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AI in Note-to-Note Counterpoint

The document outlines assignments focused on writing counterpoint in music composition. It includes tasks for creating note-to-note counterpoint in strict style and 2:1 counterpoint, emphasizing the use of harmonic intervals and various musical techniques. Students are instructed to indicate motion types and include specific musical elements such as passing tones and consonant skips.

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bencarpowich
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110 views2 pages

AI in Note-to-Note Counterpoint

The document outlines assignments focused on writing counterpoint in music composition. It includes tasks for creating note-to-note counterpoint in strict style and 2:1 counterpoint, emphasizing the use of harmonic intervals and various musical techniques. Students are instructed to indicate motion types and include specific musical elements such as passing tones and consonant skips.

Uploaded by

bencarpowich
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

NAME

Assignment 9.5
I. Writing a note-to-note counterpoint
Write a note-to-note counterpoint for each given cantus firmus in strict style, in whole notes. Write the
harmonic interval numbers between the staves, and indicate above the CPT line if the motion between the
parts si contrary (C), similar (S), oblique (O), or parallel (P). If it helps, fill ni the table with letter names of
the possible consonant pitches.
. Above a given line
A

6 A
b
5 G
Eb
8

2 3 5

CPT

8 3

CF2

(transposed)

(2) ^
6

4 5 6 7 10 11

CPT

5 3

CF3

Chapter 9 Connecting Intervals in Note-to-Note Counterpoint 103


NAME.

As sig nm en t 10.2
I. Writing a 2:1 counterpoint
style, using two half notes for each cantus
Write a 2:1 counterpoint for each given cantus firmus in strict harmonic interval
nant skips, and write the
whole note. Include passing tones, neighbor tones, and conso
nic dissonance.
numbers between the staves. Circle the numbe r for each harmo
A. Above a given line

(1) " 1 3 4 5 6

C2 , 4°
10 11 12
9

(2) ถ 1 2

CF4 2,40
8 9 10 1

Composition 113
Chapter 10 Melodic and Rhythmic Embellishment in Two-Voice

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