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Tension Builds in Dark Streets: A Short Film

The scene unfolds on a dimly lit street where Zafar, a blind man, prepares to confront Aliya, reflecting on his vision despite losing his sight. Meanwhile, Aliya appears detached as she makes a sandwich, seemingly unfazed by news of ex-gang members' deaths. The tension escalates as Zafar threatens Aliya over the phone, leading to a climactic moment at her door, interrupted by the arrival of a pizza delivery guy.

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0% found this document useful (0 votes)
57 views4 pages

Tension Builds in Dark Streets: A Short Film

The scene unfolds on a dimly lit street where Zafar, a blind man, prepares to confront Aliya, reflecting on his vision despite losing his sight. Meanwhile, Aliya appears detached as she makes a sandwich, seemingly unfazed by news of ex-gang members' deaths. The tension escalates as Zafar threatens Aliya over the phone, leading to a climactic moment at her door, interrupted by the arrival of a pizza delivery guy.

Uploaded by

abdmagi
Copyright
© All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

EXT.

DIMLY LIT STREET - NIGHT

A long shot of a dark, empty street, lit by a single


streetlamp. A man, wearing a dark blue hoodie, loiters in the
area. No one's around.

ZAFAR (V.O)
(calm, chilling)
They took my eyes, but they didn't
take my vision. They think I don't
see... but I do. I see everything in
ways they didn't even imagine.

CLOSE UP on his anxious face. He leans against the wall,


rubbing his face, stressed.

ZAFAR (V.O)
(muttering to himself)
I can do this... This is it. Nothing
to lose.

He looks up at the sky. His hands shake. CLOSE UPS of his


hands and legs.

ZAFAR
(pauses, breathing heavy)
It has to be done.

He pulls out a burner phone. His fingers dial, but his eyes
don't focus on the phone. They wander. The clicks of the
buttons are louder than normal. He exhales deeply.

INT. ALIYA'S HOUSE - KITCHEN - NIGHT

The kitchen is soft, pastel, and light-everything clean and


neat. Aliya is listening to loud rock music on her
headphones, she seems unbothered. She removes the headphones,
setting them aside on the kitchen counter. There is no more
music.

Aliya makes a strawberry jam sandwich. She seems calm, almost


detached. The TV murmurs in the background, talking about ex-
gang members found dead. She seems unfazed by it.

TV NEWS ANCHOR (V.O.)


(reporting)
Authorities are investigating the
suspicious deaths of several ex-gang
members, believed to be targeted

Created using Celtx


2.

because of their criminal pasts. No


suspects have been identified, and
investigators urge anyone with
information to come forward.

She spreads jam on the bread with a sharp knife. The camera
moves between MID SHOTS, CLOSE-UPS, and OBLIQUE ANGLES. Aliya
licks jam from her fingers, messily, unbothered. A bit of jam
on the counter, crumbs scattered.

Her phone RINGS, startling her for a moment. It's a cheerful


ringtone.

CLOSE UP on the clock: 1:11 PM as she glances towards it. She


pauses, concerned.

INT. ALLYA'S HOUSE - LIVING ROOM - NIGHT

Takes the sandwich, no plate, and sets it on the table


infront of the TV, nonchalantly.

CLOSE UP of her hand grabbing the remote, changing the


channel to a murder thriller-Betrayal.

PHONE RING CONTINUES.

Aliya picks up, sees "UNKNOWN NUMBER." She answers without


speaking.

EXT. DIMLY LIT STREET - NIGHT

CLOSE UP on the Zafar's mouth as he speaks, calm yet


threatening.

ZAFAR
(coldly)
I wonder how you sleep at night. I
wonder how you've hidden for so long.
I know you know me, and I know you -
pause - I know what you've done.

As he speaks, he pulls out a pair of glasses from his hoodie


pocket, putting them on. CLOSE UP on his hands, then CLOSE UP
on the walking cane leaning against the wall beside him.

ZAFAR
(calm but threatening)
You've made a mistake, Aliya. A
terrible mistake.

Created using Celtx


3.

INT. ALIYA'S HOUSE - LIVING ROOM- NIGHT

CLOSE UP on Aliya as she smirks, her face relaxed. She wipes


jam off her face with her hand and grabs the knife down
covered in jam residue.

ALIYA
(casually, into the phone)

She leans back on the sofa she's sitting on and sighs.

EXT. DIMLY LIT STREET - NIGHT

CLOSE UP on the Zafar's feet as they step forward. The


walking cane taps the pavement. CAMERA PANS UP as he walks.
His fingers trace the wall as he paces. He mutters under his
breath.

ZAFAR
(calmly, to himself)
I'm coming.

He throws the phone on the ground, hard. CLOSE UP on the


phone smashing against the ground. The camera rises to reveal
his face as he pulls the hoodie off, revealing a blind man
with nothing to lose.

INT. ALIYA'S HOUSE - NIGHT

Aliya finishes her sandwich, licking the knife clean. She


hears the doorbell. She looks towards the door, expecting the
sound.

She takes the knife behind her back, calmly walks towards the
door. CLOSE UP on her hand gripping the handle, the knife
held tightly in the other hand.

EXT. ALIYA'S HOUSE - NIGHT

The man stands outside the door, hands in his pockets. A


CLOSE UP reveals a knife, hidden behind his back.

INT. ALIYA'S HOUSE - NIGHT

Aliya opens the door. We get a HIGH ANGLE SHOT from over her
shoulder. The door creaks open.

EXT. ALIYA'S HOUSE - NIGHT

A CLOSE UP on the PIZZA GUY, smiling, holding a pizza box.

Created using Celtx


4.

PIZZA GUY
Are you Aliya?

The camera cuts to black, followed by a scream in the


distance.

A knife clatters to the floor, blood splattering around it.

FADE

Created using Celtx

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