 This project was an
exercise in architectural
and cultural metaphors.
The low-lying museum
building is a reflection
of vernacular
Main functional components of the
museum
architecture and fine
craftsmanship. Several
The crafts museum is
architectural elements
organized around a like the Jharokha, Roof
central pathway, tiles, semi-open and
revealing a sequence of
Project Components : spaces along the open passages, internal
Gallery
Amphitheatre
pedestrian spine.
Courtyards, arches,
Courtyard
Museum
craved doors,
Village Complex
Crafts Demonstration
posts,pillars, perforated
Workshops
area

Theatre

iron screens etc. are all

visual delight.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 Built Programme Use of space
Usergroups
Craftsme
Professional
Students of Arts
an
Handicraft
Disciplin
Tourist and
Local People

Movement Pattern
The museum is organized around a central pathway revealing a set of spaces
around a central pedestrian spine. Exhibits such as the village court and the
central courts lie connected to the central pathway through connecting
courtyards. The design demonstrates the relevance of courtyards as an effective
means of regulating comfort conditions in an urban setup.

Off these courts are particular exhibits such as village crafts etc. The exhibits may
be viewed individually of even viewed as unfolding events exhibits along the way.
The sequence ends with the exit via the roof garden which forms an amphitheater
for folk dances as well as open air display of large terracotta statues.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 Natural Lighting

Section Of museum Figure showing various

components of Crafts
museum
The main source of natural light is direct light from
courtyard which disperses towards the sides of
creating a natural environment.

Figure showing section through courtyard

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 CASE STUDY MATRIX

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 03
3.1 Project profile 3.1 User profile
The Experiential Heritage Center in Lucknow is a cultural hub Artisans & Craftspeople – P roviding a platform for
designed to revive, sustain, and celebrate the city’s artistic and traditional craftsmen to demonstrate, teach, and sell
architectural legacy. Moving beyond a conventional museum, their work, ensuring the survival of Lucknow’s dying
the project fosters hands-on engagement, economic crafts
empowerment, and dynamic storytelling, ensuring that heritage Performers & Storytellers – Musicians, dancers, and poets
is actively lived and evolved rather than passively observed.
will use the space for live performances and cultural
Project Detail storytelling, preserving the city’s artistic traditions
Project Type: Experiential Heritage Cente Tourists & Visitors – B oth domestic and international
Location: Hussainabad, Luckno visitors seeking an authentic cultural experience beyond
Site Area: 20,000 sq static museum exhibits
Built-Up Area: 16070 sq Students & Researchers – Architecture, history, and
Core Functions cultural studies students will fi nd an interactive learning
Craft and Artisan Studios – Spaces for live environment, enriched by workshops and archival
demonstrations, skill training, and interactive workshops resources
on chikankari, zardozi, and ittar-making Local Community & Enthusiasts – Residents of Lucknow
Performing Arts Spaces – Dedicated zones for Kathak who wish to engage with their heritage, participate in
performances, Urdu poetry recitals, and storytelling cultural events, or contribute to the center’s activities.
sessions
Cultural Marketplace – Retail spaces for artisans to
showcase and sell their work, creating economic
sustainability
Interactive Digital Galleries – Augmented reality and
digital exhibits to modernize the storytelling of Lucknow’s
history
Community and Learning Spaces – Seminar halls, artist
residencies, and educational zones for cultural exchange.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 3.3 Institutional Structure of the Project
3.2 The functional diagram and its impact on space use
The Experiential Heritage Center in Lucknow will function as a
multi-stakeholder institution, combining government support,
private partnerships, and community engagement to ensure
long-term sustainability. The institutional structure will directly
influence the spatial organization, ensuring efficient
management, dynamic programming, and economic viability.

Institutional Structur
Government & Heritage Bodies (Policy & Oversight
Agencies Involved: Lucknow Development Authority
(LDA), Uttar Pradesh Tourism Department, ASI
(Archaeological Survey of India)
Role: Provide regulatory oversight, ensure heritage
conservation guidelines are followed, and offer funding/
subsidies for artisan and cultural programs
Impact on Space
Heritage protection zones with controlled construction
regulations to maintain historical integrity
Reserved areas for heritage documentation and
conservation research
Private & Cultural Organizations (Funding & Operations
Agencies Involved: Private investors, corporate sponsors
(CSR initiatives), NGOs promoting heritage preservation,
and art foundations
Role: Offer financial support, curate exhibitions, and
organize workshops or events
Impact on Space
Dedicated exhibition halls and cultural event spaces to
host sponsored programs.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 Flexible spaces for rotational art residencies, temporary Impact on Space
exhibitions, and live performances Visitor engagement zones featuring interactive
Artisan & Performer Collectives (Economic & Cultural exhibits, storytelling corners, and digital heritage
Sustainability experiences
Agencies Involved: Local artisan guilds, performing arts Outdoor courtyards and plazas designed for informal
academies, and cultural tourism initiatives community gatherings and cultural fairs.
Role: Operate and maintain craft workshops, performance
zones, and training centers, ensuring that heritage remains a
living tradition
Impact on Space
Open-to-public craft studios, allowing visitors to engage
with artisans in real-time
Multi-functional performance venues adaptable for
dance, music, and storytelling
Educational & Research Institutions (Knowledge & Skill
Development
Agencies Involved: Architecture and design schools, cultural
research centers, and universities
Role: Conduct heritage research, student engagement
programs, and cultural education initiatives
Impact on Space
Library, archives, and research labs for academic
exploration
Seminar halls and training rooms for workshops and
educational events
Community & Tourism Participation (Public Engagement &
Outreach
Agencies Involved: Local residents, tourists, cultural
enthusiasts, and heritage volunteers
Role: Encourage public participation through guided tours,
interactive experiences, and cultural festivals.

THESIS 2025 The Experiential Hertiage Centre, Lucknow

 3.4 Area program

THESIS 2025 The Experiential Hertiage Centre, Lucknow

THESIS 2025 The Experiential Hertiage Centre, Lucknow
 TOTAL BUILT UP : 16070 sq m
THESIS 2025 The Experiential Hertiage Centre, Lucknow
 3.5 Inferences
VIEWING DECK SITE INFERENCE
A Viewing deck can be introduced

for nearby monuments The nodes around the site are busy. Therefore entry gate can
be planned away from these
Because the context is rich heritage wise it is necessary that the
design must act as a landmark.

Bold Volumes- Simple form guided by Mughal architecture and

simple yet strong geometric expressions. • Separate zones and
circulation for public, staff and servic
High priority on landscape and open area (courtyards, exhibition
garden, water feature)

THESIS 2025 The Experiential Hertiage Centre, Lucknow