C L ASS W O R K B O O K

K eith G iglio
TITLE:

LOGLINE:

Why would people want to see this movie?

PROTAGONIST:

OBJECTIVE:

What is the PRE-STORY? What has happened in the life of your main character prior to the
opening image of the movie. For example, in SHREK the decision has been made to marry. In
JERRY MCGUIRE, Dorothy's husband is dead. Jerry is at the top of his game.

PLOT:
What happens in the movie?

STORY:
What is the movie really about?

GETTING IT WRITE: Script Workbook - Page 2 of 27

 A C T O N E (?)
Roughly the first 25-27 pages of your first draft.
It is the part of the movie that sets up the question of what will happen in the movie
Most of the main characters are introduced in this act.

SE Q U E N C E A - T H E O P E N I N G (1-13)
This is first mini-movie. The idea is to establish character and tone.

OPEN WITH MYSTERY

The opening image, the first scene of your movie needs to draw the audience in. Avoid
opening with talking heads.
TOOTSIE - we establish Michael as a great but difficult actor.
GODFATHER: the undertaker in the dark is talking about America.
SHREK - a book of Fairy Tales is torn apart. Someone is reading it in an outhouse. We are informed that this is not going to be like any fairy
tale we have ever seen.
AMERICAN BEAUTY - the video tape plays. Do you want me to kill your Dad?
JERRY MAGUIRE - this is the world. We're curious of who the narrator is?

(1)

CONFLICT:

CHANG E :
Remember each scene should have some opposition.
Change means the something has happened in the scene to warrant it being in the story.

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GETTING IT WRITE: Script Workbook - Page 3 of 27

 DEFINING ACTION - THE STATUS QUO
A character is quickly defined by what they are doing when we meet them. You want to
establish the status quo of the movie.

TOOTSIE - Michael is a great but difficult actor.

GODFATHER: Michael arrives at the wedding.
SHREK - Shrek is an ogre in the swamp
AMERICAN BEAUTY - Lester wakes up. Masturbates in the shower.
JERRY MAGUIRE - Jerry is at the top of his game. The suit in the shark.

(2)

(3)

(4)

CONFLICT:

CHANGE:

Remember each scene should have some opposition.

Change means the something has happened in the scene to warrant it being in the story.

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GETTING IT WRITE: Script Workbook - Page 4 of 27

 EXPOSITION
You are now telling us only what we need to know at this point. What is important to
establishing the status quo of the hero at this point in time. What his or her life is life if
nothing changes. There are usually about three scenes of exposition. This is where we
should gain some empathy some understanding of the character.

TOOTSIE - Michael is a womanizer. Chauvinistic. But also a good teacher.

GODFATHER: The Godfather is the head of a crime syndicate. Michael does not want to part of the family.
SHREK - Shrek lives alone. Farquaad wants to marry.
AMERICAN BEAUTY - Lester hates life and job. He tells us in a year he will dead.
JERRY MAGUIRE - Jerry senses something is wrong with his life. He doesn't like what he does anymore.

(5)

(6)

(7)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 5 of 27

 POINT OF ATTACK
Something is introduced into the story which upsets the status quo of the story. From
here on in the hero will react to this event. The apply cart has been upset.

TOOTSIE - Michael learns that Sandy is auditioning for the role of Dorothy Michaels.
GODFATHER: The wedding ends. The deal with Sollozzo is introduced.
SHREK - The fairy tale creatures invade the swamp.
AMERICAN BEAUTY - We see Ricky Fitts videotaping Lester.
JERRY MAGUIRE - Jerry's mission statement is delivered.

(8)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 6 of 27

 SEQUENCE B - THE SET UP (14-26)
The protagonist is still getting information. He or she is not yet at the point of no return but will
soon be. This section we are still meeting characters, introducing subplots. Be sure to introduce
the antagonist sometime in Act One.

REFUSAL OF THE CALL

The hero or someone close to the hero will express a reluctance; a fear that this is not a
good idea.

TOOTSIE - Michael goes to the audition. Is upset when he learns someone else is doing the Iceman Cometh.
GODFATHER: Don Corleone does not wish to deal with Sollozzo.
SHREK - Shrek does not want the creatures in his swamp.
AMERICAN BEAUTY - Lester does not know how to change.
JERRY MAGUIRE - Jerry feels he made a mistake sending the mission statement.

(9)

CONFLICT:

CHANGE:

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031)56

GETTING IT WRITE: Script Workbook - Page 7 of 27

%

MEETING WITH THE MENTOR

The hero will usually meet a mentor. A friend. Someone who is going to be their guide
on the journey.

TOOTSIE - Michael tells his agent what he is doing.

GODFATHER - Don Corleone relies on Tom Hagen for counsel. However, the Don will be the mentor for Michael later.
SHREK - The Donkey is the mentor for Shrek. His sidekick.
AMERICAN BEAUTY - Ricky Fitts will become the mentor for Lester. He will learn from him.
JERRY MAGUIRE - Jerry always remembers the words of his mentor -- Dicky Fox.

(10)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 8 of 27

 DRAMATIC QUESTION
The page 17 rule. Something usually happens around seventeen minutes into a movie
which will tell us what the movie is going to be about.

TOOTSIE - Michael learns no one will hire him. All he wants to do is produce Jeff's play. He appears in drag.
GODFATHER: The Don refuses the deal with Sollozzo. Michael and Kate are enjoying their lives.
SHREK - Shrek and Farquaad meet.
AMERICAN BEAUTY - Lester sees Angela performing. He fantasizes about her.
JERRY MAGUIRE - Jerry and Dorothy Boyd talk with Ray at the airport.

(11)

CONFLICT:

CHANGE:
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GETTING IT WRITE: Script Workbook - Page 9 of 27

 THEMATIC QUESTION
At some point, you need to tell us what and why you are writing. Sometimes

TOOTSIE - can a man be a better man as a woman

GODFATHER: sins of the father passed to the son
SHREK - beauty is within
AMERICAN BEAUTY - beauty in the world
JERRY MAGUIRE - redemption, second chances.

(12)

CONFLICT:

CHANGE:

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045/452%)/%(0)/%4/%4+6%

GETTING IT WRITE: Script Workbook - Page 10 of 27

 CROSSING THE FIRST THRESHOLD
The hero begins his/her journey. They are now heading toward a new world, toward a
new goal. Their lives have been disrupted and this is the only chance they have to return
it to the status quo that was established in act one.

TOOTSIE - Michael auditions and get the job.

GODFATHER: Don Corleone is shot.
SHREK - Shrek and Donkey set off to rescue Princess Fiona.
AMERICAN BEAUTY - Lester starts his pursuit of Angela.
JERRY MAGUIRE - Jerry is fired and leaves SMI to start his own company.

(13)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 11 of 27

 PROTAGONIST & OBJECTIVE

TOOTSIE - Michael's goal is to produce Jeff's play.

GODFATHER - Michael wants to protect his father and family.
SHREK - Shrek wants his swamp back.
AMERICAN BEAUTY - Lester wants Angela.
JERRY MAGUIRE - Jerry wants to start his own agency.

(14)

CONFLICT:

CHANGE:

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JS&F&J!EF%V&G!@Y%

GETTING IT WRITE: Script Workbook - Page 12 of 27

 ACT TWO A
The first half of the second act. The Complicating Action of the story.

SEQUENCE C - NEW & SPECIAL WORLD (pg. 27-40)

The hero enters a new world. A different place than they were before. This place can be
the beginning of a relationship, a new romance, a physical transformation to a new
location.

TOOTSIE - Michael enters the soap opera world. He also enters Julie's world.
GODFATHER: Michael enters the world of his crime family which he didn't want to be part of.
SHREK - Shrek and Donkey set off on a journey through the field.s
AMERICAN BEAUTY - Lester enters the world of where he wants to obtain the love of Angela.
JERRY MAGUIRE - Jerry is now on his own (with Dorothy)

(15)

CONFLICT:

CHANGE:
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GETTING IT WRITE: Script Workbook - Page 13 of 27

 NEW RULES, NEW APPEARANCES
A hero needs to learn the new rules and often will take a disguise, in terms of a hidden
change of attitude.
TOOTSIE - Michael learns how to be in disguise. How to dress and act like a woman.
GODFATHER - Michael acts like a gangster and saves his father at the hospital.
SHREK - Shrek is learning the rules of friendship with Donkey.
AMERICAN BEAUTY - Lester wants to work our, talk and dress differently.
JERRY MAGUIRE - Jerry keeps up the appearance of an agent and sets off in pursuit of Cushman.

(16)

CONFLICT:

CHANGE:

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U%+/87*6%

GETTING IT WRITE: Script Workbook - Page 14 of 27

 INTIMACY THROUGH FAILURE
We like to watch the hero fail. How they react to adversity is how we learn from them
how we empathize with them.
TOOTSIE - Michael is reprimanded by Ron the director. He is kissed by Van Buren.
GODFATHER: Michael's jaw is broken by the corrupt police Captain.
SHREK - Donkey and Shrek argue.
AMERICAN BEAUTY - Lester is still put down at work and by his wife.
JERRY MAGUIRE - Jerry's girlfriend hints she is a loser.

(17)

CONFLICT:

CHANGE:
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GETTING IT WRITE: Script Workbook - Page 15 of 27

 SE Q U E N C E D - A PPR O A C H (pgs. 41-54)

This sequence will end with a big change. Remember the rules of PREPARATION and
AFTERMATH scenes.

APPROACH
We are heading toward a major event - the MIDPOINT. Also in this section you are
delivering the promise of the poster, the idea.

TOOTSIE - Michael is starting to gain some popularity.

GODFATHER: Michael announces his idea to kill the cop.
SHREK - Shrek and Donkey arrive at the castle and deal with the dragon.
AMERICAN BEAUTY - Lester and Ricky smoke pot. Lester begins his change.
JERRY MAGUIRE - Jerry gears up for the NFL draft in NY.

(18)

(19)

(20)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 16 of 27
 MIDPOINT
Not an act break but pretty darn close. A major character shift is going to occur. A
romance might begin. Also, the midpoint is an event which the hero approaches with
some trepidation. It's a location, an event which the audience is anticipating.
TOOTSIE - Michael likes Julie. He makes his first move on Julie as a man.
GODFATHER: Michael shoots the cop.
SHREK - Shrek meets the Princess.
AMERICAN BEAUTY - Lester quits his job. Starts acting younger.
JERRY MAGUIRE - Jerry loses his star client and is dumped by Avery.

(21)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 17 of 27

 ACT TWO B

SE Q U E N C E E - D E V E L O P M E N T (pgs. 55-69)
Here is where movies slow down and themes are discussed and explored. Not much happens in
this section in terms of the hero accomplishing his over all objective. That's okay. Take the foot
off the gas and tell us what the story is, what the movie is really about.

REACTION TO THE MIDPOINT

A character will always react to what has just happened. It doesn't have to happen
immediately but remember, we are looking to see characters making choices in crisis
which leads to change.

TOOTSIE - Michael is popular and now becoming a better person. His relationship with Julie begins.
GODFATHER - Michael is in along in Sicily. Walking with henchmen. He is changing.
SHREK - Shrek and Fionna and Donkey begin the journey back. He begins to like her.
AMERICAN BEAUTY - Lester is loving life. Getting in shape. Getting closer to Angela
JERRY MAGUIRE - Jerry makes a bad move on Dorothy. Realizes all he has is Ron.

(22)

(23)

(24)

CONFLICT:

CHANGE:

TIP:
GETTING IT WRITE: Script Workbook - Page 18 of 27
 SE Q U E N C E F - C R ISIS - (pages 70-83)
The crisis mounts for the hero. At the end of this sequence, they will be far away from reaching
their goal. It looks like all is lost. The hero senses before this they have a chance to be a
different person.

EXPOSE THE CHARACTER WEAKNESS

At some point, the hero will reveal or we will see a side of the hero we haven't before.
Sometimes it is what haunts the hero.

TOOTSIE - Michael wants to tell Julie. He wants to be a differenr person. He tells his agent he wants to play Eleanor Roosevelt.
GODFATHER: Michael learns Sonny is dead.
SHREK - Shrek puts his feelings on the line with Donkey.
AMERICAN BEAUTY - Lester remembers the days when his life was full.
JERRY MAGUIRE - Jerry with Ray talks about his Dad. Rod tells him he doesn't know about love.

(25)

(26)

(27)

CONFLICT:

CHANGE:

TIP:

GETTING IT WRITE: Script Workbook - Page 19 of 27

 CRISIS - END OF ACT TWO
The hero encounters a huge set-back or the story takes an unexpected turn, pushing us
into the last act. In the punctuation of structure this act ends with a huge exclamation
point (!). Something major has happened.
TOOTSIE - Michael learns his contract is being picked up.
GODFATHER: Michael's wife is killed.
SHREK - Shrek reverts to being an ogre an delivers Fiona to Farquaad.
AMERICAN BEAUTY - the last day of Lester's life begins.
JERRY MAGUIRE - Jerry gets married. He does so before he is ready.

(28)

CONFLICT:

CHANGE:
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GETTING IT WRITE: Script Workbook - Page 20 of 27

 ACT THREE

The last act happens with more urgency than the other two acts. Quicken the pace. This act will
end with a (.) Here is where you answer all the questions the movie will ask.

SE Q U E N C E G - L AST G R E A T D E C ISI O N (pgs. 84-97)

Building toward the final 10 pages, the hero has to make a last great decision on who they will be
the rest of their lives. They have journeyed far but still have a choice to go back to who they
were before.

THE BIG GLOOM

The hero reacts to what has just happens. They are gloomy about it.
TOOTSIE - Michael is stuck being Dorothy.
GODFATHER: Michael returns to the U.S. and woos Kate. He is a darkner person.
SHREK - Shrek returns to the swamp. Not as happy as he was before.
AMERICAN BEAUTY - Lester jogging. Daughter planning on leaving.
JERRY MAGUIRE - Jerry not happy in his marriage. He is still not sure how to love and be that better person.

(29)

(30)

(31)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 21 of 27
 THE LAST GREAT DECISION

The hero has a choice to go back to be the person they were in the beginning of the movie
or to change.
TOOTSIE - Michael reveals who he is on TV.
GODFATHER - Michael talks with his Dad. He has agreed to become the Godfather.
SHREK - Shrek rushes off to stop the wedding.
AMERICAN BEAUTY - the kids are going to run away. Wife is going to shoot her husband.
JERRY MAGUIRE - Jerry and Dorothy talk about breaking up the marriage.

(32)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 22 of 27

 SE Q U E N C E H - R ESO L U T I O N - (pages 98-110)

The final battle and the final transformation.

BATTLE
This can be a physical battle, an emotional battle.
TOOTSIE - Michael pushes the Mime. He decides to go talk to Julie's Dad.
GODFATHER: Michael becomes the Godfather as we see the executions he has ordered.
SHREK - Shrek crashes the wedding to save the woman he loves.
AMERICAN BEAUTY - it all takes place in suburbia on a rainy night.
JERRY MAGUIRE - the Monday night football game.

(33)

(34)

(35)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 23 of 27

 RESURRECTION

There will/should be an apparent defeat. The hero is at the brink of death and then
brought back. A relationship which was seemingly over now comes back to life.
TOOTSIE - Michael wins the respect of Juliet's father.
GODFATHER - Michael has survived and killed his enemies.
SHREK - It looks like Shrek is too late. Fiona changes into an ogre.
AMERICAN BEAUTY - Lester decides not to sleep with Angela.
JERRY MAGUIRE - Jerry watches Rod rise back to consciousness on the field.

(36)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 24 of 27

 SACRIFICE

The hero gives up something, showing us how much they have changed. It might happen
earlier but it does need to happen.
TOOTSIE - Michael has given up the fame.
GODFATHER - Michael has sacrificed his soul
SHREK - Shrek declares his love. Risks everything for Fionna.
AMERICAN BEAUTY - Lester gives up his goal.
JERRY MAGUIRE - Jerry gives up his chance to bask in Rod's success as he realize what is important.

(37)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 25 of 27

 MAGIC FLIGHT

This will show up more in comedies. It is the chase. The race to get to the ending.
TOOTSIE - N/A
GODFATHER: N/A
SHREK - the race to get to the wedding
AMERICAN BEAUTY - N/A
JERRY MAGUIRE - the race to get back home.

(38)

CONFLICT:

CHANGE:

!"#$%

GETTING IT WRITE: Script Workbook - Page 26 of 27

 RETURN WITH THE EXILIR

The journey over - what does the hero get? What have they learned.
TOOTSIE - Michael tells Julie he is a better man now.
GODFATHER - Michael has become the Godfather.
SHREK - Shrek has learned to love and be a friend.
AMERICAN BEAUTY - Lester rediscovers beauty before his death.
JERRY MAGUIRE - Jerry gets his wife back and learns how to love and be the person he can be.

(39)

(40)

CONFLICT:

CHANGE:

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GETTING IT WRITE: Script Workbook - Page 27 of 27